THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME. IT  HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL END  STATION  FOR 
 THE BUILDINGS  THAT SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S A  LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS,  MADE IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.  ON  THE   EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY  OPEN. THERE'S 
 A  MUSEUM, WITH WAX FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS   ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT I  CAN SEE  BY THE 
 LIGHT  THAT SHINES IN WHEREVER  THE DARK 
 WINDOWS     ARE    MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT IS ONE MASSIVE HALL,  STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF  THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I  SNEAK OVER THERE, AND 
 TAKE A FEW  RELUCTANT  STEPS. AFTER JUST 
 A REVOLUTION, I  NOTICE  THAT  FOR  EACH 
 STEP  THE BUILDING STARTS  TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED,  AND THEN 
 ORANGE, ALL  THE  PILED  UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO RUN  DOWN  AND OUT, BUT 
 THERE'S  SOMEONE  ELSE  ON THE STAIRCASE 
 WITH   ME   NOW,   PRESSED  CLOSE.  HE'S 
 LOOKING  LIKE ME,  SHORT  HAIR AND  THIN 
 ARMS,  BUT WITH EARS  FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS  AND  DIALS SET 
 IN THE  CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN   ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF  ME. I TRY  TO 
 SHAKE HIM  OFF, BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK    UP   BESIDE    HIM. 
                                          
 THIS  TIME,  I TURN ANGRY INSTEAD.  WHAT 
 THE HELL? WHO IS  THIS  GUY, ACTING LIKE 
 THIS? I  REACH OUT MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM  ON THE ARM,  FORCING  MY RELEASE. I 
 SHOVE HIM OFF  OF ME, AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN IS  DROPPED  AROUND ME.  BUT THE 
 ELEVATOR  ALSO SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST  BLUE. I CLOSE MY EYES AND 
 CURL  INTO A  BALL. BUT THEN,  THE GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES  MY EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS  NOW  MASSIVE TAIL, AND  THE 
 TIP  OF IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS, UNABLE  TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY, HE'S LOST  TOO  MUCH OF 
 HIMSELF AND  THE  SCREAM IS  CUT  SHORT. 
 THE    LAST    OF    HIM   RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN MY  CAGE.  LOOKING UP,  I  TRY TO 
 MAKE  OUT  THE CEILING,  BUT IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE  OF  THE FACTORY WALLS, BUT 
 VERY  FAINT.  I SIT DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE,  CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING, I MAKE  MY WAY  OVER 
 THE  FACTORY FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE  DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.    EMBRYOS?    ARE   THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.