##@££^«,.. ..,«^££@##
###@££^«,. .,«^££@###
##@££^«,.. ..,«^££@##
#@££^«,... ...,«^££@#
##@££^«,.. ..,«^££@##
###@££^«,. # .,«^££@###
##@££^«,.. .lizardry ..,«^££@##
#@££^«,... « @ #@ ### ################## ...,«^££@#
##@££^«,.. ## the art of c,nnecting ..,«^££@##
###@££^«,. . with the old mind .,«^££@###
##@££^«,.. ..,«^££@##
#@££^«,... my mind is being skewed. mi ...,«^££@#
##@££^«,.. skeleton is stringy and old and alien ..,«^££@##
###@££^«,. the situation is literally .,«^££@###
##@££^«,.. pressed out through my eyes, it's ..,«^££@##
#@££^«,... echoing like ...,«^££@#
##@££^«,.. the sunset of the eternal ..,«^££@##
###@££^«,. ocean .,«^££@###
##@££^«,.. persistently against my emulsion ..,«^££@##
#@££^«,... ...,«^££@#
##@££^«,.. it's ungraspable to me, what other ..,«^££@##
###@££^«,. humans are doing and abstracting, .,«^££@###
##@££^«,.. and above all else, what time they use? ..,«^££@##
#@££^«,... how long a time has passed, for them? ...,«^££@#
##@££^«,.. . ..,«^££@##
###@££^«,. . ... . ................ @@@@@@@ .,«^££@###
##@££^«,.. continuously i'm crowding through ..,«^££@##
#@££^«,... . the fourth wall ,outwards is what . ...,«^££@#
##@££^«,.. .. i'm thinking but it's wrong.. a new ..,«^££@##
###@££^«,. . . narrator is introduced, occasionally .,«^££@###
##@££^«,.. , , aware of the previous one, deeper . ..,«^££@##
#@££^«,... , , down in the dragons throat. ...,«^££@#
##@££^«,.. , ..,«^££@##
###@££^«,. , .,«^££@###
##@££^«,.. ..,«^££@##
#@££^«,... ...,«^££@#
##@££^«,.. ..,«^££@##
###@££^«,. .,«^££@###
##@££^«,.. ..,«^££@##
#@££^«,... ...,«^££@#