,,,,»;*$@# #@$*;»,,,,
,,,»;*$@## ##@$*;»,,,
,,»;*$@### ###@$*;»,,
,,,»;*$@## ##@$*;»,,,
,,,,»;*$@# #@$*;»,,,,
,,,,,»;*$@ # @$*;»,,,,,
,,,,»;*$@# ,LIZARDRY #@$*;»,,,,
,,,»;*$@## » # ## ### ################## ##@$*;»,,,
,,»;*$@### ## THE ART OF C,NNECTING ###@$*;»,,
,,,»;*$@## , WITH THE OLD MIND ##@$*;»,,,
,,,,»;*$@# #@$*;»,,,,
,,,,,»;*$@ MY MIND IS BEING SKEWED. MI @$*;»,,,,,
,,,,»;*$@# SKELETON IS STRINGY AND OLD AND ALIEN #@$*;»,,,,
,,,»;*$@## THE SITUATION IS LITERALLY ##@$*;»,,,
,,»;*$@### PRESSED OUT THROUGH MY EYES, IT'S ###@$*;»,,
,,,»;*$@## ECHOING LIKE ##@$*;»,,,
,,,,»;*$@# THE SUNSET OF THE ETERNAL #@$*;»,,,,
,,,,,»;*$@ OCEAN @$*;»,,,,,
,,,,»;*$@# PERSISTENTLY AGAINST MY EMULSION #@$*;»,,,,
,,,»;*$@## ##@$*;»,,,
,,»;*$@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@$*;»,,
,,,»;*$@## HUMANS ARE DOING AND ABSTRACTING, ##@$*;»,,,
,,,,»;*$@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@$*;»,,,,
,,,,,»;*$@ HOW LONG A TIME HAS PASSED, FOR THEM? @$*;»,,,,,
,,,,»;*$@# , #@$*;»,,,,
,,,»;*$@## , ,,, , ,,,,,,,,,,,,,,,, ####### ##@$*;»,,,
,,»;*$@### CONTINUOUSLY I'M CROWDING THROUGH ###@$*;»,,
,,,»;*$@## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##@$*;»,,,
,,,,»;*$@# ,, I'M THINKING BUT IT'S WRONG.. A NEW #@$*;»,,,,
,,,,,»;*$@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @$*;»,,,,,
,,,,»;*$@# , , AWARE OF THE PREVIOUS ONE, DEEPER , #@$*;»,,,,
,,,»;*$@## , , DOWN IN THE DRAGONS THROAT. ##@$*;»,,,
,,»;*$@### , ###@$*;»,,
,,,»;*$@## , ##@$*;»,,,
,,,,»;*$@# #@$*;»,,,,
,,,,,»;*$@ @$*;»,,,,,
,,,,»;*$@# #@$*;»,,,,
,,,»;*$@## ##@$*;»,,,
,,»;*$@### ###@$*;»,,
,,,»;*$@## ##@$*;»,,,