££%~~,¨¨¨¨ ¨¨¨¨,~~%££
#££%:::~,¨ ¨,~:::%££#
#£££::~~,¨ ¨,~~::£££#
####£%:~,¨ ¨,~:%£####
£££:,,,¨¨¨ ¨¨¨,,,:£££
###££%:~,¨ # ¨,~:%££###
#£::~~,,¨¨ ¨LIZARDRY ¨¨,,~~::£#
###££%:~,¨ ~ # ## ### ################## ¨,~:%££###
####£%:~,¨ ## THE ART OF C,NNECTING ¨,~:%£####
###££%:~,¨ ¨ WITH THE OLD MIND ¨,~:%££###
###££%:~,¨ ¨,~:%££###
###££%:~,¨ MY MIND IS BEING SKEWED. MI ¨,~:%££###
###££%:~,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,~:%££###
£%~¨¨¨¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨¨¨¨~%£
###££%:~,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,~:%££###
££££%~,¨¨¨ ECHOING LIKE ¨¨¨,~%££££
£%:~¨¨¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨¨¨~:%£
£££:,¨¨¨¨¨ OCEAN ¨¨¨¨¨,:£££
###££%:~,¨ PERSISTENTLY AGAINST MY EMULSION ¨,~:%££###
##£%%:~¨¨¨ ¨¨¨~:%%£##
###££%:~,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,~:%££###
###££%:~,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,~:%££###
£%:::,,,,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,,,,:::%£
#££%~,,¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨,,~%££#
####££%:~¨ ¨ ¨~:%££####
###££%:~,¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ¨,~:%££###
###££%:~,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,~:%££###
###££%:~,¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨,~:%££###
###££%:~,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,~:%££###
####££:~,¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨,~:££####
####£%:~,¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨,~:%£####
###££%:~,¨ , , DOWN IN THE DRAGONS THROAT. ¨,~:%££###
###££%:~,¨ , ¨,~:%££###
###££%:~,¨ , ¨,~:%££###
££%%:,¨¨¨¨ ¨¨¨¨,:%%££
##££:::~,¨ ¨,~:::££##
###££%:~,¨ ¨,~:%££###
###££%:~,¨ ¨,~:%££###
###££%:~,¨ ¨,~:%££###
###££%:~,¨ ¨,~:%££###