#@@§**/~:,                                          ,:~/**§@@#
@§****/~:,                                          ,:~/****§@
##@§**/~:,                                          ,:~/**§@##
##@§**/~:,                                          ,:~/**§@##
#§****/~:,                                          ,:~/****§#
§§§§**/~:, delay  delay  d,la#  § *a,  : ,@   ~   : ,:~/**§§§§
§§***/:,,,                                          ,,,:/***§§
##@§**/~:,                                          ,:~/**§@##
##@§**/~:,                                          ,:~/**§@##
##@§**/~:,                                          ,:~/**§@##
##@§**/~:, "delay" means repetiton or likewise,     ,:~/**§@##
#§**/:,,,, but it's mainly useless without          ,,,,:/**§#
§§§*~~,,,, feedback,                                ,,,,~~*§§§
#§§§**/~:, to allow the delay to eat of it's own    ,:~/**§§§#
#§****/~:, tail, like one of those eaty serpents.   ,:~/****§#
##@§**/~:, thus: it's the serpent effect!           ,:~/**§@##
§****~,,,,                                          ,,,,~****§
##@§**/~:, it's to be revered as a creator of       ,:~/**§@##
##@§**/~:, ambience and of space, if you treat it   ,:~/**§@##
##@§**/~:, right. a somewhat more solid and         ,:~/**§@##
##@§**/~:, slippery sibling of reverb.              ,:~/**§@##
##@§**/~:,                                          ,:~/**§@##
§**/~,,,,,                                          ,,,,,~/**§
##@§**/~:,                                          ,:~/**§@##
@§**/~,,,,                                          ,,,,~/**§@
##@§**/~:,                                          ,:~/**§@##