¨.~†*$§#@@                                          @@#§$*†~.¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨¨¨.~~***§                                          §***~~.¨¨¨
¨.~†*$$$##                                          ##$$$*†~.¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨¨¨¨.††*§§                                          §§*††.¨¨¨¨
¨¨¨¨.†*§#@                ¨¨$@#@$¨¨                 @#§*†.¨¨¨¨
¨.~†*$§#@@       .. PITTSBURGH ELECTRONICS ..       @@#§$*†~.¨
¨.~†*$§#@#             ~~ LIFEFORMS ~~              #@#§$*†~.¨
¨¨¨.††$§#@               †† SV ONE ††               @#§$††.¨¨¨
¨¨¨¨¨~*$#@                                          @#$*~¨¨¨¨¨
¨¨¨¨¨¨.†$# THIS IS  A EURORACK MODULE  BUT I BOUGHT #$†.¨¨¨¨¨¨
¨.~†*$§### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###§$*†~.¨
¨.~†*$$$#@                                          @#$$$*†~.¨
¨¨¨¨¨~†$$# IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. #$$†~¨¨¨¨¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨.~†*$§#@#             ¨*# CONTAINS #*¨             #@#§$*†~.¨
¨....†**§§           MIDI TO CV CONVERTER           §§**†....¨
¨.~†*$$$§§                TWO VCO'S                 §§$$$*†~.¨
¨¨¨¨.†*§## FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ##§*†.¨¨¨¨
¨.~†**$$##       TWO SUB OSCILLATORS I THINK        ##$$**†~.¨
¨.~†*$§#@#         TWO ONE TO TWO SPLITTERS         #@#§$*†~.¨
¨.~†*$§#@#          WHITE NOISE GENERATOR           #@#§$*†~.¨
¨¨¨¨¨.~†$§             SAMPLE AND HOLD              §$†~.¨¨¨¨¨
¨....~~†$#          LFO PLUS A DIGITAL LFO          #$†~~....¨
¨.~†*$§#@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@#§$*†~.¨
¨¨¨..†*$§#               ADSR ENVELOPE              #§$*†..¨¨¨
¨¨.~†*$$##                 ONE VCA                  ##$$*†~.¨¨
¨.†*$§#@##               HEADPHONE AMP              ##@#§$*†.¨
¨¨¨.††$$§@         FOURTY NINE PATCHPOINTS!         @§$$††.¨¨¨
¨....††$##                                          ##$††....¨
¨¨¨¨¨..†$#                  ¨.@#@.¨                 #$†..¨¨¨¨¨
¨.~†*$§#@#            ~** SO WHAT NOW **~           #@#§$*†~.¨
¨¨¨¨¨.~†$§                  ¨.@#@.¨                 §$†~.¨¨¨¨¨
¨.~†*$§###                                          ###§$*†~.¨
¨¨¨¨¨¨~~*§ CLOCK IO GOES  TO ASDR  IN  I THINK  AND §*~~¨¨¨¨¨¨
¨.~†*$§### MAYBE ALSO TO THE  SAMPLE AND  HOLD. PUT ###§$*†~.¨
¨¨¨.†***$§ SUBBASE AND NOISE IN  CHANNEL  THREE AND §$***†.¨¨¨
¨.~†*$§#@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@#§$*†~.¨
¨¨¨¨¨~*§§# TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL #§§*~¨¨¨¨¨
¨.~†*$§#@# ONE.  SAMPLE   AND  HOLD  OUT   TO   THE #@#§$*†~.¨
¨.~†*$§#@@  FILTER... MAYBE... RESONANCE AT HALF.   @@#§$*†~.¨
¨.~†*$§#@# SOME FREQUENCY IN THE  FIRST  OSCILLATOR #@#§$*†~.¨
¨¨¨¨¨¨~*$§ AND  THEN THE  SECOND OSC FOUR SEMITONES §$*~¨¨¨¨¨¨
¨¨¨¨¨~~*§#                 HIGHER.                  #§*~~¨¨¨¨¨
¨¨¨¨¨.†$§§                                          §§$†.¨¨¨¨¨
¨¨¨¨.†*§##                  .~§#§~.                 ##§*†.¨¨¨¨
¨.~†*$§###           †$$ DESKTOP SYNTH $$†          ###§$*†~.¨
¨.~†*$§#@@                 .~§#§~.                  @@#§$*†~.¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨¨¨~†*$$$§                                          §$$$*†~¨¨¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨¨¨¨~~~†*§                                          §*†~~~¨¨¨¨
¨.~†*$§#@#                                          #@#§$*†~.¨
¨.~†*$§#@#                                          #@#§$*†~.¨