*/«^,,,,,,                                          ,,,,,,^«/*
&*/«^,,,,,                                          ,,,,,^«/*&
£&*/«^,,,,                                          ,,,,^«/*&£
#£&*/«^,,,                                          ,,,^«/*&£#
##£&*/«^,,                                          ,,^«/*&£##
###£&*/«^,                                          ,^«/*&£###
##£&*/«^,,                 ,,&@#@&,,                ,,^«/*&£##
#£&*/«^,,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,,^«/*&£#
£&*/«^,,,,              «« LIFEFORMS ««             ,,,,^«/*&£
&*/«^,,,,,               // SV ONE //               ,,,,,^«/*&
*/«^,,,,,,                                          ,,,,,,^«/*
/«^,,,,,,, THIS IS A EURORACK  MODULE  BUT I BOUGHT ,,,,,,,^«/
«^,,,,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,,,,^«
^,,,,,,,,,                                          ,,,,,,,,,^
«^,,,,,,,, IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ,,,,,,,,^«
/«^,,,,,,,                                          ,,,,,,,^«/
*/«^,,,,,,             ,*# CONTAINS #*,             ,,,,,,^«/*
&*/«^,,,,,           MIDI TO CV CONVERTER           ,,,,,^«/*&
£&*/«^,,,,                 TWO VCO'S                ,,,,^«/*&£
#£&*/«^,,, FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ,,,^«/*&£#
##£&*/«^,,       TWO SUB OSCILLATORS I THINK        ,,^«/*&£##
###£&*/«^,         TWO ONE TO TWO SPLITTERS         ,^«/*&£###
##£&*/«^,,           WHITE NOISE GENERATOR          ,,^«/*&£##
#£&*/«^,,,              SAMPLE AND HOLD             ,,,^«/*&£#
£&*/«^,,,,          LFO PLUS A DIGITAL LFO          ,,,,^«/*&£
&*/«^,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,,^«/*&
*/«^,,,,,,              ADSR ENVELOPE               ,,,,,,^«/*
/«^,,,,,,,                 ONE VCA                  ,,,,,,,^«/
«^,,,,,,,,               HEADPHONE AMP              ,,,,,,,,^«
^,,,,,,,,,         FOURTY NINE PATCHPOINTS!         ,,,,,,,,,^
«^,,,,,,,,                                          ,,,,,,,,^«
/«^,,,,,,,                  ,^@#@^,                 ,,,,,,,^«/
*/«^,,,,,,           «** SO WHAT NOW **«            ,,,,,,^«/*
&*/«^,,,,,                 ,^@#@^,                  ,,,,,^«/*&
£&*/«^,,,,                                          ,,,,^«/*&£
#£&*/«^,,, CLOCK IO GOES  TO ASDR  IN  I THINK  AND ,,,^«/*&£#
##£&*/«^,, MAYBE ALSO  TO THE SAMPLE AND HOLD.  PUT ,,^«/*&£##
###£&*/«^, SUBBASE AND  NOISE IN  CHANNEL THREE AND ,^«/*&£###
##£&*/«^,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,^«/*&£##
#£&*/«^,,, TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ,,,^«/*&£#
£&*/«^,,,, ONE.   SAMPLE  AND  HOLD   OUT   TO  THE ,,,,^«/*&£
&*/«^,,,,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,,,,^«/*&
*/«^,,,,,, SOME  FREQUENCY IN  THE FIRST OSCILLATOR ,,,,,,^«/*
/«^,,,,,,, AND THEN  THE SECOND OSC FOUR  SEMITONES ,,,,,,,^«/
«^,,,,,,,,                 HIGHER.                  ,,,,,,,,^«
^,,,,,,,,,                                          ,,,,,,,,,^
«^,,,,,,,,                  ^«£#£«^                 ,,,,,,,,^«
/«^,,,,,,,           /&& DESKTOP SYNTH &&/          ,,,,,,,^«/
*/«^,,,,,,                 ^«£#£«^                  ,,,,,,^«/*
&*/«^,,,,,                                          ,,,,,^«/*&
£&*/«^,,,,                                          ,,,,^«/*&£
#£&*/«^,,,                                          ,,,^«/*&£#
##£&*/«^,,                                          ,,^«/*&£##
###£&*/«^,                                          ,^«/*&£###
##£&*/«^,,                                          ,,^«/*&£##