¨,-;§£££@# #@£££§;-,¨
¨,-;§££££@ @££££§;-,¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§£££## ##£££§;-,¨
¨,-;§££@## --;;-- ##@££§;-,¨
¨¨¨¨¨¨¨-§£ ¨¨¨ SLEEP ¨¨¨ £§-¨¨¨¨¨¨¨
¨¨¨¨¨-;£££ ,,--,, £££;-¨¨¨¨¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§£££@# SLEEP IS THE MOST IMPORTANT MEAL OF THE #@£££§;-,¨
¨,-;§£££££ DAY. SLEEP IS SAYING GOODBYE FOR A £££££§;-,¨
¨¨¨,,-;££@ WHILE. IF YOU CAN DREAM, YOU ALSO GET @££;-,,¨¨¨
¨,-;§£££## TO VISIT FRIENDS AND OTHER ANIMALS. ##£££§;-,¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§£££@@ ¨¨,,¨¨ @@£££§;-,¨
¨,-;§£££@# #@£££§;-,¨
¨¨¨,,,,-§£ DEEPER THAN DEATH IS TO BE ALIVE AND £§-,,,,¨¨¨
¨,-;§£££@# ASLEEP. IT IS DEATH IF IT WAS TEMPORARY #@£££§;-,¨
¨¨¨¨,-§£££ AND REJUVENATING. £££§-,¨¨¨¨
¨¨,---§£££ £££§---,¨¨
¨,-;§£££@# ¨¨,,¨¨ #@£££§;-,¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§£££@# SLEEP IS A BLACK MARBLE OUTSIDE OF #@£££§;-,¨
¨,-;§££@## WHICH THERE IS NOTHING. INSIDE IS ALL ##@££§;-,¨
¨¨,,--;£££ THE STARS AND IN THE MIDDLE A £££;--,,¨¨
¨,-;§£££@# BLACK LAKE. AT THE FOOT OF THIS LAKE #@£££§;-,¨
¨,-;§£££@# STANDS AN OLD FRIEND. #@£££§;-,¨
¨¨,,-;§£££ £££§;-,,¨¨
¨,-;§£££@@ ¨¨,,¨¨ @@£££§;-,¨
¨,-;§££@## ##@££§;-,¨
¨¨¨¨,,;;££ WHEN YOU SLEEP ALL SOUND IS INTERNAL. ££;;,,¨¨¨¨
¨¨¨¨¨--§££ WHEN YOU SLEEP YOUR BRAIN SHRINKS. ££§--¨¨¨¨¨
¨,-;§£££@# #@£££§;-,¨
¨,-;§§§§££ ¨¨,,¨¨ ££§§§§;-,¨
¨¨¨¨¨,-§£@ @£§-,¨¨¨¨¨
¨,-;§££££@ IF YOU WISH TO MEASURE SLEEP, USE THESE @££££§;-,¨
¨,-;§£££@# FOUR QUANTIFIERS:: GRIP, DEEPNESS, #@£££§;-,¨
¨,-;§£££@# OTHERWORLDINESS AND REVITALIZATION. #@£££§;-,¨
¨¨¨,;;;;££ ££;;;;,¨¨¨
¨,-;§££££@ GRIP GOES FROM NOT BEING ABLE TO LET GO @££££§;-,¨
¨¨¨¨,,;;££ ALL DAY (LEFT) TO NOT CARING TO ££;;,,¨¨¨¨
¨,-;§££££@ REMEMBER (RIGHT). @££££§;-,¨
¨,-;§££@## ##@££§;-,¨
¨,-;§££@## DEEPNESS GOES FROM BEING SEVERAL ##@££§;-,¨
¨¨,,;§££££ HUNDRED METERS DOWN (LEFT) TO BARELY ££££§;,,¨¨
¨,-;§£££@# TOUCHING THE SURFACE (RIGHT). #@£££§;-,¨
¨,-;§££££@ @££££§;-,¨
¨¨¨¨,,-;££ OTHERWORLDLINESS GOES FROM A SINGLE ££;-,,¨¨¨¨
¨¨¨¨¨¨,;££ COHERENT DREAMSCAPE (LEFT), VIA NORMAL ££;,¨¨¨¨¨¨
¨,-;£££@## DREAM AMOUNTS (MIDDLE) TO NO DREAMS ##@£££;-,¨
¨,-;§£££££ (RIGHT). £££££§;-,¨
¨¨¨¨¨-§£££ £££§-¨¨¨¨¨
¨,-;§£££@@ REVITALIZATION GOES FROM A FEELING OF @@£££§;-,¨
¨,-;§£££@# NOT HAVING SLEPT AT ALL (LEFT) TO BEING #@£££§;-,¨
¨¨¨¨¨,-;££ FULL OF ENERGY AND MAYBE OPTIMISM ££;-,¨¨¨¨¨
¨,-;§£££@# (RIGHT). #@£££§;-,¨
¨¨¨¨---§§£ £§§---¨¨¨¨
¨,-;§§££££ ,, ££££§§;-,¨
¨,-;§££@## ##@££§;-,¨
¨,-;§££@## HIGH OTHERWORLDLINESS AND HIGH GRIP IS ##@££§;-,¨
¨¨¨¨¨¨-§§£ A PARTICULARLY EFFECTIVE COMBO. £§§-¨¨¨¨¨¨
¨,;§£££@## ##@£££§;,¨
¨,-;§££@## --;;-- ##@££§;-,¨
¨¨¨¨¨,-§££ ¨¨¨ SEE ALSO ¨¨¨ ££§-,¨¨¨¨¨
¨¨¨,--§§£@ ,,--,, @£§§--,¨¨¨
¨,-;§£££££ £££££§;-,¨
¨,-;§£££@# SLEEP DEITIES #@£££§;-,¨
¨¨¨¨¨¨-§££ THE BLACKBIRD ££§-¨¨¨¨¨¨
¨,-;§£££## SOLIPSISM ##£££§;-,¨
¨,-;§£££@@ @@£££§;-,¨
¨,,,--§£££ --;;-- £££§--,,,¨
¨,-;§£££@# ¨¨¨ FURTHERMORE ¨¨¨ #@£££§;-,¨
¨,-;§£££@# ,,--,, #@£££§;-,¨
¨,-;§£££@@ @@£££§;-,¨
¨,-;§£££££ THIS IS STILL A PLACE: HERE, IN THE £££££§;-,¨
¨¨¨¨¨,;;££ SILENCE, DARKNESS AND NIGHT - AND ££;;,¨¨¨¨¨
¨¨¨-;;§§££ LONELINESS, HOLDING A KIND OF DILUTION ££§§;;-¨¨¨
¨,-;§£££@# OF REALITY, AND SUDDENLY IT'S NOT #@£££§;-,¨
¨,--;;§§§£ IMPORTANT THAT I LIE IN MY BED, THE £§§§;;--,¨
¨,-;§£££@# LACK OF PRESENCE BRINGS THE NOTION #@£££§;-,¨
¨,-;§£££@# THAT, IF I DO NOT CHOOSE SLEEP, I #@£££§;-,¨
¨,-;§£££@@ CHOOSE PAST, FUTURE, SOMETHING WITH @@£££§;-,¨
¨¨¨¨¨,;;§£ MORE SUBSTANCE THAN THE OBJECTS I £§;;,¨¨¨¨¨
¨,-;§££££@ SURROUND MYSELF WITH. @££££§;-,¨
¨,-;§££@## ##@££§;-,¨
¨,--;§££££ ££££§;--,¨
¨¨¨,---§££ ££§---,¨¨¨
¨,-;§££££@ @££££§;-,¨
¨¨¨¨¨¨,-§£ £§-,¨¨¨¨¨¨
¨¨¨,,;§£££ £££§;,,¨¨¨