@#*§§§/~^. .^~/§§§*#@
@@#**§/~^. .^~/§**#@@
#§§§§/~~^. .^~~/§§§§#
##§~~..... .....~~§##
##@#*§/~^. .^~/§*#@##
@##§//^^^. # .^^^//§##@
##§///^... .LIZARDRY ...^///§##
@##§~..... ~ @ #@ ### ################## .....~§##@
##*§/~~... ## THE ART OF C^NNECTING ...~~/§*##
####*§/~^. . WITH THE OLD MIND .^~/§*####
#@#§§§/~^. .^~/§§§#@#
@**§/~~^.. MY MIND IS BEING SKEWED. MI ..^~~/§**@
@*§§§//~^. SKELETON IS STRINGY AND OLD AND ALIEN .^~//§§§*@
##§//~~^^. THE SITUATION IS LITERALLY .^^~~//§##
#§§§/~^^.. PRESSED OUT THROUGH MY EYES, IT'S ..^^~/§§§#
##@#*§/~^. ECHOING LIKE .^~/§*#@##
###@*§/~^. THE SUNSET OF THE ETERNAL .^~/§*@###
##@#*§/~^. OCEAN .^~/§*#@##
###@#§/~^. PERSISTENTLY AGAINST MY EMULSION .^~/§#@###
###@#*§/~^ ^~/§*#@###
##@#*§/~^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^~/§*#@##
@@#§§§/~^. HUMANS ARE DOING AND ABSTRACTING, .^~/§§§#@@
##@#*§/~^. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .^~/§*#@##
##§~^..... HOW LONG A TIME HAS PASSED, FOR THEM? .....^~§##
##@#*§/~^. . .^~/§*#@##
##§/~^.... . ... . ................ @@@@@@@ ....^~/§##
#@@#*§/~^. CONTINUOUSLY I'M CROWDING THROUGH .^~/§*#@@#
##@#*§/~^. . THE FOURTH WALL ^OUTWARDS IS WHAT . .^~/§*#@##
##@#*§/~^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^~/§*#@##
##§/^..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....^/§##
###@#*§~^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^~§*#@###
##@#*§/~^. ^ ^ DOWN IN THE DRAGONS THROAT. .^~/§*#@##
@*/^^..... ^ .....^^/*@
###*/~~^.. ^ ..^~~/*###
##§/^^.... ....^^/§##
##@#*§/~^. .^~/§*#@##
##@#*§/~^. .^~/§*#@##
#§~~^..... .....^~~§#
@#**/^.... ....^/**#@
@@##*§/~^. .^~/§*##@@