,:==†$§### ###§$†==:,
,,:==†$§## ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## # ##§$†==:,,
,:==†$§### ,LIZARDRY ###§$†==:,
,,:==†$§## = # ## ### ################## ##§$†==:,,
,:==†$§### ## THE ART OF C:NNECTING ###§$†==:,
,,:==†$§## , WITH THE OLD MIND ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## MY MIND IS BEING SKEWED. MI ##§$†==:,,
,:==†$§### SKELETON IS STRINGY AND OLD AND ALIEN ###§$†==:,
,,:==†$§## THE SITUATION IS LITERALLY ##§$†==:,,
,:==†$§### PRESSED OUT THROUGH MY EYES, IT'S ###§$†==:,
,,:==†$§## ECHOING LIKE ##§$†==:,,
,:==†$§### THE SUNSET OF THE ETERNAL ###§$†==:,
,,:==†$§## OCEAN ##§$†==:,,
,:==†$§### PERSISTENTLY AGAINST MY EMULSION ###§$†==:,
,,:==†$§## ##§$†==:,,
,:==†$§### IT'S UNGRASPABLE TO ME, WHAT OTHER ###§$†==:,
,,:==†$§## HUMANS ARE DOING AND ABSTRACTING, ##§$†==:,,
,:==†$§### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###§$†==:,
,,:==†$§## HOW LONG A TIME HAS PASSED, FOR THEM? ##§$†==:,,
,:==†$§### , ###§$†==:,
,,:==†$§## , ,,, , ,,,,,,,,,,,,,,,, ####### ##§$†==:,,
,:==†$§### CONTINUOUSLY I'M CROWDING THROUGH ###§$†==:,
,,:==†$§## , THE FOURTH WALL :OUTWARDS IS WHAT , ##§$†==:,,
,:==†$§### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###§$†==:,
,,:==†$§## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##§$†==:,,
,:==†$§### : : AWARE OF THE PREVIOUS ONE, DEEPER , ###§$†==:,
,,:==†$§## : : DOWN IN THE DRAGONS THROAT. ##§$†==:,,
,:==†$§### : ###§$†==:,
,,:==†$§## : ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## ##§$†==:,,
,:==†$§### ###§$†==:,
,,:==†$§## ##§$†==:,,