.-«/*%#£@#                                          #@£#%*/«-.
..-«/*%#£@                                          @£#%*/«-..
...-«/*%#£                                          £#%*/«-...
....-«/*%#                                          #%*/«-....
.....-«/*%                                          %*/«-.....
......-«/*                                          */«-......
.......-«/                 ..%@#@%..                /«-.......
........-«       -- pittsburgh electronics --       «-........
.........-              «« lifeforms ««             -.........
..........               // sv one //               ..........
..........                                          ..........
.......... this  is a eurorack  module but i bought ..........
.........- the  blackbox  one  so  it's  also  not. -.........
........-«                                          «-........
.......-«/ it  ships with  too  few  patch  cables. /«-.......
......-«/*                                          */«-......
.....-«/*%             .*£ contains £*.             %*/«-.....
....-«/*%#           midi to cv converter           #%*/«-....
...-«/*%#£                 two vco's                £#%*/«-...
..-«/*%#£@ four  channel or two x two channel mixer @£#%*/«-..
.-«/*%#£@#        two sub oscillators i think       #@£#%*/«-.
..-«/*%#£@         two one to two splitters         @£#%*/«-..
...-«/*%#£           white noise generator          £#%*/«-...
....-«/*%#             sample and hold              #%*/«-....
.....-«/*%          lfo plus a digital lfo          %*/«-.....
......-«/*   filter (lowpass, bandpass, highpass)   */«-......
.......-«/               adsr envelope              /«-.......
........-«                 one vca                  «-........
.........-              headphone amp               -.........
..........         fourty nine patchpoints!         ..........
..........                                          ..........
..........                  .-@#@-.                 ..........
.........-            «** so what now **«           -.........
........-«                  .-@#@-.                 «-........
.......-«/                                          /«-.......
......-«/* clock io goes to  asdr  in  i  think and */«-......
.....-«/*% maybe also  to the  sample and hold. put %*/«-.....
....-«/*%# subbase and noise  in channel three  and #%*/«-....
...-«/*%#£ four.  oscillator  one  saw  to  channel £#%*/«-...
..-«/*%#£@ two, and  oscillator two  saw to channel @£#%*/«-..
.-«/*%#£@# one.  sample   and  hold   out   to  the #@£#%*/«-.
..-«/*%#£@   filter... maybe... resonance at half.  @£#%*/«-..
...-«/*%#£ some  frequency in the  first oscillator £#%*/«-...
....-«/*%# and then the  second osc  four semitones #%*/«-....
.....-«/*%                  higher.                 %*/«-.....
......-«/*                                          */«-......
.......-«/                  -«#£#«-                 /«-.......
........-«           /%% desktop synth %%/          «-........
.........-                 -«#£#«-                  -.........
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.......-«/                                          /«-.......