##@##$=/-, ,-/=$##@##
#@##$=/-,, ,,-/=$##@#
@##$=/-,,, ,,,-/=$##@
##$=/-,,,, ,,,,-/=$##
#$=/-,,,,, ,,,,,-/=$#
$=/-,,,,,, the last song on side b (and to some ,,,,,,-/=$
=/-,,,,,,, extent the first song on side a) talks ,,,,,,,-/=
/-,,,,,,,, for the whole album, not just their ,,,,,,,,-/
-,,,,,,,,, side. the last song on side b is ,,,,,,,,,-
,,,,,,,,,, probably the most important ,,,,,,,,,,
,,,,,,,,,, opportunity, the most charged slot. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
-,,,,,,,,, ,###, ,,,,,,,,,-
/-,,,,,,,, ,,,,,,,,-/
=/-,,,,,,, the album is a singularity, an anomaly ,,,,,,,-/=
$=/-,,,,,, in spacetime, a creature that knows ,,,,,,-/=$
#$=/-,,,,, exactly how beautiful it is. ,,,,,-/=$#
##$=/-,,,, , ,,,,-/=$##
@##$=/-,,, and the thing is: it sees itself in ,,,-/=$##@
#@##$=/-,, three d. it knows that it's dying. ,,-/=$##@#
##@##$=/-, ,-/=$##@##
#@##$=/-,, ==$$==$$==$$==$$==$##$==$$==$$==$$==$$== ,,-/=$##@#
@##$=/-,,, ,,,-/=$##@
##$=/-,,,, - dolphins and cats - ,,,,-/=$##
#$=/-,,,,, bring us ,,,,,-/=$#
$=/-,,,,,, , flowers and honey , ,,,,,,-/=$
=/-,,,,,,, ,,,,,,,-/=
/-,,,,,,,, - dolphins and cats - ,,,,,,,,-/
-,,,,,,,,, bring us ,,,,,,,,,-
,,,,,,,,,, , fairies and bees , ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, our boat is afloat ,,,,,,,,,,
-,,,,,,,,, on a surface of lilies ,,,,,,,,,-
/-,,,,,,,, - dolphins and cats - ,,,,,,,,-/
=/-,,,,,,, drag us down ,,,,,,,-/=
$=/-,,,,,, ,-= underneath =-, ,,,,,,-/=$
#$=/-,,,,, ,,,,,-/=$#
##$=/-,,,, ==$$==$$==$$==$$==$##$==$$==$$==$$==$$== ,,,,-/=$##
@##$=/-,,, ,,,-/=$##@
#@##$=/-,, side a is foresty, and side b might ,,-/=$##@#
##@##$=/-, be lizardy. but the last song is full ,-/=$##@##
#@##$=/-,, of space. ,,-/=$##@#
@##$=/-,,, ,,,-/=$##@
##$=/-,,,, ,,,,-/=$##
#$=/-,,,,, ,,,,,-/=$#
$=/-,,,,,, ,,,,,,-/=$
=/-,,,,,,, ,,,,,,,-/=