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¨,==§@#¶## ¨LIZARDRY ##¶#@§==,¨
¨¨,==§@#¶# = ¶ #¶ ### ################## #¶#@§==,¨¨
¨¨¨,==§@#¶ ## THE ART OF C,NNECTING ¶#@§==,¨¨¨
¨¨¨¨,==§@# ¨ WITH THE OLD MIND #@§==,¨¨¨¨
¨¨¨,==§@#¶ ¶#@§==,¨¨¨
¨¨,==§@#¶# MY MIND IS BEING SKEWED. MI #¶#@§==,¨¨
¨,==§@#¶## SKELETON IS STRINGY AND OLD AND ALIEN ##¶#@§==,¨
¨¨,==§@#¶# THE SITUATION IS LITERALLY #¶#@§==,¨¨
¨¨¨,==§@#¶ PRESSED OUT THROUGH MY EYES, IT'S ¶#@§==,¨¨¨
¨¨¨¨,==§@# ECHOING LIKE #@§==,¨¨¨¨
¨¨¨,==§@#¶ THE SUNSET OF THE ETERNAL ¶#@§==,¨¨¨
¨¨,==§@#¶# OCEAN #¶#@§==,¨¨
¨,==§@#¶## PERSISTENTLY AGAINST MY EMULSION ##¶#@§==,¨
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¨¨¨,==§@#¶ IT'S UNGRASPABLE TO ME, WHAT OTHER ¶#@§==,¨¨¨
¨¨¨¨,==§@# HUMANS ARE DOING AND ABSTRACTING, #@§==,¨¨¨¨
¨¨¨,==§@#¶ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¶#@§==,¨¨¨
¨¨,==§@#¶# HOW LONG A TIME HAS PASSED, FOR THEM? #¶#@§==,¨¨
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¨¨,==§@#¶# ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¶¶¶¶¶¶¶ #¶#@§==,¨¨
¨¨¨,==§@#¶ CONTINUOUSLY I'M CROWDING THROUGH ¶#@§==,¨¨¨
¨¨¨¨,==§@# ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ #@§==,¨¨¨¨
¨¨¨,==§@#¶ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¶#@§==,¨¨¨
¨¨,==§@#¶# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #¶#@§==,¨¨
¨,==§@#¶## , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##¶#@§==,¨
¨¨,==§@#¶# , , DOWN IN THE DRAGONS THROAT. #¶#@§==,¨¨
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