,,,,,,@,@@                                          @,@,@@@@@,
,,,,,@@,,@                                          @,@,,@@@@,
,,,,@,@,@,                                          @,@,@,@@@,
,,,@@,@,@,                                          @,@,@,,@@,
,,@,@,@,@,                                          @,@,@,@,@,
,@@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                ,,$@#@$,,                 @,@,@,@,@,
@,@,@,@,@,       ,, Pittsburgh Electronics ,,       @,@,@,@,@,
@,@,@,@,@,              == Lifeforms ==             @,@,@,@,@,
@,@,@,@,@,               ^^ Sv One ^^               @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@, This Is  A Eurorack  Module But I Bought @,@,@,@,@,
@,@,@,@,@, The  Blackbox  One  So  It'S  Also  Not. @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@, It  Ships  With  Too Few  Patch  Cables. @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,             ,†¶ Contains ¶†,             @,@,@,@,@,
@,@,@,@,@,           Midi To Cv Converter           @,@,@,@,@,
@,@,@,@,@,                 Two Vco'S                @,@,@,@,@,
@,@,@,@,@, Four Channel Or Two X Two Channel  Mixer @,@,@,@,@,
@,@,@,@,@,       Two Sub Oscillators I Think        @,@,@,@,@,
@,@,@,@,@,         Two One To Two Splitters         @,@,@,@,@,
@,@,@,@,@,          White Noise Generator           @,@,@,@,@,
@,@,@,@,@,              Sample And Hold             @,@,@,@,@,
@,@,@,@,@,          Lfo Plus A Digital Lfo          @,@,@,@,@,
@,@,@,@,@,   Filter (Lowpass, Bandpass, Highpass)   @,@,@,@,@,
@,@,@,@,@,               Adsr Envelope              @,@,@,@,@,
@,@,@,@,@,                  One Vca                 @,@,@,@,@,
@,@,@,@,@,              Headphone Amp               @,@,@,@,@,
@,@,@,@,@,         Fourty Nine Patchpoints!         @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                  ,,@#@,,                 @,@,@,@,@,
@,@,@,@,@,            =†† So What Now ††=           @,@,@,@,@,
@,@,@,@,@,                 ,,@#@,,                  @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@, Clock  Io Goes  To Asdr  In  I Think And @,@,@,@,@,
@,@,@,@,@, Maybe  Also To The Sample  And Hold. Put @,@,@,@,@,
@,@,@,@,@, Subbase And  Noise  In Channel Three And @,@,@,@,@,
@,@,@,@,@, Four.  Oscillator  One  Saw  To  Channel @,@,@,@,@,
@,@,@,@,@, Two,  And Oscillator  Two Saw To Channel @,@,@,@,@,
@,@,@,@,@, One.   Sample   And   Hold  Out  To  The @,@,@,@,@,
@,@,@,@,@,  Filter... Maybe... Resonance At Half.   @,@,@,@,@,
@,@,@,@,@, Some  Frequency In The First  Oscillator @,@,@,@,@,
@,@,@,@,@, And Then  The Second  Osc Four Semitones @,@,@,@,@,
@,@,@,@,@,                 Higher.                  @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                 ,=@¶@=,                  @,@,@,@,@,
@,@,@,@,@,           ^$$ Desktop Synth $$^          @,@,@,@,@,
@,@,@,@,@,                 ,=@¶@=,                  @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,
@,@,@,@,@,                                          @,@,@,@,@,