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=^........                 ..$@#@$..                ........^=
^=^.......       ^^ PITTSBURGH ELECTRONICS ^^       .......^=^
=^=^......              == LIFEFORMS ==             ......^=^=
$=^=^.....               ^^ SV ONE ^^               .....^=^=$
&$=^=^....                                          ....^=^=$&
£&$=^=^... THIS IS  A EURORACK MODULE BUT I  BOUGHT ...^=^=$&£
@£&$=^=^.. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ..^=^=$&£@
#@£&$=^=^.                                          .^=^=$&£@#
@£&$=^=^.. IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ..^=^=$&£@
£&$=^=^...                                          ...^=^=$&£
&$=^=^....             .=£ CONTAINS £=.             ....^=^=$&
$=^=^.....           MIDI TO CV CONVERTER           .....^=^=$
=^=^......                TWO VCO'S                 ......^=^=
^=^....... FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER .......^=^
=^........        TWO SUB OSCILLATORS I THINK       ........^=
^.........         TWO ONE TO TWO SPLITTERS         .........^
..........          WHITE NOISE GENERATOR           ..........
..........              SAMPLE AND HOLD             ..........
..........          LFO PLUS A DIGITAL LFO          ..........
..........   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..........
..........              ADSR ENVELOPE               ..........
..........                 ONE VCA                  ..........
..........               HEADPHONE AMP              ..........
^.........         FOURTY NINE PATCHPOINTS!         .........^
=^........                                          ........^=
^=^.......                 .^@#@^.                  .......^=^
=^=^......           === SO WHAT NOW ===            ......^=^=
$=^=^.....                 .^@#@^.                  .....^=^=$
&$=^=^....                                          ....^=^=$&
£&$=^=^... CLOCK  IO  GOES  TO ASDR  IN I THINK AND ...^=^=$&£
@£&$=^=^.. MAYBE ALSO TO THE  SAMPLE AND  HOLD. PUT ..^=^=$&£@
#@£&$=^=^. SUBBASE  AND  NOISE IN CHANNEL THREE AND .^=^=$&£@#
@£&$=^=^.. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ..^=^=$&£@
£&$=^=^... TWO, AND  OSCILLATOR TWO SAW  TO CHANNEL ...^=^=$&£
&$=^=^.... ONE.  SAMPLE  AND  HOLD   OUT   TO   THE ....^=^=$&
$=^=^.....   FILTER... MAYBE... RESONANCE AT HALF.  .....^=^=$
=^=^...... SOME FREQUENCY  IN THE FIRST  OSCILLATOR ......^=^=
^=^....... AND THEN THE  SECOND OSC  FOUR SEMITONES .......^=^
=^........                  HIGHER.                 ........^=
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..........           ^$$ DESKTOP SYNTH $$^          ..........
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