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.¤¤¤¤¤.¤.¤ ..¤.¤..¤¤¤
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¤...¤..... ¤...¤¤¤.¤.
¤..¤¤..... ¤..¤..¤¤¤¤
¤.¤.¤....¤ # ¤.¤¤.¤....
¤¤¤¤¤...¤¤ .lizardry ¤¤.¤¤¤...¤
....¤..¤.. « ¶ #¶ ### ################## .¤¤..¤..¤.
...¤¤.¤¤.. ## the art of c^nnecting ¤.¤.¤¤.¤¤.
..¤.¤¤.¤.. . with the old mind ¤¤¤¤.¤¤.¤.
.¤¤¤.¤¤¤.¤ ...¤¤.¤¤¤.
¤..¤¤..¤¤. my mind is being skewed. mi ..¤.¤¤..¤.
¤.¤.¤.¤.¤¤ skeleton is stringy and old and alien .¤¤¤.¤.¤¤¤
¤¤¤¤¤¤¤¤.¤ the situation is literally ¤..¤¤¤¤...
.......¤¤. pressed out through my eyes, it's ¤.¤...¤..¤
......¤.¤¤ echoing like ¤¤¤..¤¤.¤¤
.....¤¤¤.. the sunset of the eternal ..¤.¤.¤¤.¤
....¤..¤.¤ ocean .¤¤¤¤¤.¤¤¤
...¤¤.¤¤¤. persistently against my emulsion ¤....¤¤..¤
..¤.¤¤..¤. ¤...¤.¤.¤¤
.¤¤¤.¤.¤¤. it's ungraspable to me, what other ¤..¤¤¤¤¤.¤
¤..¤¤¤¤.¤¤ humans are doing and abstracting, ¤.¤....¤¤¤
¤.¤...¤¤.. and above all else, what time they use? ¤¤¤...¤...
¤¤¤..¤.¤.¤ how long a time has passed, for them? ..¤..¤¤..¤
..¤.¤¤¤¤¤¤ . .¤¤.¤.¤.¤.
.¤¤¤.....¤ . ... . ................ ¶¶¶¶¶¶¶ ¤.¤¤¤¤¤¤¤.
¤..¤....¤¤ continuously i'm crowding through ¤¤......¤.
¤.¤¤...¤.¤ . the fourth wall ^outwards is what . .¤.....¤¤¤
¤¤.¤..¤¤¤. .. i'm thinking but it's wrong.. a new ¤¤....¤...
.¤¤¤.¤..¤. . . narrator is introduced, occasionally .¤...¤¤..¤
¤..¤¤¤.¤¤¤ ^ ^ aware of the previous one, deeper . ¤¤..¤.¤.¤¤
¤.¤..¤¤..¤ ^ ^ down in the dragons throat. .¤.¤¤¤¤¤..
¤¤¤.¤.¤.¤. ^ ¤¤¤....¤.¤
..¤¤¤¤¤¤¤¤ ^ ..¤...¤¤¤.
.¤........ .¤¤..¤..¤.
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¤¤......¤. ...¤¤.¤¤.¤
.¤.....¤¤¤ ..¤.¤¤.¤¤.
¤¤....¤... .¤¤¤.¤¤.¤.