¨.~=@&¶### ###¶&@=~.¨
¨.~;=@&¶## ##¶&@=;~.¨
¨..~;;@&&¶ ¶&&@;;~..¨
¨.~;=@&¶## ##¶&@=;~.¨
¨¨¨.;==&&¶ ¶&&==;.¨¨¨
¨.~;=@&¶¶# delay delay d¨la# & =a¨ . ¨¶ ~ . #¶¶&@=;~.¨
¨¨¨¨.;==&# #&==;.¨¨¨¨
¨.~;=@&¶## ##¶&@=;~.¨
¨.~;=@&### ###&@=;~.¨
¨.~;=@&¶¶¶ ¶¶¶&@=;~.¨
¨.~;=@&¶## "delay" means repetiton or likewise, ##¶&@=;~.¨
.~;=@&¶### but it's mainly useless without ###¶&@=;~.
¨¨¨¨.~~;=& feedback, &=;~~.¨¨¨¨
¨.~;=@¶### to allow the delay to eat of it's own ###¶@=;~.¨
¨.~;=@&### tail, like one of those eaty serpents. ###&@=;~.¨
¨.~;=@&¶## thus: it's the serpent effect! ##¶&@=;~.¨
¨.~;=@&¶## ##¶&@=;~.¨
¨¨¨¨¨..;=& it's to be revered as a creator of &=;..¨¨¨¨¨
¨¨¨¨~==&&¶ ambience and of space, if you treat it ¶&&==~¨¨¨¨
¨.~;=@&¶## right. a somewhat more solid and ##¶&@=;~.¨
¨..~~~;@@¶ slippery sibling of reverb. ¶@@;~~~..¨
¨.~;=@&¶## ##¶&@=;~.¨
¨¨¨¨~==&&¶ ¶&&==~¨¨¨¨
¨¨¨¨.;;=@¶ ¶@=;;.¨¨¨¨
¨.~;=@&¶¶# #¶¶&@=;~.¨
¨.~;=@&&¶# #¶&&@=;~.¨