¨¨¨¨,««\%& &%\««,¨¨¨¨
¨,«\%%&### ###&%%\«,¨
¨¨¨,«\%%#@ @#%%\«,¨¨¨
¨,,,,\%%&& &&%%\,,,,¨
¨,«\%%&#@@ @@#&%%\«,¨
¨,«\%%&#@# train dream #@#&%%\«,¨
¨,«\%%&#@# ######¨¨¨¨,«,,¨¨##################### #@#&%%\«,¨
¨,«\%%&#@@ \\\ @@#&%%\«,¨
¨,«\%%%%%& « &%%%%%\«,¨
¨,«\%%&#@# « #@#&%%\«,¨
¨,«\%%&#@# #@#&%%\«,¨
¨¨,«\\\%%& (situation) &%%\\\«,¨¨
¨¨¨,,«%&&& &&&%«,,¨¨¨
¨¨¨¨,\%%%# you find yourself in a rift - a #%%%\,¨¨¨¨
¨¨¨¨««%%&# clearing, narrow but immeasurably long. #&%%««¨¨¨¨
¨,«\%%&&#@ to your sides are walls made of trees, @#&&%%\«,¨
¨¨¨¨««««%& thick and ready to swallow you. the sun &%««««¨¨¨¨
¨,«\%%&#@# is nowhere to be seen, but nontheless #@#&%%\«,¨
¨,«\%%&#@# it is very bright - the air feels light #@#&%%\«,¨
¨¨¨,\\%%#@ blue, almost white. @#%%\\,¨¨¨
¨,«\%%&#@@ @@#&%%\«,¨
¨,«\%%&#@@ along the span of the clearing lay two @@#&%%\«,¨
¨,«\%%&#@@ parallel silvery lines, dark hard @@#&%%\«,¨
¨,«\%%&#@# metal. somehow you can see how heavy #@#&%%\«,¨
¨¨¨¨¨¨«\%& they are. &%\«¨¨¨¨¨¨
¨¨¨¨«««\%# #%\«««¨¨¨¨
¨,«\\\\%&# they emit a high pitched whine... #&%\\\\«,¨
¨,«\%%&#@@ @@#&%%\«,¨
¨,«\%%&##@ « @##&%%\«,¨
¨,«\%%&&## ¨¨%¨¨ ##&&%%\«,¨
¨¨¨¨««\%&& « &&%\««¨¨¨¨
¨¨¨¨,,«%%& &%%«,,¨¨¨¨
¨¨¨¨¨¨,\%# (situation) #%\,¨¨¨¨¨¨
¨,«\%%&#@# #@#&%%\«,¨
¨,«\%%&#@# youre at the train station, on a #@#&%%\«,¨
¨¨¨¨¨,\%%# catwalk above the rails. your train is #%%\,¨¨¨¨¨
¨¨¨¨,««\%& late, or you are late to the train. &%\««,¨¨¨¨
¨¨¨¨¨¨«%&# it's a summer afternoon and the station #&%«¨¨¨¨¨¨
¨,«\%%&#@# is busy, full of relaxed confidence. #@#&%%\«,¨
¨,«\%%&@## ##@&%%\«,¨
¨¨¨,«\%%&@ you're in high spirits, although a bit @&%%\«,¨¨¨
¨,«\\%%&#@ stressed about the time, while moving @#&%%\\«,¨
¨,«\%%&### up the stairs to your platform. the ###&%%\«,¨
¨,«\%%&#@@ station is in several levels, all @@#&%%\«,¨
¨,«\%%&#@# placed within eachother by some #@#&%%\«,¨
¨,«\%%&&&& intelligent designer, and full of &&&&%%\«,¨
¨¨¨¨¨,\%&# stairs, elevators, shortcuts, #&%\,¨¨¨¨¨
¨,«\%%%%%# bazaars... you sight your train through #%%%%%\«,¨
¨,«\%%#@## some glass windows. it's... not where ##@#%%\«,¨
¨,«\%%#@## it's supposed to be? ##@#%%\«,¨
¨¨¨¨¨,\%%& &%%\,¨¨¨¨¨
¨,«\%%&#@# « #@#&%%\«,¨
¨,«\%%&### ,,%,, ###&%%\«,¨
¨¨¨¨¨,\%&& « &&%\,¨¨¨¨¨
¨,,,,\%%%# #%%%\,,,,¨
¨,«\%%%%&@ (situation) @&%%%%\«,¨
¨,«\%%&#@# #@#&%%\«,¨
¨¨¨¨¨,,\%& you're finally entering the city. while &%\,,¨¨¨¨¨
¨,«\%%&### it is indeed a very high speed train ###&%%\«,¨
¨,«\%%&#@# you're traveling in, the journey has #@#&%%\«,¨
¨,«\%%&#@# been long. but it's about to end! #@#&%%\«,¨
¨,«\\\%%## ##%%\\\«,¨
¨¨¨¨¨««%%& society is growing denser around you, &%%««¨¨¨¨¨
¨,«\%%&#@# through the windows you see first small #@#&%%\«,¨
¨¨,,««%%## shacks, built of metal and stone, then ##%%««,,¨¨
¨,«\%&#@## proper houses with mortar to keep them ##@#&%\«,¨
¨,«\%%&&&# together... who in turn make way for #&&&%%\«,¨
¨,«\%%&### the industrial buildings, the urban ###&%%\«,¨
¨,«\%%&##@ maze, protective walls, jungle @##&%%\«,¨
¨¨¨¨«%%%&& network... &&%%%«¨¨¨¨
¨,«\%%&#@# #@#&%%\«,¨
¨¨¨,\\%&&@ the tracks leave the ground, which is @&&%\\,¨¨¨
¨,«\%%&&&@ needed for other purposes. you are @&&&%%\«,¨
¨,«\%%&#@# carried gently, curving upwards until #@#&%%\«,¨
¨,«\%%&#@# you're moving upward along the wall of #@#&%%\«,¨
¨,«\%%&### a building. it's made of slabby stone, ###&%%\«,¨
¨,«\%%&#@# with great glassless window holes #@#&%%\«,¨
¨¨¨,,,\%%& looking out the way you came. it is &%%\,,,¨¨¨
¨¨¨¨,«%%&@ pitch black inside. @&%%«,¨¨¨¨
¨,«\%%&#@# #@#&%%\«,¨
¨,«\%%&##@ @##&%%\«,¨
¨,«\%%%%%& &%%%%%\«,¨
¨,«\%%%%%& &%%%%%\«,¨
¨,«%%&#@## ##@#&%%«,¨