,,,,~~/§$& &$§/~~,,,,
,,,~~/§$&@ @&$§/~~,,,
,,~~/§$&@# #@&$§/~~,,
,~~/§$&@## ##@&$§/~~,
,,~~/§$&@# #@&$§/~~,,
,,,~~/§$&@ delay delay d,la# & §a, ~ ,@ ~ ~ @&$§/~~,,,
,,,,~~/§$& &$§/~~,,,,
,,,,,~~/§$ $§/~~,,,,,
,,,,,,~~/§ §/~~,,,,,,
,,,,,~~/§$ $§/~~,,,,,
,,,,~~/§$& "delay" means repetiton or likewise, &$§/~~,,,,
,,,~~/§$&@ but it's mainly useless without @&$§/~~,,,
,,~~/§$&@# feedback, #@&$§/~~,,
,~~/§$&@## to allow the delay to eat of it's own ##@&$§/~~,
,,~~/§$&@# tail, like one of those eaty serpents. #@&$§/~~,,
,,,~~/§$&@ thus: it's the serpent effect! @&$§/~~,,,
,,,,~~/§$& &$§/~~,,,,
,,,,,~~/§$ it's to be revered as a creator of $§/~~,,,,,
,,,,,,~~/§ ambience and of space, if you treat it §/~~,,,,,,
,,,,,~~/§$ right. a somewhat more solid and $§/~~,,,,,
,,,,~~/§$& slippery sibling of reverb. &$§/~~,,,,
,,,~~/§$&@ @&$§/~~,,,
,,~~/§$&@# #@&$§/~~,,
,~~/§$&@## ##@&$§/~~,
,,~~/§$&@# #@&$§/~~,,
,,,~~/§$&@ @&$§/~~,,,