,.~/%§@@##                                          ##@@§%/~.,
,,,,,.~%@#                                          #@%~.,,,,,
,.~/%§@@##                                          ##@@§%/~.,
,.~/%%%@@#                                          #@@%%%/~.,
,.~/%§@@##                                          ##@@§%/~.,
,.~/%§@@##                                          ##@@§%/~.,
,.~/%§@@@#                ,,§###§,,                 #@@@§%/~.,
,.~/%§@@@@       .. Pittsburgh Electronics ..       @@@@§%/~.,
,,,,,.//§@             ~~ Lifeforms ~~              @§//.,,,,,
,.~/%§§@@#               // Sv One //               #@@§§%/~.,
,.~/%§@@##                                          ##@@§%/~.,
,.~/%§@@## This Is  A  Eurorack Module But I Bought ##@@§%/~.,
,,,,,,./§@ The  Blackbox  One  So  It'S  Also  Not. @§/.,,,,,,
,,,,.../%@                                          @%/...,,,,
,.~/%§@### It  Ships  With Too  Few  Patch  Cables. ###@§%/~.,
,.~/%§@@##                                          ##@@§%/~.,
,,,,,,~%@#             ,%@ Contains @%,             #@%~,,,,,,
,.~/%§@@##           Midi To Cv Converter           ##@@§%/~.,
,.~/%§@@##                Two Vco'S                 ##@@§%/~.,
,,,,,,.~%@ Four Channel Or Two  X Two Channel Mixer @%~.,,,,,,
,.~/%%%%%@       Two Sub Oscillators I Think        @%%%%%/~.,
,,,,,../%@         Two One To Two Splitters         @%/..,,,,,
,.~/%§@@@#          White Noise Generator           #@@@§%/~.,
,.~/%§@@##              Sample And Hold             ##@@§%/~.,
,,,,,,./§@          Lfo Plus A Digital Lfo          @§/.,,,,,,
,.~/%§@@@#   Filter (Lowpass, Bandpass, Highpass)   #@@@§%/~.,
,.~/%§@@@#              Adsr Envelope               #@@@§%/~.,
,,,,,~%@@@                  One Vca                 @@@%~,,,,,
,.~/%§@@##              Headphone Amp               ##@@§%/~.,
,.~/%%§§@@         Fourty Nine Patchpoints!         @@§§%%/~.,
,.~/%§@@##                                          ##@@§%/~.,
,.~/%§@@##                 ,.###.,                  ##@@§%/~.,
,.~/%§@@##            ~%% So What Now %%~           ##@@§%/~.,
,.~/%§@@##                  ,.###.,                 ##@@§%/~.,
,,,.//§§@#                                          #@§§//.,,,
,.~/%§@@## Clock Io  Goes To Asdr  In  I  Think And ##@@§%/~.,
,,,../§§@@ Maybe  Also  To The Sample And Hold. Put @@§§/..,,,
,.~/%§@@@@ Subbase And Noise In  Channel Three  And @@@@§%/~.,
,.~/%@@### Four.  Oscillator  One  Saw  To  Channel ###@@%/~.,
,.~/%§@@## Two, And Oscillator  Two  Saw To Channel ##@@§%/~.,
,,,,.~~%§@ One.  Sample   And  Hold  Out   To   The @§%~~.,,,,
,.~/%§@###   Filter... Maybe... Resonance At Half.  ###@§%/~.,
,.~/%§@@@@ Some  Frequency In The First  Oscillator @@@@§%/~.,
,.~/%§@@## And Then  The Second Osc Four  Semitones ##@@§%/~.,
,.~/%%§@@#                  Higher.                 #@@§%%/~.,
,,,,~%%§§@                                          @§§%%~,,,,
,.~/%§@@##                 .~@@@~.                  ##@@§%/~.,
,.~/%§@@@#          /§§ Desktop Synth §§/           #@@@§%/~.,
,.~/%§@@@#                 .~@@@~.                  #@@@§%/~.,
,,,~/%§§@#                                          #@§§%/~,,,
,.~/%§@@##                                          ##@@§%/~.,
,,,,~~~%@@                                          @@%~~~,,,,
,.~/%§@###                                          ###@§%/~.,
,.~/%§@@@#                                          #@@@§%/~.,
,.~/%§@@@#                                          #@@@§%/~.,