¨,»^%%&@## ##@&%%^»,¨
¨-~\$@@¶## ##¶@@$\~-¨
¨~~\%$#@## ##@#$%\~~¨
.^~*%¤#¶## ##¶#¤%*~^.
.¨,¨=~§&@# #@&§~=¨,¨.
.,«:§%¤@@# statuette #@@¤%§:«,.
¨~=:†**%## ##%**†:=~¨
,^=†%%§### §£¤*%£§@@$&$*££&---«==~=&§£$%£§%¤§**$$%@ ###§%%†=^,
,,~=†§£@## %¤&£%¤$&$ ##@£§†=~,,
-«==%#@### ###@#%==«-
¨,~;$£@@## forests around my childhood home. thick ##@@£$;~,¨
.,~†*¤&¶## pine arcades that were planted and ##¶&¤*†~,.
.-»\%£§¶## forgotten. wild boars roaming ##¶§£%\»-.
.,=\$*§### underneath, sniffing at the ground. it ###§*$\=,.
,:«*%£§§££ is dark and moist, the canopy having ££§§£%*«:,
.,..~=†£$@ already soaked up all the sun. @$£†=~..,.
.^.-,,,\%@ @%\,,,-.^.
..-;=@&# there's a river passing by, from east ##&&@=;-..
..¨,=-§£¤@ to west, getting broader and deeper and @¤£§-=,¨..
,.¨,¨~~*%@ slower as it goes. equisetum grow just @%*~~¨,¨.,
¨-«\%%§@#@ where the pine hands start to let @#@§%%\«-¨
.~~/%¤@### through light, horsemint on the rocky ###@¤%/~~.
¨:«*§$@#@@ river bed. @@#@$§*«:¨
,¨..¨.^$££ ££$^.¨..¨,
.~~;%&@### ; ###@&%;~~.
¨,,,,.«†@£ £@†«.,,,,¨
.,«\%$£#@# the riverbanks reek of magic. tonight #@#£$%\«,.
.,^^«-†%£@ they had been a swampworld with sylvan @£%†-«^^,.
.^~*=§¤@£# water, stone rings and floating moss. #£@¤§=*~^.
.^«;§=§£@£ you could've found me wallowing around £@£§=§;«^.
.¨¨,¨-~†^£ on the southern shores until i got £^†~-¨,¨¨.
.~~\†%@@## bitten. ##@@%†\~~.
.^»*£&@### ###@&£*»^.
¨-«\†§§@## but now i'm further back, on solid ##@§§†\«-¨
¨..«»»%¤%# ground, in shoulder-high grass, with an #%¤%»»«..¨
,¨.:^-.*¤# orange tin radio and a translucent #¤*.-^:.¨,
,-~\†§£@## umbrella which i'm sitting on. ##@£§†\~-,
,~»†%*¤##@ @##¤*%†»~,
¨~=†=§¤@## / ##@¤§=†=~¨
,,,:-:~^&¤ ¤&^~:-:,,,
¨,~^=§@£## somethings moving in the grass. it's ##£@§=^~,¨
¨~-:†%¤### invisible to my eyes but i can feel ###¤%†:-~¨
¨,=†=%@# through the ground just how large it is. #@#&%=†=,¨
.:-†*¤§#@# #@#§¤*†-:.
...,.../*§ the soil is muddy. i slip when trying §*/...,...
¨,-^*$#### to get up, still looking at the ####$*^-,¨
.,~=^£§¶## direction of sound rather than at my ##¶§£^=~,.
¨-=/*@§¤#£ hands, who are busy putting things in £#¤§@*/=-¨
¨,,,:\*% my pockets. #&%*\:,,,¨
,~~/%$%*£@ @£*%$%/~~,
¨:»=^$$&@@ then i run east toward my home. @@&$$^=»:¨
.^»\*%§#@# #@#§%*\»^.
,~~:^%£### ; ###£%^:~~,
,~«/%§#¶@# #@¶#§%/«~,
,-~^*£#¶@# i am not followed, and slow down in the #@¶#£*^~-,
..~:†$@@## clearing where you at first can spot ##@@$†:~..
.~~:%$$£#@ the house, not yet really in the @#£$$%:~~.
,¨¨=«/:%%& backyard. from my pockets i retrieve my &%%:/«=¨¨,
.,.¨~«†%£# radio (now dented) but also a small #£%†«~¨.,.
-~*=£##### clay figure i've never seen before. it #####£=*~-
,^~/†&@### must have been laying in the wet dirt, ###@&†/~^,
¨.,-;*%&£@ and i must've picked it up with my @£&%*;-,.¨
¨:~/;;$=#@ other belongings. @#=$;;/~:¨
..,-«^&&$¤ ¤$&&^«-,..
..-;†$#@ it's a statuette of a girl laying naked @##&$†;-..
¨~~=§£¤### on her stomach, feet in the air, ###¤£§=~~¨
¨:»==$@### roughly seven centimeters long. it's ###@$==»:¨
.¨¨-:=§*£@ freshly made, not yet completely dried. @£*§=:-¨¨.
¨^~†=£¤¶@# #@¶¤£=†~^¨
.,-»«~†*=@ my mom is here now. i ask her for some @=*†~«»-,.
,¨¨:^†$¤¤@ particle board for it to dry on, but @¤¤$†^:¨¨,
,¨,,.,~=*@ she is worried and wants me to @*=~,.,,¨,
,,,«~-~^#@ throw it away. @#^~-~«,,,
¨..¨^~*%¤¶ ¶¤%*~^¨..¨
¨~«*%$§### ###§$%*«~¨
¨,¨¨,=%&@¶ ¶@&%=,¨¨,¨
,-«/^*@@## ##@@*^/«-,
,:«:$&£@@# #@@£&$:«:,
,,-\^££@## ##@££^\-,,