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,,~~†%§#£#    #                                     #£#§%†~~,,
,~~†%§#£##              ,LIZARDRY                   ##£#§%†~~,
,,~~†%§#£# ~           £ #£ ###  ################## #£#§%†~~,,
,~~†%§#£## ##      THE ART OF C~NNECTING            ##£#§%†~~,
,,~~†%§#£#        ,    WITH THE OLD MIND            #£#§%†~~,,
,~~†%§#£##                                          ##£#§%†~~,
,,~~†%§#£#             MY MIND IS BEING SKEWED. MI  #£#§%†~~,,
,~~†%§#£##  SKELETON IS STRINGY AND OLD AND ALIEN   ##£#§%†~~,
,,~~†%§#£#             THE SITUATION IS LITERALLY   #£#§%†~~,,
,~~†%§#£## PRESSED OUT THROUGH MY EYES, IT'S        ##£#§%†~~,
,,~~†%§#£# ECHOING LIKE                             #£#§%†~~,,
,~~†%§#£##             THE SUNSET OF THE ETERNAL    ##£#§%†~~,
,,~~†%§#£# OCEAN                                    #£#§%†~~,,
,~~†%§#£##         PERSISTENTLY AGAINST MY EMULSION ##£#§%†~~,
,,~~†%§#£#                                          #£#§%†~~,,
,~~†%§#£##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##£#§%†~~,
,,~~†%§#£#   HUMANS ARE DOING AND ABSTRACTING,      #£#§%†~~,,
,~~†%§#£##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##£#§%†~~,
,,~~†%§#£# HOW LONG A TIME HAS PASSED, FOR THEM?    #£#§%†~~,,
,~~†%§#£##                                     ,    ##£#§%†~~,
,,~~†%§#£#  , ,,, ,  ,,,,,,,,,,,,,,,,   £££££££     #£#§%†~~,,
,~~†%§#£##   CONTINUOUSLY I'M CROWDING THROUGH      ##£#§%†~~,
,,~~†%§#£# , THE FOURTH WALL  ~OUTWARDS IS WHAT   , #£#§%†~~,,
,~~†%§#£## ,, I'M THINKING BUT IT'S WRONG.. A NEW   ##£#§%†~~,
,,~~†%§#£# , , NARRATOR IS INTRODUCED, OCCASIONALLY #£#§%†~~,,
,~~†%§#£## ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER , ##£#§%†~~,
,,~~†%§#£# ~   ~ DOWN IN THE DRAGONS THROAT.        #£#§%†~~,,
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