@,@@,@,@@,                                          ,,,,@@,,,,
,,@@,,,@@,                                          ,,,,@@@,,,
,,@@@,,@@@                                          @,,,@,@@,,
,,@,@@,@,@                                          ,@,,,,@@@,
,,,,@@,,,@                                          ,,@,,,@,@@
@,,,@@@,,@                                          ,,,@,,,,@@
@@,,@,@@,,                 ,,$@#@$,,                ,,,,@,,,@,
@@@,,,@@@,       ,, PITTSBURGH ELECTRONICS ,,       @,,,,@,,,,
@,@@,,@,@@             == LIFEFORMS ==              @@,,,,@,,,
,,@@@,,,@@               ;; SV ONE ;;               ,@@,,,,@,,
,,@,@@,,@,                                          ,@@@,,,,@,
,,,,@@@,,, THIS IS  A EURORACK MODULE BUT I  BOUGHT ,@,@@,,,,@
@,,,@,@@,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,@@@,,,,
,@,,,,@@@,                                          @,,@,@@,,,
,,@,,,@,@@ IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,@,,,@@@,,
,,,@,,,,@@                                          ,,@,,@,@@,
,,,,@,,,@,             ,=¶ CONTAINS ¶=,             ,,,@,,,@@@
@,,,,@,,,,           MIDI TO CV CONVERTER           ,,,,@,,@,@
@@,,,,@,,,                TWO VCO'S                 ,,,,,@,,,@
,@@,,,,@,, FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ,,,,,,@,,@
,@@@,,,,@,       TWO SUB OSCILLATORS I THINK        ,,,,,,,@,,
,@,@@,,,,@         TWO ONE TO TWO SPLITTERS         ,,,,,,,,@,
,,,@@@,,,,          WHITE NOISE GENERATOR           ,,,,,,,,,@
@,,@,@@,,,             SAMPLE AND HOLD              @,,,,,,,,,
,@,,,@@@,,          LFO PLUS A DIGITAL LFO          @@,,,,,,,,
,,@,,@,@@,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@@,,,,,,,
,,,@,,,@@@              ADSR ENVELOPE               @,@@,,,,,,
,,,,@,,@,@                  ONE VCA                 ,,@@@,,,,,
,,,,,@,,,@              HEADPHONE AMP               ,,@,@@,,,,
,,,,,,@,,@         FOURTY NINE PATCHPOINTS!         ,,,,@@@,,,
,,,,,,,@,,                                          ,,,,@,@@,,
,,,,,,,,@,                  ,,@#@,,                 @,,,,,@@@,
,,,,,,,,,@           === SO WHAT NOW ===            ,@,,,,@,@@
@,,,,,,,,,                 ,,@#@,,                  ,,@,,,,,@@
@@,,,,,,,,                                          @,,@,,,,@,
@@@,,,,,,, CLOCK  IO GOES TO  ASDR IN I  THINK  AND ,@,,@,,,,,
@,@@,,,,,, MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ,,@,,@,,,,
,,@@@,,,,, SUBBASE  AND NOISE IN CHANNEL THREE  AND ,,,@,,@,,,
,,@,@@,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,,@,,@,,
,,,,@@@,,, TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL ,,,,,@,,@,
,,,,@,@@,, ONE.   SAMPLE  AND  HOLD   OUT   TO  THE @,,,,,@,,@
@,,,,,@@@,  FILTER... MAYBE... RESONANCE AT HALF.   ,@,,,,,@,,
,@,,,,@,@@ SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,,@,,,,,@,
,,@,,,,,@@ AND THEN THE  SECOND  OSC FOUR SEMITONES ,,,@,,,,,@
@,,@,,,,@,                 HIGHER.                  ,,,,@,,,,,
,@,,@,,,,,                                          @,,,,@,,,,
,,@,,@,,,,                  ,=@¶@=,                 @@,,,,@,,,
,,,@,,@,,,           ;$$ DESKTOP SYNTH $$;          ,@@,,,,@,,
,,,,@,,@,,                 ,=@¶@=,                  ,@@@,,,,@,
,,,,,@,,@,                                          ,@,@@,,,,@
@,,,,,@,,@                                          ,,,@@@,,,,
,@,,,,,@,,                                          @,,@,@@,,,
,,@,,,,,@,                                          @@,,,@@@,,
,,,@,,,,,@                                          @@@,,@,@@,
,,,,@,,,,,                                          @,@@,,,@@@