@,,,,,@,@@ @,@@@,,,@@
@,,,,@@@,@ @@,,@,,@,,
@,,,@,,@@@ ,@,@@,@@,@
@,,@@,@,,, @@@,@@,@@,
@,@,@@@,,, ,,@@,@@,@@
@@@@,,@,,, delay delay d,la# @ $a, : ,@ « : ,@,@@,@@,,
,,,@,@@,,, @@@,@@,@,@
,,@@@,@,,@ ,,@@,@@@@@
,@,,@@@,@@ ,@,@@,,,,@
@@,@,,@@,@ @@@,@,,,@@
,@@@,@,@@@ "delay" means repetiton or likewise, ,,@@@,,@,,
@,,@@@@,,@ but it's mainly useless without ,@,,@,@@,,
@,@,,,@,@@ feedback, @@,@@@,@,@
@@@,,@@@,, to allow the delay to eat of it's own ,@@,,@@@@,
,,@,@,,@,, tail, like one of those eaty serpents. @,@,@,,,@@
,@@@@,@@,, thus: it's the serpent effect! @@@@@,,@,@
@,,,@@,@,@ ,,,,@,@@@@
@,,@,@@@@@ it's to be revered as a creator of ,,,@@@,,,,
@,@@@,,,,@ ambience and of space, if you treat it ,,@,,@,,,@
@@,,@,,,@, right. a somewhat more solid and ,@@,@@,,@,
,@,@@,,@@, slippery sibling of reverb. @,@@,@,@@@
@@@,@,@,@@ @@,@@@@,,@
,,@@@@@@,, ,@@,,,@,@,
,@,,,,,@,@ @,@,,@@@@,
@@,,,,@@@, @@@,@,,,@,
,@,,,@,,@@ ,,@@@,,@@@