...~†*¤&@@ @@&¤*†~...
....~†*¤&@ @&¤*†~....
...~†*¤&@@ @@&¤*†~...
..~†*¤&@@# #@@&¤*†~..
.~†*¤&@@## ##@@&¤*†~.
..~†*¤&@@# TRAIN DREAM #@@&¤*†~..
...~†*¤&@@ ######....~~~~..##################### @@&¤*†~...
....~†*¤&@ ††† @&¤*†~....
...~†*¤&@@ ~ @@&¤*†~...
..~†*¤&@@# ~ #@@&¤*†~..
.~†*¤&@@## ##@@&¤*†~.
..~†*¤&@@# (SITUATION) #@@&¤*†~..
...~†*¤&@@ @@&¤*†~...
....~†*¤&@ YOU FIND YOURSELF IN A RIFT - A @&¤*†~....
...~†*¤&@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@&¤*†~...
..~†*¤&@@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@@&¤*†~..
.~†*¤&@@## THICK AND READY TO SWALLOW YOU. THE SUN ##@@&¤*†~.
..~†*¤&@@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@@&¤*†~..
...~†*¤&@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@&¤*†~...
....~†*¤&@ BLUE, ALMOST WHITE. @&¤*†~....
...~†*¤&@@ @@&¤*†~...
..~†*¤&@@# ALONG THE SPAN OF THE CLEARING LAY TWO #@@&¤*†~..
.~†*¤&@@## PARALLEL SILVERY LINES, DARK HARD ##@@&¤*†~.
..~†*¤&@@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@@&¤*†~..
...~†*¤&@@ THEY ARE. @@&¤*†~...
....~†*¤&@ @&¤*†~....
...~†*¤&@@ THEY EMIT A HIGH PITCHED WHINE... @@&¤*†~...
..~†*¤&@@# #@@&¤*†~..
.~†*¤&@@## ~ ##@@&¤*†~.
..~†*¤&@@# ..*.. #@@&¤*†~..
...~†*¤&@@ ~ @@&¤*†~...
....~†*¤&@ @&¤*†~....
...~†*¤&@@ (SITUATION) @@&¤*†~...
..~†*¤&@@# #@@&¤*†~..
.~†*¤&@@## YOURE AT THE TRAIN STATION, ON A ##@@&¤*†~.
..~†*¤&@@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@@&¤*†~..
...~†*¤&@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@&¤*†~...
....~†*¤&@ IT'S A SUMMER AFTERNOON AND THE STATION @&¤*†~....
...~†*¤&@@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@&¤*†~...
..~†*¤&@@# #@@&¤*†~..
.~†*¤&@@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@@&¤*†~.
..~†*¤&@@# STRESSED ABOUT THE TIME, WHILE MOVING #@@&¤*†~..
...~†*¤&@@ UP THE STAIRS TO YOUR PLATFORM. THE @@&¤*†~...
....~†*¤&@ STATION IS IN SEVERAL LEVELS, ALL @&¤*†~....
...~†*¤&@@ PLACED WITHIN EACHOTHER BY SOME @@&¤*†~...
..~†*¤&@@# INTELLIGENT DESIGNER, AND FULL OF #@@&¤*†~..
.~†*¤&@@## STAIRS, ELEVATORS, SHORTCUTS, ##@@&¤*†~.
..~†*¤&@@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@@&¤*†~..
...~†*¤&@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@&¤*†~...
....~†*¤&@ IT'S SUPPOSED TO BE? @&¤*†~....
...~†*¤&@@ @@&¤*†~...
..~†*¤&@@# ~ #@@&¤*†~..
.~†*¤&@@## ~~¤~~ ##@@&¤*†~.
..~†*¤&@@# ~ #@@&¤*†~..
...~†*¤&@@ @@&¤*†~...
....~†*¤&@ (SITUATION) @&¤*†~....
...~†*¤&@@ @@&¤*†~...
..~†*¤&@@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@@&¤*†~..
.~†*¤&@@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@@&¤*†~.
..~†*¤&@@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@@&¤*†~..
...~†*¤&@@ BEEN LONG. BUT IT'S ABOUT TO END! @@&¤*†~...
....~†*¤&@ @&¤*†~....
...~†*¤&@@ SOCIETY IS GROWING DENSER AROUND YOU, @@&¤*†~...
..~†*¤&@@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@@&¤*†~..
.~†*¤&@@## SHACKS, BUILT OF METAL AND STONE, THEN ##@@&¤*†~.
..~†*¤&@@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@@&¤*†~..
...~†*¤&@@ TOGETHER... WHO IN TURN MAKE WAY FOR @@&¤*†~...
....~†*¤&@ THE INDUSTRIAL BUILDINGS, THE URBAN @&¤*†~....
...~†*¤&@@ MAZE, PROTECTIVE WALLS, JUNGLE @@&¤*†~...
..~†*¤&@@# NETWORK... #@@&¤*†~..
.~†*¤&@@## ##@@&¤*†~.
..~†*¤&@@# THE TRACKS LEAVE THE GROUND, WHICH IS #@@&¤*†~..
...~†*¤&@@ NEEDED FOR OTHER PURPOSES. YOU ARE @@&¤*†~...
....~†*¤&@ CARRIED GENTLY, CURVING UPWARDS UNTIL @&¤*†~....
...~†*¤&@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@&¤*†~...
..~†*¤&@@# A BUILDING. IT'S MADE OF SLABBY STONE, #@@&¤*†~..
.~†*¤&@@## WITH GREAT GLASSLESS WINDOW HOLES ##@@&¤*†~.
..~†*¤&@@# LOOKING OUT THE WAY YOU CAME. IT IS #@@&¤*†~..
...~†*¤&@@ PITCH BLACK INSIDE. @@&¤*†~...
....~†*¤&@ @&¤*†~....
...~†*¤&@@ @@&¤*†~...
..~†*¤&@@# #@@&¤*†~..
.~†*¤&@@## ##@@&¤*†~.
..~†*¤&@@# #@@&¤*†~..