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,,,,.-^*&£ ,LIZARDRY £&*^-.,,,,
,,,,,.-^*& - ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ &*^-.,,,,,
,,,,,,.-^* @@ THE ART OF C.NNECTING *^-.,,,,,,
,,,,,,,.-^ , WITH THE OLD MIND ^-.,,,,,,,
,,,,,,.-^* *^-.,,,,,,
,,,,,.-^*& MY MIND IS BEING SKEWED. MI &*^-.,,,,,
,,,,.-^*&£ SKELETON IS STRINGY AND OLD AND ALIEN £&*^-.,,,,
,,,.-^*&£¶ THE SITUATION IS LITERALLY ¶£&*^-.,,,
,,.-^*&£¶# PRESSED OUT THROUGH MY EYES, IT'S #¶£&*^-.,,
,.-^*&£¶## ECHOING LIKE ##¶£&*^-.,
,,.-^*&£¶# THE SUNSET OF THE ETERNAL #¶£&*^-.,,
,,,.-^*&£¶ OCEAN ¶£&*^-.,,,
,,,,.-^*&£ PERSISTENTLY AGAINST MY EMULSION £&*^-.,,,,
,,,,,.-^*& &*^-.,,,,,
,,,,,,.-^* IT'S UNGRASPABLE TO ME, WHAT OTHER *^-.,,,,,,
,,,,,,,.-^ HUMANS ARE DOING AND ABSTRACTING, ^-.,,,,,,,
,,,,,,.-^* AND ABOVE ALL ELSE, WHAT TIME THEY USE? *^-.,,,,,,
,,,,,.-^*& HOW LONG A TIME HAS PASSED, FOR THEM? &*^-.,,,,,
,,,,.-^*&£ , £&*^-.,,,,
,,,.-^*&£¶ , ,,, , ,,,,,,,,,,,,,,,, ¶¶¶¶¶¶¶ ¶£&*^-.,,,
,,.-^*&£¶# CONTINUOUSLY I'M CROWDING THROUGH #¶£&*^-.,,
,.-^*&£¶## , THE FOURTH WALL .OUTWARDS IS WHAT , ##¶£&*^-.,
,,.-^*&£¶# ,, I'M THINKING BUT IT'S WRONG.. A NEW #¶£&*^-.,,
,,,.-^*&£¶ , , NARRATOR IS INTRODUCED, OCCASIONALLY ¶£&*^-.,,,
,,,,.-^*&£ . . AWARE OF THE PREVIOUS ONE, DEEPER , £&*^-.,,,,
,,,,,.-^*& . . DOWN IN THE DRAGONS THROAT. &*^-.,,,,,
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