,:~†%&@# #@#&&%†~:,
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,:~†%@## ##@#&%†~:,
,,,,~%%%%& &%%%%~,,,,
,,,::~~%&& &&%~~::,,,
,:~†%&@# %%%%%%%%%% #@#&&%†~:,
,,,,,,~†%& &%†~,,,,,,
,:~†%&@# lyra eight #@#&&%†~:,
,,,,~~%@ @#&%~~,,,,
,:~†%&@# ,, #@#&&%†~:,
,,,~†††%&& : : &&%†††~,,,
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,,,::†%# % % ##&%†::,,,
,:~†%&@# #@#&&%†~:,
,,,~††%# cave sculpter ##&%††~,,,
,:~†%%%@ dream to chord translator @#&%%%†~:,
,,,,~~%&&@ @&&%~~,,,,
,,,,,,~%&& eight voiced bleeding fortune teller &&%~,,,,,,
,:~†%&@# #@#&&%†~:,
,:~†%&@# dual self-modulating delay line #@#&&%†~:,
,:~†%&@# switch for "total feedback" #@#&&%†~:,
,:~†%@## ##@#&%†~:,
,,,:~†%% lick the contact pads #&%%†~:,,,
,:~†%&@# #@#&&%†~:,
,:~†%&&# % % ##&&&%†~:,
,:~†%&&# † † ##&&&%†~:,
,:~†%&@# ~ ~ #@#&&%†~:,
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,:~†%@## ,, ##@#&%†~:,
,:~†%&## ###&&%†~:,
,,,,:~†& gearlist , another synth #&&†~:,,,,
,:~†%&@@ @@#&&%†~:,
,,,,~††&&& %%%%%%%%%%%%%%%%%%%%%%%%% &&&††~,,,,
,:~†%&@@ @@#&&%†~:,
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,:~†%&## ###&&%†~:,