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@.@@@.....                                          ........@@
@@..@....@         ....**## VäXJö ##**....          .......@..
.@.@@...@@                                          ......@@.@
@@@.@..@.@ THE  APARTMENT SMELLS OF  OLD COFFEE AND .....@.@@@
..@@@.@@@@ SWEETENERS.  I DON'T KNOW  HOW I  LET IT ....@@@...
.@..@@...@ GET  LIKE THIS.  IT'S  NOT  INTENTIONAL. ...@..@...
@@.@.@..@@                                          ..@@.@@...
.@@@@@.@.. I WEAR YELLOW TINTED GLASSES.  THE  ROOM .@.@@.@..@
@....@@@.@ CHANGES SHAPE  A LOT.  RIGHT NOW THERE'S @@@.@@@.@@
@...@..@@@ A  BLUE  SOFA  WITH  YELLOW   SEAMS.   I ..@@..@@..
@..@@.@...    EXPERIMENT WITH DIFFERENT COLORED     .@.@.@.@.@
@.@.@@@..@       LIGHTS. I'M LEARNING THINGS.       @@@@@@@@@.
@@@@..@.@.                                          ........@@
...@.@@@@. MY THOUGHTS  ARE REVOLVING AROUND  TIME, .......@..
..@@@...@@ AND  THE PERCEPTION OF IT. CAN I MAKE IT ......@@..
.@..@..@.. RIGID?  IF I REALLY WANT TO,  CAN I MAKE .....@.@..
@@.@@.@@.@ IT  FEEL LIKE  THERE  IS  ENOUGH OF  IT? ....@@@@..
.@@.@@.@@@     ALSO, AND MAYBE, ULTIMATELY, MORE    ...@...@.@
@.@@.@@..@ IMPORTANT  - CAN I MAKE IT FEEL  LIKE IT ..@@..@@@@
@@.@@.@.@.             DOESN'T MATTER?              .@.@.@....
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