¨§¨¨¨¨§¨¨¨ §¨¨¨¨¨¨¨¨¨
¨¨¨§§¨¨¨§§ ¨¨§§§§§§§§
¨§¨¨¨¨§¨¨§ ¨¨¨§§§§§§¨
¨¨¨§§¨¨¨¨¨ §§¨¨§§§§¨¨
§§¨¨¨¨§§§¨ §¨¨¨¨§§¨¨§
§¨¨§§¨¨§¨¨ L U S H ¨¨§§¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨§ A R P E G G I O ¨¨¨¨¨§§§§¨
§§§§§§§§¨¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ §§§§¨¨§§¨¨
¨§§§§§§¨¨¨ §§§¨¨¨¨¨¨¨
¨¨§§§§¨¨§§ WHAT ARE THESE THINGS IF NOT BIRDSONG? ¨§¨¨§§§§§§
¨¨¨§§¨¨¨¨¨ BLACKBIRD + NOISE CASCADE. ¨¨¨¨¨§§§§¨
§§¨¨¨¨§§§§ ¨§§§¨¨§§¨¨
¨¨¨§§¨¨§§§ THE COMMODORE SOUND MAYBE. DIRTY, ¨¨§¨¨¨¨¨¨¨
§§¨¨¨¨¨¨§§ MIRRORING, DISTORTED FLUTE, §¨¨¨§§§§§§
§¨¨§§§§¨¨§ ¨¨§¨¨§§§§§
¨¨¨¨§§¨¨¨¨ ¨ ¨ ¨ ¨ ¨ ¨¨ ¨¨¨¨¨¨§§§§
¨§§¨¨¨¨§§¨ §§§§§¨¨§§¨
¨¨¨¨§§¨¨¨¨ DDRREEAAMMYY SSLLIIDDEESS §§§§¨¨¨¨¨¨
§§§¨¨¨¨§§¨ §§§¨¨§§§§§
§§¨¨§§¨¨¨¨ MIRAGES IN SOUND. ARPEGGIOS, CHORDS ¨§¨¨¨¨§§§§
§¨¨¨¨¨¨§§§ MULTIPLEXED IN THE TIME DOMAIN, ¨¨¨§§¨¨§§§
¨¨§§§§¨¨§§ ¨§¨¨¨¨¨¨§§
¨¨¨§§¨¨¨¨§ REFACTORED, REFRACTORED, REMADE ¨¨¨§§§§¨¨¨
§§¨¨¨¨§§¨¨ . . ¨ ¨ ¨ ¨§¨¨§§¨¨§§
§¨¨§§¨¨¨¨¨ \ \ \ \ = \ ¨¨¨¨¨¨¨¨¨§
¨¨¨¨¨¨§§§§ § = § = § § § § = ¨§§§§§§§¨¨
§§§§§¨¨§§¨ # # # # # ¨¨§§§§§¨¨§
§§§§¨¨¨¨¨¨ ¨¨¨§§§¨¨¨¨
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§§§§§¨¨¨¨§ ¨¨§§§§§§§§
§§§§¨¨§§¨¨ ¨¨¨§§§§§§§
§§§¨¨¨¨¨¨¨ §§¨¨§§§§§§