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.^-†^$¤¶##    #                                     ##¶¤$^†-^.
.^-†^$¤¶##              .LIZARDRY                   ##¶¤$^†-^.
.^-†^$¤¶## -           ¶ #¶ ###  ################## ##¶¤$^†-^.
.^-†^^^$¶# ##      THE ART OF C^NNECTING            #¶$^^^†-^.
...-†^^¤¤¤        .    WITH THE OLD MIND            ¤¤¤^^†-...
......-^^¤                                          ¤^^-......
.^-†^$¶###             MY MIND IS BEING SKEWED. MI  ###¶$^†-^.
.^-†^$¤¶##  SKELETON IS STRINGY AND OLD AND ALIEN   ##¶¤$^†-^.
.^-†^$¤¶##             THE SITUATION IS LITERALLY   ##¶¤$^†-^.
.^-†$¤¶### PRESSED OUT THROUGH MY EYES, IT'S        ###¶¤$†-^.
...^†^$¤¶# ECHOING LIKE                             #¶¤$^†^...
.^-†^$¤¶##             THE SUNSET OF THE ETERNAL    ##¶¤$^†-^.
....^^†^¤¤ OCEAN                                    ¤¤^†^^....
.^-†††$$¤¶         PERSISTENTLY AGAINST MY EMULSION ¶¤$$†††-^.
...^†††^$¤                                          ¤$^†††^...
.^-†^$¤¶##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##¶¤$^†-^.
.^-†^$¤¶##   HUMANS ARE DOING AND ABSTRACTING,      ##¶¤$^†-^.
.^-†^$¤¤¶#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¶¤¤$^†-^.
.^-†^$¤¶## HOW LONG A TIME HAS PASSED, FOR THEM?    ##¶¤$^†-^.
.^-†^$¤¶##                                     .    ##¶¤$^†-^.
.^-†^$¤¶##  . ... .  ................   ¶¶¶¶¶¶¶     ##¶¤$^†-^.
.^-†^$¤¶##   CONTINUOUSLY I'M CROWDING THROUGH      ##¶¤$^†-^.
.^-†^$¤¶## . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ##¶¤$^†-^.
...--†$$¤# .. I'M THINKING BUT IT'S WRONG.. A NEW   #¤$$†--...
....-†$¤¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤$†-....
..^^-††$$¤ ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤$$††-^^..
.....^††$¤ ^   ^ DOWN IN THE DRAGONS THROAT.        ¤$††^.....
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