,:~;**§¶## ##¶§**;~:,
,:~;**§§§¶ ¶§§§**;~:,
,,,,,~~;*¶ ¶*;~~,,,,,
,,,,,,~~*§ §*~~,,,,,,
,,,,,:~;*¶ ¶*;~:,,,,,
,,,,,:;;*¶ delay delay d,la# § *a, : ,¶ ~ : ¶*;;:,,,,,
,:~;**§¶## ##¶§**;~:,
,:~;**§¶## ##¶§**;~:,
,,,,,:~;*§ §*;~:,,,,,
,:~;**§¶## ##¶§**;~:,
,:~;**§¶## "delay" means repetiton or likewise, ##¶§**;~:,
,:~;;**§§¶ but it's mainly useless without ¶§§**;;~:,
,,,~~;***¶ feedback, ¶***;~~,,,
,:~;**§¶## to allow the delay to eat of it's own ##¶§**;~:,
,,,,:~**¶# tail, like one of those eaty serpents. #¶**~:,,,,
,:~;****§§ thus: it's the serpent effect! §§****;~:,
,:~;**§¶## ##¶§**;~:,
,,,::~***§ it's to be revered as a creator of §***~::,,,
,,,:;;**¶¶ ambience and of space, if you treat it ¶¶**;;:,,,
,:~;***§§§ right. a somewhat more solid and §§§***;~:,
,:~;****¶# slippery sibling of reverb. #¶****;~:,
,,,,:;**§¶ ¶§**;:,,,,
,:~;**§¶¶# #¶¶§**;~:,
,:~;**§¶## ##¶§**;~:,
,,,,::;**§ §**;::,,,,
,:~;**§¶## ##¶§**;~:,