##¤*^/=,¨¨                                          ¨¨,=/^*¤##
###@§†*~,.                                          .,~*†§@###
##&***=,..                                          ..,=***&##
#¤£*:~-,¨,                                          ,¨,-~:*£¤#
##£$*;=^.,                                          ,.^=;*$£##
####@§†»:.                                          .:»†§@####
#@&%§=».¨.           #%%.¨¨.,,¨¨¨¨.,¨¨=%#           .¨.»=§%&@#
@£$$*=.,,,          #†^  "DIGITALITY"  $^#          ,,,.=*$$£@
#@¤£†/»-,¨           #%^.,¨¨¨..¨.¨,.,¨==#           ¨,-»/†£¤@#
####%=\=,.                                          .,=\=%####
##£*^†~,..                     ^                    ..,~†^*£##
#&£*/-~,.,                                          ,.,~-/*£&#
#@&&**~^.. DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ..^~**&&@#
###@$%;-:¨                                          ¨:-;%$@###
###@†^~^¨,                    $                     ,¨^~^†@###
@&£†/~^.,.                                          .,.^~/†£&@
##£§%†~:,,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,,:~†%§£##
##@#$^\«~,   SYMBOLS. THE ENGLISH TRANSLATION IS    ,~«\^$#@##
##&%===-.,   "THROUGH NUMBERS". YOU CAN USE THIS    ,.-===%&##
#£$†\«,.,.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .,.,«\†$£#
##¤%$;»^,,                                          ,,^»;$%¤##
##@¤§%^=^,                    *                     ,^=^%§¤@##
##@§†;~.,¨                                          ¨,.~;†§@##
#@§=:«-,,,   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ,,,-«:=§@#
##§$%=~^¨.  THE GIFTED CAN TURN ANALOG SIGNALS INTO .¨^~=%$§##
###£@†^~~,    DIGITAL - THE ANALOG IS IN ITSELF A   ,~~^†@£###
##§%^/~^..  REPRESENTATION OF THE WORLD INSIDE THE  ..^~/^%§##
@§*%=«:¨,.   WORLD, WHICH IS FURTHER ENCODED INTO   .,¨:«=%*§@
##@$%=«,¨,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,¨,«=%$@##
###¤%§†»^,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,^»†§%¤###
##@§^/~^.,   MEANING SEMANTICALLY AND NOT IN THEIR  ,.^~/^§@##
#¤&**~^¨¨¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨¨¨^~**&¤#
##£@*/«,.¨                                          ¨.,«/*@£##
####$%*-^¨                     ^                    ¨^-*%$####
##&§=/-^,.                                          .,^-/=§&##
@¤*^†=,...     VARIOUS SCHEMES EXIST FOR HOW TO     ...,=†^*¤@
#@¤*^†=,..   INTERPRET AND WORK FURTHER WITH THESE  ..,=†^*¤@#
##@¤*^†=,.   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .,=†^*¤@##
#@¤*^†=,..  VOR, HYP, MKV). GETTING FAMILIAR WITH   ..,=†^*¤@#
@¤*^†=,...  THESE IS A GOOD START ON YOUR JOURNEY,  ...,=†^*¤@
#@¤*^†=,..    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ..,=†^*¤@#
##@¤*^†=,.   =REALLY= KNOW TWO OR THREE IN THEIR    .,=†^*¤@##
#@¤*^†=,..                LIFETIME.                 ..,=†^*¤@#
#@$*==...,                                          ,...==*$@#
##¤%*†«.,¨                     *                    ¨,.«†*%¤##
###§*^/«,¨                                          ¨,«/^*§###
#@&%†/«^..  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ..^«/†%&@#
#¤£%^~,.¨¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨¨.,~^%£¤#
#@§$^†--,.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .,--†^$§@#
##@#*=;~^¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨^~;=*#@##
##§$*^-,,.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .,,-^*$§##
#@$*/»:,.,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,.,:»/*$@#
#@#*%=~^¨¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨¨^~=%*#@#
##@#$%/»~¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨~»/%$#@##
##@$**~.,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,.~**$@##
@£@†\~.¨¨,               OPPORTUNITY)               ,¨¨.~\†@£@
#@£%%†~,,,                                          ,,,~†%%£@#
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##@£^†~.,.                                          .,.~†^£@##