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@¨@¨@¨@¨@¨ # ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨LIZARDRY ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ~ £ #£ ### ################## ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ## THE ART OF C,NNECTING ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨ WITH THE OLD MIND ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ MY MIND IS BEING SKEWED. MI ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ THE SITUATION IS LITERALLY ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ PRESSED OUT THROUGH MY EYES, IT'S ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ECHOING LIKE ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ THE SUNSET OF THE ETERNAL ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ OCEAN ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ PERSISTENTLY AGAINST MY EMULSION ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ HUMANS ARE DOING AND ABSTRACTING, ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ CONTINUOUSLY I'M CROWDING THROUGH ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ , , DOWN IN THE DRAGONS THROAT. ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ , ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ , ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨@@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨¨@¨@¨
@¨@¨@¨@¨@¨ ¨@¨@¨@@¨@¨