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.-=^†£¤¶@# #@¶¤£†^=-.
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..-=^†£¤¶@ .LIZARDRY @¶¤£†^=-..
.-=^†£¤¶@# = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ #@¶¤£†^=-.
..-=^†£¤¶@ @@ THE ART OF C-NNECTING @¶¤£†^=-..
...-=^†£¤¶ . WITH THE OLD MIND ¶¤£†^=-...
..-=^†£¤¶@ @¶¤£†^=-..
.-=^†£¤¶@# MY MIND IS BEING SKEWED. MI #@¶¤£†^=-.
..-=^†£¤¶@ SKELETON IS STRINGY AND OLD AND ALIEN @¶¤£†^=-..
...-=^†£¤¶ THE SITUATION IS LITERALLY ¶¤£†^=-...
..-=^†£¤¶@ PRESSED OUT THROUGH MY EYES, IT'S @¶¤£†^=-..
.-=^†£¤¶@# ECHOING LIKE #@¶¤£†^=-.
..-=^†£¤¶@ THE SUNSET OF THE ETERNAL @¶¤£†^=-..
...-=^†£¤¶ OCEAN ¶¤£†^=-...
..-=^†£¤¶@ PERSISTENTLY AGAINST MY EMULSION @¶¤£†^=-..
.-=^†£¤¶@# #@¶¤£†^=-.
..-=^†£¤¶@ IT'S UNGRASPABLE TO ME, WHAT OTHER @¶¤£†^=-..
...-=^†£¤¶ HUMANS ARE DOING AND ABSTRACTING, ¶¤£†^=-...
..-=^†£¤¶@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¶¤£†^=-..
.-=^†£¤¶@# HOW LONG A TIME HAS PASSED, FOR THEM? #@¶¤£†^=-.
..-=^†£¤¶@ . @¶¤£†^=-..
...-=^†£¤¶ . ... . ................ ¶¶¶¶¶¶¶ ¶¤£†^=-...
..-=^†£¤¶@ CONTINUOUSLY I'M CROWDING THROUGH @¶¤£†^=-..
.-=^†£¤¶@# . THE FOURTH WALL -OUTWARDS IS WHAT . #@¶¤£†^=-.
..-=^†£¤¶@ .. I'M THINKING BUT IT'S WRONG.. A NEW @¶¤£†^=-..
...-=^†£¤¶ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¶¤£†^=-...
..-=^†£¤¶@ - - AWARE OF THE PREVIOUS ONE, DEEPER . @¶¤£†^=-..
.-=^†£¤¶@# - - DOWN IN THE DRAGONS THROAT. #@¶¤£†^=-.
..-=^†£¤¶@ - @¶¤£†^=-..
...-=^†£¤¶ - ¶¤£†^=-...
..-=^†£¤¶@ @¶¤£†^=-..
.-=^†£¤¶@# #@¶¤£†^=-.
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.-=^†£¤¶@# #@¶¤£†^=-.