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.#.##.###.                                          ....###...
...##.#.##                                          ....#.##..
...##...##                =========                 #.....###.
...###..#. ==                                    == .#....#.##
#..#.##... ==               PLUS                 == ..#.....##
##...###.. =                       MINUS          = ...#....#.
###..#.##. =      ZERO                            = ....#.....
#.##...### .                                      . .....#....
..###..#.#             .. MIRROR NOTE ..            ......#...
..#.##...#               .............              #......#..
....###..#                                          .#......#.
....#.##.. AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ..#......#
#.....###. UNDERAPPRECIATED, UNDERESTIMATED, UNDER  #..#......
.#....#.## THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ##..#.....
..#.....##                                          ###..#....
...#....#. EVERYTHING IS IN THROUGH THE LEFT HALF   #.##..#...
....#.....     OF MY FACE, AND OUT EXACTLY OPPOSITE ..###..#..
.....#....     ...THROUGH THE RIGHT HALF... OF THE  ..#.##..#.
......#...                                    FACE  #...###..#
#......#..     PLUS MINUS ZERO BUT POLAR OPPOSITES! ##..#.##..
.#......#.                                          .##...###.
..#......#  #..# #.# #                              .###..#.##
#..#......  AND                                     .#.##...##
##..#.....     THE ECHO IS TRAVELLING WITH EVERY    ...###..#.
###..#....     BEAT, MAYBE ONE HUNDRED AND THIRTY   ...#.##...
#.##..#...     MILLISECONDS, TO TWO HUNDRED AND     .....###..
..###..#.. #.# EIGHTY MILLISECONDS, AND DOWN,       .....#.##.
..#.##..#.     ALONG MY DREADS, MAYBE LIKE          .......###
#...###..#   A CAP TO THE LEFT AND UP FOUR HUNDRED  #......#.#
##..#.##.. TO THE RIGHT                             ##.......#
.##...###.                                          .##......#
.###..#.##    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    .###......
.#.##...##                                          .#.##.....
...###..#.   DISTORTION AND HEAVY GLASS AND PALM    ...###....
...#.##...                                 TREES    ...#.##...
.....###..                                          .....###..
.....#.##.                                          .....#.##.
.......###                                          .......###
#......#.#   MY                                     #......#.#
##.......#   I HAVE MUSIC THAT LIVES INTO WEIRDER   ##.......#
.##......#    CORRIDORS, MY FLESH IS PUSHING        .##......#
.###......    MY                                    .###......
.#.##.....    BODY FURTHER INSIDE                   .#.##.....
...###....                                          ...###....
...#.##...                                          #..#.##...
.....###..                                          ##...###..
.....#.##.                                          ###..#.##.
.......###   THERE        IS TOO MUCH MOVING INSIDE #.##...###
#......#.#                                          ..###..#.#
##.......#                                          ..#.##...#
.##......# WEIRD REVOLVINGS, HOW MUCH MADNESS,      #...###..#
.###...... WEIRD ABOUT HOW MUCH MADNESS THAT'S      ##..#.##..
.#.##.....       IA . @REVOLVED ABOUT TO BE REVOLVE .##...###.
...###....                                          .###..#.##
#..#.##...                                          .#.##...##
##...###..                                          ...###..#.
###..#.##.                                          #..#.##...
#.##...###     AND I, THE SURGEON, CHOOSE THE       ##...###..
..###..#.#    FRYING PAN                            ###..#.##.
..#.##...#   WHATEVER DOG I WANT .................  #.##...###
#...###..#  AND MY SPEED IS EVERYTHING. THE LAST    ..###..#.#
##..#.##..                                          ..#.##...#
.##...###.      RADAR STATION... FOR A WHILE...     ....###..#
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