,^=:*%##@@ @@##%*:=^,
,,,^:*%### ###%*:^,,,
,^=:*%##@# #@##%*:=^,
,,^=:**%#@ @#%**:=^,,
,^=:***%## ##%***:=^,
,,,,,^:%%# the last song on side b (and to some #%%:^,,,,,
,^=:*%##@# extent the first song on side a) talks #@##%*:=^,
,^=:*%##@# for the whole album, not just their #@##%*:=^,
,^=:*%#### side. the last song on side b is ####%*:=^,
,^^^=:*%## probably the most important ##%*:=^^^,
,,,^^:::%# opportunity, the most charged slot. #%:::^^,,,
,^=:*%#### ####%*:=^,
,^=:*%#### ,###, ####%*:=^,
,^=:*%##@@ @@##%*:=^,
,^=:*%##@# the album is a singularity, an anomaly #@##%*:=^,
,^=:*%###@ in spacetime, a creature that knows @###%*:=^,
,^===:**## exactly how beautiful it is. ##**:===^,
,^=:*%###@ , @###%*:=^,
,^=:*%#### and the thing is: it sees itself in ####%*:=^,
,,,,,=:*%# three d. it knows that it's dying. #%*:=,,,,,
,,,^^===*# #*===^^,,,
,^=:*%#### **%%**%%**%%**%%**%##%**%%**%%**%%**%%** ####%*:=^,
,^=:*%#### ####%*:=^,
,^=:*%##@@ ^ dolphins and cats ^ @@##%*:=^,
,^=:*%##@@ bring us @@##%*:=^,
,,,,^^:*%# , flowers and honey , #%*:^^,,,,
,^=:*%##@@ @@##%*:=^,
,^=:*%#@## ^ dolphins and cats ^ ##@#%*:=^,
,,,,^=*%## bring us ##%*=^,,,,
,^=:*%##@@ , fairies and bees , @@##%*:=^,
,,,,,^:*## ##*:^,,,,,
,^=:*%##@# our boat is afloat #@##%*:=^,
,^=:*%##@# on a surface of lilies #@##%*:=^,
,^=:*%##@# ^ dolphins and cats ^ #@##%*:=^,
,,,,,=*%#@ drag us down @#%*=,,,,,
,^=:*%%%#@ ,=* underneath *=, @#%%%*:=^,
,,,,^==:%# #%:==^,,,,
,^=:*%##@@ **%%**%%**%%**%%**%##%**%%**%%**%%**%%** @@##%*:=^,
,^=:*%##@# #@##%*:=^,
,^=:*%##@# side a is foresty, and side b might #@##%*:=^,
,^=:**%%#@ be lizardy. but the last song is full @#%%**:=^,
,,,,,,=:*# of space. #*:=,,,,,,
,^=:*%#### ####%*:=^,
,^=:*%#### ####%*:=^,
,^=:*%##@# #@##%*:=^,
,,,^=::%%# #%%::=^,,,
,^=:*%##@# #@##%*:=^,