.,=/*%¤£## ##£¤%*/=,.
..,=/*%¤£# #£¤%*/=,..
...,=/*%¤£ £¤%*/=,...
....,=/*%¤ ¤%*/=,....
.....,=/*% %*/=,.....
......,=/* ********** */=,......
.......,=/ /=,.......
........,= lyra eight =,........
........., ,.........
.......... .. ..........
.......... , , ..........
.......... = = ..........
.......... / / ..........
.......... * * ..........
.......... ..........
.......... cave sculpter ..........
.......... dream to chord translator ..........
.......... ..........
........., eight voiced bleeding fortune teller ,.........
........,= =,........
.......,=/ dual self-modulating delay line /=,.......
......,=/* switch for "total feedback" */=,......
.....,=/*% %*/=,.....
....,=/*%¤ lick the contact pads ¤%*/=,....
...,=/*%¤£ £¤%*/=,...
..,=/*%¤£# * * #£¤%*/=,..
.,=/*%¤£## / / ##£¤%*/=,.
..,=/*%¤£# = = #£¤%*/=,..
...,=/*%¤£ , , £¤%*/=,...
....,=/*%¤ .. ¤%*/=,....
.....,=/*% %*/=,.....
......,=/* gearlist . another synth */=,......
.......,=/ /=,.......
........,= ************************* =,........
........., ,.........
.......... ..........
.......... ..........
.......... ..........
.......... ..........