¨~«^%%@###                                          ###@%%^«~¨
¨~«^%%@###                                          ###@%%^«~¨
¨~«^%%@###                                          ###@%%^«~¨
¨~«^%%@###                                          ###@%%^«~¨
¨¨¨¨~^^^%@                                          @%^^^~¨¨¨¨
¨¨¨¨¨~«%@# delay  delay  d¨la#  @ %a¨  ~ ¨#   «   ~ #@%«~¨¨¨¨¨
¨¨¨¨¨~«%@@                                          @@%«~¨¨¨¨¨
¨¨¨¨¨«^%@#                                          #@%^«¨¨¨¨¨
¨¨¨¨¨¨~^%@                                          @%^~¨¨¨¨¨¨
¨¨¨¨¨¨«%%@                                          @%%«¨¨¨¨¨¨
¨¨¨¨¨«%%%@ "delay" means repetiton or likewise,     @%%%«¨¨¨¨¨
¨~«^%%@### but it's mainly useless without          ###@%%^«~¨
¨¨¨¨~^%%@@ feedback,                                @@%%^~¨¨¨¨
¨¨¨¨~^^%%@ to allow the delay to eat of it's own    @%%^^~¨¨¨¨
¨~«^%%@### tail, like one of those eaty serpents.   ###@%%^«~¨
¨~~«^^%%%# thus: it's the serpent effect!           #%%%^^«~~¨
¨~«^%%####                                          ####%%^«~¨
¨~«^%%@### it's to be revered as a creator of       ###@%%^«~¨
¨~«^%%@### ambience and of space, if you treat it   ###@%%^«~¨
¨¨¨¨¨¨~^%@ right. a somewhat more solid and         @%^~¨¨¨¨¨¨
¨~«^%%@### slippery sibling of reverb.              ###@%%^«~¨
¨~~«««^%%#                                          #%%^«««~~¨
¨¨¨¨~^%@##                                          ##@%^~¨¨¨¨
¨~«^%%%%@#                                          #@%%%%^«~¨
¨~«^%%@###                                          ###@%%^«~¨
¨~«^%%@###                                          ###@%%^«~¨