¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## delay delay d¨la# @ §a¨ : ¨# = : ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
¨:=/§$@### "delay" means repetiton or likewise, ###@$§/=:¨
¨¨:=/§$@## but it's mainly useless without ##@$§/=:¨¨
¨:=/§$@### feedback, ###@$§/=:¨
¨¨:=/§$@## to allow the delay to eat of it's own ##@$§/=:¨¨
¨:=/§$@### tail, like one of those eaty serpents. ###@$§/=:¨
¨¨:=/§$@## thus: it's the serpent effect! ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## it's to be revered as a creator of ##@$§/=:¨¨
¨:=/§$@### ambience and of space, if you treat it ###@$§/=:¨
¨¨:=/§$@## right. a somewhat more solid and ##@$§/=:¨¨
¨:=/§$@### slippery sibling of reverb. ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
¨:=/§$@### ###@$§/=:¨
¨¨:=/§$@## ##@$§/=:¨¨
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