.~=^^@¤@@# #@@¤@^^=~.
..~=^^@¤@@ @@¤@^^=~..
...~=^^@¤@ @¤@^^=~...
....~=^^@¤ ¤@^^=~....
.....~=^^@ @^^=~.....
....~=^^@¤ @ ¤@^^=~....
...~=^^@¤@ .LIZARDRY @¤@^^=~...
..~=^^@¤@@ = @ @@ @@@ @@@@@@@@@@@@@@@@@@ @@¤@^^=~..
.~=^^@¤@@# @@ THE ART OF C~NNECTING #@@¤@^^=~.
..~=^^@¤@@ . WITH THE OLD MIND @@¤@^^=~..
...~=^^@¤@ @¤@^^=~...
....~=^^@¤ MY MIND IS BEING SKEWED. MI ¤@^^=~....
.....~=^^@ SKELETON IS STRINGY AND OLD AND ALIEN @^^=~.....
....~=^^@¤ THE SITUATION IS LITERALLY ¤@^^=~....
...~=^^@¤@ PRESSED OUT THROUGH MY EYES, IT'S @¤@^^=~...
..~=^^@¤@@ ECHOING LIKE @@¤@^^=~..
.~=^^@¤@@# THE SUNSET OF THE ETERNAL #@@¤@^^=~.
..~=^^@¤@@ OCEAN @@¤@^^=~..
...~=^^@¤@ PERSISTENTLY AGAINST MY EMULSION @¤@^^=~...
....~=^^@¤ ¤@^^=~....
.....~=^^@ IT'S UNGRASPABLE TO ME, WHAT OTHER @^^=~.....
....~=^^@¤ HUMANS ARE DOING AND ABSTRACTING, ¤@^^=~....
...~=^^@¤@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¤@^^=~...
..~=^^@¤@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@¤@^^=~..
.~=^^@¤@@# . #@@¤@^^=~.
..~=^^@¤@@ . ... . ................ @@@@@@@ @@¤@^^=~..
...~=^^@¤@ CONTINUOUSLY I'M CROWDING THROUGH @¤@^^=~...
....~=^^@¤ . THE FOURTH WALL ~OUTWARDS IS WHAT . ¤@^^=~....
.....~=^^@ .. I'M THINKING BUT IT'S WRONG.. A NEW @^^=~.....
....~=^^@¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤@^^=~....
...~=^^@¤@ ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . @¤@^^=~...
..~=^^@¤@@ ~ ~ DOWN IN THE DRAGONS THROAT. @@¤@^^=~..
.~=^^@¤@@# ~ #@@¤@^^=~.
..~=^^@¤@@ ~ @@¤@^^=~..
...~=^^@¤@ @¤@^^=~...
....~=^^@¤ ¤@^^=~....
.....~=^^@ @^^=~.....
....~=^^@¤ ¤@^^=~....
...~=^^@¤@ @¤@^^=~...
..~=^^@¤@@ @@¤@^^=~..