,,.¨-=%*¶# #¶*%=-¨.,,
,~»/%$@¶¶¶ ¶¶¶@$%/»~,
,-»^=£@### ###@£=^»-,
.,-;£@@### ###@@£;-,.
,,~^%¤¤#&§ §¤¤%^~,,
.¨.^-^*£ statuette #&£*^-^.¨.
.,~/^%%£%§ §%£%%^/~,.
,,¨.~%=*&§ $&$£*%$£¤£§$&£%¤~~-«~~~~£$£$$&$$$¤%§$§&$ §&*=%~.¨,,
¨,=:§§&*@# %&£%$%%§& #@*&§§:=,¨
,.»;§£§#@# #@#§£§;».,
,,...¨=$#@ forests around my childhood home. thick @#$=¨...,,
¨:~^%££### pine arcades that were planted and ###££%^~:¨
.~=;§*#### forgotten. wild boars roaming ####*§;=~.
,:«^^£££## underneath, sniffing at the ground. it ##£££^^«:,
,.-/§$*$££ is dark and moist, the canopy having ££$*$§/-.,
.¨.,,,~:$@ already soaked up all the sun. @$:~,,,.¨.
,..-^:*=&§ §&=*:^-..,
.,~:%&££## there's a river passing by, from east ##££&%:~,.
.¨¨¨~=£&£# to west, getting broader and deeper and #£&£=~¨¨¨.
,~=†§£%@@£ slower as it goes. equisetum grow just £@@%£§†=~,
,..¨-%^£§§ where the pine hands start to let §§£^%-¨..,
.-~/%@#@## through light, horsemint on the rocky ##@#@%/~-.
.^~*%££@## river bed. ##@££%*~^.
¨:=*=@@### ###@@=*=:¨
.,«^$*&¶## ; ##¶&*$^«,.
¨,-*†£££@# #@£££†*-,¨
,,~\%¤¤#@# the riverbanks reek of magic. tonight #@#¤¤%\~,,
¨¨,¨¨¨»«%& they had been a swampworld with sylvan &%«»¨¨¨,¨¨
,,¨=-^@%@¶ water, stone rings and floating moss. ¶@%@^-=¨,,
¨^-/=£&@## you could've found me wallowing around ##@&£=/-^¨
,,,.¨..*¤# on the southern shores until i got #¤*..¨.,,,
¨^»^%%&$## bitten. ##$&%%^»^¨
.,-†§¤@&£# #£&@¤§†-,.
¨,=*†¤#@## but now i'm further back, on solid ##@#¤†*=,¨
.,»-~:=**§ ground, in shoulder-high grass, with an §**=:~-»,.
¨,»†^%@£@# orange tin radio and a translucent #@£@%^†»,¨
¨,»\=&§¶## umbrella which i'm sitting on. ##¶§&=\»,¨
,.,~,~%### ###%~,~,.,
,.,¨==@¤¶# † #¶¤@==¨,.,
,-»;%*@### ###@*%;»-,
¨...¨,:=*@ somethings moving in the grass. it's @*=:,¨...¨
.,»^§$§@## invisible to my eyes but i can feel ##@§$§^»,.
.^=:*£#£@# through the ground just how large it is. #@£#£*:=^.
.,..¨.,»$# #$»,.¨..,.
¨^«*†§%# the soil is muddy. i slip when trying ##&%§†*«^¨
,~-;*:$#§# to get up, still looking at the #§#$:*;-~,
,,,,¨:=^£# direction of sound rather than at my #£^=:¨,,,,
,--^%$#£## hands, who are busy putting things in ##£#$%^--,
.,,,,^;=£# my pockets. #£=;^,,,,.
¨,»†%&£### ###£&%†»,¨
¨¨,^~=»/@@ then i run east toward my home. @@/»=~^,¨¨
¨:=\§$#### ####$§\=:¨
,,~†§@&£## = ##£&@§†~,,
¨.»*=¤@### ###@¤=*».¨
.,..=*¤§§@ i am not followed, and slow down in the @§§¤*=..,.
..,^*%$§*@ clearing where you at first can spot @*§$%*^,..
¨,~=^££@@# the house, not yet really in the #@@££^=~,¨
.,.,.¨~^@# backyard. from my pockets i retrieve my #@^~¨.,.,.
,,»;*$##@# radio (now dented) but also a small #@##$*;»,,
¨¨,,^«»=$¶ clay figure i've never seen before. it ¶$=»«^,,¨¨
¨.~=*@@@## must have been laying in the wet dirt, ##@@@*=~.¨
¨~«=†$&@## and i must've picked it up with my ##@&$†=«~¨
¨,..-;;$†@ other belongings. @†$;;-..,¨
.-=/=£@£## ##£@£=/=-.
¨.»:$%@# it's a statuette of a girl laying naked #@#&%$:».¨
¨,«^§=§¤£@ on her stomach, feet in the air, @£¤§=§^«,¨
,.===&## roughly seven centimeters long. it's ###&&===.,
...,.~=$%& freshly made, not yet completely dried. &%$=~.,...
¨,=\^§#¶## ##¶#§^\=,¨
,¨.¨.,~«*¤ my mom is here now. i ask her for some ¤*«~,.¨.¨,
..»//%*%§@ particle board for it to dry on, but @§%*%//»..
¨¨,..,¨-=§ she is worried and wants me to §=-¨,..,¨¨
¨,«/$&&¶## throw it away. ##¶&&$/«,¨
¨:-†%§§@## ##@§§%†-:¨
¨-=†$*#£## ##£#*$†=-¨
¨-=\*%&£## ##£&%*\=-¨
,.~:**§### ###§**:~.,
,¨¨,¨--^£# #£^--¨,¨¨,
¨..~^;%¤¤# #¤¤%;^~..¨