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##.....#..                (SITUATION)               ....#..#.#
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##...#.### YOU  FIND  YOURSELF  IN   A  RIFT  -   A ..#.##..#.
.#..###..#  CLEARING, NARROW BUT IMMEASURABLY LONG. .###.#.###
##.#..#.#. TO YOUR  SIDES ARE WALLS  MADE OF TREES, #..####..#
.###.####. THICK AND READY TO SWALLOW  YOU. THE SUN #.#...#.#.
#..##...#. IS NOWHERE TO  BE SEEN,  BUT  NONTHELESS ###..####.
#.#.#..##. IT IS VERY  BRIGHT - THE AIR FEELS LIGHT ..#.#...##
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....####..                                          #...#.##.#
...#...#.. ALONG THE  SPAN OF THE CLEARING  LAY TWO #..###.###
..##..##.#    PARALLEL SILVERY LINES, DARK HARD     #.#..##..#
.#.#.#.### METAL. SOMEHOW  YOU CAN  SEE  HOW  HEAVY ###.#.#.##
#######...                THEY ARE.                 ..######.#
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.....##.## THEY  EMIT   A   HIGH  PITCHED  WHINE... ##....#.#.
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###....##. YOURE   AT  THE   TRAIN STATION,  ON   A .#....##..
..#...#.## CATWALK  ABOVE THE RAILS.  YOUR TRAIN IS ##...#.#.#
.##..###.. LATE, OR  YOU  ARE LATE  TO  THE  TRAIN. .#..######
#.#.#..#.. IT'S A SUMMER AFTERNOON AND  THE STATION ##.#.....#
#####.##.. IS  BUSY, FULL  OF  RELAXED  CONFIDENCE. .###....#.
....##.#..                                          #..#...###
...#.###.. YOU'RE  IN HIGH SPIRITS,  ALTHOUGH A BIT #.##..#..#
..###..#.# STRESSED ABOUT  THE  TIME, WHILE  MOVING ##.#.##.##
.#..#.###. UP  THE  STAIRS  TO  YOUR  PLATFORM. THE .####.##.#
##.###..#. STATION  IS  IN   SEVERAL  LEVELS,   ALL #...##.###
.##..#.###     PLACED WITHIN EACHOTHER BY SOME      #..#.##...
#.#.###..#     INTELLIGENT DESIGNER, AND FULL OF    #.###.#...
####..#.##       STAIRS, ELEVATORS, SHORTCUTS,      ##..###..#
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..###..#.# SOME  GLASS WINDOWS. IT'S...  NOT  WHERE ####.####.
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#.#.###... YOU'RE  FINALLY ENTERING THE CITY. WHILE #...#.#..#
####..#... IT IS  INDEED  A VERY HIGH  SPEED  TRAIN #..####.#.
...#.##... YOU'RE  TRAVELING IN,  THE  JOURNEY  HAS #.#...####
..###.#..# BEEN   LONG.  BUT  IT'S  ABOUT  TO  END! ###..#...#
.#..###.##                                          ..#.##..##
##.#..##.# SOCIETY IS  GROWING DENSER  AROUND  YOU, .###.#.#.#
.###.#.### THROUGH  THE WINDOWS YOU SEE FIRST SMALL #..######.
#..####... SHACKS, BUILT  OF  METAL AND STONE, THEN #.#.....#.
#.#...#..# PROPER HOUSES WITH  MORTAR TO  KEEP THEM ###....###
###..##.#. TOGETHER...  WHO  IN  TURN  MAKE WAY FOR ..#...#...
..#.#.####   THE INDUSTRIAL BUILDINGS, THE URBAN    .##..##..#
.#####....      MAZE, PROTECTIVE WALLS, JUNGLE      #.#.#.#.##
#....#...#                NETWORK...                ########.#
#...##..##                                          .......##.
#..#.#.#.. THE TRACKS LEAVE THE  GROUND,  WHICH  IS ......#.##
#.######.. NEEDED  FOR  OTHER  PURPOSES.  YOU   ARE .....###..
##.....#..   CARRIED GENTLY, CURVING UPWARDS UNTIL  ....#..#.#
.#....##.# YOU'RE  MOVING UPWARD  ALONG THE WALL OF ...##.###.
##...#.### A  BUILDING. IT'S MADE OF SLABBY  STONE, ..#.##..#.
.#..###..#     WITH GREAT GLASSLESS WINDOW HOLES    .###.#.###
##.#..#.#. LOOKING OUT  THE  WAY  YOU  CAME. IT  IS #..####..#
.###.####.           PITCH BLACK INSIDE.            #.#...#.#.
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