@¤§*:,,,,, ,,,,,:*§¤@
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
#¤§§§%*~:, ,:~*%§§§¤#
##@¤§%*~:, delay delay d,la# ¤ %a, : ,@ ~ : ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
#¤%*~~:,,, ,,,:~~*%¤#
###@¤§%~:, ,:~%§¤@###
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, "delay" means repetiton or likewise, ,:~*%§¤@##
#@@¤§%*~:, but it's mainly useless without ,:~*%§¤@@#
##@¤§%*~:, feedback, ,:~*%§¤@##
##@¤§%*~:, to allow the delay to eat of it's own ,:~*%§¤@##
@§*:,,,,,, tail, like one of those eaty serpents. ,,,,,,:*§@
¤§*::,,,,, thus: it's the serpent effect! ,,,,,::*§¤
##@¤§%*~:, ,:~*%§¤@##
###@¤§%*~, it's to be revered as a creator of ,~*%§¤@###
#¤¤%*:,,,, ambience and of space, if you treat it ,,,,:*%¤¤#
@@@¤§%*~:, right. a somewhat more solid and ,:~*%§¤@@@
#¤§*~,,,,, slippery sibling of reverb. ,,,,,~*§¤#
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
##@¤§%*~:, ,:~*%§¤@##
@@§§%%*~:, ,:~*%%§§@@