....~===$# #$===~....
.~~»»==$## ##$==»»~~.
.~»=%$#### ####$%=»~.
.~»=%$#### ####$%=»~.
.~»===$$## ##$$===»~.
.~»=%$#### delay delay d.la# # %a. ~ .# » ~ ####$%=»~.
.~»=%$#### ####$%=»~.
.~»=%##### #####%=»~.
.~»=%$#### ####$%=»~.
.~»»»=$$## ##$$=»»»~.
....~~»=$# "delay" means repetiton or likewise, #$=»~~....
.~»==%$$## but it's mainly useless without ##$$%==»~.
.~»=%$#### feedback, ####$%=»~.
...»=%$$## to allow the delay to eat of it's own ##$$%=»...
....~==%## tail, like one of those eaty serpents. ##%==~....
.~»=%$#### thus: it's the serpent effect! ####$%=»~.
.~»=%$#### ####$%=»~.
.~»===%%## it's to be revered as a creator of ##%%===»~.
.~»=%$#### ambience and of space, if you treat it ####$%=»~.
.~»=%$#### right. a somewhat more solid and ####$%=»~.
.~»=%$#### slippery sibling of reverb. ####$%=»~.
.~»=%$#### ####$%=»~.
.~»=%$#### ####$%=»~.
.~»=%%$$## ##$$%%=»~.
.....~=%## ##%=~.....
.~»=%%%$## ##$%%%=»~.