,-»**%@@## ##@@%**»-,
,,,,-**%@# #@%**-,,,,
,-»**%@@## ##@@%**»-,
,-»**%@@## ##@@%**»-,
,,,,,,»*%@ @%*»,,,,,,
,-»**%@@## # ##@@%**»-,
,,,,,»*%@@ ,LIZARDRY @@%*»,,,,,
,-»**%@@## » @ #@ ### ################## ##@@%**»-,
,,,,,-*%@# ## THE ART OF C-NNECTING #@%*-,,,,,
,-»***%@@# , WITH THE OLD MIND #@@%***»-,
,-»**%@@## ##@@%**»-,
,,,-****%@ MY MIND IS BEING SKEWED. MI @%****-,,,
,-»**%@@@@ SKELETON IS STRINGY AND OLD AND ALIEN @@@@%**»-,
,,,,-*%@@# THE SITUATION IS LITERALLY #@@%*-,,,,
,,,-»»***@ PRESSED OUT THROUGH MY EYES, IT'S @***»»-,,,
,-»**%@@## ECHOING LIKE ##@@%**»-,
,,,,,,-»*@ THE SUNSET OF THE ETERNAL @*»-,,,,,,
,-»**%@@@@ OCEAN @@@@%**»-,
,-»**%@### PERSISTENTLY AGAINST MY EMULSION ###@%**»-,
,-»**%@@## ##@@%**»-,
,,,»»»*%@@ IT'S UNGRASPABLE TO ME, WHAT OTHER @@%*»»»,,,
,-»**%@@## HUMANS ARE DOING AND ABSTRACTING, ##@@%**»-,
,-»**%@@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@@%**»-,
,-»**%@@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@@%**»-,
,-»**%@@## , ##@@%**»-,
,-»**%@@## , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ##@@%**»-,
,-»*****@@ CONTINUOUSLY I'M CROWDING THROUGH @@*****»-,
,,,,,-»*%@ , THE FOURTH WALL -OUTWARDS IS WHAT , @%*»-,,,,,
,-»**%@@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@@%**»-,
,,,,,-**%@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @%**-,,,,,
,-»**%@@## - - AWARE OF THE PREVIOUS ONE, DEEPER , ##@@%**»-,
,,,»»»**%@ - - DOWN IN THE DRAGONS THROAT. @%**»»»,,,
,-»**%@@@@ - @@@@%**»-,
,-»**%@@## - ##@@%**»-,
,,,,,»*%@# #@%*»,,,,,
,-»**%@@## ##@@%**»-,
,-»**%@@## ##@@%**»-,
,-»**%%%%@ @%%%%**»-,
,-»**%@@## ##@@%**»-,
,,-»****@@ @@****»-,,