,,~*=@¤###                                          ###¤@=*~,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,,,~*=@¤#                                          #¤@=*~,,,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,~*=@¤###                                          ###¤@=*~,,
,,,~*=@¤## delay  delay  d,la#  ¤ =a,  , ,#   ~   , ##¤@=*~,,,
,,,,~*=@¤#                                          #¤@=*~,,,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,~*=@¤###                                          ###¤@=*~,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,,,~*=@¤# "delay" means repetiton or likewise,     #¤@=*~,,,,
,,,~*=@¤## but it's mainly useless without          ##¤@=*~,,,
,,~*=@¤### feedback,                                ###¤@=*~,,
,,,~*=@¤## to allow the delay to eat of it's own    ##¤@=*~,,,
,,,,~*=@¤# tail, like one of those eaty serpents.   #¤@=*~,,,,
,,,~*=@¤## thus: it's the serpent effect!           ##¤@=*~,,,
,,~*=@¤###                                          ###¤@=*~,,
,,,~*=@¤## it's to be revered as a creator of       ##¤@=*~,,,
,,,,~*=@¤# ambience and of space, if you treat it   #¤@=*~,,,,
,,,~*=@¤## right. a somewhat more solid and         ##¤@=*~,,,
,,~*=@¤### slippery sibling of reverb.              ###¤@=*~,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,,,~*=@¤#                                          #¤@=*~,,,,
,,,~*=@¤##                                          ##¤@=*~,,,
,,~*=@¤###                                          ###¤@=*~,,
,,,~*=@¤##                                          ##¤@=*~,,,