@¨@¨@¨¨@¨¨                                          ¨¨¨¨¨¨¨¨¨@
@¨@¨@¨@@¨@                                          ¨¨¨¨¨¨¨¨@¨
@¨@¨@¨¨@¨@                                          ¨¨¨¨¨¨¨@@¨
@¨@¨@¨@@¨@                                          ¨¨¨¨¨¨@¨@¨
@¨@¨@¨¨@¨@                                          ¨¨¨¨¨@@¨@¨
@¨@¨@¨@@¨@ delay  delay  d¨la#  @ %a¨  ~ ¨@   =   ~ ¨¨¨¨@¨@¨@¨
@¨@¨@¨¨@¨@                                          ¨¨¨@@¨@¨@¨
@¨@¨@¨@@¨@                                          ¨¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@                                          ¨@@¨@¨@¨@¨
@¨@¨@¨@@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@ "delay" means repetiton or likewise,     @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@ but it's mainly useless without          @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@ feedback,                                @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@ to allow the delay to eat of it's own    @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@ tail, like one of those eaty serpents.   @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@ thus: it's the serpent effect!           @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@ it's to be revered as a creator of       @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@ ambience and of space, if you treat it   @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@ right. a somewhat more solid and         @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@ slippery sibling of reverb.              @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨¨@¨@                                          @¨@¨@¨@¨@¨
@¨@¨@¨@@¨@                                          @¨@¨@¨@¨@¨