,,,,,,:~*% %*~:,,,,,,
,,,,,:~*%£ £%*~:,,,,,
,,,,:~*%£& &£%*~:,,,,
,,,:~*%£&£ £&£%*~:,,,
,,:~*%£&£# #£&£%*~:,,
,:~*%£&£## delay delay d,la# & %a, : ,£ ~ : ##£&£%*~:,
,,:~*%£&£# #£&£%*~:,,
,,,:~*%£&£ £&£%*~:,,,
,,,,:~*%£& &£%*~:,,,,
,,,,,:~*%£ £%*~:,,,,,
,,,,,,:~*% "delay" means repetiton or likewise, %*~:,,,,,,
,,,,,,,:~* but it's mainly useless without *~:,,,,,,,
,,,,,,,,:~ feedback, ~:,,,,,,,,
,,,,,,,,,: to allow the delay to eat of it's own :,,,,,,,,,
,,,,,,,,,, tail, like one of those eaty serpents. ,,,,,,,,,,
,,,,,,,,,: thus: it's the serpent effect! :,,,,,,,,,
,,,,,,,,:~ ~:,,,,,,,,
,,,,,,,:~* it's to be revered as a creator of *~:,,,,,,,
,,,,,,:~*% ambience and of space, if you treat it %*~:,,,,,,
,,,,,:~*%£ right. a somewhat more solid and £%*~:,,,,,
,,,,:~*%£& slippery sibling of reverb. &£%*~:,,,,
,,,:~*%£&£ £&£%*~:,,,
,,:~*%£&£# #£&£%*~:,,
,:~*%£&£## ##£&£%*~:,
,,:~*%£&£# #£&£%*~:,,
,,,:~*%£&£ £&£%*~:,,,