#@@&§*:=-,                                          ,-=:*§&@@#
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@&§§::==-,          ,,,,**@# VäXJö #@**,,,,         ,-==::§§&@
@@@&§*:=-,                                          ,-=:*§&@@@
#@@&§*:=-, THE APARTMENT  SMELLS OF OLD  COFFEE AND ,-=:*§&@@#
@@@&§*:=-, SWEETENERS.  I DON'T  KNOW HOW I  LET IT ,-=:*§&@@@
#@@&§*:=-, GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. ,-=:*§&@@#
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&§:-,,,,,, I  WEAR YELLOW  TINTED GLASSES. THE ROOM ,,,,,,-:§&
#@@&§*:=-, CHANGES SHAPE A LOT.  RIGHT NOW  THERE'S ,-=:*§&@@#
@@@&§*:=-, A   BLUE  SOFA  WITH  YELLOW  SEAMS.   I ,-=:*§&@@@
#@@&§*:=-,     EXPERIMENT WITH DIFFERENT COLORED    ,-=:*§&@@#
#@@&§*:=-,       LIGHTS. I'M LEARNING THINGS.       ,-=:*§&@@#
@§§*:==--,                                          ,--==:*§§@
@§§*=,,,,, MY THOUGHTS ARE REVOLVING  AROUND  TIME, ,,,,,=*§§@
&&§§:==--, AND THE PERCEPTION OF IT.  CAN I MAKE IT ,--==:§§&&
#@@&§*:=-, RIGID?  IF I REALLY WANT TO, CAN I  MAKE ,-=:*§&@@#
&**=---,,, IT  FEEL  LIKE THERE IS  ENOUGH  OF  IT? ,,,---=**&
&&§*:==--,    ALSO, AND MAYBE, ULTIMATELY, MORE     ,--==:*§&&
@@@&§*:=-, IMPORTANT  - CAN I MAKE IT  FEEL LIKE IT ,-=:*§&@@@
#@@&§*:=-,             DOESN'T MATTER?              ,-=:*§&@@#
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