,^=;^%@£## ##£@%^;=^,
,^;^%@£### ###£@%^;^,
,^=;^%@£## ##£@%^;=^,
,,,,,^^=^@ @^=^^,,,,,
,^=;^%@£## ##£@%^;=^,
,^=;^%@£## delay delay d,la# @ ^a, ^ ,£ = ^ ##£@%^;=^,
,^=;^%@@£# #£@@%^;=^,
,,,,,^;;%£ £%;;^,,,,,
,^=;^%@£## ##£@%^;=^,
,^^^==;;%£ £%;;==^^^,
,,,,,==^@£ "delay" means repetiton or likewise, £@^==,,,,,
,^=;^%@@££ but it's mainly useless without ££@@%^;=^,
,,,,===;%£ feedback, £%;===,,,,
,^=;^%£### to allow the delay to eat of it's own ###£%^;=^,
,^=;%@£### tail, like one of those eaty serpents. ###£@%;=^,
,,,,,,=^@£ thus: it's the serpent effect! £@^=,,,,,,
,^===^%%£# #£%%^===^,
,,^===;%%@ it's to be revered as a creator of @%%;===^,,
,,,,^=;%£# ambience and of space, if you treat it #£%;=^,,,,
,,,,,=;%£# right. a somewhat more solid and #£%;=,,,,,
,,,^;;%%@@ slippery sibling of reverb. @@%%;;^,,,
,^=;;;^@@@ @@@^;;;=^,
,^=;^%@£## ##£@%^;=^,
,^=;^%@£## ##£@%^;=^,
,^=;^%@£## ##£@%^;=^,
,,,,,,=;^@ @^;=,,,,,,