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¨.~\%%&@## ##@&%%\~.¨
¨¨¨¨¨¨~%%& &%%~¨¨¨¨¨¨
¨.~\%%&### # ###&%%\~.¨
¨.~\%%&@## ¨LIZARDRY ##@&%%\~.¨
¨¨¨.\%%%%@ ~ @ #@ ### ################## @%%%%\.¨¨¨
¨.~\%%&@## ## THE ART OF C.NNECTING ##@&%%\~.¨
¨¨¨¨¨¨.~%& ¨ WITH THE OLD MIND &%~.¨¨¨¨¨¨
¨¨¨~~\%%@# #@%%\~~¨¨¨
¨¨¨¨.\\%@@ MY MIND IS BEING SKEWED. MI @@%\\.¨¨¨¨
¨.~\%%&@@@ SKELETON IS STRINGY AND OLD AND ALIEN @@@&%%\~.¨
¨¨¨¨¨¨.\%& THE SITUATION IS LITERALLY &%\.¨¨¨¨¨¨
¨.~\%%&@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@&%%\~.¨
¨.~\%%%%&& ECHOING LIKE &&%%%%\~.¨
¨.~\%%&@## THE SUNSET OF THE ETERNAL ##@&%%\~.¨
¨.~\%%&@## OCEAN ##@&%%\~.¨
¨.~\%%&@## PERSISTENTLY AGAINST MY EMULSION ##@&%%\~.¨
¨.~\%%&@## ##@&%%\~.¨
¨¨¨.\%%&&@ IT'S UNGRASPABLE TO ME, WHAT OTHER @&&%%\.¨¨¨
¨¨¨¨¨.\%%& HUMANS ARE DOING AND ABSTRACTING, &%%\.¨¨¨¨¨
¨.~\%%&@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@&%%\~.¨
¨¨...~~%&& HOW LONG A TIME HAS PASSED, FOR THEM? &&%~~...¨¨
¨.~\%%&@## ¨ ##@&%%\~.¨
¨.~\%%&@## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ##@&%%\~.¨
¨¨¨¨¨¨~~%& CONTINUOUSLY I'M CROWDING THROUGH &%~~¨¨¨¨¨¨
¨.~\%%&@## ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ##@&%%\~.¨
¨.~\%%&@## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##@&%%\~.¨
¨.~\%%&@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@&%%\~.¨
¨.~\%%&@## . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##@&%%\~.¨
¨.~\%%&@## . . DOWN IN THE DRAGONS THROAT. ##@&%%\~.¨
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