¨¨¨==^*%¤¤ ¤¤%*^==¨¨¨
¨,=^*%¤¤@@ @@¤¤%*^=,¨
¨¨¨,^*%%%¤ ¤%%%*^,¨¨¨
¨,=^*%¤@@@ @@@¤%*^=,¨
¨,=^*%¤@## ##@¤%*^=,¨
¨,=^*%¤@@# delay delay d¨la@ ¤ *a¨ , ¨@ = , #@@¤%*^=,¨
¨,=^*%¤@@@ @@@¤%*^=,¨
¨,=^*%¤@## ##@¤%*^=,¨
¨,=^*%¤@@# #@@¤%*^=,¨
¨,=^*%¤@@# #@@¤%*^=,¨
¨,=^*%¤@@# "delay" means repetiton or likewise, #@@¤%*^=,¨
¨,=^*%¤@@# but it's mainly useless without #@@¤%*^=,¨
¨¨¨¨¨,^%@@ feedback, @@%^,¨¨¨¨¨
¨,^*%¤@@## to allow the delay to eat of it's own ##@@¤%*^,¨
¨¨¨,^^**%@ tail, like one of those eaty serpents. @%**^^,¨¨¨
¨,,=^***¤@ thus: it's the serpent effect! @¤***^=,,¨
¨,=^*%¤@@# #@@¤%*^=,¨
¨,=^*%¤¤¤@ it's to be revered as a creator of @¤¤¤%*^=,¨
¨,=^*%¤@@# ambience and of space, if you treat it #@@¤%*^=,¨
¨¨¨¨===**¤ right. a somewhat more solid and ¤**===¨¨¨¨
¨¨¨¨¨,^*%¤ slippery sibling of reverb. ¤%*^,¨¨¨¨¨
¨,=^*%¤@@# #@@¤%*^=,¨
¨,=^*%¤@## ##@¤%*^=,¨
¨,=^*%¤@## ##@¤%*^=,¨
¨¨¨,^**%@@ @@%**^,¨¨¨
¨¨¨¨¨===*¤ ¤*===¨¨¨¨¨