..,,,,,^¤# #¤^,,,,,..
.,=^$¤#¶## ##¶#¤$^=,.
.,=^$¤¤¤## ##¤¤¤$^=,.
.,=^$¤#¶¶# #¶¶#¤$^=,.
..,,,^$¤#¶ ¶#¤$^,,,..
.....,^^$# # #$^^,.....
.,=^$¤#¶## .LIZARDRY ##¶#¤$^=,.
....,=$$¤# = ¶ #¶ ### ################## #¤$$=,....
.,=^$¤#¶## ## THE ART OF C,NNECTING ##¶#¤$^=,.
,=^$¤#¶### . WITH THE OLD MIND ###¶#¤$^=,
......,=$# #$=,......
.,=^$¤#¶## MY MIND IS BEING SKEWED. MI ##¶#¤$^=,.
.,=^$¤#¶## SKELETON IS STRINGY AND OLD AND ALIEN ##¶#¤$^=,.
.....=^^$# THE SITUATION IS LITERALLY #$^^=.....
.,=^$¤#¶## PRESSED OUT THROUGH MY EYES, IT'S ##¶#¤$^=,.
.,=^$¤#¶¶¶ ECHOING LIKE ¶¶¶#¤$^=,.
.,=^$¤#¶## THE SUNSET OF THE ETERNAL ##¶#¤$^=,.
..,=^$$¤## OCEAN ##¤$$^=,..
....,=$¤¶¶ PERSISTENTLY AGAINST MY EMULSION ¶¶¤$=,....
....=$$¤¶¶ ¶¶¤$$=....
.......=$# IT'S UNGRASPABLE TO ME, WHAT OTHER #$=.......
.,=^$¤##¶# HUMANS ARE DOING AND ABSTRACTING, #¶##¤$^=,.
...,,^$¤¶# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¶¤$^,,...
.,=^$¤#¶## HOW LONG A TIME HAS PASSED, FOR THEM? ##¶#¤$^=,.
......=^$# . #$^=......
...==^$$## . ... . ................ ¶¶¶¶¶¶¶ ##$$^==...
.,=^$¤¤¤## CONTINUOUSLY I'M CROWDING THROUGH ##¤¤¤$^=,.
...,^$$### . THE FOURTH WALL ,OUTWARDS IS WHAT . ###$$^,...
......=$¤# .. I'M THINKING BUT IT'S WRONG.. A NEW #¤$=......
.,=^$¤#¶## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##¶#¤$^=,.
..,,,^$¤## , , AWARE OF THE PREVIOUS ONE, DEEPER . ##¤$^,,,..
.....,^¤¤# , , DOWN IN THE DRAGONS THROAT. #¤¤^,.....
.,,,,=$$## , ##$$=,,,,.
....,=^¤¤¶ , ¶¤¤^=,....
.,=^$¤#¶## ##¶#¤$^=,.
.....,^¤## ##¤^,.....
.,===^¤#¶# #¶#¤^===,.
.,=^$$$¤## ##¤$$$^=,.
.,=^$¤#¶¶# #¶¶#¤$^=,.
.,=^$¤#¶## ##¶#¤$^=,.