.,-\*$###@ @###$*\-,.
.,-\*$##@# #@##$*\-,.
.,-\*$#### ####$*\-,.
.,-\*$##@# #@##$*\-,.
.,-\*$#### ####$*\-,.
.,-\*$##@# the last song on side b (and to some #@##$*\-,.
.,-\*$##@@ extent the first song on side a) talks @@##$*\-,.
...,\\*$$# for the whole album, not just their #$$*\\,...
...,,\$$#@ side. the last song on side b is @#$$\,,...
....--*### probably the most important ###*--....
.....,\$## opportunity, the most charged slot. ##$\,.....
.,-\**$$## ##$$**\-,.
.,-\*$##@# .###. #@##$*\-,.
.,-\*$#### ####$*\-,.
.,,,-\\*#@ the album is a singularity, an anomaly @#*\\-,,,.
....,-**#@ in spacetime, a creature that knows @#**-,....
.....,,\$# exactly how beautiful it is. #$\,,.....
....,--*## . ##*--,....
.,,,,-\*$# and the thing is: it sees itself in #$*\-,,,,.
.....-*### three d. it knows that it's dying. ###*-.....
.,-\*$##@# #@##$*\-,.
.....-*##@ **$$**$$**$$**$$**$##$**$$**$$**$$**$$** @##*-.....
.....-*##@ @##*-.....
.-\*$##@## , dolphins and cats , ##@##$*\-.
.,-*$##@## bring us ##@##$*-,.
.,-\*$##@# . flowers and honey . #@##$*\-,.
.,-\*$#### ####$*\-,.
......,-*# , dolphins and cats , #*-,......
.,-\*$##@# bring us #@##$*\-,.
.,-\*$##@@ . fairies and bees . @@##$*\-,.
.,-\*$##@@ @@##$*\-,.
...--\*### our boat is afloat ###*\--...
....,\$$#@ on a surface of lilies @#$$\,....
.,-\*$#@## , dolphins and cats , ##@#$*\-,.
...,,\$##@ drag us down @##$\,,...
.,-\*$##@@ .-* underneath *-. @@##$*\-,.
.,-\*$##@# #@##$*\-,.
....,\\$#@ **$$**$$**$$**$$**$##$**$$**$$**$$**$$** @#$\\,....
.,-\*$#### ####$*\-,.
.,-\*$##@# side a is foresty, and side b might #@##$*\-,.
....-**$#@ be lizardy. but the last song is full @#$**-....
.,-\*$##@# of space. #@##$*\-,.
.,-\*$##@# #@##$*\-,.
.,-\*$##@# #@##$*\-,.
...,,,,-*# #*-,,,,...
.,-\*$#@## ##@#$*\-,.
.....-\$## ##$\-.....