,,-\†£&£## ##£&£†\-,,
,,,,,,-†&& &&†-,,,,,,
,,,,,\\£££ £££\\,,,,,
,,-\†£&£## ##£&£†\-,,
,,-\†£&££# #££&£†\-,,
,,-\†£&£## # ##£&£†\-,,
,,-\†£&£## ,lizardry ##£&£†\-,,
,,,,,\££&£ - £ #£ ### ################## £&££\,,,,,
,,-\\\\\££ ## the art of c,nnecting ££\\\\\-,,
,,-\†£&£## , with the old mind ##£&£†\-,,
,,,--†††&# #&†††--,,,
,,,,-\†£££ my mind is being skewed. mi £££†\-,,,,
,,-\†££### skeleton is stringy and old and alien ###££†\-,,
,,,,\†††£& the situation is literally &£†††\,,,,
,,,--\\££& pressed out through my eyes, it's &££\\--,,,
,,-\†£££&& echoing like &&£££†\-,,
,,-\†£&### the sunset of the eternal ###&£†\-,,
,,-\†££££& ocean &££££†\-,,
,,,,,,-†£& persistently against my emulsion &£†-,,,,,,
,,--\\††&# #&††\\--,,
,,,,\\££££ it's ungraspable to me, what other ££££\\,,,,
,,,,,-\†&& humans are doing and abstracting, &&†\-,,,,,
,,,,---†££ and above all else, what time they use? ££†---,,,,
,,-\†£&£## how long a time has passed, for them? ##£&£†\-,,
,,,--†††&& , &&†††--,,,
,,,,,,\†&£ , ,,, , ,,,,,,,,,,,,,,,, £££££££ £&†\,,,,,,
,,-\†£&£## continuously i'm crowding through ##£&£†\-,,
,,-\†£&£## , the fourth wall ,outwards is what , ##£&£†\-,,
,,,,,,-†&& ,, i'm thinking but it's wrong.. a new &&†-,,,,,,
,,-\\\\\££ , , narrator is introduced, occasionally ££\\\\\-,,
,,,,,,\££& , , aware of the previous one, deeper , &££\,,,,,,
,,,,,,,\££ , , down in the dragons throat. ££\,,,,,,,
,,-\†£&£## , ##£&£†\-,,
,,-\†£&£## , ##£&£†\-,,
,,,,,,,-†& &†-,,,,,,,
,,,,,,-†&£ £&†-,,,,,,
,,,,--\†&# #&†\--,,,,
,,-†£&£### ###£&£†-,,
,,-\†£&££# #££&£†\-,,
,,-\†£&£££ £££&£†\-,,