#..##..##.                                          ##.#.#..#.
#.#.#.#.#.                                          ##.#.#.##.
#.#.#.#.#.                                          ##.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                 ..$###$..                .#.#.#..#.
#.#.#.#.#.       ^^ PITTSBURGH ELECTRONICS ^^       .#.#.#.##.
#.#.#.#.#.             == LIFEFORMS ==              .#.#.#..#.
#.#.#.#.#.               \\ SV ONE \\               .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. THIS IS A  EURORACK MODULE BUT  I BOUGHT .#.#.#.##.
#.#.#.#.#. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.             .*¶ CONTAINS ¶*.             .#.#.#..#.
#.#.#.#.#.           MIDI TO CV CONVERTER           .#.#.#.##.
#.#.#.#.#.                 TWO VCO'S                .#.#.#..#.
#.#.#.#.#. FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER .#.#.#.##.
#.#.#.#.#.        TWO SUB OSCILLATORS I THINK       .#.#.#..#.
#.#.#.#.#.         TWO ONE TO TWO SPLITTERS         .#.#.#.##.
#.#.#.#.#.           WHITE NOISE GENERATOR          .#.#.#..#.
#.#.#.#.#.             SAMPLE AND HOLD              .#.#.#.##.
#.#.#.#.#.          LFO PLUS A DIGITAL LFO          .#.#.#..#.
#.#.#.#.#.   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .#.#.#.##.
#.#.#.#.#.               ADSR ENVELOPE              .#.#.#..#.
#.#.#.#.#.                 ONE VCA                  .#.#.#.##.
#.#.#.#.#.               HEADPHONE AMP              .#.#.#..#.
#.#.#.#.#.         FOURTY NINE PATCHPOINTS!         .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  .^###^.                 .#.#.#.##.
#.#.#.#.#.            =** SO WHAT NOW **=           .#.#.#..#.
#.#.#.#.#.                 .^###^.                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. CLOCK  IO  GOES TO  ASDR IN I THINK  AND .#.#.#.##.
#.#.#.#.#. MAYBE ALSO  TO THE SAMPLE AND HOLD.  PUT .#.#.#..#.
#.#.#.#.#. SUBBASE AND  NOISE IN CHANNEL THREE  AND .#.#.#.##.
#.#.#.#.#. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .#.#.#..#.
#.#.#.#.#. TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL .#.#.#.##.
#.#.#.#.#. ONE.  SAMPLE   AND  HOLD   OUT   TO  THE .#.#.#..#.
#.#.#.#.#.  FILTER... MAYBE... RESONANCE AT HALF.   .#.#.#.##.
#.#.#.#.#. SOME  FREQUENCY IN THE FIRST  OSCILLATOR .#.#.#..#.
#.#.#.#.#. AND THEN THE  SECOND  OSC FOUR SEMITONES .#.#.#.##.
#.#.#.#.#.                 HIGHER.                  .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                  ^=#¶#=^                 .#.#.#..#.
#.#.#.#.#.           \$$ DESKTOP SYNTH $$\          .#.#.#.##.
#.#.#.#.#.                  ^=#¶#=^                 .#.#.#..#.
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#.#.#.#.#.                                          .#.#.#..#.