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¨-~;=&§¶## UNDERAPPRECIATED, UNDERESTIMATED, UNDER ##¶§&=;~-¨
¨-~;=&&§¶¶ THERE IS SIMPLY NO TIME TO CHOOSE WHAT ¶¶§&&=;~-¨
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¨¨¨¨---~=§ EVERYTHING IS IN THROUGH THE LEFT HALF §=~---¨¨¨¨
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¨-~;=&§§¶¶ BEAT, MAYBE ONE HUNDRED AND THIRTY ¶¶§§&=;~-¨
¨-~;=&§¶## MILLISECONDS, TO TWO HUNDRED AND ##¶§&=;~-¨
¨-~~~;==&§ #¨# EIGHTY MILLISECONDS, AND DOWN, §&==;~~~-¨
¨-~;=&§¶¶# ALONG MY DREADS, MAYBE LIKE #¶¶§&=;~-¨
¨¨-~;;;==§ A CAP TO THE LEFT AND UP FOUR HUNDRED §==;;;~-¨¨
¨-~;=&§¶## TO THE RIGHT ##¶§&=;~-¨
¨¨-----;=§ §=;-----¨¨
¨-~;=&§¶## ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~ ##¶§&=;~-¨
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¨-~;=&§### DISTORTION AND HEAVY GLASS AND PALM ###§&=;~-¨
¨-~;=&§¶¶# TREES #¶¶§&=;~-¨
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¨-~;;;=&&§ I HAVE MUSIC THAT LIVES INTO WEIRDER §&&=;;;~-¨
¨--~;=&&&§ CORRIDORS, MY FLESH IS PUSHING §&&&=;~--¨
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¨-~;=§¶### WEIRD REVOLVINGS, HOW MUCH MADNESS, ###¶§=;~-¨
¨-~;=&&§§§ WEIRD ABOUT HOW MUCH MADNESS THAT'S §§§&&=;~-¨
¨-~;=&§§§¶ IA ¨ ¶REVOLVED ABOUT TO BE REVOLVE ¶§§§&=;~-¨
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¨-~;=&§¶## AND MY SPEED IS EVERYTHING. THE LAST ##¶§&=;~-¨
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