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..§.....§.       .. PITTSBURGH ELECTRONICS ..       .§.§§....§
§..§......              »» LIFEFORMS »»             ...§§§....
.§..§.....               ** SV ONE **               ...§.§§...
..§..§....                                          .....§§§..
...§..§... THIS  IS  A EURORACK MODULE BUT I BOUGHT §....§.§§.
....§..§.. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. §§.....§§§
§....§..§.                                          §§§....§.§
§§....§..§ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. §.§§.....§
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.§§§....§.             .%£ CONTAINS £%.             ..§.§§....
.§.§§....§           MIDI TO CV CONVERTER           ....§§§...
...§§§....                TWO VCO'S                 ....§.§§..
...§.§§... FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER §.....§§§.
.....§§§..       TWO SUB OSCILLATORS I THINK        §§....§.§§
§....§.§§.         TWO ONE TO TWO SPLITTERS         .§§.....§§
§§.....§§§           WHITE NOISE GENERATOR          .§§§....§.
§§§....§.§              SAMPLE AND HOLD             .§.§§.....
§.§§.....§          LFO PLUS A DIGITAL LFO          ...§§§....
..§§§....§   FILTER (LOWPASS, BANDPASS, HIGHPASS)   §..§.§§...
..§.§§....              ADSR ENVELOPE               §§...§§§..
....§§§...                  ONE VCA                 §§§..§.§§.
....§.§§..               HEADPHONE AMP              §.§§...§§§
§.....§§§.         FOURTY NINE PATCHPOINTS!         ..§§§..§.§
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.§§.....§§                  ..@#@..                 ....§§§..§
.§§§....§.            »%% SO WHAT NOW %%»           ....§.§§..
.§.§§.....                  ..@#@..                 ......§§§.
...§§§....                                          ......§.§§
§..§.§§... CLOCK IO GOES TO  ASDR  IN I  THINK  AND ........§§
§§...§§§.. MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ........§.
§§§..§.§§. SUBBASE AND  NOISE  IN CHANNEL THREE AND §.........
§.§§...§§§ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .§........
..§§§..§.§ TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ..§.......
..§.§§...§ ONE.   SAMPLE  AND  HOLD   OUT  TO   THE ...§......
....§§§..§  FILTER... MAYBE... RESONANCE AT HALF.   §...§.....
....§.§§.. SOME FREQUENCY IN THE  FIRST  OSCILLATOR §§...§....
......§§§. AND THEN THE  SECOND  OSC FOUR SEMITONES .§§...§...
......§.§§                 HIGHER.                  .§§§...§..
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........§.                  .»§£§».                 ...§§§...§
§.........          *££ DESKTOP SYNTH ££*           ...§.§§...
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