,,,,,,-*&@ @&*-,,,,,,
,~-*§&&&&@ @&&&&§*-~,
,,,,,-*§&@ @&§*-,,,,,
,~-*§&&&@@ @@&&&§*-~,
,~-*§&&@## ##@&&§*-~,
,~-*§&&&@@ TRAIN DREAM @@&&&§*-~,
,~-*§&&@## ######,,,,~-~~,,##################### ##@&&§*-~,
,,,,,~*&&& *** &&&*~,,,,,
,~-*§&&@## - ##@&&§*-~,
,,,,--§&&& - &&&§--,,,,
,~-*§&&@## ##@&&§*-~,
,,,,,-**&@ (SITUATION) @&**-,,,,,
,~-*§&&@@# #@@&&§*-~,
,~-*§&&@## YOU FIND YOURSELF IN A RIFT - A ##@&&§*-~,
,~-*§&&@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@&&§*-~,
,~-*§&&@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@&&§*-~,
,,,,~-*&@# THICK AND READY TO SWALLOW YOU. THE SUN #@&*-~,,,,
,,,,~---§& IS NOWHERE TO BE SEEN, BUT NONTHELESS &§---~,,,,
,,,,-§§&@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@&§§-,,,,
,,,,~-*&&& BLUE, ALMOST WHITE. &&&*-~,,,,
,~-*§&&@## ##@&&§*-~,
,,,,,~**&& ALONG THE SPAN OF THE CLEARING LAY TWO &&**~,,,,,
,~-*§&&@## PARALLEL SILVERY LINES, DARK HARD ##@&&§*-~,
,~-*§&&@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@&&§*-~,
,~-*§&&### THEY ARE. ###&&§*-~,
,~-*&&@### ###@&&*-~,
,,,,,~*&&& THEY EMIT A HIGH PITCHED WHINE... &&&*~,,,,,
,~-*§&&@## ##@&&§*-~,
,~-*§§&&@@ - @@&&§§*-~,
,~-*§&&&&& ,,§,, &&&&&§*-~,
,~-*§&&@@@ - @@@&&§*-~,
,,,,~~~*&@ @&*~~~,,,,
,~-*§&&@## (SITUATION) ##@&&§*-~,
,~-*§&&@## ##@&&§*-~,
,,,,~-§&@# YOURE AT THE TRAIN STATION, ON A #@&§-~,,,,
,~---*&&&# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #&&&*---~,
,~-*§&&@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@&&§*-~,
,~-*§&&@## IT'S A SUMMER AFTERNOON AND THE STATION ##@&&§*-~,
,,,,,~-*&& IS BUSY, FULL OF RELAXED CONFIDENCE. &&*-~,,,,,
,,,~~~*&@@ @@&*~~~,,,
,~-*§&&@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@&&§*-~,
,~-*§&&@@@ STRESSED ABOUT THE TIME, WHILE MOVING @@@&&§*-~,
,~-*§&&@@@ UP THE STAIRS TO YOUR PLATFORM. THE @@@&&§*-~,
,,,~~-§§&& STATION IS IN SEVERAL LEVELS, ALL &&§§-~~,,,
,~-*§&&@## PLACED WITHIN EACHOTHER BY SOME ##@&&§*-~,
,~-*§&&@## INTELLIGENT DESIGNER, AND FULL OF ##@&&§*-~,
,~-*§&&@## STAIRS, ELEVATORS, SHORTCUTS, ##@&&§*-~,
,~-*§&&@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@&&§*-~,
,~-*§&&@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@&&§*-~,
,~-*§&&@## IT'S SUPPOSED TO BE? ##@&&§*-~,
,~-*§&@### ###@&§*-~,
,,,,,~*§&& - &&§*~,,,,,
,,,,,~*§&@ ~~&~~ @&§*~,,,,,
,~-*§&&@## - ##@&&§*-~,
,~-*§&&@## ##@&&§*-~,
,~-*§&&@## (SITUATION) ##@&&§*-~,
,~-*§&&@## ##@&&§*-~,
,,,,,~-§&@ YOU'RE FINALLY ENTERING THE CITY. WHILE @&§-~,,,,,
,,,~-*&&@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@&&*-~,,,
,~-*§&&@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@&&§*-~,
,~-*§&&@## BEEN LONG. BUT IT'S ABOUT TO END! ##@&&§*-~,
,~-*§&&@@# #@@&&§*-~,
,~-*§&&@@@ SOCIETY IS GROWING DENSER AROUND YOU, @@@&&§*-~,
,,,,,,~*&@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @&*~,,,,,,
,~-*§&&@## SHACKS, BUILT OF METAL AND STONE, THEN ##@&&§*-~,
,~-*§&&@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@&&§*-~,
,~-*§&&@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@&&§*-~,
,~-*§&&@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@&&§*-~,
,~-*§&&@## MAZE, PROTECTIVE WALLS, JUNGLE ##@&&§*-~,
,~-*&&@### NETWORK... ###@&&*-~,
,~-*§&&@## ##@&&§*-~,
,~-*§&&@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@&&§*-~,
,~-*§&&@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@&&§*-~,
,,,,,,-§&@ CARRIED GENTLY, CURVING UPWARDS UNTIL @&§-,,,,,,
,,,,-*§&&& YOU'RE MOVING UPWARD ALONG THE WALL OF &&&§*-,,,,
,,~--§&&&# A BUILDING. IT'S MADE OF SLABBY STONE, #&&&§--~,,
,~-*§&&@## WITH GREAT GLASSLESS WINDOW HOLES ##@&&§*-~,
,~-*§&&@## LOOKING OUT THE WAY YOU CAME. IT IS ##@&&§*-~,
,,,~~-*§§& PITCH BLACK INSIDE. &§§*-~~,,,
,,,~~-§&@@ @@&§-~~,,,
,,,,~-*&&# #&&*-~,,,,
,,,~~~-§§& &§§-~~~,,,
,,,~~-**&& &&**-~~,,,
,~-*§§&&&& &&&&§§*-~,