#¤$^/.,,,,                                          ,,,,./^$¤#
##@¤$^/~.,                                          ,.~/^$¤@##
¤$$^~.,,,,                                          ,,,,.~^$$¤
@@@¤$^/~.,                                          ,.~/^$¤@@@
##@¤$^/~.,                                          ,.~/^$¤@##
##@¤$^/~.,                                          ,.~/^$¤@##
##@¤$^/~.,                 ,,$###$,,                ,.~/^$¤@##
¤¤$/.,,,,,       .. PITTSBURGH ELECTRONICS ..       ,,,,,./$¤¤
@$^~.,,,,,              ~~ LIFEFORMS ~~             ,,,,,.~^$@
¤$/.,,,,,,               // SV ONE //               ,,,,,,./$¤
###¤$^/~.,                                          ,.~/^$¤###
¤$$^~.,,,, THIS IS  A  EURORACK MODULE BUT I BOUGHT ,,,,.~^$$¤
@¤$^^~,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,~^^$¤@
##@¤$^/~.,                                          ,.~/^$¤@##
##@¤$^/~., IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ,.~/^$¤@##
##@¤$^/~.,                                          ,.~/^$¤@##
##@¤$^/~.,             ,^@ CONTAINS @^,             ,.~/^$¤@##
¤¤¤^/..,,,           MIDI TO CV CONVERTER           ,,,../^¤¤¤
##@¤$^/~.,                 TWO VCO'S                ,.~/^$¤@##
¤¤^^//~~., FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ,.~~//^^¤¤
##@¤$^/~.,        TWO SUB OSCILLATORS I THINK       ,.~/^$¤@##
##@¤$^/~.,         TWO ONE TO TWO SPLITTERS         ,.~/^$¤@##
@¤¤$///~.,           WHITE NOISE GENERATOR          ,.~///$¤¤@
#¤^~,,,,,,              SAMPLE AND HOLD             ,,,,,,~^¤#
##@¤$^/~.,          LFO PLUS A DIGITAL LFO          ,.~/^$¤@##
##@¤$^/~.,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,.~/^$¤@##
@$//.,,,,,               ADSR ENVELOPE              ,,,,,.//$@
@¤$//..,,,                 ONE VCA                  ,,,..//$¤@
###@¤$^~.,              HEADPHONE AMP               ,.~^$¤@###
@$/~,,,,,,         FOURTY NINE PATCHPOINTS!         ,,,,,,~/$@
#¤$^//.,,,                                          ,,,.//^$¤#
##@¤$^/~.,                 ,.###.,                  ,.~/^$¤@##
¤$^//.,,,,            ~^^ SO WHAT NOW ^^~           ,,,,.//^$¤
¤$^/~..,,,                 ,.###.,                  ,,,..~/^$¤
@¤$$^~~.,,                                          ,,.~~^$$¤@
###@¤$^/~. CLOCK  IO GOES TO  ASDR  IN I  THINK AND .~/^$¤@###
##@¤$^/~., MAYBE ALSO TO THE SAMPLE AND  HOLD.  PUT ,.~/^$¤@##
###@¤$^~., SUBBASE AND  NOISE IN  CHANNEL THREE AND ,.~^$¤@###
##@¤$^/~., FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,.~/^$¤@##
##@¤$^/~., TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL ,.~/^$¤@##
¤^/....,,, ONE.   SAMPLE  AND   HOLD  OUT  TO   THE ,,,..../^¤
##@¤$^/~.,   FILTER... MAYBE... RESONANCE AT HALF.  ,.~/^$¤@##
##@¤$^/~., SOME FREQUENCY IN  THE  FIRST OSCILLATOR ,.~/^$¤@##
###@¤^/~., AND  THEN THE SECOND OSC  FOUR SEMITONES ,.~/^¤@###
¤¤^/~~.,,,                  HIGHER.                 ,,,.~~/^¤¤
##@¤$^/~.,                                          ,.~/^$¤@##
@@¤^^//~.,                  .~¤@¤~.                 ,.~//^^¤@@
##@¤$^/~.,           /$$ DESKTOP SYNTH $$/          ,.~/^$¤@##
¤^/~~,,,,,                 .~¤@¤~.                  ,,,,,~~/^¤
#@$^/.,,,,                                          ,,,,./^$@#
@¤$$^//~.,                                          ,.~//^$$¤@
@$/.,,,,,,                                          ,,,,,,./$@
##@¤$^/~.,                                          ,.~/^$¤@##
###¤$^/~.,                                          ,.~/^$¤###
##@¤$^/~.,                                          ,.~/^$¤@##