¤%%~¨¨¨¨¨¨                                          ¨¨¨¨¨¨~%%¤
#¤$;;~:¨¨¨                                          ¨¨¨:~;;$¤#
¤$;~~~:¨¨¨                                          ¨¨¨:~~~;$¤
#$%;;:¨¨¨¨                                          ¨¨¨¨:;;%$#
##¤%~¨¨¨¨¨                                          ¨¨¨¨¨~%¤##
###¤$%;~:¨                                          ¨:~;%$¤###
###¤$%;~:¨                ¨¨$###$¨¨                 ¨:~;%$¤###
###¤$%;~:¨       :: PITTSBURGH ELECTRONICS ::       ¨:~;%$¤###
¤$%%~¨¨¨¨¨              ~~ LIFEFORMS ~~             ¨¨¨¨¨~%%$¤
###¤$%;~:¨               ;; SV ONE ;;               ¨:~;%$¤###
#¤¤¤$%;~:¨                                          ¨:~;%$¤¤¤#
¤%;:¨¨¨¨¨¨ THIS IS  A  EURORACK MODULE BUT I BOUGHT ¨¨¨¨¨¨:;%¤
##¤¤$%;~:¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨:~;%$¤¤##
###¤$%;~:¨                                          ¨:~;%$¤###
¤$$;;;:¨¨¨ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ¨¨¨:;;;$$¤
###¤$%;~:¨                                          ¨:~;%$¤###
¤¤%%%~¨¨¨¨             ¨%# CONTAINS #%¨             ¨¨¨¨~%%%¤¤
¤%;;~~~~:¨           MIDI TO CV CONVERTER           ¨:~~~~;;%¤
#¤%~~:¨¨¨¨                TWO VCO'S                 ¨¨¨¨:~~%¤#
###¤$%;~:¨ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ¨:~;%$¤###
#¤¤%~:¨¨¨¨       TWO SUB OSCILLATORS I THINK        ¨¨¨¨:~%¤¤#
##¤$$%;~:¨         TWO ONE TO TWO SPLITTERS         ¨:~;%$$¤##
#¤$;~:¨¨¨¨          WHITE NOISE GENERATOR           ¨¨¨¨:~;$¤#
¤%%;;~~¨¨¨              SAMPLE AND HOLD             ¨¨¨~~;;%%¤
###¤$%;~:¨          LFO PLUS A DIGITAL LFO          ¨:~;%$¤###
####¤$%;:¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨:;%$¤####
#¤¤¤$%;~:¨               ADSR ENVELOPE              ¨:~;%$¤¤¤#
##$$;;;~:¨                 ONE VCA                  ¨:~;;;$$##
#¤¤$;:¨¨¨¨              HEADPHONE AMP               ¨¨¨¨:;$¤¤#
###¤$%;~:¨         FOURTY NINE PATCHPOINTS!         ¨:~;%$¤###
####¤$%;~:                                          :~;%$¤####
###¤$%;~:¨                 ¨:###:¨                  ¨:~;%$¤###
###¤$%;~:¨            ~%% SO WHAT NOW %%~           ¨:~;%$¤###
###¤$%;~:¨                 ¨:###:¨                  ¨:~;%$¤###
###¤$%;~:¨                                          ¨:~;%$¤###
###¤$%;~:¨ CLOCK  IO GOES TO ASDR  IN I  THINK  AND ¨:~;%$¤###
#$%%%~:¨¨¨ MAYBE ALSO TO THE  SAMPLE AND HOLD.  PUT ¨¨¨:~%%%$#
#¤$%~~:¨¨¨ SUBBASE AND  NOISE IN CHANNEL  THREE AND ¨¨¨:~~%$¤#
###¤$%;~:¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨:~;%$¤###
##¤$;;:¨¨¨ TWO, AND OSCILLATOR  TWO SAW TO  CHANNEL ¨¨¨:;;$¤##
#¤%;;;~¨¨¨ ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ¨¨¨~;;;%¤#
###¤$%;~:¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨:~;%$¤###
###¤$%;~:¨ SOME FREQUENCY  IN THE FIRST  OSCILLATOR ¨:~;%$¤###
####$%;~:¨ AND THEN  THE SECOND OSC FOUR  SEMITONES ¨:~;%$####
¤$$;~¨¨¨¨¨                  HIGHER.                 ¨¨¨¨¨~;$$¤
###¤$%;~:¨                                          ¨:~;%$¤###
#$%~¨¨¨¨¨¨                  :~¤#¤~:                 ¨¨¨¨¨¨~%$#
###¤$%;~:¨           ;$$ DESKTOP SYNTH $$;          ¨:~;%$¤###
###¤$%;~:¨                  :~¤#¤~:                 ¨:~;%$¤###
###¤$%;~:¨                                          ¨:~;%$¤###
#¤$%~:¨¨¨¨                                          ¨¨¨¨:~%$¤#
##¤%~¨¨¨¨¨                                          ¨¨¨¨¨~%¤##
#¤%;;::¨¨¨                                          ¨¨¨::;;%¤#
¤%;;~:¨¨¨¨                                          ¨¨¨¨:~;;%¤
####¤$%;~:                                          :~;%$¤####