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##&&%/=^.. # ..^=/%&#
###&&%/=^. .LIZARDRY .^=/%&##
##&&%/=^.. = @ #@ ### ################## ..^=/%&#
#&&%/=^... ## THE ART OF C^NNECTING ...^=/%&
&&%/=^.... . WITH THE OLD MIND ....^=/%&&
&%/=^..... .....^=/%&
&&%/=^.... MY MIND IS BEING SKEWED. MI ....^=/%&&
#&&%/=^... SKELETON IS STRINGY AND OLD AND ALIEN ...^=/%&
##&&%/=^.. THE SITUATION IS LITERALLY ..^=/%&#
###&&%/=^. PRESSED OUT THROUGH MY EYES, IT'S .^=/%&##
##&&%/=^.. ECHOING LIKE ..^=/%&#
#&&%/=^... THE SUNSET OF THE ETERNAL ...^=/%&
&&%/=^.... OCEAN ....^=/%&&
&%/=^..... PERSISTENTLY AGAINST MY EMULSION .....^=/%&
&&%/=^.... ....^=/%&&
#&&%/=^... IT'S UNGRASPABLE TO ME, WHAT OTHER ...^=/%&
##&&%/=^.. HUMANS ARE DOING AND ABSTRACTING, ..^=/%&#
###&&%/=^. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .^=/%&##
##&&%/=^.. HOW LONG A TIME HAS PASSED, FOR THEM? ..^=/%&#
#&&%/=^... . ...^=/%&
&&%/=^.... . ... . ................ @@@@@@@ ....^=/%&&
&%/=^..... CONTINUOUSLY I'M CROWDING THROUGH .....^=/%&
&&%/=^.... . THE FOURTH WALL ^OUTWARDS IS WHAT . ....^=/%&&
#&&%/=^... .. I'M THINKING BUT IT'S WRONG.. A NEW ...^=/%&
##&&%/=^.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..^=/%&#
###&&%/=^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^=/%&##
##&&%/=^.. ^ ^ DOWN IN THE DRAGONS THROAT. ..^=/%&#
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