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.....~«:^§              .LIZARDRY                   §^:«~.....
....~«:^§& «           £ @£ @@@  @@@@@@@@@@@@@@@@@@ &§^:«~....
...~«:^§&£ @@      THE ART OF C~NNECTING            £&§^:«~...
..~«:^§&£#        .    WITH THE OLD MIND            #£&§^:«~..
.~«:^§&£##                                          ##£&§^:«~.
..~«:^§&£#             MY MIND IS BEING SKEWED. MI  #£&§^:«~..
...~«:^§&£  SKELETON IS STRINGY AND OLD AND ALIEN   £&§^:«~...
....~«:^§&             THE SITUATION IS LITERALLY   &§^:«~....
.....~«:^§ PRESSED OUT THROUGH MY EYES, IT'S        §^:«~.....
....~«:^§& ECHOING LIKE                             &§^:«~....
...~«:^§&£             THE SUNSET OF THE ETERNAL    £&§^:«~...
..~«:^§&£# OCEAN                                    #£&§^:«~..
.~«:^§&£##         PERSISTENTLY AGAINST MY EMULSION ##£&§^:«~.
..~«:^§&£#                                          #£&§^:«~..
...~«:^§&£    IT'S UNGRASPABLE TO ME, WHAT OTHER    £&§^:«~...
....~«:^§&   HUMANS ARE DOING AND ABSTRACTING,      &§^:«~....
.....~«:^§  AND ABOVE ALL ELSE, WHAT TIME THEY USE? §^:«~.....
....~«:^§& HOW LONG A TIME HAS PASSED, FOR THEM?    &§^:«~....
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..~«:^§&£#  . ... .  ................   £££££££     #£&§^:«~..
.~«:^§&£##   CONTINUOUSLY I'M CROWDING THROUGH      ##£&§^:«~.
..~«:^§&£# . THE FOURTH WALL  ~OUTWARDS IS WHAT   . #£&§^:«~..
...~«:^§&£ .. I'M THINKING BUT IT'S WRONG.. A NEW   £&§^:«~...
....~«:^§& . . NARRATOR IS INTRODUCED, OCCASIONALLY &§^:«~....
.....~«:^§ ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER . §^:«~.....
....~«:^§& ~   ~ DOWN IN THE DRAGONS THROAT.        &§^:«~....
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