,,==*£@###                                          ###@£*==,,
,,,==*£@##                                          ##@£*==,,,
,,,,==*£@#                                          #@£*==,,,,
,,,,,==*£@                                          @£*==,,,,,
,,,,,,==*£                                          £*==,,,,,,
,,,,,,,==*                                          *==,,,,,,,
,,,,,,==*£                ,,£###£,,                 £*==,,,,,,
,,,,,==*£@       ,, PITTSBURGH ELECTRONICS ,,       @£*==,,,,,
,,,,==*£@#              == LIFEFORMS ==             #@£*==,,,,
,,,==*£@##               == SV ONE ==               ##@£*==,,,
,,==*£@###                                          ###@£*==,,
,,,==*£@## THIS IS A  EURORACK MODULE BUT  I BOUGHT ##@£*==,,,
,,,,==*£@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@£*==,,,,
,,,,,==*£@                                          @£*==,,,,,
,,,,,,==*£ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. £*==,,,,,,
,,,,,,,==*                                          *==,,,,,,,
,,,,,,==*£             ,*# CONTAINS #*,             £*==,,,,,,
,,,,,==*£@           MIDI TO CV CONVERTER           @£*==,,,,,
,,,,==*£@#                TWO VCO'S                 #@£*==,,,,
,,,==*£@## FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ##@£*==,,,
,,==*£@###       TWO SUB OSCILLATORS I THINK        ###@£*==,,
,,,==*£@##         TWO ONE TO TWO SPLITTERS         ##@£*==,,,
,,,,==*£@#           WHITE NOISE GENERATOR          #@£*==,,,,
,,,,,==*£@              SAMPLE AND HOLD             @£*==,,,,,
,,,,,,==*£          LFO PLUS A DIGITAL LFO          £*==,,,,,,
,,,,,,,==*   FILTER (LOWPASS, BANDPASS, HIGHPASS)   *==,,,,,,,
,,,,,,==*£              ADSR ENVELOPE               £*==,,,,,,
,,,,,==*£@                  ONE VCA                 @£*==,,,,,
,,,,==*£@#               HEADPHONE AMP              #@£*==,,,,
,,,==*£@##         FOURTY NINE PATCHPOINTS!         ##@£*==,,,
,,==*£@###                                          ###@£*==,,
,,,==*£@##                  ,,###,,                 ##@£*==,,,
,,,,==*£@#            =** SO WHAT NOW **=           #@£*==,,,,
,,,,,==*£@                 ,,###,,                  @£*==,,,,,
,,,,,,==*£                                          £*==,,,,,,
,,,,,,,==* CLOCK IO GOES  TO ASDR  IN  I  THINK AND *==,,,,,,,
,,,,,,==*£ MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT £*==,,,,,,
,,,,,==*£@ SUBBASE AND NOISE IN  CHANNEL  THREE AND @£*==,,,,,
,,,,==*£@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@£*==,,,,
,,,==*£@## TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ##@£*==,,,
,,==*£@### ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ###@£*==,,
,,,==*£@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@£*==,,,
,,,,==*£@# SOME FREQUENCY IN  THE FIRST  OSCILLATOR #@£*==,,,,
,,,,,==*£@ AND THEN THE SECOND  OSC FOUR  SEMITONES @£*==,,,,,
,,,,,,==*£                 HIGHER.                  £*==,,,,,,
,,,,,,,==*                                          *==,,,,,,,
,,,,,,==*£                 ,=@#@=,                  £*==,,,,,,
,,,,,==*£@          =££ DESKTOP SYNTH ££=           @£*==,,,,,
,,,,==*£@#                  ,=@#@=,                 #@£*==,,,,
,,,==*£@##                                          ##@£*==,,,
,,==*£@###                                          ###@£*==,,
,,,==*£@##                                          ##@£*==,,,
,,,,==*£@#                                          #@£*==,,,,
,,,,,==*£@                                          @£*==,,,,,
,,,,,,==*£                                          £*==,,,,,,