##¤,,.£§,. .¨.,,,,.,&
#¤,¨¤,¨,,@ #§&@£§¨.
¨,¨...#¤., £§@¤¤¤£¨,¨
¤£&@@.¨,.¨ @&¤@@&.,@#
##&§,¨&£@@ &¤@£&,,,,@
§@&¨¨,,&¤. statuette #¤,,&&¨.
.£¨¨£§,¨¨, §¤&,¨..¨,.
,¨,..¨.#¤& *££%£§£$%&%§$@$%»-=~»»==$@¤*%$£§%¤*$@*£& #@¨¨#&¤§¤@
.£&&,¨§¤ £$$¤&&¤$$ £.¨,,@#£&¨
,¨#.,¨¨@ ¨,¤#,¨£#.¨
@,,#,,#@¨¨ forests around my childhood home. thick &¨¨¨,¨..¨@
.¨.,,¨¨,¨# pine arcades that were planted and ,.£@@#§§..
#¤&£@@@£,, forgotten. wild boars roaming ,¨,&££¤..@
§§¤£§&¤¨¨¤ underneath, sniffing at the ground. it &@..&¤¨¨,¨
,£&&¤@.¨,. is dark and moist, the canopy having &.,¨¨,.§§,
,,@§@,.@@. already soaked up all the sun. ,¨¤#¤@.¨..
£¨¨§,,,¨¨, ,,,&&.,#§&
..¨¨,¤#§#§ there's a river passing by, from east #£.,.¨,.@§
.£#@,¨&£££ to west, getting broader and deeper and ¨,.&@§#..,
¨¨¤,.¨¨£§§ slower as it goes. equisetum grow just ¤#.¨##¨.#£
,.¨,#&..£§ where the pine hands start to let ,...,,,,,,
@@£,,,,.¨¨ through light, horsemint on the rocky §###@@#£&§
#&..£##§#§ river bed. .§@&&§#&@#
£,¨.¨@§¤@¨ .,§§@@&&
.¨&@¨¨&¤¨, ^ ,,,@§¤¤#§#
,¨¨.,,.,,@ £§.,¤#¤@¤¨
¤@§&£&., the riverbanks reek of magic. tonight ...¨,¤£#,.
¨¤@§££#..& they had been a swampworld with sylvan @@¤&,¨@..,
,.§@&¤¨,¨, water, stone rings and floating moss. §#@,,,.,
¨¨.&@.,&@¨ you could've found me wallowing around @¤..§§#,,.
@£..,¨.¨¨¨ on the southern shores until i got ,.¨¨.@¨.&£
¤,¨§£&@##¨ bitten. @##¤...¨¨§
¨.,.#@&¤¨, @&¤..§&¤,¨
&@£.,@§¨.¨ but now i'm further back, on solid ¤§¨.,¨#,¨§
#§¨.....§# ground, in shoulder-high grass, with an ,¨.,¨,¨.
¨.,@@£§.¨, orange tin radio and a translucent £&,,,¨¤§§,
&£,.@@,¨¤¤ umbrella which i'm sitting on. £¨¨£@,,&.¨
,..,.,,,,¨ ..,¨,¨,¨¨,
&§¤£§@&§&& = ¤§@¤##£#§¤
¤##£¤&§£@& &&§¤¤£@§
&§¤§#&&§ somethings moving in the grass. it's ¤&¤£¤£#£§@
£@##¤¤£#@¤ invisible to my eyes but i can feel £¤#&§¤
£¤£§£#&¤ through the ground just how large it is. &£§§¤#£§
§¤§@#@§&@¤ §£#&@&@#§§
§§£#¤¤##£& the soil is muddy. i slip when trying ¤@#¤§@¤#¤¤
§§§#@§§££¤ to get up, still looking at the §£§@@£¤£&&
£§¤§@§£@§# direction of sound rather than at my @#§#§#&§
¤£§¤£&¤@ hands, who are busy putting things in #¤&¤@¤##§@
#£§@§£££@¤ my pockets. ¤@£&£§&@#§
£@£&§£ @#§¤@££#@#
&£@@@£#§£§ then i run east toward my home. @#&&§¤@¤
§££@#¤&¤ #@¤&£@£&&§
#@£#@£@@&¤ ^ £#&£&£@@&&
§#@¤¤@##¤# #££§@@§¤
¤@@¤@@£§ i am not followed, and slow down in the ##£##§§§§£
§£@&§@&£§£ clearing where you at first can spot §§@&§§#¤£@
@§§¤@¤ the house, not yet really in the @#¤@¤£££@&
##§@¤#@& backyard. from my pockets i retrieve my &&¤¤@#££¤#
§¤¤@¤§¤¤£¤ radio (now dented) but also a small §@#@££@¤
#@@#@£@£ clay figure i've never seen before. it &§&&@¤¤¤#&
@#@§£§£#§¤ must have been laying in the wet dirt, ¤§##@&¤@&§
@@@#§&&£&£ and i must've picked it up with my §@###¤@£&@
£¤§¤##¤#££ other belongings. @@&&§¤##£#
£@¤#£#§§@# @@§§¤¤¤@
£#¤#§&¤¤£§ it's a statuette of a girl laying naked &¤£££@@¤#§
¤#££##&¤@¤ on her stomach, feet in the air, §@£@¤§#££¤
§#&@#§£# roughly seven centimeters long. it's &££&§#¤££#
¤#£¤§£##¤£ freshly made, not yet completely dried. #&££#&£#£¤
&§@§£¤&@&£ #¤&£&£#@£&
§§££&@§£&¤ my mom is here now. i ask her for some @&££@££¤
#@&@¤@§@&¤ particle board for it to dry on, but £#&@#£@¤#¤
££&@§#££££ she is worried and wants me to @@¤@#@&¤#§
¤#&&@@&£&£ throw it away. £@&¤§¤&£¤¤
#§£#£§£¤ @§§##&¤&£¤
£&@£§#§#£¤ ##£&£¤@¤@#
££@#¤§&@£& ¤£§£@¤#&
£§§¤¤¤§# &¤&£§@¤§§@
&§#£#¤#§££ @##¤@§¤#&¤
§@§@¤¤&£@¤ ##@§£££¤##