,,,,,=**## ##**=,,,,,
,:=/***& #&&***/=:,
,:=/****## ##****/=:,
,,,,,:=**& &**=:,,,,,
,:=/**&# ##&&**/=:,
,,,=/***## delay delay d,la# & *a, : ,# = : ##***/=,,,
,:=/**## ###&**/=:,
,,,,=//**& &**//=,,,,
,:=/*### ####&*/=:,
,:=/**## ###&**/=:,
,,,,,,=**& "delay" means repetiton or likewise, &**=,,,,,,
,:=/***& but it's mainly useless without #&&***/=:,
,,,::==**# feedback, #**==::,,,
,:=/***& to allow the delay to eat of it's own #&&***/=:,
,,,:=****# tail, like one of those eaty serpents. #****=:,,,
,,,,=*** thus: it's the serpent effect! #&***=,,,,
,:=/**## ###&**/=:,
,:=/**## it's to be revered as a creator of ###&**/=:,
,,,,::=* ambience and of space, if you treat it #&*=::,,,,
,:=/**## right. a somewhat more solid and ###&**/=:,
,:/**### slippery sibling of reverb. ####&**/:,
,,,,,,=*&& &&*=,,,,,,
,:=/**## ###&**/=:,
,:=/**## ###&**/=:,
,:=/*****# #*****/=:,
,:=/***# ##&***/=:,