.¨.¨¨:,:^@ @^:,:¨¨.¨.
,.=\^%§@#@ @#@§%^\=.,
¨,~«»~^%@@ @@%^~»«~,¨
¨,-:*#@# #@##&*:-,¨
¨~-^=££@## ##@££=^-~¨
.¨-^,\£@@# statuette #@@£\,^-¨.
,,~/$%%@£# #£@%%$/~,,
,:»;%£§@## $$¤££¤@£¤££$$$&%~~~--»=»$@£&$%%$£¤££*&¤% ##@§£%;»:,
.,~/^*§@## £¤$@@%£&£ ##@§*^/~,.
..¨,¨,^¤¶# #¶¤^,¨,¨..
.~=^=£§£§# forests around my childhood home. thick #§£§£=^=~.
,,.,==%¤@¤ pine arcades that were planted and ¤@¤%==,.,,
¨¨¨¨,,~†§@ forgotten. wild boars roaming @§†~,,¨¨¨¨
.,»;*=%^#£ underneath, sniffing at the ground. it £#^%=*;»,.
,:~\$&££££ is dark and moist, the canopy having ££££&$\~:,
¨.¨¨,-*£#@ already soaked up all the sun. @#£*-,¨¨.¨
¨.¨.,;&¤#@ @#¤&;,.¨.¨
,¨.,»$$§¤£ there's a river passing by, from east £¤§$$»,.¨,
...,¨~\§$# to west, getting broader and deeper and #$§\~¨,...
¨-»^%¤§### slower as it goes. equisetum grow just ###§¤%^»-¨
.~=**%###@ where the pine hands start to let @###%**=~.
,.¨¨.^=$§@ through light, horsemint on the rocky @§$=^.¨¨.,
¨..¨,,^*@# river bed. #@*^,,¨..¨
¨^»:*@## ##@#&*:»^¨
,--:%*#### ; ####*%:--,
,¨,~«*%^ #&^%*«~,¨,
.-«*§$@@@# the riverbanks reek of magic. tonight #@@@$§*«-.
,^-†^£@¶## they had been a swampworld with sylvan ##¶@£^†-^,
.-«†%¤## water, stone rings and floating moss. ###&¤%†«-.
.¨:,:-==%¤ you could've found me wallowing around ¤%==-:,:¨.
¨^»=†§&£## on the southern shores until i got ##£&§†=»^¨
.^-«=%*@§£ bitten. £§@*%=«-^.
¨:»;=¤@¶## ##¶@¤=;»:¨
,,«:†£¤¶## but now i'm further back, on solid ##¶¤£†:«,,
,^~^*£## ground, in shoulder-high grass, with an ##£#&*^~^,
.,»\†§#### orange tin radio and a translucent ####§†\»,.
.,¨¨..\&$@ umbrella which i'm sitting on. @$&\..¨¨,.
,.,¨»/£§§@ @§§£/»¨,.,
¨,~*^$@# / #@#&$^*~,¨
,¨.¨,.»††§ §††».,¨.¨,
¨.~†=§£¶@# somethings moving in the grass. it's #@¶£§=†~.¨
,.,.«=†† invisible to my eyes but i can feel #&††=«.,.,
,,~^*£#@## through the ground just how large it is. ##@#£*^~,,
.:~†$%## ###&%$†~:.
.¨,.»~^*$£ the soil is muddy. i slip when trying £$*^~».,¨.
,^=/†*@#@# to get up, still looking at the #@#@*†/=^,
¨,,¨..-%§¶ direction of sound rather than at my ¶§%-..¨,,¨
,,«\†$&§## hands, who are busy putting things in ##§&$†\«,,
,:=\^¤££## my pockets. ##££¤^\=:,
¨-~\*£§£@# #@£§£*\~-¨
¨.¨=*=^¤@# then i run east toward my home. #@¤^=*=¨.¨
..,~»†%*†¤ ¤†*%†»~,..
...^/=%£@# : #@£%=/^...
.~»=%§@@@# #@@@§%=»~.
,:-/%@#£@# i am not followed, and slow down in the #@£#@%/-:,
,~~^%£¤¶## clearing where you at first can spot ##¶¤£%^~~,
¨.-*=§##£# the house, not yet really in the #£##§=*-.¨
¨,~/†%£#¤¤ backyard. from my pockets i retrieve my ¤¤#£%†/~,¨
...¨.:»:¤& radio (now dented) but also a small &¤:»:.¨...
,.-\=$£@## clay figure i've never seen before. it ##@£$=\-.,
,¨¨,:^$££# must have been laying in the wet dirt, #££$^:,¨¨,
¨¨¨,..¨«†& and i must've picked it up with my &†«¨..,¨¨¨
,:»;*¤#### other belongings. ####¤*;»:,
¨,,,..,»^§ §^»,..,,,¨
¨.~\†¤¤@## it's a statuette of a girl laying naked ##@¤¤†\~.¨
.~-\$*@# on her stomach, feet in the air, #@#&*$\-~.
.,~\*¤&@## roughly seven centimeters long. it's ##@&¤*\~,.
,,»\%¶## freshly made, not yet completely dried. ##¶#&%\»,,
¨^-^§&£@## ##@£&§^-^¨
,--/*$§§ my mom is here now. i ask her for some §§#&$*/--,
¨,~~*†%¤## particle board for it to dry on, but ##¤%†*~~,¨
¨¨,^,--\@& she is worried and wants me to &@\--,^,¨¨
¨¨.,,»=§@@ throw it away. @@§=»,,.¨¨
¨:»†=§¤¶## ##¶¤§=†»:¨
,-~\§†$@## ##@$†§\~-,
.^«=$§£# ##&£§$=«^.
,:«;**@¶## ##¶@**;«:,
,^=/†£¤### ###¤£†/=^,
,,=\$*#@## ##@#*$\=,,