,,,.-\†&#£ £#&†\-.,,,
,,.-\†&#£@ @£#&†\-.,,
,.-\†&#£@# #@£#&†\-.,
,,.-\†&#£@ @£#&†\-.,,
,,,.-\†&#£ £#&†\-.,,,
,,,,.-\†&# @ #&†\-.,,,,
,,,.-\†&#£ ,lizardry £#&†\-.,,,
,,.-\†&#£@ - £ @£ @@@ @@@@@@@@@@@@@@@@@@ @£#&†\-.,,
,.-\†&#£@# @@ the art of c.nnecting #@£#&†\-.,
,,.-\†&#£@ , with the old mind @£#&†\-.,,
,,,.-\†&#£ £#&†\-.,,,
,,,,.-\†&# my mind is being skewed. mi #&†\-.,,,,
,,,.-\†&#£ skeleton is stringy and old and alien £#&†\-.,,,
,,.-\†&#£@ the situation is literally @£#&†\-.,,
,.-\†&#£@# pressed out through my eyes, it's #@£#&†\-.,
,,.-\†&#£@ echoing like @£#&†\-.,,
,,,.-\†&#£ the sunset of the eternal £#&†\-.,,,
,,,,.-\†&# ocean #&†\-.,,,,
,,,.-\†&#£ persistently against my emulsion £#&†\-.,,,
,,.-\†&#£@ @£#&†\-.,,
,.-\†&#£@# it's ungraspable to me, what other #@£#&†\-.,
,,.-\†&#£@ humans are doing and abstracting, @£#&†\-.,,
,,,.-\†&#£ and above all else, what time they use? £#&†\-.,,,
,,,,.-\†&# how long a time has passed, for them? #&†\-.,,,,
,,,.-\†&#£ , £#&†\-.,,,
,,.-\†&#£@ , ,,, , ,,,,,,,,,,,,,,,, £££££££ @£#&†\-.,,
,.-\†&#£@# continuously i'm crowding through #@£#&†\-.,
,,.-\†&#£@ , the fourth wall .outwards is what , @£#&†\-.,,
,,,.-\†&#£ ,, i'm thinking but it's wrong.. a new £#&†\-.,,,
,,,,.-\†&# , , narrator is introduced, occasionally #&†\-.,,,,
,,,.-\†&#£ . . aware of the previous one, deeper , £#&†\-.,,,
,,.-\†&#£@ . . down in the dragons throat. @£#&†\-.,,
,.-\†&#£@# . #@£#&†\-.,
,,.-\†&#£@ . @£#&†\-.,,
,,,.-\†&#£ £#&†\-.,,,
,,,,.-\†&# #&†\-.,,,,
,,,.-\†&#£ £#&†\-.,,,
,,.-\†&#£@ @£#&†\-.,,
,.-\†&#£@# #@£#&†\-.,
,,.-\†&#£@ @£#&†\-.,,