@%\~,,,,,, ,,,,,,~\%@
@@%%~~~,,, ,,,~~~%%@@
##@@£%\~~, ,~~\%£@@##
#@@@£%\~~, ,~~\%£@@@#
@£££%%\~~, ,~~\%%£££@
@@%\~,,,,, delay delay d,la@ @ %a, ~ ,@ ~ ~ ,,,,,~\%@@
##@@£%\~~, ,~~\%£@@##
@%~,,,,,,, ,,,,,,,~%@
##@@@£%~~, ,~~%£@@@##
##@@£%\~~, ,~~\%£@@##
##@@£%\~~, "delay" means repetiton or likewise, ,~~\%£@@##
@@@@£%\~~, but it's mainly useless without ,~~\%£@@@@
##@@£%\~~, feedback, ,~~\%£@@##
@@£%%%\~~, to allow the delay to eat of it's own ,~~\%%%£@@
@@%~~,,,,, tail, like one of those eaty serpents. ,,,,,~~%@@
#@@@£%\~~, thus: it's the serpent effect! ,~~\%£@@@#
@£\~,,,,,, ,,,,,,~\£@
@£%\~,,,,, it's to be revered as a creator of ,,,,,~\%£@
@@@@£%\~~, ambience and of space, if you treat it ,~~\%£@@@@
@@£%%%\~~, right. a somewhat more solid and ,~~\%%%£@@
@£\~~,,,,, slippery sibling of reverb. ,,,,,~~\£@
#@@@£%\~~, ,~~\%£@@@#
#@@@£%\~~, ,~~\%£@@@#
#@@@£%\~~, ,~~\%£@@@#
@@@@£%\~~, ,~~\%£@@@@
@@@@£%\~~, ,~~\%£@@@@