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¨¨.~/†¤### # ###¤†/~.¨¨
¨.~/†¤#### ¨LIZARDRY ####¤†/~.¨
¨¨.~/†¤### ~ # ## ### ################## ###¤†/~.¨¨
¨.~/†¤#### ## THE ART OF C.NNECTING ####¤†/~.¨
¨¨.~/†¤### ¨ WITH THE OLD MIND ###¤†/~.¨¨
¨.~/†¤#### ####¤†/~.¨
¨¨.~/†¤### MY MIND IS BEING SKEWED. MI ###¤†/~.¨¨
¨.~/†¤#### SKELETON IS STRINGY AND OLD AND ALIEN ####¤†/~.¨
¨¨.~/†¤### THE SITUATION IS LITERALLY ###¤†/~.¨¨
¨.~/†¤#### PRESSED OUT THROUGH MY EYES, IT'S ####¤†/~.¨
¨¨.~/†¤### ECHOING LIKE ###¤†/~.¨¨
¨.~/†¤#### THE SUNSET OF THE ETERNAL ####¤†/~.¨
¨¨.~/†¤### OCEAN ###¤†/~.¨¨
¨.~/†¤#### PERSISTENTLY AGAINST MY EMULSION ####¤†/~.¨
¨¨.~/†¤### ###¤†/~.¨¨
¨.~/†¤#### IT'S UNGRASPABLE TO ME, WHAT OTHER ####¤†/~.¨
¨¨.~/†¤### HUMANS ARE DOING AND ABSTRACTING, ###¤†/~.¨¨
¨.~/†¤#### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ####¤†/~.¨
¨¨.~/†¤### HOW LONG A TIME HAS PASSED, FOR THEM? ###¤†/~.¨¨
¨.~/†¤#### ¨ ####¤†/~.¨
¨¨.~/†¤### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###¤†/~.¨¨
¨.~/†¤#### CONTINUOUSLY I'M CROWDING THROUGH ####¤†/~.¨
¨¨.~/†¤### ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ###¤†/~.¨¨
¨.~/†¤#### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ####¤†/~.¨
¨¨.~/†¤### ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ###¤†/~.¨¨
¨.~/†¤#### . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ####¤†/~.¨
¨¨.~/†¤### . . DOWN IN THE DRAGONS THROAT. ###¤†/~.¨¨
¨.~/†¤#### . ####¤†/~.¨
¨¨.~/†¤### . ###¤†/~.¨¨
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