..-;^*## ###&*^;-..
..-;^*#@ @##&*^;-..
..-;^*## ###&*^;-..
...--^^* #&*^^--...
.....-^^&& &&^^-.....
..-;^^** delay delay d.la@ & ^a. . .# - . #&**^^;-..
..-;^*&& #&&&*^;-..
...---^^&@ @&^^---...
...--;;*&& &&*;;--...
.......-^& &^-.......
.....-;^*# "delay" means repetiton or likewise, #*^;-.....
..-;^*&@## but it's mainly useless without ##@&*^;-..
..-;^*@@ feedback, @@#&*^;-..
..-;^*#@## to allow the delay to eat of it's own ##@#*^;-..
..-;^*@# tail, like one of those eaty serpents. #@#&*^;-..
..-;^*## thus: it's the serpent effect! ###&*^;-..
.......;*# #*;.......
...-;^^*#@ it's to be revered as a creator of @#*^^;-...
..-;^**# ambience and of space, if you treat it ##&**^;-..
..-;^^^*## right. a somewhat more solid and ##*^^^;-..
..-;^*@# slippery sibling of reverb. #@#&*^;-..
..-;^*@@ @@#&*^;-..
..-;^*@# #@#&*^;-..
..-;^***&& &&***^;-..
..-;^*@# #@#&*^;-..
.....--;*# #*;--.....