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,^~:§£§@@#              ,LIZARDRY                   #@@§£§:~^,
,,,,,~§§§§ ~           @ @@ @@@  @@@@@@@@@@@@@@@@@@ §§§§~,,,,,
,,^~~§§£§@ @@      THE ART OF C^NNECTING            @§£§§~~^,,
,^~:§£§@@#        ,    WITH THE OLD MIND            #@@§£§:~^,
,^~:§£§§@@                                          @@§§£§:~^,
,,,,^:£§@@             MY MIND IS BEING SKEWED. MI  @@§£:^,,,,
,,,,^^:£§@  SKELETON IS STRINGY AND OLD AND ALIEN   @§£:^^,,,,
,^~:§£§@@#             THE SITUATION IS LITERALLY   #@@§£§:~^,
,^~:§£§@@# PRESSED OUT THROUGH MY EYES, IT'S        #@@§£§:~^,
,,,,^~::£@ ECHOING LIKE                             @£::~^,,,,
,^~:§££§@@             THE SUNSET OF THE ETERNAL    @@§££§:~^,
,,,,,^::£@ OCEAN                                    @£::^,,,,,
,^~:§£§@@#         PERSISTENTLY AGAINST MY EMULSION #@@§£§:~^,
,,,~:§§££@                                          @££§§:~,,,
,,,,~~:£@@    IT'S UNGRASPABLE TO ME, WHAT OTHER    @@£:~~,,,,
,^~:§£§§§@   HUMANS ARE DOING AND ABSTRACTING,      @§§§£§:~^,
,,,^^^~~§§  AND ABOVE ALL ELSE, WHAT TIME THEY USE? §§~~^^^,,,
,^~:§£§@@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@@§£§:~^,
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,^~:§£§@@#  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     #@@§£§:~^,
,^~:§£§@@#   CONTINUOUSLY I'M CROWDING THROUGH      #@@§£§:~^,
,^~:§£§@@# , THE FOURTH WALL  ^OUTWARDS IS WHAT   , #@@§£§:~^,
,^~:§£§§§@ ,, I'M THINKING BUT IT'S WRONG.. A NEW   @§§§£§:~^,
,^~:§£§§@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @@§§£§:~^,
,^~:§£§@@@ ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER , @@@§£§:~^,
,^~:§£§@@# ^   ^ DOWN IN THE DRAGONS THROAT.        #@@§£§:~^,
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