¨¨¨¨¨.*&§#                                          #§&*.¨¨¨¨¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨¨¨¨¨.~*&§                                          §&*~.¨¨¨¨¨
¨¨¨¨~*%&@@                                          @@&%*~¨¨¨¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨.~*%§@###                                          ###@§%*~.¨
¨.~*%&@###                 ¨¨&###&¨¨                ###@&%*~.¨
¨¨...**%&§       .. pittsburgh electronics ..       §&%**...¨¨
¨.~*%&&§@#             ~~ lifeforms ~~              #@§&&%*~.¨
¨¨¨..~~*&§               ** sv one **               §&*~~..¨¨¨
¨¨¨¨...*&§                                          §&*...¨¨¨¨
¨¨¨¨¨.~%§# this is  a eurorack module but  i bought #§%~.¨¨¨¨¨
¨¨¨¨.~*%§§ the  blackbox  one  so  it's  also  not. §§%*~.¨¨¨¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨¨..**%§§# it  ships  with  too  few  patch cables. #§§%**..¨¨
¨.~*%&&&&§                                          §&&&&%*~.¨
¨.~*%%%§@#             ¨%@ contains @%¨             #@§%%%*~.¨
¨¨¨¨.*%%§@           midi to cv converter           @§%%*.¨¨¨¨
¨.~*%&§@##                two vco's                 ##@§&%*~.¨
¨.~*%&§@## four channel or  two x two channel mixer ##@§&%*~.¨
¨.~*&§@###        two sub oscillators i think       ###@§&*~.¨
¨.~*%&§§§§         two one to two splitters         §§§§&%*~.¨
¨¨¨¨¨~*%%§          white noise generator           §%%*~¨¨¨¨¨
¨¨¨¨¨.*&@#             sample and hold              #@&*.¨¨¨¨¨
¨.~*%%&&@@          lfo plus a digital lfo          @@&&%%*~.¨
¨¨¨¨.*%§§§   filter (lowpass, bandpass, highpass)   §§§%*.¨¨¨¨
¨.~*%&§@##              adsr envelope               ##@§&%*~.¨
¨¨¨¨¨.~*&@                 one vca                  @&*~.¨¨¨¨¨
¨.~*%&§@##               headphone amp              ##@§&%*~.¨
¨.~*%&§@##         fourty nine patchpoints!         ##@§&%*~.¨
¨.~*%%%&@#                                          #@&%%%*~.¨
¨.~*%&§@##                 ¨.###.¨                  ##@§&%*~.¨
¨.~*%%%&§§            ~%% so what now %%~           §§&%%%*~.¨
¨.~*%&§§§@                 ¨.###.¨                  @§§§&%*~.¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨.~*%&§@## clock  io  goes  to asdr in  i think and ##@§&%*~.¨
¨.~*%&§@## maybe also to  the  sample and hold. put ##@§&%*~.¨
¨.~*%%%&&§ subbase and  noise in channel three  and §&&%%%*~.¨
¨¨...*%§§§ four.  oscillator  one  saw  to  channel §§§%*...¨¨
¨.~*%&§@## two,  and oscillator  two saw to channel ##@§&%*~.¨
¨.~*%&§@@# one.   sample  and  hold   out   to  the #@@§&%*~.¨
¨.~*%&§@@#   filter... maybe... resonance at half.  #@@§&%*~.¨
¨¨..*%&§§# some  frequency  in the first oscillator #§§&%*..¨¨
¨¨¨¨.~%%§§ and  then the second osc four  semitones §§%%~.¨¨¨¨
¨¨¨¨¨.*%&§                  higher.                 §&%*.¨¨¨¨¨
¨¨...~%%§@                                          @§%%~...¨¨
¨.~*%&§@##                  .~§@§~.                 ##@§&%*~.¨
¨.~*%&@###           *&& desktop synth &&*          ###@&%*~.¨
¨¨¨.*%%%%§                  .~§@§~.                 §%%%%*.¨¨¨
¨.~*%&§@@#                                          #@@§&%*~.¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨.~*%&§@@#                                          #@@§&%*~.¨
¨.~*%&§@##                                          ##@§&%*~.¨
¨.~*%&§@@#                                          #@@§&%*~.¨
¨.~*%&§@##                                          ##@§&%*~.¨