,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# ==//== #@£*/=.,,,
,,.=/*£@## ,,, SLEEP ,,, ##@£*/=.,,
,.=/*£@### ..==.. ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# SLEEP IS THE MOST IMPORTANT MEAL OF THE #@£*/=.,,,
,,.=/*£@## DAY. SLEEP IS SAYING GOODBYE FOR A ##@£*/=.,,
,.=/*£@### WHILE. IF YOU CAN DREAM, YOU ALSO GET ###@£*/=.,
,,.=/*£@## TO VISIT FRIENDS AND OTHER ANIMALS. ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## ,,..,, ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## DEEPER THAN DEATH IS TO BE ALIVE AND ##@£*/=.,,
,,,.=/*£@# ASLEEP. IT IS DEATH IF IT WAS TEMPORARY #@£*/=.,,,
,,.=/*£@## AND REJUVENATING. ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## ,,..,, ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## SLEEP IS A BLACK MARBLE OUTSIDE OF ##@£*/=.,,
,.=/*£@### WHICH THERE IS NOTHING. INSIDE IS ALL ###@£*/=.,
,,.=/*£@## THE STARS AND IN THE MIDDLE A ##@£*/=.,,
,,,.=/*£@# BLACK LAKE. AT THE FOOT OF THIS LAKE #@£*/=.,,,
,,.=/*£@## STANDS AN OLD FRIEND. ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## ,,..,, ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## WHEN YOU SLEEP ALL SOUND IS INTERNAL. ##@£*/=.,,
,.=/*£@### WHEN YOU SLEEP YOUR BRAIN SHRINKS. ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# ,,..,, #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### IF YOU WISH TO MEASURE SLEEP, USE THESE ###@£*/=.,
,,.=/*£@## FOUR QUANTIFIERS:: GRIP, DEEPNESS, ##@£*/=.,,
,,,.=/*£@# OTHERWORLDINESS AND REVITALIZATION. #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### GRIP GOES FROM NOT BEING ABLE TO LET GO ###@£*/=.,
,,.=/*£@## ALL DAY (LEFT) TO NOT CARING TO ##@£*/=.,,
,,,.=/*£@# REMEMBER (RIGHT). #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### DEEPNESS GOES FROM BEING SEVERAL ###@£*/=.,
,,.=/*£@## HUNDRED METERS DOWN (LEFT) TO BARELY ##@£*/=.,,
,,,.=/*£@# TOUCHING THE SURFACE (RIGHT). #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### OTHERWORLDLINESS GOES FROM A SINGLE ###@£*/=.,
,,.=/*£@## COHERENT DREAMSCAPE (LEFT), VIA NORMAL ##@£*/=.,,
,,,.=/*£@# DREAM AMOUNTS (MIDDLE) TO NO DREAMS #@£*/=.,,,
,,.=/*£@## (RIGHT). ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## REVITALIZATION GOES FROM A FEELING OF ##@£*/=.,,
,,,.=/*£@# NOT HAVING SLEPT AT ALL (LEFT) TO BEING #@£*/=.,,,
,,.=/*£@## FULL OF ENERGY AND MAYBE OPTIMISM ##@£*/=.,,
,.=/*£@### (RIGHT). ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# .. #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### HIGH OTHERWORLDLINESS AND HIGH GRIP IS ###@£*/=.,
,,.=/*£@## A PARTICULARLY EFFECTIVE COMBO. ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## ==//== ##@£*/=.,,
,.=/*£@### ,,, SEE ALSO ,,, ###@£*/=.,
,,.=/*£@## ..==.. ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## SLEEP DEITIES ##@£*/=.,,
,.=/*£@### THE BLACKBIRD ###@£*/=.,
,,.=/*£@## SOLIPSISM ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## ==//== ##@£*/=.,,
,.=/*£@### ,,, FURTHERMORE ,,, ###@£*/=.,
,,.=/*£@## ..==.. ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## THIS IS STILL A PLACE: HERE, IN THE ##@£*/=.,,
,.=/*£@### SILENCE, DARKNESS AND NIGHT - AND ###@£*/=.,
,,.=/*£@## LONELINESS, HOLDING A KIND OF DILUTION ##@£*/=.,,
,,,.=/*£@# OF REALITY, AND SUDDENLY IT'S NOT #@£*/=.,,,
,,.=/*£@## IMPORTANT THAT I LIE IN MY BED, THE ##@£*/=.,,
,.=/*£@### LACK OF PRESENCE BRINGS THE NOTION ###@£*/=.,
,,.=/*£@## THAT, IF I DO NOT CHOOSE SLEEP, I ##@£*/=.,,
,,,.=/*£@# CHOOSE PAST, FUTURE, SOMETHING WITH #@£*/=.,,,
,,.=/*£@## MORE SUBSTANCE THAN THE OBJECTS I ##@£*/=.,,
,.=/*£@### SURROUND MYSELF WITH. ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,
,,.=/*£@## ##@£*/=.,,
,.=/*£@### ###@£*/=.,
,,.=/*£@## ##@£*/=.,,
,,,.=/*£@# #@£*/=.,,,