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......,«*§       ,, pittsburgh electronics ,,       §*«,......
.....,«*§*             «« lifeforms ««              *§*«,.....
....,«*§*£               ** sv one **               £*§*«,....
...,«*§*£@                                          @£*§*«,...
..,«*§*£@# this is a eurorack module but  i  bought #@£*§*«,..
.,«*§*£@## the  blackbox  one  so  it's  also  not. ##@£*§*«,.
..,«*§*£@#                                          #@£*§*«,..
...,«*§*£@ it ships  with  too  few  patch  cables. @£*§*«,...
....,«*§*£                                          £*§*«,....
.....,«*§*             .§£ contains £§.             *§*«,.....
......,«*§           midi to cv converter           §*«,......
.....,«*§*                two vco's                 *§*«,.....
....,«*§*£ four  channel or two x two channel mixer £*§*«,....
...,«*§*£@        two sub oscillators i think       @£*§*«,...
..,«*§*£@#         two one to two splitters         #@£*§*«,..
.,«*§*£@##          white noise generator           ##@£*§*«,.
..,«*§*£@#             sample and hold              #@£*§*«,..
...,«*§*£@          lfo plus a digital lfo          @£*§*«,...
....,«*§*£   filter (lowpass, bandpass, highpass)   £*§*«,....
.....,«*§*               adsr envelope              *§*«,.....
......,«*§                 one vca                  §*«,......
.....,«*§*              headphone amp               *§*«,.....
....,«*§*£         fourty nine patchpoints!         £*§*«,....
...,«*§*£@                                          @£*§*«,...
..,«*§*£@#                  .,@#@,.                 #@£*§*«,..
.,«*§*£@##           «§§ so what now §§«            ##@£*§*«,.
..,«*§*£@#                  .,@#@,.                 #@£*§*«,..
...,«*§*£@                                          @£*§*«,...
....,«*§*£ clock io  goes  to asdr  in i think  and £*§*«,....
.....,«*§* maybe also  to  the sample and hold. put *§*«,.....
......,«*§ subbase and  noise in channel  three and §*«,......
.....,«*§* four.  oscillator  one  saw  to  channel *§*«,.....
....,«*§*£ two, and oscillator  two  saw to channel £*§*«,....
...,«*§*£@ one.  sample   and   hold  out  to   the @£*§*«,...
..,«*§*£@#   filter... maybe... resonance at half.  #@£*§*«,..
.,«*§*£@## some frequency  in the first  oscillator ##@£*§*«,.
..,«*§*£@# and then the  second  osc four semitones #@£*§*«,..
...,«*§*£@                  higher.                 @£*§*«,...
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.....,«*§*                  ,«¤£¤«,                 *§*«,.....
......,«*§          *** desktop synth ***           §*«,......
.....,«*§*                  ,«¤£¤«,                 *§*«,.....
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