@&†..,,,,, ,,,,,..†&@
&%†-....., ,.....-†%&
#@@&&%†-., ,.-†%&&@@#
##@&&%†-., ,.-†%&&@##
###&&%†-., ,.-†%&##
@@&%†.,,,, delay delay d,la# & %a, . ,@ - . ,,,,.†%&@@
##@&&%†-., ,.-†%&&@##
&%†-.,,,,, ,,,,,.-†%&
##@&&%†-., ,.-†%&&@##
@@&††..,,, ,,,..††&@@
##@&&%†-., "delay" means repetiton or likewise, ,.-†%&&@##
##@&&%†-., but it's mainly useless without ,.-†%&&@##
#&&&&%†-., feedback, ,.-†%&&&
##@&&%†-., to allow the delay to eat of it's own ,.-†%&&@##
###@&&%-., tail, like one of those eaty serpents. ,.-%&&@###
##@&&%†-., thus: it's the serpent effect! ,.-†%&&@##
###&&%†-., ,.-†%&##
@&&&&%†-., it's to be revered as a creator of ,.-†%&&&&@
@@&&&%†-., ambience and of space, if you treat it ,.-†%&&&@@
##@&&%†-., right. a somewhat more solid and ,.-†%&&@##
##@&&%†-., slippery sibling of reverb. ,.-†%&&@##
@&%†--.,,, ,,,.--†%&@
@&%†.,,,,, ,,,,,.†%&@
##@&&%†-., ,.-†%&&@##
##@&&%†-., ,.-†%&&@##
##@&&%†-., ,.-†%&&@##