##¤&\\~... ...~\\&¤##
¤¤¤¤&*\~~. .~~\*&¤¤¤¤
###¤&*\~~. .~~\*&¤###
###¤&*\~~. .~~\*&¤###
##¤&&*\~~. .~~\*&&¤##
###¤&*\~~. delay delay d.la# ¤ *a. ~ .# ~ ~ .~~\*&¤###
###¤&*\~~. .~~\*&¤###
¤&***~.... ....~***&¤
###¤&*\~~. .~~\*&¤###
#&&\\\\~~. .~~\\\\&
#¤&\~~.... "delay" means repetiton or likewise, ....~~\&¤#
#¤*~~~~... but it's mainly useless without ...~~~~*¤#
¤¤*\\~~... feedback, ...~~\\*¤¤
¤&\\~~.... to allow the delay to eat of it's own ....~~\\&¤
###¤&*\~~. tail, like one of those eaty serpents. .~~\*&¤###
###¤&*\~~. thus: it's the serpent effect! .~~\*&¤###
###¤&*\~~. .~~\*&¤###
###¤&*\~~. it's to be revered as a creator of .~~\*&¤###
###¤&*\~~. ambience and of space, if you treat it .~~\*&¤###
¤&&\\\~~.. right. a somewhat more solid and ..~~\\\&&¤
###¤&*\~~. slippery sibling of reverb. .~~\*&¤###
#¤*~~..... .....~~*¤#
#¤*~~..... .....~~*¤#
###¤&*\~~. .~~\*&¤###
###¤&*\~~. .~~\*&¤###
¤¤¤&\~~~~. .~~~~\&¤¤¤