..@...@... .........@
@..@...@.. @.........
.@..@...@. .@........
..@..@.... ..@.......
...@..@... @..@......
....@..@.. delay delay d.la# @ %a. ^ .# « ^ @@..@.....
.....@..@. .@@..@....
......@..@ .@@@..@...
.......@.. .@.@@..@..
........@. ...@@@..@.
.........@ "delay" means repetiton or likewise, @..@.@@..@
@......... but it's mainly useless without .@...@@@..
.@........ feedback, ..@..@.@@.
..@....... to allow the delay to eat of it's own @..@...@@@
@..@...... tail, like one of those eaty serpents. @@..@..@.@
@@..@..... thus: it's the serpent effect! @@@..@...@
.@@..@.... @.@@..@..@
.@@@..@... it's to be revered as a creator of ..@@@..@..
.@.@@..@.. ambience and of space, if you treat it ..@.@@..@.
...@@@..@. right. a somewhat more solid and ....@@@..@
@..@.@@..@ slippery sibling of reverb. ....@.@@..
.@...@@@.. ......@@@.
..@..@.@@. ......@.@@
@..@...@@@ ........@@
@@..@..@.@ ........@.
@@@..@...@ ..........