..-;^*&### ###&*^;-..
..-;^*&##@ @##&*^;-..
..-;^*&### ###&*^;-..
...--^^*&# #&*^^--...
.....-^^&& &&^^-.....
..-;^^**&# delay delay d.la@ & ^a. . .# - . #&**^^;-..
..-;^*&&&# #&&&*^;-..
...---^^&@ @&^^---...
...--;;*&& &&*;;--...
.......-^& &^-.......
.....-;^*# "delay" means repetiton or likewise, #*^;-.....
..-;^*&@## but it's mainly useless without ##@&*^;-..
..-;^*&#@@ feedback, @@#&*^;-..
..-;^*#@## to allow the delay to eat of it's own ##@#*^;-..
..-;^*&#@# tail, like one of those eaty serpents. #@#&*^;-..
..-;^*&### thus: it's the serpent effect! ###&*^;-..
.......;*# #*;.......
...-;^^*#@ it's to be revered as a creator of @#*^^;-...
..-;^**&## ambience and of space, if you treat it ##&**^;-..
..-;^^^*## right. a somewhat more solid and ##*^^^;-..
..-;^*&#@# slippery sibling of reverb. #@#&*^;-..
..-;^*&#@@ @@#&*^;-..
..-;^*&#@# #@#&*^;-..
..-;^***&& &&***^;-..
..-;^*&#@# #@#&*^;-..
.....--;*# #*;--.....