¨,=:%***¤@ @¤***%:=,¨
¨,=:%*¤@## ##@¤*%:=,¨
¨¨¨¨,=%¤@@ @@¤%=,¨¨¨¨
¨,=::::*¤@ @¤*::::=,¨
¨¨¨¨¨,=%%¤ ¤%%=,¨¨¨¨¨
¨,=:%*¤@@@ delay delay d¨la@ ¤ %a¨ , ¨@ = , @@@¤*%:=,¨
¨,=:%*¤@@# #@@¤*%:=,¨
¨¨¨¨¨=%¤¤¤ ¤¤¤%=¨¨¨¨¨
¨¨¨¨¨,::*¤ ¤*::,¨¨¨¨¨
¨,=:%*¤@@# #@@¤*%:=,¨
¨,=:%*¤@@# "delay" means repetiton or likewise, #@@¤*%:=,¨
¨,=:%*¤@@# but it's mainly useless without #@@¤*%:=,¨
¨¨¨¨===%*@ feedback, @*%===¨¨¨¨
¨¨¨¨,:%%¤@ to allow the delay to eat of it's own @¤%%:,¨¨¨¨
¨¨¨¨¨¨=:%¤ tail, like one of those eaty serpents. ¤%:=¨¨¨¨¨¨
¨,=:%*¤@@# thus: it's the serpent effect! #@@¤*%:=,¨
¨¨,,===%¤¤ ¤¤%===,,¨¨
¨,=:%*¤@## it's to be revered as a creator of ##@¤*%:=,¨
¨¨¨¨,::*@@ ambience and of space, if you treat it @@*::,¨¨¨¨
¨¨¨¨,,=:%¤ right. a somewhat more solid and ¤%:=,,¨¨¨¨
¨¨¨¨¨==%¤¤ slippery sibling of reverb. ¤¤%==¨¨¨¨¨
¨,=:%*¤@@# #@@¤*%:=,¨
¨,=:%*¤@@# #@@¤*%:=,¨
¨,=:%*¤@@@ @@@¤*%:=,¨
¨,=:%*¤@@@ @@@¤*%:=,¨
¨¨¨,,==%¤@ @¤%==,,¨¨¨