##£#$^\-~, ,~-\^$#£##
##£#$^\-~, ,~-\^$#£##
#£#$^\--~, ,~--\^$#£#
#£$^-~~,,, ,,,~~-^$£#
##£#$^\-~, ,~-\^$#£##
##£#$^\-~, delay delay d,la# # ^a, ~ ,£ - ~ ,~-\^$#£##
###£#$^\-~ ~-\^$#£###
##£#$^\-~, ,~-\^$#£##
##£#$^\-~, ,~-\^$#£##
#^\\-~,,,, ,,,,~-\\^#
##£#$^\-~, "delay" means repetiton or likewise, ,~-\^$#£##
##£#$^\-~, but it's mainly useless without ,~-\^$#£##
##£#$^\-~, feedback, ,~-\^$#£##
#^^-,,,,,, to allow the delay to eat of it's own ,,,,,,-^^#
#^\\~,,,,, tail, like one of those eaty serpents. ,,,,,~\\^#
##£#$^\-~, thus: it's the serpent effect! ,~-\^$#£##
##£#$^\-~, ,~-\^$#£##
££#^^\--~, it's to be revered as a creator of ,~--\^^#££
#^-~,,,,,, ambience and of space, if you treat it ,,,,,,~-^#
£$^^-~,,,, right. a somewhat more solid and ,,,,~-^^$£
£#$^\~,,,, slippery sibling of reverb. ,,,,~\^$#£
##£#$^\-~, ,~-\^$#£##
###^\~,,,, ,,,,~\^###
££$$$^\-~, ,~-\^$$$££
##£#$^\-~, ,~-\^$#£##
##£#$^\-~, ,~-\^$#£##