###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
§§%%%-¨¨¨¨ ¨¨¨¨-%%%§§
#§%%%%/--¨ ¨--/%%%%§#
###§¤%/--¨ TRAIN DREAM ¨--/%¤§###
§¤%////--¨ ######¨¨¨¨----¨¨##################### ¨--////%¤§
#§§%-¨¨¨¨¨ /// ¨¨¨¨¨-%§§#
##¤¤///--¨ - ¨--///¤¤##
#¤/-¨¨¨¨¨¨ - ¨¨¨¨¨¨-/¤#
#§%%---¨¨¨ ¨¨¨---%%§#
§%//--¨¨¨¨ (SITUATION) ¨¨¨¨--//%§
##§§¤%/--¨ ¨--/%¤§§##
###§¤%/--¨ YOU FIND YOURSELF IN A RIFT - A ¨--/%¤§###
#§%%/--¨¨¨ CLEARING, NARROW BUT IMMEASURABLY LONG. ¨¨¨--/%%§#
###§¤%/--¨ TO YOUR SIDES ARE WALLS MADE OF TREES, ¨--/%¤§###
§¤%%/-¨¨¨¨ THICK AND READY TO SWALLOW YOU. THE SUN ¨¨¨¨-/%%¤§
###§¤%/--¨ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¨--/%¤§###
###§¤%/--¨ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¨--/%¤§###
#§¤¤%%/--¨ BLUE, ALMOST WHITE. ¨--/%%¤¤§#
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ ALONG THE SPAN OF THE CLEARING LAY TWO ¨--/%¤§###
§%---¨¨¨¨¨ PARALLEL SILVERY LINES, DARK HARD ¨¨¨¨¨---%§
#¤/-¨¨¨¨¨¨ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¨¨¨¨¨¨-/¤#
###§¤%/--¨ THEY ARE. ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ THEY EMIT A HIGH PITCHED WHINE... ¨--/%¤§###
§%--¨¨¨¨¨¨ ¨¨¨¨¨¨--%§
§%%//---¨¨ - ¨¨---//%%§
§%----¨¨¨¨ ¨¨%¨¨ ¨¨¨¨----%§
###§¤%/--¨ - ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
##§§¤%/--¨ (SITUATION) ¨--/%¤§§##
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ YOURE AT THE TRAIN STATION, ON A ¨--/%¤§###
###§¤%/--¨ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¨--/%¤§###
####§%/--¨ LATE, OR YOU ARE LATE TO THE TRAIN. ¨--/%§####
###§¤%/--¨ IT'S A SUMMER AFTERNOON AND THE STATION ¨--/%¤§###
###§¤%/--¨ IS BUSY, FULL OF RELAXED CONFIDENCE. ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¨--/%¤§###
###§¤%/--¨ STRESSED ABOUT THE TIME, WHILE MOVING ¨--/%¤§###
#¤¤%%%/--¨ UP THE STAIRS TO YOUR PLATFORM. THE ¨--/%%%¤¤#
###§¤%/--¨ STATION IS IN SEVERAL LEVELS, ALL ¨--/%¤§###
##§%/-¨¨¨¨ PLACED WITHIN EACHOTHER BY SOME ¨¨¨¨-/%§##
§§¤¤/-¨¨¨¨ INTELLIGENT DESIGNER, AND FULL OF ¨¨¨¨-/¤¤§§
###§¤%/--¨ STAIRS, ELEVATORS, SHORTCUTS, ¨--/%¤§###
#§§%/--¨¨¨ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¨¨¨--/%§§#
##¤/-¨¨¨¨¨ SOME GLASS WINDOWS. IT'S... NOT WHERE ¨¨¨¨¨-/¤##
§§¤/---¨¨¨ IT'S SUPPOSED TO BE? ¨¨¨---/¤§§
#¤%///-¨¨¨ ¨¨¨-///%¤#
##§§¤%/--¨ - ¨--/%¤§§##
#¤/--¨¨¨¨¨ --¤-- ¨¨¨¨¨--/¤#
###§¤%/--¨ - ¨--/%¤§###
§¤%//-¨¨¨¨ ¨¨¨¨-//%¤§
####§%/--¨ (SITUATION) ¨--/%§####
###§¤%/--¨ ¨--/%¤§###
###§¤%/--¨ YOU'RE FINALLY ENTERING THE CITY. WHILE ¨--/%¤§###
###§¤%/--¨ IT IS INDEED A VERY HIGH SPEED TRAIN ¨--/%¤§###
#§%---¨¨¨¨ YOU'RE TRAVELING IN, THE JOURNEY HAS ¨¨¨¨---%§#
###§¤%/--¨ BEEN LONG. BUT IT'S ABOUT TO END! ¨--/%¤§###
##¤///---¨ ¨---///¤##
###§¤%/--¨ SOCIETY IS GROWING DENSER AROUND YOU, ¨--/%¤§###
###§¤%/--¨ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¨--/%¤§###
##¤//---¨¨ SHACKS, BUILT OF METAL AND STONE, THEN ¨¨---//¤##
###§¤%/--¨ PROPER HOUSES WITH MORTAR TO KEEP THEM ¨--/%¤§###
###§¤%/--¨ TOGETHER... WHO IN TURN MAKE WAY FOR ¨--/%¤§###
###§¤%/--¨ THE INDUSTRIAL BUILDINGS, THE URBAN ¨--/%¤§###
##§%/----¨ MAZE, PROTECTIVE WALLS, JUNGLE ¨----/%§##
###§¤%/--¨ NETWORK... ¨--/%¤§###
###§¤%/--¨ ¨--/%¤§###
§§%%----¨¨ THE TRACKS LEAVE THE GROUND, WHICH IS ¨¨----%%§§
§%/-¨¨¨¨¨¨ NEEDED FOR OTHER PURPOSES. YOU ARE ¨¨¨¨¨¨-/%§
##¤%%%/--¨ CARRIED GENTLY, CURVING UPWARDS UNTIL ¨--/%%%¤##
#§§§¤%/--¨ YOU'RE MOVING UPWARD ALONG THE WALL OF ¨--/%¤§§§#
###§¤%/--¨ A BUILDING. IT'S MADE OF SLABBY STONE, ¨--/%¤§###
###§¤%/--¨ WITH GREAT GLASSLESS WINDOW HOLES ¨--/%¤§###
#§¤%%---¨¨ LOOKING OUT THE WAY YOU CAME. IT IS ¨¨---%%¤§#
#§%--¨¨¨¨¨ PITCH BLACK INSIDE. ¨¨¨¨¨--%§#
§%%%///--¨ ¨--///%%%§
##§¤/-¨¨¨¨ ¨¨¨¨-/¤§##
###§¤%/--¨ ¨--/%¤§###
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##¤/-¨¨¨¨¨ ¨¨¨¨¨-/¤##