.#...##...                                          .##....##.
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##..#.#.##                §§§§§§§§§                 #.#.#.#.#.
.#.##.#..# §§                                    §§ #.#.#.#.#.
##..#.#.## §§               PLUS                 §§ #.#.#.#.#.
.#.##.#..# §                        MINUS         § #.#.#.#.#.
##..#.#.## §     ZERO                             § #.#.#.#.#.
.#.##.#..# .                                      . #.#.#.#.#.
##..#.#.##             .. MIRROR NOTE ..            #.#.#.#.#.
.#.##.#..#              .............               #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..# AT AN OPPORTUNITY, A MOMENT SUCH AS THIS #.#.#.#.#.
##..#.#.## UNDERAPPRECIATED, UNDERESTIMATED, UNDER  #.#.#.#.#.
.#.##.#..# THERE IS SIMPLY NO TIME TO CHOOSE WHAT   #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..# EVERYTHING IS IN THROUGH THE LEFT HALF   #.#.#.#.#.
##..#.#.##     OF MY FACE, AND OUT EXACTLY OPPOSITE #.#.#.#.#.
.#.##.#..#     ^^^THROUGH THE RIGHT HALF^^^ OF THE  #.#.#.#.#.
##..#.#.##                                    FACE  #.#.#.#.#.
.#.##.#..#     PLUS MINUS ZERO BUT POLAR OPPOSITES! #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..#  #..# #.# #                              #.#.#.#.#.
##..#.#.##  AND                                     #.#.#.#.#.
.#.##.#..#     THE ECHO IS TRAVELLING WITH EVERY    #.#.#.#.#.
##..#.#.##     BEAT, MAYBE ONE HUNDRED AND THIRTY   #.#.#.#.#.
.#.##.#..#     MILLISECONDS, TO TWO HUNDRED AND     #.#.#.#.#.
##..#.#.## #.# EIGHTY MILLISECONDS, AND DOWN,       #.#.#.#.#.
.#.##.#..#     ALONG MY DREADS, MAYBE LIKE          #.#.#.#.#.
##..#.#.##   A CAP TO THE LEFT AND UP FOUR HUNDRED  #.#.#.#.#.
.#.##.#..# TO THE RIGHT                             #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..#    ABOUT -MAGNETISM- OR -WHAT- -ELSE-    #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..#   DISTORTION AND HEAVY GLASS AND PALM    #.#.#.#.#.
##..#.#.##                                 TREES    #.#.#.#.#.
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##..#.#.##                                          #.#.#.#.#.
.#.##.#..#                                          #.#.#.#.#.
##..#.#.##   MY                                     #.#.#.#.#.
.#.##.#..#   I HAVE MUSIC THAT LIVES INTO WEIRDER   #.#.#.#.#.
##..#.#.##    CORRIDORS, MY FLESH IS PUSHING        #.#.#.#.#.
.#.##.#..#    MY                                    #.#.#.#.#.
##..#.#.##    BODY FURTHER INSIDE                   #.#.#.#.#.
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##..#.#.##                                          #.#.#.#.#.
.#.##.#..#                                          #.#.#.#.#.
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.#.##.#..#   THERE        IS TOO MUCH MOVING INSIDE #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..#                                          #.#.#.#.#.
##..#.#.## WEIRD REVOLVINGS, HOW MUCH MADNESS,      #.#.#.#.#.
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##..#.#.##       IA . #REVOLVED ABOUT TO BE REVOLVE #.#.#.#.#.
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##..#.#.##                                          #.#.#.#.#.
.#.##.#..#                                          #.#.#.#.#.
##..#.#.##                                          #.#.#.#.#.
.#.##.#..#     AND I, THE SURGEON, CHOOSE THE       #.#.#.#.#.
##..#.#.##    FRYING PAN                            #.#.#.#.#.
.#.##.#..#   WHATEVER DOG I WANT .................  #.#.#.#.#.
##..#.#.##  AND MY SPEED IS EVERYTHING. THE LAST    #.#.#.#.#.
.#.##.#..#                                          #.#.#.#.#.
##..#.#.##      RADAR STATION... FOR A WHILE...     #.#.#.#.#.
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