#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^..                                          ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^..                                          ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^..         ....^^@# VäXJö #@^^....          ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^.. THE APARTMENT  SMELLS OF  OLD COFFEE AND ..^=*^%&£@
#@£&%^*=^. SWEETENERS. I DON'T  KNOW  HOW I  LET IT .^=*^%&£@#
@£&%^*=^.. GET LIKE  THIS.  IT'S  NOT  INTENTIONAL. ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^.. I WEAR YELLOW  TINTED GLASSES.  THE ROOM ..^=*^%&£@
#@£&%^*=^. CHANGES SHAPE  A LOT.  RIGHT NOW THERE'S .^=*^%&£@#
@£&%^*=^.. A  BLUE   SOFA  WITH   YELLOW  SEAMS.  I ..^=*^%&£@
#@£&%^*=^.     EXPERIMENT WITH DIFFERENT COLORED    .^=*^%&£@#
@£&%^*=^..       LIGHTS. I'M LEARNING THINGS.       ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^.. MY  THOUGHTS  ARE REVOLVING AROUND TIME, ..^=*^%&£@
#@£&%^*=^. AND THE PERCEPTION OF IT. CAN I MAKE  IT .^=*^%&£@#
@£&%^*=^.. RIGID?  IF I REALLY  WANT TO, CAN I MAKE ..^=*^%&£@
#@£&%^*=^. IT FEEL  LIKE  THERE  IS  ENOUGH  OF IT? .^=*^%&£@#
@£&%^*=^..     ALSO, AND MAYBE, ULTIMATELY, MORE    ..^=*^%&£@
#@£&%^*=^. IMPORTANT  -  CAN I MAKE IT FEEL LIKE IT .^=*^%&£@#
@£&%^*=^..              DOESN'T MATTER?             ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^..                                          ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#
@£&%^*=^..                                          ..^=*^%&£@
#@£&%^*=^.                                          .^=*^%&£@#