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@,@,@@@@,, ,LIZARDRY @@@,,,,,,,
@@@@@,,,@, ยป @ #@ ### ################## ,,,@,,,,,,
@,,,,@,,@@ ## THE ART OF C,NNECTING @,,@@,,,,,
@@,,,@@,@, , WITH THE OLD MIND ,@,@,@,,,,
@,@,,@,@@@ @@@@@@@,,,
@@@@,@@@,, MY MIND IS BEING SKEWED. MI ,,,,,,,@,,
@,,,@@,,@, SKELETON IS STRINGY AND OLD AND ALIEN @,,,,,,@@,
@@,,@,@,@@ THE SITUATION IS LITERALLY ,@,,,,,@,@
,,@,@@@@@, PRESSED OUT THROUGH MY EYES, IT'S ,@@,,,,@@@
@,@@@,,,,@ ECHOING LIKE @@,@,,,@,,
@@@,,@,,,@ THE SUNSET OF THE ETERNAL @,@@@,,@@,
@,,@,@@,,@ OCEAN ,@@,,@,@,@
,@,@@@,@,@ PERSISTENTLY AGAINST MY EMULSION @@,@,@@@@@
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@,,,@,@,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,@,,,@,,,
@@,,@@@@,, HUMANS ARE DOING AND ABSTRACTING, @,@@,,@@,,
@,@,@,,,@, AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@@,@,@,@,
@@@@@@,,@@ HOW LONG A TIME HAS PASSED, FOR THEM? @,,@@@@@@@
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,,,,,,@@@@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @@@@@,,,,,
,,,,,,@,,, CONTINUOUSLY I'M CROWDING THROUGH @,,,,@,,,,
,,,,,,@@,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,@,,,@@,,,
,,,,,,@,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW @@@,,@,@,,
,,,,,,@@@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @,,@,@@@@,
,,,,,,@,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , @@,@@@,,,@
@,,,,,@@,, , , DOWN IN THE DRAGONS THROAT. @,@@,,@,,@
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