@@**\,,,,, ,,,,,\**@@
£%%==,,,,, ,,,,,==%%£
@£**\,,,,, ,,,,,\**£@
@£*%=,,,,, ,,,,,=%*£@
£*%%=,,,,, ,,,,,=%%*£
#@@£*%\=,, @ ,,=\%*£@@#
##@@*%\=,, ,LIZARDRY ,,=\%*@@##
#@@£*%\=,, = @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,=\%*£@@#
@@@£*%\=,, @@ THE ART OF C,NNECTING ,,=\%*£@@@
#@@£*%\=,, , WITH THE OLD MIND ,,=\%*£@@#
£*\=,,,,,, ,,,,,,=\*£
£%=,,,,,,, MY MIND IS BEING SKEWED. MI ,,,,,,,=%£
##@@*%\=,, SKELETON IS STRINGY AND OLD AND ALIEN ,,=\%*@@##
@£*\====,, THE SITUATION IS LITERALLY ,,====\*£@
££££*%\=,, PRESSED OUT THROUGH MY EYES, IT'S ,,=\%*££££
#@@£*%\=,, ECHOING LIKE ,,=\%*£@@#
#@@£*%\=,, THE SUNSET OF THE ETERNAL ,,=\%*£@@#
@£%==,,,,, OCEAN ,,,,,==%£@
@££*%%\=,, PERSISTENTLY AGAINST MY EMULSION ,,=\%%*££@
#@@£*%\=,, ,,=\%*£@@#
##@@£*%=,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,=%*£@@##
#@@£*%\=,, HUMANS ARE DOING AND ABSTRACTING, ,,=\%*£@@#
£%%=,,,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,,=%%£
#@@£*%\=,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,=\%*£@@#
££%%%\=,,, , ,,,=\%%%££
@@@£*%\=,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,=\%*£@@@
@£*\=,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,=\*£@
@*\,,,,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,,,,\*@
@@@£*%\=,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,=\%*£@@@
@*%\=,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,=\%*@
#@@£*%\=,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,=\%*£@@#
@@£%%===,, , , DOWN IN THE DRAGONS THROAT. ,,===%%£@@
£%===,,,,, , ,,,,,===%£
@@£*%%\=,, , ,,=\%%*£@@
£%%\,,,,,, ,,,,,,\%%£
@@@£*%\=,, ,,=\%*£@@@
#@@£*%\=,, ,,=\%*£@@#
@£££*%\=,, ,,=\%*£££@
@@££*%\=,, ,,=\%*££@@
£££*\=,,,, ,,,,=\*£££