@¨¨@@@¨@¨@ @¨¨@@¨¨¨¨@
@¨@¨@@¨@¨@ @¨@¨@¨¨¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨¨@@¨
@¨@¨@@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ ********** @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ LYRA EIGHT @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ ¨¨ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ , , @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ = = @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ ; ; @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ * * @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ CAVE SCULPTER @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ DREAM TO CHORD TRANSLATOR @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ EIGHT VOICED BLEEDING FORTUNE TELLER @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ DUAL SELF-MODULATING DELAY LINE @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ SWITCH FOR "TOTAL FEEDBACK" @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ LICK THE CONTACT PADS @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ * * @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ ; ; @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ = = @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ , , @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ ¨¨ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ GEARLIST ¨ ANOTHER SYNTH @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ ************************* @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨@@¨@¨@ @¨@¨@¨@¨@¨
@¨@¨¨@¨@¨@ @¨@¨@¨@¨@¨