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#&%**;.,,, ,,,.;**%&#
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###&%*;=., ,LIZARDRY ,.=;*%&###
#&*=,,,,,, = @ #@ ### ################## ,,,,,,=*&#
##@&%*;=., ## THE ART OF C.NNECTING ,.=;*%&@##
##@&%*;=., , WITH THE OLD MIND ,.=;*%&@##
###&%*;=., ,.=;*%&###
&%**;.,,,, MY MIND IS BEING SKEWED. MI ,,,,.;**%&
##@&%*;=., SKELETON IS STRINGY AND OLD AND ALIEN ,.=;*%&@##
###@%*;=., THE SITUATION IS LITERALLY ,.=;*%@###
##@&%*;=., PRESSED OUT THROUGH MY EYES, IT'S ,.=;*%&@##
&&%%;=..,, ECHOING LIKE ,,..=;%%&&
@@&%%*;=., THE SUNSET OF THE ETERNAL ,.=;*%%&@@
###@&%*;=. OCEAN .=;*%&@###
#@@&%*;=., PERSISTENTLY AGAINST MY EMULSION ,.=;*%&@@#
#&**===,,, ,,,===**&#
##@&%*;=., IT'S UNGRASPABLE TO ME, WHAT OTHER ,.=;*%&@##
##@&%*;=., HUMANS ARE DOING AND ABSTRACTING, ,.=;*%&@##
@&*;=.,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,.=;*&@
@&*=.,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,.=*&@
##@&%*;=., , ,.=;*%&@##
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&&&%;;.,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,.;;%&&&
##@&%*;=., , THE FOURTH WALL .OUTWARDS IS WHAT , ,.=;*%&@##
@@@&%*;=., ,, I'M THINKING BUT IT'S WRONG.. A NEW ,.=;*%&@@@
###@&%*=., , , NARRATOR IS INTRODUCED, OCCASIONALLY ,.=*%&@###
#&&&%*;=., . . AWARE OF THE PREVIOUS ONE, DEEPER , ,.=;*%&&&#
##@&%*;=., . . DOWN IN THE DRAGONS THROAT. ,.=;*%&@##
##@&%*;=., . ,.=;*%&@##
#@&%%*;=., . ,.=;*%%&@#
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