,^»:%$$$£@ @£$$$%:»^,
¨,¨:~=~^$¶ ¶$^~=~:¨,¨
,^»^%@$§¤# #¤§$@%^»^,
¨,,,¨.=$*# #*$=.¨,,,¨
..=/%§¤@@# #@@¤§%/=..
,,¨,~%$&££ statuette ££&$%~,¨,,
¨,¨.«=£@&£ £&@£=«.¨,¨
.,»;†£§#@# $£$%§@£¤*%*$*@$¤-~-»~~-~¤*%$¤&¤@$§%$§£%§ #@#§£†;»,.
,.,,.,=^§£ &%@@%£@@* £§^=,.,,.,
¨.¨,,~»*¤# #¤*»~,,¨.¨
..-\†&£### forests around my childhood home. thick ###£&†\-..
,,«†*¤@%@# pine arcades that were planted and #@%@¤*†«,,
,-~:†$#@## forgotten. wild boars roaming ##@#$†:~-,
.¨,¨,^*^%¤ underneath, sniffing at the ground. it ¤%^*^,¨,¨.
¨,«\†%&¶## is dark and moist, the canopy having ##¶&%†\«,¨
.,..,¨~/=# already soaked up all the sun. #=/~¨,..,.
,,»\=%@£@# #@£@%=\»,,
,~«\^*$§¶# there's a river passing by, from east #¶§$*^\«~,
,~»^*@#@## to west, getting broader and deeper and ##@#@*^»~,
,.=;%*¤¶## slower as it goes. equisetum grow just ##¶¤*%;=.,
,.,^»==^^& where the pine hands start to let &^^==»^,.,
.-»;**$$*# through light, horsemint on the rocky #*$$**;»-.
,,»/§¤@@## river bed. ##@@¤§/»,,
¨-=\=%## ###&%=\=-¨
,^«*^$&¶## * ##¶&$^*«^,
¨,»/†§¤¶@# #@¶¤§†/»,¨
¨-«/*$#@## the riverbanks reek of magic. tonight ##@#$*/«-¨
¨¨¨...-§§£ they had been a swampworld with sylvan £§§-...¨¨¨
,-~=%### water, stone rings and floating moss. ####&%=~-,
¨.,¨.-;=§£ you could've found me wallowing around £§=;-.¨,.¨
,-«~=*§¤£§ on the southern shores until i got §£¤§*=~«-,
¨-»=^/†£$@ bitten. @$£†/^=»-¨
,..,¨.==¤& &¤==.¨,..,
..=†$££¶¶@ but now i'm further back, on solid @¶¶££$†=..
¨.~/^£$£ ground, in shoulder-high grass, with an £#&$£^/~.¨
.:«\*£§### orange tin radio and a translucent ###§£*\«:.
,¨,.»†^¤¤£ umbrella which i'm sitting on. £¤¤^†».,¨,
,.«**%§### ###§%**«.,
¨,»-=~-»%¤ = ¤%»-~=-»,¨
..»:$§&¶## ##¶&§$:»..
¨,-†^§¤£## somethings moving in the grass. it's ##£¤§^†-,¨
¨¨,¨:.:†*@ invisible to my eyes but i can feel @*†:.:¨,¨¨
¨.-:*$£@## through the ground just how large it is. ##@£$*:-.¨
.^~:*%@@## ##@@%*:~^.
¨~~/%%¤@## the soil is muddy. i slip when trying ##@¤%%/~~¨
¨,,.¨.^~^§ to get up, still looking at the §^~^.¨.,,¨
¨,,¨¨~**£# direction of sound rather than at my #£**~¨¨,,¨
,~~^%$§¶## hands, who are busy putting things in ##¶§$%^~~,
¨,«/=£§##@ my pockets. @##§£=/«,¨
.:~†*$£#@@ @@#£$*†~:.
¨~»†%£§#£# then i run east toward my home. #£#§£%†»~¨
,:=;§%## ###&%§;=:,
.,»*%$#£## * ##£#$%*»,.
...¨:,~*$@ @$*~,:¨...
,:~*%&£### i am not followed, and slow down in the ###£&%*~:,
,.¨.»=$£§§ clearing where you at first can spot §§£$=».¨.,
,:«**§#¶#£ the house, not yet really in the £#¶#§**«:,
,,-**@## backyard. from my pockets i retrieve my ##@#&**-,,
.¨,..-†§£# radio (now dented) but also a small #£§†-..,¨.
¨-»*^£#¶## clay figure i've never seen before. it ##¶#£^*»-¨
,:-;*$§### must have been laying in the wet dirt, ###§$*;-:,
,^~;†@¤##@ and i must've picked it up with my @##¤@†;~^,
.~=;*&@#@# other belongings. #@#@&*;=~.
.~==†=†@#§ §#@†=†==~.
,,-**¤#@## it's a statuette of a girl laying naked ##@#¤**-,,
¨.=;^%#### on her stomach, feet in the air, ####%^;=.¨
.¨¨.:††¶ roughly seven centimeters long. it's ¶#&††:.¨¨.
,:-;§$## freshly made, not yet completely dried. ###&$§;-:,
¨¨.-^*†£&§ §&£†*^-.¨¨
.,~;§=§$¶@ my mom is here now. i ask her for some @¶$§=§;~,.
.,~:§$#### particle board for it to dry on, but ####$§:~,.
,¨^,«***## she is worried and wants me to ##***«,^¨,
¨,«*§££#@# throw it away. #@#££§*«,¨
,.-;%¤¤@@# #@@¤¤%;-.,
¨.»\$*§@#@ @#@§*$\».¨
..~\†$¶### ###¶$†\~..
¨~«†$$¤#@# #@#¤$$†«~¨
.-~/§*&@## ##@&*§/~-.
¨,~†;†¤$#@ @#$¤†;†~,¨