@@@¤*$:=.¨                                          ¨.=:$*¤@@@
##@¤*$:=.¨                                          ¨.=:$*¤@##
##@¤*$:=.¨                                          ¨.=:$*¤@##
#¤¤¤*$:=.¨                                          ¨.=:$*¤¤¤#
#@*$$=...¨                                          ¨...=$$*@#
@@@¤*$:=.¨                                          ¨.=:$*¤@@@
@¤$=.¨¨¨¨¨                 ¨¨*###*¨¨                ¨¨¨¨¨.=$¤@
##@¤*$:=.¨       .. PITTSBURGH ELECTRONICS ..       ¨.=:$*¤@##
###@¤*$:=¨              == LIFEFORMS ==             ¨=:$*¤@###
@@*:.¨¨¨¨¨               :: SV ONE ::               ¨¨¨¨¨.:*@@
¤¤$:==.¨¨¨                                          ¨¨¨.==:$¤¤
¤*::.¨¨¨¨¨ THIS  IS A EURORACK MODULE BUT I  BOUGHT ¨¨¨¨¨.::*¤
#¤¤*::==.¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨.==::*¤¤#
#¤$::=.¨¨¨                                          ¨¨¨.=::$¤#
#@¤*$$:=.¨ IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ¨.=:$$*¤@#
#@@¤*$:=.¨                                          ¨.=:$*¤@@#
@¤$=¨¨¨¨¨¨             ¨$@ CONTAINS @$¨             ¨¨¨¨¨¨=$¤@
##@¤*$:=.¨           MIDI TO CV CONVERTER           ¨.=:$*¤@##
##@¤*$:=.¨                TWO VCO'S                 ¨.=:$*¤@##
¤¤$::==..¨ FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ¨..==::$¤¤
@¤¤$=¨¨¨¨¨       TWO SUB OSCILLATORS I THINK        ¨¨¨¨¨=$¤¤@
##@¤*$:=.¨         TWO ONE TO TWO SPLITTERS         ¨.=:$*¤@##
###¤*$:=.¨           WHITE NOISE GENERATOR          ¨.=:$*¤###
##@¤*$:=.¨             SAMPLE AND HOLD              ¨.=:$*¤@##
###¤*$:=.¨          LFO PLUS A DIGITAL LFO          ¨.=:$*¤###
##@¤*$:=.¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨.=:$*¤@##
##@¤*$:=.¨              ADSR ENVELOPE               ¨.=:$*¤@##
##@¤*$:=.¨                  ONE VCA                 ¨.=:$*¤@##
¤$$$$=¨¨¨¨               HEADPHONE AMP              ¨¨¨¨=$$$$¤
###@*$:=.¨         FOURTY NINE PATCHPOINTS!         ¨.=:$*@###
#¤*$$=.¨¨¨                                          ¨¨¨.=$$*¤#
##@¤*$:=.¨                 ¨.###.¨                  ¨.=:$*¤@##
##@¤*$:=.¨           =$$ SO WHAT NOW $$=            ¨.=:$*¤@##
##@¤*$:=.¨                 ¨.###.¨                  ¨.=:$*¤@##
@¤$:=..¨¨¨                                          ¨¨¨..=:$¤@
##@¤*$:=.¨ CLOCK IO GOES TO  ASDR  IN  I THINK  AND ¨.=:$*¤@##
@¤***$:=.¨ MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT ¨.=:$***¤@
#@***$:=.¨ SUBBASE AND NOISE IN  CHANNEL THREE  AND ¨.=:$***@#
###@¤*$=.¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨.=$*¤@###
#@***$:=.¨ TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ¨.=:$***@#
¤$$$===.¨¨ ONE.  SAMPLE  AND   HOLD   OUT   TO  THE ¨¨.===$$$¤
¤$$====¨¨¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨¨¨====$$¤
¤¤*:=.¨¨¨¨ SOME FREQUENCY  IN  THE FIRST OSCILLATOR ¨¨¨¨.=:*¤¤
¤$$:::...¨ AND THEN  THE SECOND  OSC FOUR SEMITONES ¨...:::$$¤
@@**$=¨¨¨¨                 HIGHER.                  ¨¨¨¨=$**@@
###@¤*$:.¨                                          ¨.:$*¤@###
¤$=¨¨¨¨¨¨¨                 .=¤@¤=.                  ¨¨¨¨¨¨¨=$¤
@**$=¨¨¨¨¨          :** DESKTOP SYNTH **:           ¨¨¨¨¨=$**@
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##@¤*$:=.¨                                          ¨.=:$*¤@##
##@¤*$:=.¨                                          ¨.=:$*¤@##
##@¤*$:=.¨                                          ¨.=:$*¤@##
@@¤**$:=.¨                                          ¨.=:$**¤@@
##@¤*$:=.¨                                          ¨.=:$*¤@##
###@*$:=.¨                                          ¨.=:$*@###