¤¤.¤...... ........¤¤
.¤¤¤.....¤ .......¤..
¤..¤....¤. ......¤¤..
¤.¤¤...¤¤. .....¤.¤.¤
¤¤.¤..¤.¤¤ ....¤¤¤¤¤.
.¤¤¤.¤¤¤.¤ TRAIN DREAM ...¤....¤¤
¤..¤¤..¤¤¤ ######....-«--..##################### ..¤¤...¤.¤
¤.¤.¤.¤..¤ ††† .¤.¤..¤¤¤.
¤¤¤¤¤¤¤.¤. « ¤¤¤¤.¤..¤¤
......¤¤¤¤ « ...¤¤¤.¤..
.....¤...¤ ..¤..¤¤¤..
....¤¤..¤¤ (SITUATION) .¤¤.¤..¤..
...¤.¤.¤.¤ ¤.¤¤¤.¤¤..
..¤¤¤¤¤¤¤¤ YOU FIND YOURSELF IN A RIFT - A ¤¤..¤¤.¤..
.¤.......¤ CLEARING, NARROW BUT IMMEASURABLY LONG. .¤.¤.¤¤¤..
¤¤......¤. TO YOUR SIDES ARE WALLS MADE OF TREES, ¤¤¤¤¤..¤..
.¤.....¤¤¤ THICK AND READY TO SWALLOW YOU. THE SUN ....¤.¤¤.¤
¤¤....¤... IS NOWHERE TO BE SEEN, BUT NONTHELESS ...¤¤¤.¤¤¤
.¤...¤¤... IT IS VERY BRIGHT - THE AIR FEELS LIGHT ..¤..¤¤...
¤¤..¤.¤... BLUE, ALMOST WHITE. .¤¤.¤.¤...
.¤.¤¤¤¤... ¤.¤¤¤¤¤..¤
¤¤¤...¤... ALONG THE SPAN OF THE CLEARING LAY TWO ¤¤....¤.¤¤
..¤..¤¤... PARALLEL SILVERY LINES, DARK HARD .¤...¤¤¤..
.¤¤.¤.¤..¤ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¤¤..¤..¤..
¤.¤¤¤¤¤.¤¤ THEY ARE. .¤.¤¤.¤¤..
¤¤....¤¤.. ¤¤¤.¤¤.¤.¤
.¤...¤.¤.. THEY EMIT A HIGH PITCHED WHINE... ..¤¤.¤¤¤¤.
¤¤..¤¤¤¤.. .¤.¤¤...¤.
.¤.¤...¤.. « ¤¤¤.¤..¤¤¤
¤¤¤¤..¤¤.. ..%.. ..¤¤¤.¤..¤
...¤.¤.¤.¤ « .¤..¤¤¤.¤.
..¤¤¤¤¤¤¤¤ ¤¤.¤..¤¤¤.
.¤.......¤ (SITUATION) .¤¤¤.¤..¤.
¤¤......¤. ¤..¤¤¤.¤¤.
.¤.....¤¤¤ YOURE AT THE TRAIN STATION, ON A ¤.¤..¤¤.¤¤
¤¤....¤..¤ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¤¤¤.¤.¤¤.¤
.¤...¤¤.¤. LATE, OR YOU ARE LATE TO THE TRAIN. ..¤¤¤¤.¤¤.
¤¤..¤.¤¤¤. IT'S A SUMMER AFTERNOON AND THE STATION .¤...¤¤.¤.
.¤.¤¤¤..¤¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤¤..¤.¤¤¤¤
¤¤¤..¤.¤.. .¤.¤¤¤...¤
..¤.¤¤¤¤.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¤¤¤..¤..¤.
.¤¤¤...¤.¤ STRESSED ABOUT THE TIME, WHILE MOVING ..¤.¤¤.¤¤.
¤..¤..¤¤¤¤ UP THE STAIRS TO YOUR PLATFORM. THE .¤¤¤.¤¤.¤.
¤.¤¤.¤...¤ STATION IS IN SEVERAL LEVELS, ALL ¤..¤¤.¤¤¤¤
¤¤.¤¤¤..¤¤ PLACED WITHIN EACHOTHER BY SOME ¤.¤.¤¤....
.¤¤..¤.¤.¤ INTELLIGENT DESIGNER, AND FULL OF ¤¤¤¤.¤...¤
¤.¤.¤¤¤¤¤. STAIRS, ELEVATORS, SHORTCUTS, ...¤¤¤..¤¤
¤¤¤¤....¤. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..¤..¤.¤..
...¤...¤¤. SOME GLASS WINDOWS. IT'S... NOT WHERE .¤¤.¤¤¤¤.¤
..¤¤..¤.¤¤ IT'S SUPPOSED TO BE? ¤.¤¤...¤¤¤
.¤.¤.¤¤¤.¤ ¤¤.¤..¤..¤
¤¤¤¤¤..¤¤. « .¤¤¤.¤¤.¤¤
....¤.¤.¤. --¤-- ¤..¤¤.¤¤..
...¤¤¤¤¤¤¤ « ¤.¤.¤¤.¤..
..¤....... ¤¤¤¤.¤¤¤..
.¤¤....... (SITUATION) ...¤¤..¤..
¤.¤....... ..¤.¤.¤¤..
¤¤¤......¤ YOU'RE FINALLY ENTERING THE CITY. WHILE .¤¤¤¤¤.¤.¤
..¤.....¤¤ IT IS INDEED A VERY HIGH SPEED TRAIN ¤....¤¤¤¤.
.¤¤....¤.. YOU'RE TRAVELING IN, THE JOURNEY HAS ¤...¤...¤.
¤.¤...¤¤.. BEEN LONG. BUT IT'S ABOUT TO END! ¤..¤¤..¤¤.
¤¤¤..¤.¤.¤ ¤.¤.¤.¤.¤¤
..¤.¤¤¤¤¤¤ SOCIETY IS GROWING DENSER AROUND YOU, ¤¤¤¤¤¤¤¤..
.¤¤¤.....¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL .......¤..
¤..¤....¤. SHACKS, BUILT OF METAL AND STONE, THEN ......¤¤..
¤.¤¤...¤¤. PROPER HOUSES WITH MORTAR TO KEEP THEM .....¤.¤.¤
¤¤.¤..¤.¤¤ TOGETHER... WHO IN TURN MAKE WAY FOR ....¤¤¤¤¤.
.¤¤¤.¤¤¤.¤ THE INDUSTRIAL BUILDINGS, THE URBAN ...¤....¤¤
¤..¤¤..¤¤¤ MAZE, PROTECTIVE WALLS, JUNGLE ..¤¤...¤.¤
¤.¤.¤.¤..¤ NETWORK... .¤.¤..¤¤¤.
¤¤¤¤¤¤¤.¤. ¤¤¤¤.¤..¤¤
......¤¤¤¤ THE TRACKS LEAVE THE GROUND, WHICH IS ...¤¤¤.¤..
.....¤...¤ NEEDED FOR OTHER PURPOSES. YOU ARE ..¤..¤¤¤..
....¤¤..¤¤ CARRIED GENTLY, CURVING UPWARDS UNTIL .¤¤.¤..¤..
...¤.¤.¤.¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤.¤¤¤.¤¤..
..¤¤¤¤¤¤¤¤ A BUILDING. IT'S MADE OF SLABBY STONE, ¤¤..¤¤.¤..
.¤.......¤ WITH GREAT GLASSLESS WINDOW HOLES .¤.¤.¤¤¤..
¤¤......¤. LOOKING OUT THE WAY YOU CAME. IT IS ¤¤¤¤¤..¤..
.¤.....¤¤¤ PITCH BLACK INSIDE. ....¤.¤¤.¤
¤¤....¤... ...¤¤¤.¤¤¤
.¤...¤¤... ..¤..¤¤...
¤¤..¤.¤... .¤¤.¤.¤...
.¤.¤¤¤¤... ¤.¤¤¤¤¤..¤
¤¤¤...¤... ¤¤....¤.¤¤