@#$**«.¨¨¨ ¨¨¨.«**$#@
@@#$$*\«.¨ ¨.«\*$$#@@
@@@#$*\«.¨ ¨.«\*$#@@@
##@@#*\«.¨ ¨.«\*#@@##
#*«...¨¨¨¨ ¨¨¨¨...«*#
@$*\«¨¨¨¨¨ the last song on side b (and to some ¨¨¨¨¨«\*$@
##$\\«.¨¨¨ extent the first song on side a) talks ¨¨¨.«\\$##
@#$*\.¨¨¨¨ for the whole album, not just their ¨¨¨¨.\*$#@
#@@#$*\«.¨ side. the last song on side b is ¨.«\*$#@@#
@@@#$*\«.¨ probably the most important ¨.«\*$#@@@
#*«¨¨¨¨¨¨¨ opportunity, the most charged slot. ¨¨¨¨¨¨¨«*#
##@@$*\«.¨ ¨.«\*$@@##
@###$*\«.¨ ¨@#@¨ ¨.«\*$###@
##@#$*\«.¨ ¨.«\*$#@##
##**««¨¨¨¨ the album is a singularity, an anomaly ¨¨¨¨««**##
#@@#$*\«.¨ in spacetime, a creature that knows ¨.«\*$#@@#
#*«¨¨¨¨¨¨¨ exactly how beautiful it is. ¨¨¨¨¨¨¨«*#
#$\\..¨¨¨¨ ¨ ¨¨¨¨..\\$#
@@@#$*\«.¨ and the thing is: it sees itself in ¨.«\*$#@@@
#$\«.¨¨¨¨¨ three d. it knows that it's dying. ¨¨¨¨¨.«\$#
#@@#$*\«.¨ ¨.«\*$#@@#
#*\«..¨¨¨¨ **$$**$$**$$**$$**$##$**$$**$$**$$**$$** ¨¨¨¨..«\*#
#*««..¨¨¨¨ ¨¨¨¨..««*#
@@@#$*\«.¨ . dolphins and cats . ¨.«\*$#@@@
#@@#$*\«.¨ bring us ¨.«\*$#@@#
@$*«...¨¨¨ ¨ flowers and honey ¨ ¨¨¨...«*$@
@#$$$*\«.¨ ¨.«\*$$$#@
@@#$$*\«.¨ . dolphins and cats . ¨.«\*$$#@@
@@$*««¨¨¨¨ bring us ¨¨¨¨««*$@@
###$\\«.¨¨ ¨ fairies and bees ¨ ¨¨.«\\$###
#$**\\\«.¨ ¨.«\\\**$#
@@$\«¨¨¨¨¨ our boat is afloat ¨¨¨¨¨«\$@@
#@@#$*\«.¨ on a surface of lilies ¨.«\*$#@@#
@#$$**\«.¨ . dolphins and cats . ¨.«\**$$#@
##@@#*\«.¨ drag us down ¨.«\*#@@##
#*««..¨¨¨¨ ¨«* underneath *«¨ ¨¨¨¨..««*#
#@@#$*\«.¨ ¨.«\*$#@@#
@#*«¨¨¨¨¨¨ **$$**$$**$$**$$**$##$**$$**$$**$$**$$** ¨¨¨¨¨¨«*#@
#*\..¨¨¨¨¨ ¨¨¨¨¨..\*#
@#$$\.¨¨¨¨ side a is foresty, and side b might ¨¨¨¨.\$$#@
@@#$$*\«.¨ be lizardy. but the last song is full ¨.«\*$$#@@
@##$\.¨¨¨¨ of space. ¨¨¨¨.\$##@
@$*\.¨¨¨¨¨ ¨¨¨¨¨.\*$@
##@@$*\«.¨ ¨.«\*$@@##
@#$$**\«.¨ ¨.«\**$$#@
##@#$*\«.¨ ¨.«\*$#@##
@@##$*\«.¨ ¨.«\*$##@@