,,,,,,,,,,                                          ,,,,,,,,,,
~,,,,,,,,,                                          ,,,,,,,,,~
-~,,,,,,,,                                          ,,,,,,,,~-
†-~,,,,,,,                                          ,,,,,,,~-†
%†-~,,,,,,                                          ,,,,,,~-†%
*%†-~,,,,, delay  delay  d,la#  £ %a,  ~ ,¶   -   ~ ,,,,,~-†%*
£*%†-~,,,,                                          ,,,,~-†%*£
¶£*%†-~,,,                                          ,,,~-†%*£¶
#¶£*%†-~,,                                          ,,~-†%*£¶#
##¶£*%†-~,                                          ,~-†%*£¶##
#¶£*%†-~,, "delay" means repetiton or likewise,     ,,~-†%*£¶#
¶£*%†-~,,, but it's mainly useless without          ,,,~-†%*£¶
£*%†-~,,,, feedback,                                ,,,,~-†%*£
*%†-~,,,,, to allow the delay to eat of it's own    ,,,,,~-†%*
%†-~,,,,,, tail, like one of those eaty serpents.   ,,,,,,~-†%
†-~,,,,,,, thus: it's the serpent effect!           ,,,,,,,~-†
-~,,,,,,,,                                          ,,,,,,,,~-
~,,,,,,,,, it's to be revered as a creator of       ,,,,,,,,,~
,,,,,,,,,, ambience and of space, if you treat it   ,,,,,,,,,,
,,,,,,,,,, right. a somewhat more solid and         ,,,,,,,,,,
,,,,,,,,,, slippery sibling of reverb.              ,,,,,,,,,,
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