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,.-/%££@@@                                          @@@££%/-.,
,,,,,--%£#                                          #£%--,,,,,
,.-////%%@                                          @%%////-.,
,.-/%£@###          ,,,,%%## växjö ##%%,,,,         ###@£%/-.,
,.-/%£@###                                          ###@£%/-.,
,..../££@@ the  apartment smells of old  coffee and @@££/....,
,.-/%%%%@# sweeteners.  i don't know how  i let  it #@%%%%/-.,
,,,,./£@## get  like this.  it's  not  intentional. ##@£/.,,,,
,,...-//£@                                          @£//-...,,
,.-/%£@### i wear yellow  tinted  glasses. the room ###@£%/-.,
,,,,,,,-%@ changes shape  a lot.  right now there's @%-,,,,,,,
,.-/%£@### a  blue   sofa  with  yellow  seams.   i ###@£%/-.,
,,,,./££##     experiment with different colored    ##££/.,,,,
,,,,.-%£@#       lights. i'm learning things.       #@£%-.,,,,
,.-/%£@###                                          ###@£%/-.,
,.-/%£@### my  thoughts are  revolving around time, ###@£%/-.,
,,,.--/%@@ and the perception  of it. can i make it @@%/--.,,,
,.-/%£@### rigid?  if  i really want to, can i make ###@£%/-.,
,,,,,.-%@@ it feel  like  there  is enough  of  it? @@%-.,,,,,
,.-/%£@###    also, and maybe, ultimately, more     ###@£%/-.,
,.-/%£@### important -  can  i make it feel like it ###@£%/-.,
,..-/%££@#             doesn't matter?              #@££%/-..,
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