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##£&£^==~, ######£ £###### ,~==^£&£##
##£&£^==~, # the name is a little mis- # ,~==^£&£##
##£&£^==~, = giving, because of course there is = ,~==^£&£##
££=~,,,,,, no real geometry in the caves. you may ,,,,,,~=££
£&^^==~~~, feel as if you are venturing into some ,~~~==^^&£
£&£^===~~, vast structure, but you are in fact ,~~===^£&£
£££&£^==~, leaving any such thing at the entrance. ,~==^£&£££
&£^=~~~~,, ,,~~~~=^£&
###££^==~, leaving physical tethers behind, ,~==^££###
£££&£^==~, submitting to an inescapable darkness, ,~==^£&£££
##£&£^==~, the world around you becomes more of a ,~==^£&£##
£&£=~~~,,, manifestation of your mind, or a ,,,~~~=£&£
#&&&£^==~, collective mind, with a shape and a ,~==^£&&&#
##£&£^==~, direction and a taste. ,~==^£&£##
&£=~,,,,,, ,,,,,,~=£&
##£&£^==~, inescapeable darkness, because if you ,~==^£&£##
##£&£^==~, bring a candle or mount electrical ,~==^£&£##
&^==,,,,,, lights, the walls only serves as ,,,,,,==^&
##£&£^==~, markers to where the tiny spatial ,~==^£&£##
#&&&£^==~, existence ends and the darkness beneath ,~==^£&&&#
##£&£^==~, it begins. ,~==^£&£##
##£&£^==~, ,~==^£&£##
##£&£^==~, like an inverted mandelbrot, the real ,~==^£&£##
#£&£^^==~, cave is actually not the pockets, but ,~==^^£&£#
#£&^=~,,,, the black around them. keep that in ,,,,~=^&£#
&^^=====~, mind. ,~=====^^&
&^=~~,,,,, ,,,,,~~=^&
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£&&£^^==~, ,~==^^£&&£
&&&£===~~, the moisture that permeates any cave ,~~===£&&&
##£&£^==~, worth it's name... it's the water the ,~==^£&£##
#££^=~,,,, world rose from. it's the water you ,,,,~=^££#
#££&£^==~, drown in, in your dreams. ,~==^£&££#
#&&^====~, ,~====^&&#
##£&£^==~, the only sounds in the cave are those ,~==^£&£##
&^=,,,,,,, that you make yourselves. they may be ,,,,,,,=^&
£££&£^==~, distorted by the stone structure, and ,~==^£&£££
##£&£^==~, amplified by your mind. try not to be ,~==^£&£##
£££££^==~, alarmed, try to remember the persons ,~==^£££££
##£&£^==~, and objects around you, and you can ,~==^£&£##
##£&£^==~, discern a mirage from a friend. ,~==^£&£##
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