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#&£†\~,,,, † ZERO † ,,,,~\†£&#
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&£†\~,,,,, AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ,,,,,~\†£&
#&£†\~,,,, UNDERAPPRECIATED, UNDERESTIMATED, UNDER ,,,,~\†£&#
##&£†\~,,, THERE IS SIMPLY NO TIME TO CHOOSE WHAT ,,,~\†£&##
###&£†\~,, ,,~\†£&###
##&£†\~,,, EVERYTHING IS IN THROUGH THE LEFT HALF ,,,~\†£&##
#&£†\~,,,, OF MY FACE, AND OUT EXACTLY OPPOSITE ,,,,~\†£&#
&£†\~,,,,, ,,,THROUGH THE RIGHT HALF,,, OF THE ,,,,,~\†£&
#&£†\~,,,, FACE ,,,,~\†£&#
##&£†\~,,, PLUS MINUS ZERO BUT POLAR OPPOSITES! ,,,~\†£&##
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#&£†\~,,,, AND ,,,,~\†£&#
&£†\~,,,,, THE ECHO IS TRAVELLING WITH EVERY ,,,,,~\†£&
#&£†\~,,,, BEAT, MAYBE ONE HUNDRED AND THIRTY ,,,,~\†£&#
##&£†\~,,, MILLISECONDS, TO TWO HUNDRED AND ,,,~\†£&##
###&£†\~,, #,# EIGHTY MILLISECONDS, AND DOWN, ,,~\†£&###
##&£†\~,,, ALONG MY DREADS, MAYBE LIKE ,,,~\†£&##
#&£†\~,,,, A CAP TO THE LEFT AND UP FOUR HUNDRED ,,,,~\†£&#
&£†\~,,,,, TO THE RIGHT ,,,,,~\†£&
#&£†\~,,,, ,,,,~\†£&#
##&£†\~,,, ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~ ,,,~\†£&##
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##&£†\~,,, DISTORTION AND HEAVY GLASS AND PALM ,,,~\†£&##
#&£†\~,,,, TREES ,,,,~\†£&#
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###&£†\~,, MY ,,~\†£&###
##&£†\~,,, I HAVE MUSIC THAT LIVES INTO WEIRDER ,,,~\†£&##
#&£†\~,,,, CORRIDORS, MY FLESH IS PUSHING ,,,,~\†£&#
&£†\~,,,,, MY ,,,,,~\†£&
#&£†\~,,,, BODY FURTHER INSIDE ,,,,~\†£&#
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###&£†\~,, WEIRD REVOLVINGS, HOW MUCH MADNESS, ,,~\†£&###
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#&£†\~,,,, IA , #REVOLVED ABOUT TO BE REVOLVE ,,,,~\†£&#
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##&£†\~,,, AND I, THE SURGEON, CHOOSE THE ,,,~\†£&##
#&£†\~,,,, FRYING PAN ,,,,~\†£&#
&£†\~,,,,, WHATEVER DOG I WANT ,,,,,,,,,,,,,,,,, ,,,,,~\†£&
#&£†\~,,,, AND MY SPEED IS EVERYTHING. THE LAST ,,,,~\†£&#
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