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##@&&%;~:, # ,:~;%&&@##
&&&&&%;~:, ,LIZARDRY ,:~;%&&&&&
##@&&%;~:, ~ @ #@ ### ################## ,:~;%&&@##
##@&&%;~:, ## THE ART OF C:NNECTING ,:~;%&&@##
###@&&;~:, , WITH THE OLD MIND ,:~;&&@###
##@&&%;~:, ,:~;%&&@##
###&&%;~:, MY MIND IS BEING SKEWED. MI ,:~;%&&###
@&;~~:::,, SKELETON IS STRINGY AND OLD AND ALIEN ,,:::~~;&@
#&&&%~::,, THE SITUATION IS LITERALLY ,,::~%&&&#
@&&%~~~,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,~~~%&&@
##@&&%;~:, ECHOING LIKE ,:~;%&&@##
@&%;;~,,,, THE SUNSET OF THE ETERNAL ,,,,~;;%&@
&%;;~:,,,, OCEAN ,,,,:~;;%&
##@&&%;~:, PERSISTENTLY AGAINST MY EMULSION ,:~;%&&@##
###&&%;~:, ,:~;%&&###
@&&&;::,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,::;&&&@
###&&%;~:, HUMANS ARE DOING AND ABSTRACTING, ,:~;%&&###
@@&;;~::,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,::~;;&@@
&&&&&%;~:, HOW LONG A TIME HAS PASSED, FOR THEM? ,:~;%&&&&&
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###@&&;~:, CONTINUOUSLY I'M CROWDING THROUGH ,:~;&&@###
##@&&%;~:, , THE FOURTH WALL :OUTWARDS IS WHAT , ,:~;%&&@##
##@&&%;~:, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,:~;%&&@##
&&&&;~~:,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,:~~;&&&&
#&%%~,,,,, : : AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,~%%&#
###&&%;~:, : : DOWN IN THE DRAGONS THROAT. ,:~;%&&###
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