,.~/%%@@## ##@@%%/~.,
,.~/%%@@## ##@@%%/~.,
,,,.///%@@ @@%///.,,,
,.~/%%@@@@ @@@@%%/~.,
,.~/%%@@@# #@@@%%/~.,
,,,,,~/%%@ @ @%%/~,,,,,
,.~~~/%%@@ ,LIZARDRY @@%%/~~~.,
,.~/%%@@@# ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ #@@@%%/~.,
,,,,,~//%@ @@ THE ART OF C.NNECTING @%//~,,,,,
,.~/%%@@@# , WITH THE OLD MIND #@@@%%/~.,
,.~/%%@@@@ @@@@%%/~.,
,,,../%%@@ MY MIND IS BEING SKEWED. MI @@%%/..,,,
,...///%%@ SKELETON IS STRINGY AND OLD AND ALIEN @%%///...,
,.~/%%@@@# THE SITUATION IS LITERALLY #@@@%%/~.,
,,,,,,./%@ PRESSED OUT THROUGH MY EYES, IT'S @%/.,,,,,,
,.~/%%@@@# ECHOING LIKE #@@@%%/~.,
,,,,.~%%%@ THE SUNSET OF THE ETERNAL @%%%~.,,,,
,.~/%%@@@# OCEAN #@@@%%/~.,
,.~/%%@@## PERSISTENTLY AGAINST MY EMULSION ##@@%%/~.,
,.~/%%@@@# #@@@%%/~.,
,,,,,.~/%@ IT'S UNGRASPABLE TO ME, WHAT OTHER @%/~.,,,,,
,,,,../%@@ HUMANS ARE DOING AND ABSTRACTING, @@%/..,,,,
,.~/%%@@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@@%%/~.,
,..~~~%%@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@%%~~~..,
,,,,~%%%@@ , @@%%%~,,,,
,.~/%%@@@@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @@@@%%/~.,
,,,,,~/%@@ CONTINUOUSLY I'M CROWDING THROUGH @@%/~,,,,,
,.~/%%@@@@ , THE FOURTH WALL .OUTWARDS IS WHAT , @@@@%%/~.,
,,,,~~/%@@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @@%/~~,,,,
,.~/%%@@@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@@@%%/~.,
,,.~~/%%@@ . . AWARE OF THE PREVIOUS ONE, DEEPER , @@%%/~~.,,
,,,,./%@@@ . . DOWN IN THE DRAGONS THROAT. @@@%/.,,,,
,.~/%%@@@@ . @@@@%%/~.,
,.~/%%@@@@ . @@@@%%/~.,
,.~/%%%%@@ @@%%%%/~.,
,.~/%%%%%@ @%%%%%/~.,
,.~/%%@@@@ @@@@%%/~.,
.~/%%@@@## ##@@@%%/~.
,.~/%%@@## ##@@%%/~.,
,.~/%%@@@# #@@@%%/~.,