,^-\*£&@##                                          ##@&£*\-^,
,,,,,^\££@                                          @££\^,,,,,
,^-\**£££@                                          @£££**\-^,
,^-\***££&                                          &££***\-^,
,,,,,,-*&@                                          @&*-,,,,,,
,^-\*£&@##                    ^^                    ##@&£*\-^,
,^-\*£@###                   ^££^                   ###@£*\-^,
,^-\*£&@##                  ^£##£^                  ##@&£*\-^,
,,,^^^\*&@                   ^££^                   @&*\^^^,,,
,^-\*£&@##                    ^^                    ##@&£*\-^,
,^-\*£&@##                                          ##@&£*\-^,
,^-\*£@###                                          ###@£*\-^,
,^-\*£&@##   \\\ teenage engineering presents \\\   ##@&£*\-^,
,^-\*£&@## #£------  the pocket operators  ------£# ##@&£*\-^,
,^-\*£&@@@           ^^^ ^^^^^^ ^^^^^^^^^           @@@&£*\-^,
,^-\*£&&@#                                          #@&&£*\-^,
,,,,,-\*£&             they break easily            &£*\-,,,,,
,,,--**£@# for example if you would be to put  them #@£**--,,,
,,^---\££&              in your pocket              &££\---^,,
,^-\*£&@##                                          ##@&£*\-^,
,,,,-\\£@#                 ,*###*,                  #@£\\-,,,,
,^-\*£&@## here  presented  in an ascending fashion ##@&£*\-^,
,^-\*£&@##                  ,*###*,                 ##@&£*\-^,
,^-\*££&&@                                          @&&££*\-^,
,,,,,^\££&                                          &££\^,,,,,
,^-\*£&@##              ££ po twelve ££             ##@&£*\-^,
,^---\\£@#      (drum machine, see po twelve)       #@£\\---^,
,^-*£&@###                                          ###@&£*-^,
,^-\*£@###                                          ###@£*\-^,
,,,,,-**£&             ££ po fourteen ££            &£**-,,,,,
,^-\*££&&# lame   base   synth   i  had  and   sold #&&££*\-^,
,,,,,^\£@#                                          #@£\^,,,,,
,^-\*£&@##                                          ##@&£*\-^,
,^-\*£&@##             ££ po sixteen ££             ##@&£*\-^,
,,,,^\**&&    (melody and stuff, see po sixteen)    &&**\^,,,,
,^-\*£&&&&                                          &&&&£*\-^,
,^-\*£&@##                                          ##@&£*\-^,
,^-\*£&@##              ££ po twenty ££             ##@&£*\-^,
,^-\****&&  a chiptune-sounding blip blop machine   &&****\-^,
,,,,,^-*&@ good for chords and stuff. never used it @&*-^,,,,,
,^-\*£&&@#                                          #@&&£*\-^,
,^-\*£&@##                                          ##@&£*\-^,
,^-\*£££@@           ££ po twentyfour ££            @@£££*\-^,
,^-\*£&@##     office rompler? for what reason?     ##@&£*\-^,
,,,,,^-**&                                          &**-^,,,,,
,,^^^^-*£&                                          &£*-^^^^,,
,^--\\\£&@           ££ po twentyeight ££           @&£\\\--^,
,^-\*£&&&&        melody and stuff mark two         &&&&£*\-^,
,^-\*£&@##        (only melodies this time)         ##@&£*\-^,
,^-\£&@###                                          ###@&£\-^,
,^-\*£&@##                                          ##@&£*\-^,
,^-\*£@###            ££ po thirtytwo ££            ###@£*\-^,
,^-\*£&@##           drum machine mark two          ##@&£*\-^,
,,,,,,^\£& runs on  some computer software to  make &£\^,,,,,,
,^-\*£&@## your own  drums  and whatnot. but  it is ##@&£*\-^,
,^-\*£&@##            expensive this one            ##@&£*\-^,
,,,^^-*£&#                                          #&£*-^^,,,
,^-\*£&@##                                          ##@&£*\-^,
,,,,,^--*&                                          &*--^,,,,,
,,,--\*£&&                                          &&£*\--,,,
,,,,,^-*&@                                          @&*-^,,,,,