@§§§*=-... ...-=*§§§@
##@&§§*=-. .-=*§§&@##
@@@&§§*=-. .-=*§§&@@@
&§§§§§*=-. .-=*§§§§§&
##@&§§*=-. .-=*§§&@##
@§§*=..... # .....=*§§@
@&§****=-. .LIZARDRY .-=****§&@
##@&§§*=-. = @ #@ ### ################## .-=*§§&@##
&§**--.... ## THE ART OF C-NNECTING ....--**§&
##@&§§*=-. . WITH THE OLD MIND .-=*§§&@##
##@&§§*=-. .-=*§§&@##
&&§**-.... MY MIND IS BEING SKEWED. MI ....-**§&&
##@&§§*=-. SKELETON IS STRINGY AND OLD AND ALIEN .-=*§§&@##
&§§==-.... THE SITUATION IS LITERALLY ....-==§§&
@@&§**--.. PRESSED OUT THROUGH MY EYES, IT'S ..--**§&@@
###&§§*=-. ECHOING LIKE .-=*§§&###
@&&&§§*=-. THE SUNSET OF THE ETERNAL .-=*§§&&&@
#@§§§§*=-. OCEAN .-=*§§§§@#
##@&§§*=-. PERSISTENTLY AGAINST MY EMULSION .-=*§§&@##
##@&§§*=-. .-=*§§&@##
@&&&§§*=-. IT'S UNGRASPABLE TO ME, WHAT OTHER .-=*§§&&&@
###@§§*=-. HUMANS ARE DOING AND ABSTRACTING, .-=*§§@###
#&§§§**=-. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .-=**§§§&#
###&§§*=-. HOW LONG A TIME HAS PASSED, FOR THEM? .-=*§§&###
#&&§=--... . ...--=§&&#
##@&§§*=-. . ... . ................ @@@@@@@ .-=*§§&@##
#&§===---. CONTINUOUSLY I'M CROWDING THROUGH .---===§&#
##@&§§*=-. . THE FOURTH WALL -OUTWARDS IS WHAT . .-=*§§&@##
&§§==-.... .. I'M THINKING BUT IT'S WRONG.. A NEW ....-==§§&
&§§*=-.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ....-=*§§&
@@§*----.. - - AWARE OF THE PREVIOUS ONE, DEEPER . ..----*§@@
@@§**-.... - - DOWN IN THE DRAGONS THROAT. ....-**§@@
###&§§*=-. - .-=*§§&###
#&§***--.. - ..--***§&#
#@&§§**=-. .-=**§§&@#
##@&§§*=-. .-=*§§&@##
&§§==..... .....==§§&
##@&§§*=-. .-=*§§&@##
##@&§§*=-. .-=*§§&@##
###&§§*=-. .-=*§§&###