.~==^^^$&& &&$^^^==~.
.~===^^^&@ @&^^^===~.
.~==^$&@@@ @@@&$^==~.
.~==^$&@@# #@@&$^==~.
.~==^$$&&& &&&$$^==~.
.~==^^$$&& @ &&$$^^==~.
....==^$@@ .lizardry @@$^==....
.~==^$&@@# = @ @@ @@@ @@@@@@@@@@@@@@@@@@ #@@&$^==~.
....==$$$@ @@ the art of c~nnecting @$$$==....
.....~=^$& . with the old mind &$^=~.....
.~==^$&@@@ @@@&$^==~.
.~==^$$$&@ my mind is being skewed. mi @&$$$^==~.
.~==^$@@## skeleton is stringy and old and alien ##@@$^==~.
.~==^$&@## the situation is literally ##@&$^==~.
.~==^$&@## pressed out through my eyes, it's ##@&$^==~.
.~==^&@@## echoing like ##@@&^==~.
.~==^$&@@# the sunset of the eternal #@@&$^==~.
.~==^$&@@# ocean #@@&$^==~.
.~==^$&@@# persistently against my emulsion #@@&$^==~.
.~==^$&@@@ @@@&$^==~.
......==^& it's ungraspable to me, what other &^==......
...~==^$@@ humans are doing and abstracting, @@$^==~...
......==^& and above all else, what time they use? &^==......
.~==^$&@@# how long a time has passed, for them? #@@&$^==~.
.~==^$&@@# . #@@&$^==~.
.~==^$&@@# . ... . ................ @@@@@@@ #@@&$^==~.
.~==^$&@@@ continuously i'm crowding through @@@&$^==~.
.~===^$$&& . the fourth wall ~outwards is what . &&$$^===~.
.~==^$&@@# .. i'm thinking but it's wrong.. a new #@@&$^==~.
..~~==^^$& . . narrator is introduced, occasionally &$^^==~~..
.~==^^$&&& ~ ~ aware of the previous one, deeper . &&&$^^==~.
...~~=$$&@ ~ ~ down in the dragons throat. @&$$=~~...
.~==^^$$&& ~ &&$$^^==~.
.~~~==^&&@ ~ @&&^==~~~.
.~==^$&@@@ @@@&$^==~.
.~==^$&@@# #@@&$^==~.
.~==^$&@@# #@@&$^==~.
...=====$& &$=====...
.....~=^&@ @&^=~.....
.~==^$&@## ##@&$^==~.