¤$%~......                                          ......~%$¤
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@$/~~.....    #                                     .....~~/$@
¤%%~......              .LIZARDRY                   ......~%%¤
##@¤$%/~.. ~           @ #@ ###  ################## ..~/%$¤@##
#@$$$%/~.. ##      THE ART OF C.NNECTING            ..~/%$$$@#
##@¤$%/~..        .    WITH THE OLD MIND            ..~/%$¤@##
##@¤$%/~..                                          ..~/%$¤@##
¤$$%/~....             MY MIND IS BEING SKEWED. MI  ....~/%$$¤
##@¤$%/~..  SKELETON IS STRINGY AND OLD AND ALIEN   ..~/%$¤@##
#@¤$%//~..             THE SITUATION IS LITERALLY   ..~//%$¤@#
¤¤%%%~~... PRESSED OUT THROUGH MY EYES, IT'S        ...~~%%%¤¤
@¤%/...... ECHOING LIKE                             ....../%¤@
##@¤$%/~..             THE SUNSET OF THE ETERNAL    ..~/%$¤@##
#@¤¤$%/~.. OCEAN                                    ..~/%$¤¤@#
@$%%/.....         PERSISTENTLY AGAINST MY EMULSION ...../%%$@
¤%%%~~....                                          ....~~%%%¤
@¤¤¤$%/~..    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..~/%$¤¤¤@
@@¤¤$%/~..   HUMANS ARE DOING AND ABSTRACTING,      ..~/%$¤¤@@
#¤¤¤$%/~..  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..~/%$¤¤¤#
@¤¤$%~.... HOW LONG A TIME HAS PASSED, FOR THEM?    ....~%$¤¤@
##@¤$%/~..                                     .    ..~/%$¤@##
###¤$%/~..  . ... .  ................   @@@@@@@     ..~/%$¤###
¤%%////~..   CONTINUOUSLY I'M CROWDING THROUGH      ..~////%%¤
##@¤$%/~.. . THE FOURTH WALL  .OUTWARDS IS WHAT   . ..~/%$¤@##
##@¤$%/~.. .. I'M THINKING BUT IT'S WRONG.. A NEW   ..~/%$¤@##
#¤%%%//~.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..~//%%%¤#
##@¤$%/~.. .  . AWARE OF THE PREVIOUS ONE, DEEPER . ..~/%$¤@##
@¤¤%/..... .   . DOWN IN THE DRAGONS THROAT.        ...../%¤¤@
@@@¤$%/~..      .                                   ..~/%$¤@@@
¤$/~......       .                                  ......~/$¤
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