,,,,,,~†$@                                          @$†~,,,,,,
,,~††§$#@@                                          @@#$§††~,,
,,,,,,~†§#                                          #§†~,,,,,,
,,~†§$#@@@                                          @@@#$§†~,,
,,,,,,~§#@                                          @#§~,,,,,,
,,~†§$#@##                                          ##@#$§†~,,
,,,,,,~§##                ,,$@#@$,,                 ##§~,,,,,,
,,~†§$#@@@       ,, PITTSBURGH ELECTRONICS ,,       @@@#$§†~,,
,,~†§$#@@#             ~~ LIFEFORMS ~~              #@@#$§†~,,
,,~†§§§§#@               †† SV ONE ††               @#§§§§†~,,
,,~†§$#@@#                                          #@@#$§†~,,
,,~†§$#@@@ THIS  IS A EURORACK  MODULE BUT I BOUGHT @@@#$§†~,,
,,~†§$#@@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@@#$§†~,,
,,~†§$##@@                                          @@##$§†~,,
,,,,,~†$#@ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. @#$†~,,,,,
,,~†§$#@@@                                          @@@#$§†~,,
,,,,,,,†$@             ,§@ CONTAINS @§,             @$†,,,,,,,
,,~†§$#@@@           MIDI TO CV CONVERTER           @@@#$§†~,,
,,~†§$#@@#                 TWO VCO'S                #@@#$§†~,,
,,~†$#@@## FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ##@@#$†~,,
,,,,,,,~§#        TWO SUB OSCILLATORS I THINK       #§~,,,,,,,
,,~†§$#@@#         TWO ONE TO TWO SPLITTERS         #@@#$§†~,,
,,~†§$###@           WHITE NOISE GENERATOR          @###$§†~,,
,,~†§$#@@@             SAMPLE AND HOLD              @@@#$§†~,,
,,,,,†$###          LFO PLUS A DIGITAL LFO          ###$†,,,,,
,,~†§$#@@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@@#$§†~,,
,,,,,~†$$#               ADSR ENVELOPE              #$$†~,,,,,
,,,,,,†§$@                 ONE VCA                  @$§†,,,,,,
,,~†§$$$@@               HEADPHONE AMP              @@$$$§†~,,
,,,,~§§§$@         FOURTY NINE PATCHPOINTS!         @$§§§~,,,,
,,,,~†$$$#                                          #$$$†~,,,,
,,,,,~†§##                 ,,@#@,,                  ##§†~,,,,,
,,~†§$#@@#            ~§§ SO WHAT NOW §§~           #@@#$§†~,,
,,,,,,~§#@                 ,,@#@,,                  @#§~,,,,,,
,,,,,~§#@@                                          @@#§~,,,,,
,,~†§$#@@@ CLOCK  IO  GOES TO ASDR IN  I THINK  AND @@@#$§†~,,
,,~†§$#@@# MAYBE ALSO  TO THE SAMPLE AND  HOLD. PUT #@@#$§†~,,
,,~†§§§##@ SUBBASE  AND NOISE IN CHANNEL THREE  AND @##§§§†~,,
,,,,,,††$# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #$††,,,,,,
,,,,†§§§$@ TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL @$§§§†,,,,
,,~†§$#@@# ONE.  SAMPLE   AND   HOLD  OUT  TO   THE #@@#$§†~,,
,,~†§$#@@#   FILTER... MAYBE... RESONANCE AT HALF.  #@@#$§†~,,
,,~†§$#@@# SOME  FREQUENCY IN THE FIRST  OSCILLATOR #@@#$§†~,,
,,,~~†$$$# AND THEN THE  SECOND  OSC FOUR SEMITONES #$$$†~~,,,
,,,,,,~†$@                 HIGHER.                  @$†~,,,,,,
,,~†§$$$@@                                          @@$$$§†~,,
,,~~††§$@@                  ,~#@#~,                 @@$§††~~,,
,,~†§$#@@@          †$$ DESKTOP SYNTH $$†           @@@#$§†~,,
,,~†§$$###                  ,~#@#~,                 ###$$§†~,,
,,,,~§§##@                                          @##§§~,,,,
,,~†§$#@##                                          ##@#$§†~,,
,,~†§$#@@@                                          @@@#$§†~,,
,,,,,~~§§#                                          #§§~~,,,,,
,,~†§$#@@#                                          #@@#$§†~,,
,,~~††$#@@                                          @@#$††~~,,