,~-*%%§### ###§%%*-~,
,~-*%%§§## ##§§%%*-~,
,~-*%%§### ###§%%*-~,
,~-*%%§### ###§%%*-~,
,~-*%%§### ###§%%*-~,
,~-*%%§### # ###§%%*-~,
,,,,,-**%§ ,LIZARDRY §%**-,,,,,
,,~~---%%# - # ## ### ################## #%%---~~,,
,~-*%%§### ## THE ART OF C~NNECTING ###§%%*-~,
,~-*%%§### , WITH THE OLD MIND ###§%%*-~,
,~-*%%§### ###§%%*-~,
,,,-***%§# MY MIND IS BEING SKEWED. MI #§%***-,,,
,,,,-***%§ SKELETON IS STRINGY AND OLD AND ALIEN §%***-,,,,
,~-*%%§### THE SITUATION IS LITERALLY ###§%%*-~,
,~-*%%#### PRESSED OUT THROUGH MY EYES, IT'S ####%%*-~,
,~-*%%§### ECHOING LIKE ###§%%*-~,
,~-*%%§### THE SUNSET OF THE ETERNAL ###§%%*-~,
,~-*%%§### OCEAN ###§%%*-~,
,~-*%%§§§§ PERSISTENTLY AGAINST MY EMULSION §§§§%%*-~,
,,,~~-*%§§ §§%*-~~,,,
,~-*%%§§## IT'S UNGRASPABLE TO ME, WHAT OTHER ##§§%%*-~,
,~-*%%§### HUMANS ARE DOING AND ABSTRACTING, ###§%%*-~,
,,,,,~~*%§ AND ABOVE ALL ELSE, WHAT TIME THEY USE? §%*~~,,,,,
,~-*%§#### HOW LONG A TIME HAS PASSED, FOR THEM? ####§%*-~,
,~-*%%§### , ###§%%*-~,
,,,,,--%%§ , ,,, , ,,,,,,,,,,,,,,,, ####### §%%--,,,,,
,~-*%%§### CONTINUOUSLY I'M CROWDING THROUGH ###§%%*-~,
,,,,,--%§# , THE FOURTH WALL ~OUTWARDS IS WHAT , #§%--,,,,,
,~-*%%§### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###§%%*-~,
,~-*%%§### , , NARRATOR IS INTRODUCED, OCCASIONALLY ###§%%*-~,
,~-*%%§### ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ###§%%*-~,
,~-*%%§### ~ ~ DOWN IN THE DRAGONS THROAT. ###§%%*-~,
,~-*%%§### ~ ###§%%*-~,
,,,,,,-%§§ ~ §§%-,,,,,,
,,,~-%%%## ##%%%-~,,,
,,,,-%%%§# #§%%%-,,,,
,~-*%%§§## ##§§%%*-~,
,~-*%%§### ###§%%*-~,
,,,,~~-*%§ §%*-~~,,,,
,~-*%%§### ###§%%*-~,