,,»/£#@### ###@#£/»,,
,,~:**@### ###@**:~,,
,¨,.--=% #&%=--.,¨,
,¨¨,.:;§£# #£§;:.,¨¨,
¨^~;*$^§ #&§^$*;~^¨
¨~~^^£¤### statuette ###¤£^^~~¨
,^«^*%¤¶## ##¶¤%*^«^,
¨-«†%*@@## @§@£&£@%§%%&@£¤§»=~=«»~»&@%&%&£$¤%$%%$%@ ##@@*%†«-¨
¨^-=†@#### @@%§%$**% ####@†=-^¨
.^»^¤@£@## ##@£@¤^»^.
¨-»:$&££#@ forests around my childhood home. thick @#££&$:»-¨
.~»^†@#### pine arcades that were planted and ####@†^»~.
.-~†^¤@# forgotten. wild boars roaming #@#&¤^†~-.
¨.-/%$@@£# underneath, sniffing at the ground. it #£@@$%/-.¨
.,»:$¤¤¶## is dark and moist, the canopy having ##¶¤¤$:»,.
,..,,-~:££ already soaked up all the sun. ££:~-,,..,
¨,=\**£@## ##@£**\=,¨
,,.:~;†@$& there's a river passing by, from east &$@†;~:.,,
.,«;†*&¶## to west, getting broader and deeper and ##¶&*†;«,.
¨^»*%@@@@# slower as it goes. equisetum grow just #@@@@%*»^¨
.¨¨.¨-»§£¶ where the pine hands start to let ¶£§»-¨.¨¨.
,¨.,.:/*$@ through light, horsemint on the rocky @$*/:.,.¨,
¨^-/$%¤@## river bed. ##@¤%$/-^¨
.-»†*££¤#£ £#¤££*†»-.
.¨..¨-::=@ * @=::-¨..¨.
.-~\%%§#@# #@#§%%\~-.
,,¨¨¨.~\%& the riverbanks reek of magic. tonight &%\~.¨¨¨,,
,¨,.^;=&@# they had been a swampworld with sylvan #@&=;^.,¨,
,¨,..^**§@ water, stone rings and floating moss. @§**^..,¨,
.,-=%$£@## you could've found me wallowing around ##@£$%=-,.
.:=:%¤£### on the southern shores until i got ###£¤%:=:.
.-~:*&@%&£ bitten. £&%@&*:~-.
.,~*§%¤£## ##£¤%§*~,.
¨¨,...~;%@ but now i'm further back, on solid @%;~...,¨¨
.-~:*¤&@#¶ ground, in shoulder-high grass, with an ¶#@&¤*:~-.
.,~**§$&@¶ orange tin radio and a translucent ¶@&$§**~,.
¨,-~«~=§^¤ umbrella which i'm sitting on. ¤^§=~«~-,¨
¨,,:~//=%¤ ¤%=//~:,,¨
,,.¨¨~:@&@ : @&@:~¨¨.,,
¨^~;§£§#@# #@#§£§;~^¨
¨^«†§%@@## somethings moving in the grass. it's ##@@%§†«^¨
¨-«;=^£§¤¶ invisible to my eyes but i can feel ¶¤§£^=;«-¨
¨^-;§§#@## through the ground just how large it is. ##@#§§;-^¨
.,«=$&$&@# #@&$&$=«,.
¨,,..=:=§& the soil is muddy. i slip when trying &§=:=..,,¨
,..,.,.*$¤ to get up, still looking at the ¤$*.,.,..,
,..::†£%¤@ direction of sound rather than at my @¤%£†::..,
¨,,,:$£¤§# hands, who are busy putting things in #§¤£$:,,,¨
¨¨.,-^:%£# my pockets. #£%:^-,.¨¨
¨,~;†$¤¶## ##¶¤$†;~,¨
¨...¨.=^*# then i run east toward my home. #*^=.¨...¨
.,«*§$@@¤# #¤@@$§*«,.
..¨--†*%@£ = £@%*†--¨..
,..¨,»=&@# #@&=»,¨..,
,,¨¨¨~^¤## i am not followed, and slow down in the ##¤^~¨¨¨,,
¨,«***¤@## clearing where you at first can spot ##@¤***«,¨
.:-=%@§@## the house, not yet really in the ##@§@%=-:.
¨,,,,~^£&@ backyard. from my pockets i retrieve my @&£^~,,,,¨
¨¨,.~:$@£# radio (now dented) but also a small #£@$:~.,¨¨
¨:~:=^:\%@ clay figure i've never seen before. it @%\:^=:~:¨
,¨¨~««~†*§ must have been laying in the wet dirt, §*†~««~¨¨,
.~»/§*=§#& and i must've picked it up with my §=*§/»~.
..~*=*£¶## other belongings. ##¶£*=*~..
,.»**$££## ##££$**».,
,,«=†&§¶## it's a statuette of a girl laying naked ##¶§&†=«,,
¨¨.¨,~**$§ on her stomach, feet in the air, §$**~,¨.¨¨
¨¨¨,^~^^&@ roughly seven centimeters long. it's @&^^~^,¨¨¨
¨,»:**&£@# freshly made, not yet completely dried. #@£&**:»,¨
,.===%#@## ##@#%===.,
..,~;/=†@@ my mom is here now. i ask her for some @@†=/;~,..
,-~=*$£#@# particle board for it to dry on, but #@#£$*=~-,
..¨,†\^&££ she is worried and wants me to ££&^\†,¨..
,,,,.^:%§£ throw it away. £§%:^.,,,,
.:-;†%¤@## ##@¤%†;-:.
.,¨,¨-†£§¶ ¶§£†-¨,¨,.
.^~/^§£¶## ##¶£§^/~^.
¨--^*%¤@@# #@@¤%*^--¨
.:~\*$@### ###@$*\~:.
.,«;%§¤£## ##£¤§%;«,.