¤§@.,,,,¨¨ &@¤.,,,,,¤
§#..#£@§&§ .¤.,#@#@¨,
,¨¨.¨£##@¤ .¨.,,§@,,,
¤#@¤,¨#¤£§ £££@¨.,.&@
#¤&¨¨.,§¤# ¤¤#,¨£&,,¤
&£¨,@@,,£& statuette ,§.,,.¨.,.
....¨¨¨.., ..,£§@§#§¨
£¤¤£@¤§# $§%¤%@¤%@¤$%*%£@-~»~~--«£@$$£¤¤£$¤&$%&%$ @§,¨@£¤#¨.
,§£¤£££@¤. §&£@@§§$@ #,,¨¨&¤¨¨.
¨¨¤@#¤@#¨, ,¨¨¨¨¨@£
¨¨,#¤#&¨,@ forests around my childhood home. thick §,,¨¨£&¨¨.
&§,¨£§¨,,, pine arcades that were planted and ..¤§,.,¨##
£.¨.,,.#§£ forgotten. wild boars roaming ,,¨.,£@¨.£
,,§@¤£,,£¤ underneath, sniffing at the ground. it @£#§.¨¨.,,
§,¨§@¨¨..¤ is dark and moist, the canopy having ¨&§.,£###@
,¨.,¨¨£@.¨ already soaked up all the sun. .,¨,¨.&§
.£&@£¨...§ .#£..#@,
.,#§¨¨#£,, there's a river passing by, from east ,¨&¤.,...¨
£¨.,¨..,., to west, getting broader and deeper and ,¨¨,.££@#¤
¨¨§&@£§&&£ slower as it goes. equisetum grow just §¤#@¨.@¤£¤
¨¨.£§§@, where the pine hands start to let £§§¨¨¨¨#@¨
&¤..@¤¤£., through light, horsemint on the rocky &@.¨#&,.,,
¨.,¨.¤£¨¨& river bed. #,..,¨¨@£.
&§#&.¨...¨ ¨.¤@¤@..,¨
.¤§.¨##§#, / §,,@§,,#¤¨
..¨.,,@#.. ¨.¨,¨¨...,
@£§#§,¨.,£ the riverbanks reek of magic. tonight @§##¤&@§@@
@¤¤£¨.£#¨, they had been a swampworld with sylvan ££¤§£§@§&¤
§¤§,.,..¨& water, stone rings and floating moss. .#§§¤@#&£&
@@.,@¤@#.¨ you could've found me wallowing around ¨¨&§§§££@¤
#.,,.¤@.., on the southern shores until i got ¤..¤@#£#§§
.¨&£..,.@£ bitten. ,.,¨@¤@£¤@
¨,¨,,£¤.,@ ,¤@¨.#§#@¨
¤£§@,,,,,, but now i'm further back, on solid ,,..,.§¤.,
,¤@¨.¤&§¤§ ground, in shoulder-high grass, with an #@¤§#,.,.,
,¨.¨.,#@§& orange tin radio and a translucent ¤#£@¨¨@£¤#
.@@§@¨¨£¤, umbrella which i'm sitting on. ¨¤&.¨.¨#£¨
.¨@#¨.,¨,. ,.,,&@,,,.
@,.,¨@&¤#¨ † @§@,.,¨@¤£
.¨&§..&¤.. &&.,@#..¤£
¨...¨.¨¨,¨ somethings moving in the grass. it's .,.,¨¨¨,¨,
#£&¤¤& invisible to my eyes but i can feel #¤££@¤¤&£¤
###@§#¤#@# through the ground just how large it is. ¤###&@¤§§§
@¤@§#@&@¤# #@§¤#§@¤£¤
&&£###&@§& the soil is muddy. i slip when trying &&§@¤¤@#§@
§#@§££#§ to get up, still looking at the §¤&§&&££&£
&¤@§#§@§ direction of sound rather than at my &@§##§¤@#¤
¤¤££¤§#£¤# hands, who are busy putting things in #§§§£#@@¤@
#¤§¤§£@& my pockets. §&&¤£¤§£
#££¤¤@@&&¤ @@£&¤¤§@
&¤#£@£&@§£ then i run east toward my home. £@£¤£§£#£¤
@&&§§§¤& #@#£¤@@¤§&
£¤&§§@&@§# † §@@£££&¤
@¤¤&£@&&§@ §¤¤§¤#£@#@
@@££§£§¤@# i am not followed, and slow down in the ¤¤§£§@£¤#£
#£#@§£¤&@# clearing where you at first can spot &£#@¤&&££§
#£&@¤¤§&§& the house, not yet really in the ¤§###@@£@£
§¤&&§£&@¤@ backyard. from my pockets i retrieve my #£#£@&@¤£#
&¤##¤@#§¤§ radio (now dented) but also a small @£##@&£§#&
#¤&¤§&&@ clay figure i've never seen before. it £#£@££#¤&¤
£&§£&£&@¤# must have been laying in the wet dirt, @#@¤#£@@§¤
@§&§¤§£#@£ and i must've picked it up with my £¤§@§#§¤£@
@£&£#@¤#¤£ other belongings. @#¤¤#£££
£§¤¤¤&@¤@@ #&£££¤#£&£
¤£§&£@&¤ it's a statuette of a girl laying naked @¤£§&¤£@&¤
¤§@¤£¤#@#¤ on her stomach, feet in the air, @¤&§¤§##@#
§§¤@§#&&¤@ roughly seven centimeters long. it's #@#&@&£&¤#
§¤£#@§¤¤#§ freshly made, not yet completely dried. #@¤¤@£#§¤§
£&§&¤& ¤§§@@£&£##
§¤#££&@§¤§ my mom is here now. i ask her for some ££&¤@¤¤@
£§@&§#¤££@ particle board for it to dry on, but &&£§¤£&£¤§
¤§¤¤¤¤£§&@ she is worried and wants me to £¤§@£#@@¤&
&¤£@£¤£& throw it away. &@@££¤£§
&@££&¤ ¤£&£@§&@£@
£&£¤#£@£#& &§¤#¤¤¤§
§@§#@£§@&¤ &££&£§£¤##
£#£¤£¤§¤#£ §§@#¤§
¤@@@&¤@£§£ ###£@&¤¤
£#&¤@§@££¤ #@§&§§§§£¤