,,~/£§#@##                                          ##@#§£/~,,
,,~/=£§###                                          ###§£=/~,,
,,~/=£§#@#                                          #@#§£=/~,,
,,~/=£§@##                                          ##@§£=/~,,
,,~/=£§#@@                                          @@#§£=/~,,
,,~/=£§#@@ delay  delay  d,la@  § =a,  , ,#   ~   , @@#§£=/~,,
,,~/=£§#@@                                          @@#§£=/~,,
,,,,,~~/=§                                          §=/~~,,,,,
,,~/=£§#@#                                          #@#§£=/~,,
,,~/=£§#@#                                          #@#§£=/~,,
,,,,,,~=£# "delay" means repetiton or likewise,     #£=~,,,,,,
,,,,,//=§§ but it's mainly useless without          §§=//,,,,,
,,~/=£§### feedback,                                ###§£=/~,,
,,~////=§§ to allow the delay to eat of it's own    §§=////~,,
,,~/=£§### tail, like one of those eaty serpents.   ###§£=/~,,
,,~/=£§#@# thus: it's the serpent effect!           #@#§£=/~,,
,,,,,,/£##                                          ##£/,,,,,,
,,~/=£§#@# it's to be revered as a creator of       #@#§£=/~,,
,,,,,,/££§ ambience and of space, if you treat it   §££/,,,,,,
,,~/=£§### right. a somewhat more solid and         ###§£=/~,,
,,,,,,~=§@ slippery sibling of reverb.              @§=~,,,,,,
,,~/====§#                                          #§====/~,,
,,,,/==§§#                                          #§§==/,,,,
,,~/=£§#@#                                          #@#§£=/~,,
,,/=£§#@##                                          ##@#§£=/,,
,,~/=£§#@@                                          @@#§£=/~,,