.¨,,¨./%$£ £$%/.¨,,¨.
¨,=†=%£¶@# #@¶£%=†=,¨
¨^:»~$*£¤& &¤£*$~»:^¨
,~~†%¤§@## ##@§¤%†~~,
¨.«^†$&£## ##£&$†^«.¨
,:==%££@## statuette ##@££%==:,
,,»††&&£@# #@£&&††»,,
,.,..-\:¤& ¤$$£%*§**£&&£%£§»«»=~=~~$£%¤£@$@$%£**$£* &¤:\-..,.,
.=^$%#@### $§%§$&@&¤ ###@#%$^=.
.,~~^\$%¤¶ ¶¤%$\^~~,.
,:-/$%@£@# forests around my childhood home. thick #@£@%$/-:,
¨.-*%@@#@# pine arcades that were planted and #@#@@%*-.¨
.^==$¤@£@# forgotten. wild boars roaming #@£@¤$==^.
,,=/=%£@¶@ underneath, sniffing at the ground. it @¶@£%=/=,,
¨~»/^§£#£# is dark and moist, the canopy having #£#£§^/»~¨
,^»\%££@## already soaked up all the sun. ##@££%\»^,
,,..~:^$$§ §$$^:~..,,
,^=†%@§### there's a river passing by, from east ###§@%†=^,
,¨¨=*^%£££ to west, getting broader and deeper and £££%^*=¨¨,
.,~\%%§#@# slower as it goes. equisetum grow just #@#§%%\~,.
¨~-\*%¤### where the pine hands start to let ###¤%*\-~¨
¨.¨¨-=%%§§ through light, horsemint on the rocky §§%%=-¨¨.¨
.:~=^=†%¶¶ river bed. ¶¶%†=^=~:.
.,~\%&@£## ##£@&%\~,.
¨¨.¨.,=£$# / #$£=,.¨.¨¨
,.=\§§£### ###£§§\=.,
,¨.,.¨»§&& the riverbanks reek of magic. tonight &&§»¨.,.¨,
,:«;§§§¶@# they had been a swampworld with sylvan #@¶§§§;«:,
,^~=†@¤£## water, stone rings and floating moss. ##£¤@†=~^,
,,,.,»:*@@ you could've found me wallowing around @@*:»,.,,,
.¨~,=-*§@@ on the southern shores until i got @@§*-=,~¨.
..~*§$@§£# bitten. #£§@$§*~..
,^»/$¤ #&¤$/»^,
¨.¨,¨-~†¤@ but now i'm further back, on solid @¤†~-¨,¨.¨
,::**£@@## ground, in shoulder-high grass, with an ##@@£**::,
.:~^^&§@¶# orange tin radio and a translucent #¶@§&^^~:.
-«=†@@£@## umbrella which i'm sitting on. ##@£@@†=«-
,.¨,¨,,~=§ §=~,,¨,¨.,
,.---\$$@¶ * ¶@$$\---.,
,-~^%£@@## ##@@£%^~-,
.,¨~»%&£&& somethings moving in the grass. it's &&£&%»~¨,.
.,~**@£#@# invisible to my eyes but i can feel #@#£@**~,.
.,-:§¤£@## through the ground just how large it is. ##@£¤§:-,.
.,»*†$£#@# #@#£$†*»,.
.~»;$%&£§# the soil is muddy. i slip when trying #§£&%$;»~.
..~==$§### to get up, still looking at the ###§$==~..
,..,,;§^%@ direction of sound rather than at my @%^§;,,..,
,:~:%$##@# hands, who are busy putting things in #@##$%:~:,
¨,.,,»*§#& my pockets. §*»,,.,¨
¨,.,»=*$¤@ @¤$*=»,.,¨
.^~\*$@£## then i run east toward my home. ##£@$*\~^.
,..,-;¤£¤@ @¤£¤;-,..,
,,«\%££@## ^ ##@££%\«,,
.,,,¨.,=$¤ ¤$=,.¨,,,.
¨:-†§*#### i am not followed, and slow down in the ####*§†-:¨
.¨--====@@ clearing where you at first can spot @@====--¨.
¨,.,.,«~%# the house, not yet really in the #%~«,.,.,¨
,:~\=§#### backyard. from my pockets i retrieve my ####§=\~:,
.:~/*&£#@# radio (now dented) but also a small #@#£&*/~:.
,^.:~.;$*£ clay figure i've never seen before. it £*$;.~:.^,
,~»:$%¤&@# must have been laying in the wet dirt, #@&¤%$:»~,
.:-^§¤§### and i must've picked it up with my ###§¤§^-:.
¨.=†=§£@## other belongings. ##@£§=†=.¨
..,¨,,=$%# #%$=,,¨,..
,:«~^$@### it's a statuette of a girl laying naked ###@$^~«:,
¨--=^;\§%# on her stomach, feet in the air, #%§\;^=--¨
..,=\*$¤¤# roughly seven centimeters long. it's #¤¤$*\=,..
.,»\=%¤@#@ freshly made, not yet completely dried. @#@¤%=\»,.
¨¨,¨.-/;¤@ @¤;/-.¨,¨¨
¨,»;*£§@## my mom is here now. i ask her for some ##@§£*;»,¨
,.¨«~††*§# particle board for it to dry on, but #§*††~«¨.,
,^=/*%&¶## she is worried and wants me to ##¶&%*/=^,
.,-\*%§@@# throw it away. #@@§%*\-,.
..¨,¨=†††& &†††=¨,¨..
¨^~=%£%$#@ @#$%£%=~^¨
¨,,,^†%%¶@ @¶%%†^,,,¨
.-«†%¤§@## ##@§¤%†«-.
¨~«\=&§£@# #@£§&=\«~¨
¨¨¨¨,«~=%# #%=~«,¨¨¨¨