,,,^~†=@§# #§@=†~^,,,
,,^~†=@§## ##§@=†~^,,
,^~†=@§### ###§@=†~^,
,,^~†=@§## ##§@=†~^,,
,,,^~†=@§# #§@=†~^,,,
,,,,^~†=@§ ========== §@=†~^,,,,
,,,^~†=@§# #§@=†~^,,,
,,^~†=@§## lyra eight ##§@=†~^,,
,^~†=@§### ###§@=†~^,
,,^~†=@§## ,, ##§@=†~^,,
,,,^~†=@§# ^ ^ #§@=†~^,,,
,,,,^~†=@§ ~ ~ §@=†~^,,,,
,,,^~†=@§# † † #§@=†~^,,,
,,^~†=@§## = = ##§@=†~^,,
,^~†=@§### ###§@=†~^,
,,^~†=@§## cave sculpter ##§@=†~^,,
,,,^~†=@§# dream to chord translator #§@=†~^,,,
,,,,^~†=@§ §@=†~^,,,,
,,,^~†=@§# eight voiced bleeding fortune teller #§@=†~^,,,
,,^~†=@§## ##§@=†~^,,
,^~†=@§### dual self-modulating delay line ###§@=†~^,
,,^~†=@§## switch for "total feedback" ##§@=†~^,,
,,,^~†=@§# #§@=†~^,,,
,,,,^~†=@§ lick the contact pads §@=†~^,,,,
,,,^~†=@§# #§@=†~^,,,
,,^~†=@§## = = ##§@=†~^,,
,^~†=@§### † † ###§@=†~^,
,,^~†=@§## ~ ~ ##§@=†~^,,
,,,^~†=@§# ^ ^ #§@=†~^,,,
,,,,^~†=@§ ,, §@=†~^,,,,
,,,^~†=@§# #§@=†~^,,,
,,^~†=@§## gearlist , another synth ##§@=†~^,,
,^~†=@§### ###§@=†~^,
,,^~†=@§## ========================= ##§@=†~^,,
,,,^~†=@§# #§@=†~^,,,
,,,,^~†=@§ §@=†~^,,,,
,,,^~†=@§# #§@=†~^,,,
,,^~†=@§## ##§@=†~^,,
,^~†=@§### ###§@=†~^,