.:~/*### ####&*/~:.
..:~/*## ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## # ###&*/~:..
.:~/*### .LizardRy ####&*/~:.
..:~/*## ~ # ## ### ################## ###&*/~:..
.:~/*### ## The Art Of C:Nnecting ####&*/~:.
..:~/*## . With The Old Mind ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## My Mind Is Being Skewed. Mi ###&*/~:..
.:~/*### Skeleton Is Stringy And Old And Alien ####&*/~:.
..:~/*## The Situation Is Literally ###&*/~:..
.:~/*### Pressed Out Through My Eyes, It'S ####&*/~:.
..:~/*## EchoIng Like ###&*/~:..
.:~/*### The Sunset Of The Eternal ####&*/~:.
..:~/*## Ocean ###&*/~:..
.:~/*### Persistently Against My Emulsion ####&*/~:.
..:~/*## ###&*/~:..
.:~/*### It'S Ungraspable To Me, What Other ####&*/~:.
..:~/*## HumanS Are Doing And Abstracting, ###&*/~:..
.:~/*### And Above All Else, What Time They Use? ####&*/~:.
..:~/*## How Long A Time Has Passed, For Them? ###&*/~:..
.:~/*### . ####&*/~:.
..:~/*## . ... . ................ ####### ###&*/~:..
.:~/*### Continuously I'M Crowding Through ####&*/~:.
..:~/*## . The Fourth wall :Outwards Is What . ###&*/~:..
.:~/*### .. I'M Thinking But It'S Wrong.. A New ####&*/~:.
..:~/*## . . Narrator Is Introduced, Occasionally ###&*/~:..
.:~/*### : : Aware Of The Previous One, Deeper . ####&*/~:.
..:~/*## : : Down In The DragonS Throat. ###&*/~:..
.:~/*### : ####&*/~:.
..:~/*## : ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## ###&*/~:..
.:~/*### ####&*/~:.
..:~/*## ###&*/~:..