,,»=%%%%@@ @@%%%%=»,,
,,»==%%%@@ @@%%%==»,,
,,»=%%@@@@ @@@@%%=»,,
,,,»»»»=%@ @%=»»»»,,,
,,,»==%@@@ @@@%==»,,,
,,,,,»%%@@ @ @@%%»,,,,,
,,»=%%@@@@ ,LIZARDRY @@@@%%=»,,
,,»=%%@@## » @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@@%%=»,,
,,,,,,=%%@ @@ THE ART OF C,NNECTING @%%=,,,,,,
,,,,,,,=%@ , WITH THE OLD MIND @%=,,,,,,,
,,,»»»»%@@ @@%»»»»,,,
,,,,,,»%@@ MY MIND IS BEING SKEWED. MI @@%»,,,,,,
,,»=%%@@@@ SKELETON IS STRINGY AND OLD AND ALIEN @@@@%%=»,,
,,»=%%@@## THE SITUATION IS LITERALLY ##@@%%=»,,
,,»=%%@@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@@%%=»,,
,,,,,»%%%@ ECHOING LIKE @%%%»,,,,,
,,»=%%@@@# THE SUNSET OF THE ETERNAL #@@@%%=»,,
,,»=%%@@@@ OCEAN @@@@%%=»,,
,,»=%%@@@@ PERSISTENTLY AGAINST MY EMULSION @@@@%%=»,,
,,»=%%@@## ##@@%%=»,,
,,»=%%@@@@ IT'S UNGRASPABLE TO ME, WHAT OTHER @@@@%%=»,,
,,,,,»»»%@ HUMANS ARE DOING AND ABSTRACTING, @%»»»,,,,,
,,»=%%@@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@@%%=»,,
,,»=%%@@@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@@@%%=»,,
,,»=%%@@## , ##@@%%=»,,
,,»====%@@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @@%====»,,
,,»=%%@@## CONTINUOUSLY I'M CROWDING THROUGH ##@@%%=»,,
,,»=%%@@@@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @@@@%%=»,,
,,»=%%@@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@@%%=»,,
,,»=%%@@@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@@@%%=»,,
,,»=%%@@@# , , AWARE OF THE PREVIOUS ONE, DEEPER , #@@@%%=»,,
,,»=%%@@@@ , , DOWN IN THE DRAGONS THROAT. @@@@%%=»,,
,,,,,,»»%@ , @%»»,,,,,,
,,»=%%@@## , ##@@%%=»,,
,,»=%@@@## ##@@@%=»,,
,,»=%%@@@# #@@@%%=»,,
,,,,,,»»%@ @%»»,,,,,,
,,»=%%@@@# #@@@%%=»,,
,,»=%%@@@@ @@@@%%=»,,
,,»»»=%%@@ @@%%=»»»,,