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,,,,,,,.~† TRAIN DREAM †~.,,,,,,,
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,.~†$£¤### (SITUATION) ###¤£$†~.,
,,.~†$£¤## ##¤£$†~.,,
,,,.~†$£¤# YOU FIND YOURSELF IN A RIFT - A #¤£$†~.,,,
,,,,.~†$£¤ CLEARING, NARROW BUT IMMEASURABLY LONG. ¤£$†~.,,,,
,,,,,.~†$£ TO YOUR SIDES ARE WALLS MADE OF TREES, £$†~.,,,,,
,,,,,,.~†$ THICK AND READY TO SWALLOW YOU. THE SUN $†~.,,,,,,
,,,,,,,.~† IS NOWHERE TO BE SEEN, BUT NONTHELESS †~.,,,,,,,
,,,,,,.~†$ IT IS VERY BRIGHT - THE AIR FEELS LIGHT $†~.,,,,,,
,,,,,.~†$£ BLUE, ALMOST WHITE. £$†~.,,,,,
,,,,.~†$£¤ ¤£$†~.,,,,
,,,.~†$£¤# ALONG THE SPAN OF THE CLEARING LAY TWO #¤£$†~.,,,
,,.~†$£¤## PARALLEL SILVERY LINES, DARK HARD ##¤£$†~.,,
,.~†$£¤### METAL. SOMEHOW YOU CAN SEE HOW HEAVY ###¤£$†~.,
,,.~†$£¤## THEY ARE. ##¤£$†~.,,
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,,,.~†$£¤# #¤£$†~.,,,
,,.~†$£¤## YOURE AT THE TRAIN STATION, ON A ##¤£$†~.,,
,.~†$£¤### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###¤£$†~.,
,,.~†$£¤## LATE, OR YOU ARE LATE TO THE TRAIN. ##¤£$†~.,,
,,,.~†$£¤# IT'S A SUMMER AFTERNOON AND THE STATION #¤£$†~.,,,
,,,,.~†$£¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤£$†~.,,,,
,,,,,.~†$£ £$†~.,,,,,
,,,,,,.~†$ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT $†~.,,,,,,
,,,,,,,.~† STRESSED ABOUT THE TIME, WHILE MOVING †~.,,,,,,,
,,,,,,.~†$ UP THE STAIRS TO YOUR PLATFORM. THE $†~.,,,,,,
,,,,,.~†$£ STATION IS IN SEVERAL LEVELS, ALL £$†~.,,,,,
,,,,.~†$£¤ PLACED WITHIN EACHOTHER BY SOME ¤£$†~.,,,,
,,,.~†$£¤# INTELLIGENT DESIGNER, AND FULL OF #¤£$†~.,,,
,,.~†$£¤## STAIRS, ELEVATORS, SHORTCUTS, ##¤£$†~.,,
,.~†$£¤### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ###¤£$†~.,
,,.~†$£¤## SOME GLASS WINDOWS. IT'S... NOT WHERE ##¤£$†~.,,
,,,.~†$£¤# IT'S SUPPOSED TO BE? #¤£$†~.,,,
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,,,.~†$£¤# YOU'RE FINALLY ENTERING THE CITY. WHILE #¤£$†~.,,,
,,.~†$£¤## IT IS INDEED A VERY HIGH SPEED TRAIN ##¤£$†~.,,
,.~†$£¤### YOU'RE TRAVELING IN, THE JOURNEY HAS ###¤£$†~.,
,,.~†$£¤## BEEN LONG. BUT IT'S ABOUT TO END! ##¤£$†~.,,
,,,.~†$£¤# #¤£$†~.,,,
,,,,.~†$£¤ SOCIETY IS GROWING DENSER AROUND YOU, ¤£$†~.,,,,
,,,,,.~†$£ THROUGH THE WINDOWS YOU SEE FIRST SMALL £$†~.,,,,,
,,,,,,.~†$ SHACKS, BUILT OF METAL AND STONE, THEN $†~.,,,,,,
,,,,,,,.~† PROPER HOUSES WITH MORTAR TO KEEP THEM †~.,,,,,,,
,,,,,,.~†$ TOGETHER... WHO IN TURN MAKE WAY FOR $†~.,,,,,,
,,,,,.~†$£ THE INDUSTRIAL BUILDINGS, THE URBAN £$†~.,,,,,
,,,,.~†$£¤ MAZE, PROTECTIVE WALLS, JUNGLE ¤£$†~.,,,,
,,,.~†$£¤# NETWORK... #¤£$†~.,,,
,,.~†$£¤## ##¤£$†~.,,
,.~†$£¤### THE TRACKS LEAVE THE GROUND, WHICH IS ###¤£$†~.,
,,.~†$£¤## NEEDED FOR OTHER PURPOSES. YOU ARE ##¤£$†~.,,
,,,.~†$£¤# CARRIED GENTLY, CURVING UPWARDS UNTIL #¤£$†~.,,,
,,,,.~†$£¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤£$†~.,,,,
,,,,,.~†$£ A BUILDING. IT'S MADE OF SLABBY STONE, £$†~.,,,,,
,,,,,,.~†$ WITH GREAT GLASSLESS WINDOW HOLES $†~.,,,,,,
,,,,,,,.~† LOOKING OUT THE WAY YOU CAME. IT IS †~.,,,,,,,
,,,,,,.~†$ PITCH BLACK INSIDE. $†~.,,,,,,
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