###§*%*~~¨                                          ¨~~*%*§###
##§*%*~~¨¨                                          ¨¨~~*%*§##
#§*%*~~¨¨¨                                          ¨¨¨~~*%*§#
##§*%*~~¨¨                                          ¨¨~~*%*§##
###§*%*~~¨                                          ¨~~*%*§###
##§*%*~~¨¨ delay  delay  d¨la#  § %a¨  ~ ¨#   ~   ~ ¨¨~~*%*§##
#§*%*~~¨¨¨                                          ¨¨¨~~*%*§#
##§*%*~~¨¨                                          ¨¨~~*%*§##
###§*%*~~¨                                          ¨~~*%*§###
##§*%*~~¨¨                                          ¨¨~~*%*§##
#§*%*~~¨¨¨ "delay" means repetiton or likewise,     ¨¨¨~~*%*§#
##§*%*~~¨¨ but it's mainly useless without          ¨¨~~*%*§##
###§*%*~~¨ feedback,                                ¨~~*%*§###
##§*%*~~¨¨ to allow the delay to eat of it's own    ¨¨~~*%*§##
#§*%*~~¨¨¨ tail, like one of those eaty serpents.   ¨¨¨~~*%*§#
##§*%*~~¨¨ thus: it's the serpent effect!           ¨¨~~*%*§##
###§*%*~~¨                                          ¨~~*%*§###
##§*%*~~¨¨ it's to be revered as a creator of       ¨¨~~*%*§##
#§*%*~~¨¨¨ ambience and of space, if you treat it   ¨¨¨~~*%*§#
##§*%*~~¨¨ right. a somewhat more solid and         ¨¨~~*%*§##
###§*%*~~¨ slippery sibling of reverb.              ¨~~*%*§###
##§*%*~~¨¨                                          ¨¨~~*%*§##
#§*%*~~¨¨¨                                          ¨¨¨~~*%*§#
##§*%*~~¨¨                                          ¨¨~~*%*§##
###§*%*~~¨                                          ¨~~*%*§###
##§*%*~~¨¨                                          ¨¨~~*%*§##