¤#.¨£,,¨.& ..¤£§,,,.,
.¨.,..&@¨. £¨,¤..£§&,
£@@£#.¨,,@ ..¨....£.¨
¨§@@.,§&., ¨&¤¤¨.¨.
,¨£,,¨.¨,# .,¤§¤¨,&§&
.¨¨,£#¤#., statuette ,..@¨,.¨#.
£@#..&¤¨.£ §£¨,,£§.¨.
,&,.¨.,.., ¤%@$§%§%§$£§££¤&=~~»=««-¤§&@@§§£*£@@%$*@ ¨.¨§.¨..&.
.,.&£§£#§¤ $%$§£¤¤%$ #£¨¨.&¤.,¨
§£¨.##¤§@¤ ¤,.£,..¨¤&
@¨..,#§£&. forests around my childhood home. thick ,¨,¨.&¤,.¤
.¨@@¨.£¤., pine arcades that were planted and §&@£¨,.,¨¨
¤.,.¨,¨..¨ forgotten. wild boars roaming &@¤,¨§&¤§£
,¨£#¤@@§ underneath, sniffing at the ground. it ¤£,.¨,@£@§
.,¨§£&£§£¨ is dark and moist, the canopy having ¤,¨¤@,.@&,
¤¤¨¨@#£&,¨ already soaked up all the sun. ¨,.¨¨..¨,.
.,.,,#£,.£ ,§¤£¤#£@&.
##@¤..,,., there's a river passing by, from east ..§¤@££&.,
.¤@..@&&@¤ to west, getting broader and deeper and ,..¤£§¤,.,
...,.¨@#&£ slower as it goes. equisetum grow just §@,,¤£..££
¨§&&£¨.¤@¨ where the pine hands start to let ¨¨¨¨,,¨,.¨
,¨£#.¨¨,., through light, horsemint on the rocky §¤#£§&¤#£§
,,¨¨.@£&¤. river bed. ¤@£@£§£¨
§£@@,.§#., #@&&§£§£¨,
¨#@¨,,,.¨¨ = @#£@#§§¨¨.
.,..#§@¤#¤ #&@#§¤¨.@¤
.§#,¨¤@£¤, the riverbanks reek of magic. tonight .&§&£¨,¨¨,
.,....£§,, they had been a swampworld with sylvan ,.¤¤¨,¤¤@§
.§¤£¤,,¨.. water, stone rings and floating moss. ¨,¨¨,¨,¤&¨
,¨§#,¨@§£@ you could've found me wallowing around £&£¤¨,¨.
#¨¨,¨.¨£#§ on the southern shores until i got £&§&@¨¨##&
.¨£¤§£..#¤ bitten. @§&@,..¨££
¨.,¤§,.,.£ ¤¤¤¨¨@#¨.¨
&§¨¨¨¨@@¨, but now i'm further back, on solid §¤..¨¨.,§£
&,.##,¨¨.. ground, in shoulder-high grass, with an ,¨,¤§¤¤.,@
.,,...£§&¤ orange tin radio and a translucent @£.,¤&,.¨.
&@#¤¤.¨@@# umbrella which i'm sitting on. §,¨¨,,,#£@
@§¨..,£§ ¨¨@@&£.¨#@
§¤@..@@.¨& \ @¨¨#§¨.,,#
¤#,¨.,.,,¨ ...,.,@§,.
,¨,&£§#&&£ somethings moving in the grass. it's §@&@£..¨..
##,¨&§£§¤¨ invisible to my eyes but i can feel #§£§,,@§¤&
£,,¨,#&£,, through the ground just how large it is. @§&...¨#¤£
.,¤¤¨,@¨¨# ¤#,¨@¤,¨&@
,,¨,.,..,. the soil is muddy. i slip when trying ,¨,¨,,.¨..
@§¤§£¤&§§¤ to get up, still looking at the £§#@§££¤£&
@&¤#¤££##¤ direction of sound rather than at my ¤@¤#§&@&&§
#§@£@@&§&§ hands, who are busy putting things in §&¤#¤§§&@#
@¤§¤§##@@£ my pockets. &&¤@¤&@@
¤£#££¤¤§#@ §¤§¤¤#@@£&
¤@§@££#@¤£ then i run east toward my home. &§&§£¤££¤§
@§&&@@@##§ §#£¤¤§#@§@
§&@&£¤#¤ * §£§£¤&&&¤§
¤£@&§&&&§£ #§&¤¤@#§&@
&¤#&&@&§&@ i am not followed, and slow down in the §¤&£§£##¤@
&@¤£&@£¤@# clearing where you at first can spot &£@@#¤&§££
#£§£##¤&§£ the house, not yet really in the ##£##¤¤§§#
££§§@#§@@@ backyard. from my pockets i retrieve my &£@§#¤@¤¤@
£@@£§@@&@¤ radio (now dented) but also a small &§&¤#@§£
@§#§¤#&@#£ clay figure i've never seen before. it §#¤££##@&¤
¤#§¤£&¤§#£ must have been laying in the wet dirt, ¤#&§§@@¤££
#@§#§§@¤#& and i must've picked it up with my ¤¤§£¤###§&
£#@¤###¤ other belongings. #&¤£§#&§&@
#££@@¤#& £@@§#@§@##
##&@&§&&£# it's a statuette of a girl laying naked £&@§§##&@#
&¤@&¤¤¤##& on her stomach, feet in the air, #@&££&
#@¤@@£#£ roughly seven centimeters long. it's &§£@££§@
¤¤£¤&£§@@£ freshly made, not yet completely dried. §§#£#&@#§#
¤§#£@#£#§£ @#§§&&¤@£@
#§£#@¤¤@§@ my mom is here now. i ask her for some §£&££@¤£¤&
¤£##@##£¤¤ particle board for it to dry on, but §§¤¤§¤#&§#
@#§§§¤£¤§¤ she is worried and wants me to ¤#¤@£§&£&£
§&¤@@# throw it away. ¤&@§¤@§§¤§
&£¤@§&&£&& ¤###£§#§¤§
§§£@@@ §#¤@#&@¤£@
¤¤¤££§&¤@£ #£@§@£§&¤#
#@&&&§§@#@ @&&&@§¤&
&@££¤#£¤£@ ##¤###&¤£§
@£¤¤&£§#£@ ¤&§@§&&¤