####%*\-., ,.-\*%####
####%*\-., ,.-\*%####
####%*\-., ,.-\*%####
####%*\-., ,.-\*%####
####%*\-., ,.-\*%####
#%%%%*\-., TRAIN DREAM ,.-\*%%%%#
####%*\-., ######,,,,.-..,,##################### ,.-\*%####
####%*\-., \\\ ,.-\*%####
#%%%*\--., - ,.--\*%%%#
#%%\\\\-., - ,.-\\\\%%#
####%*\-., ,.-\*%####
#**\-,,,,, (SITUATION) ,,,,,-\**#
#*--.,,,,, ,,,,,.--*#
####%*\-., YOU FIND YOURSELF IN A RIFT - A ,.-\*%####
###%%*\-., CLEARING, NARROW BUT IMMEASURABLY LONG. ,.-\*%%###
##%\\.,,,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,,,.\\%##
####%*\-., THICK AND READY TO SWALLOW YOU. THE SUN ,.-\*%####
##%%**\-., IS NOWHERE TO BE SEEN, BUT NONTHELESS ,.-\**%%##
####%*\-., IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,.-\*%####
#%\.,,,,,, BLUE, ALMOST WHITE. ,,,,,,.\%#
####%*\-., ,.-\*%####
##*\---.,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,.---\*##
#####*\-., PARALLEL SILVERY LINES, DARK HARD ,.-\*#####
##%*---,,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,,---*%##
###%%*\-., THEY ARE. ,.-\*%%###
#####%*-., ,.-*%#####
#%%\.,,,,, THEY EMIT A HIGH PITCHED WHINE... ,,,,,.\%%#
####%*\-., ,.-\*%####
##%*-.,,,, - ,,,,.-*%##
####%*\-., ,,*,, ,.-\*%####
#%%\\..,,, - ,,,..\\%%#
##*-.,,,,, ,,,,,.-*##
##%*--.,,, (SITUATION) ,,,.--*%##
##*\-.,,,, ,,,,.-\*##
##***\-,,, YOURE AT THE TRAIN STATION, ON A ,,,-\***##
#%****\-., CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,.-\****%#
####%*\-., LATE, OR YOU ARE LATE TO THE TRAIN. ,.-\*%####
####%*\-., IT'S A SUMMER AFTERNOON AND THE STATION ,.-\*%####
####%*\-., IS BUSY, FULL OF RELAXED CONFIDENCE. ,.-\*%####
####%*\-., ,.-\*%####
####%*\-., YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,.-\*%####
#####%*\., STRESSED ABOUT THE TIME, WHILE MOVING ,.\*%#####
###%\..,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,..\%###
####%*\-., STATION IS IN SEVERAL LEVELS, ALL ,.-\*%####
##*-.,,,,, PLACED WITHIN EACHOTHER BY SOME ,,,,,.-*##
####%*\-., INTELLIGENT DESIGNER, AND FULL OF ,.-\*%####
####%*\-., STAIRS, ELEVATORS, SHORTCUTS, ,.-\*%####
#%%**\\-., BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,.-\\**%%#
####%*\-., SOME GLASS WINDOWS. IT'S... NOT WHERE ,.-\*%####
####%*\-., IT'S SUPPOSED TO BE? ,.-\*%####
##**\.,,,, ,,,,.\**##
##**-..,,, - ,,,..-**##
#%*-.,,,,, ..%.. ,,,,,.-*%#
#*\-,,,,,, - ,,,,,,-\*#
####%*\-., ,.-\*%####
####%*\-., (SITUATION) ,.-\*%####
##%%\\-.,, ,,.-\\%%##
####%*\-., YOU'RE FINALLY ENTERING THE CITY. WHILE ,.-\*%####
####%*\-., IT IS INDEED A VERY HIGH SPEED TRAIN ,.-\*%####
###%**\-., YOU'RE TRAVELING IN, THE JOURNEY HAS ,.-\**%###
##%*\-,,,, BEEN LONG. BUT IT'S ABOUT TO END! ,,,,-\*%##
####%*\-., ,.-\*%####
#%\--,,,,, SOCIETY IS GROWING DENSER AROUND YOU, ,,,,,--\%#
####%*\-., THROUGH THE WINDOWS YOU SEE FIRST SMALL ,.-\*%####
###%\..,,, SHACKS, BUILT OF METAL AND STONE, THEN ,,,..\%###
#%*--.,,,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,,,.--*%#
####%*\-., TOGETHER... WHO IN TURN MAKE WAY FOR ,.-\*%####
####%*\-., THE INDUSTRIAL BUILDINGS, THE URBAN ,.-\*%####
####%*\-., MAZE, PROTECTIVE WALLS, JUNGLE ,.-\*%####
###%%*\-., NETWORK... ,.-\*%%###
####%*\-., ,.-\*%####
####%*\-., THE TRACKS LEAVE THE GROUND, WHICH IS ,.-\*%####
####%*\-., NEEDED FOR OTHER PURPOSES. YOU ARE ,.-\*%####
#%\-,,,,,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,,,,,-\%#
###%%*\-., YOU'RE MOVING UPWARD ALONG THE WALL OF ,.-\*%%###
#####*\-., A BUILDING. IT'S MADE OF SLABBY STONE, ,.-\*#####
####%*\-., WITH GREAT GLASSLESS WINDOW HOLES ,.-\*%####
####%*\-., LOOKING OUT THE WAY YOU CAME. IT IS ,.-\*%####
####%*\-., PITCH BLACK INSIDE. ,.-\*%####
#***\\\-., ,.-\\\***#
####%*\-., ,.-\*%####
#%**\\-,,, ,,,-\\**%#
####%*\-., ,.-\*%####
##*-,,,,,, ,,,,,,-*##