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¨¨..~;$&¤@                                          @¤&$;~..¨¨
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.,.,«*^@¤¶           #†*¨.¨¨,..¨¨¨.,,.=§#           ¶¤@^*«,.,.
¨.:»:§§@#@          #%=  "DIGITALITY"  %%#          @#@§§:»:.¨
.:-*$*@£@#           #%§,..,.¨..¨,.¨,,§^#           #@£@*$*-:.
,.:»\%§££#                                          #££§%\»:.,
.,¨-=^$¤¤£                     =                    £¤¤$^=-¨,.
.,,¨,»;%§#                                          #§%;»,¨,,.
¨,,,¨:«;†£ DIGITAL, THE DIGITAL, TO BECOME  DIGITAL £†;«:¨,,,¨
..¨¨^~;§¤¤                                          ¤¤§;~^¨¨..
,.¨,~^§£¤@                    †                     @¤£§^~,¨.,
.,,~^=@££@                                          @££@=^~,,.
,^«/=@&¶##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##¶&@=/«^,
,¨,=;%*&£#   SYMBOLS. THE ENGLISH TRANSLATION IS    #£&*%;=,¨,
,,,~«/§&£@    "THROUGH NUMBERS". YOU CAN USE THIS   @£&§/«~,,,
..,,-~^^&&  MACHINE TO REMEMBER, PREDICT, OR HIDE.  &&^^~-,,..
¨,¨,,-»/=%                                          %=/»-,,¨,¨
.¨,,,»†*£¤                     †                    ¤£*†»,,,¨.
¨¨,~-*$%&#                                          #&%$*-~,¨¨
..~»/=§###  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ###§=/»~..
,,=*%¤#@##  THE GIFTED CAN TURN ANALOG SIGNALS INTO ##@#¤%*=,,
,.:~=$$&##    DIGITAL - THE ANALOG IS IN ITSELF A   ##&$$=~:.,
,.,^»==$£#  REPRESENTATION OF THE WORLD INSIDE THE  #£$==»^,.,
,¨¨¨,==^%£   WORLD, WHICH IS FURTHER ENCODED INTO   £%^==,¨¨¨,
.,,¨.,~:%*  DIGITAL (ENCODED IN THE LITERAL SENSE;  *%:~,.¨,,.
..¨.:~:†&#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #&†:~:.¨..
¨,¨^-:^&§@  MEANING SEMANTICALLY AND NOT IN THEIR   @§&^:-^¨,¨
,.:»†=%#@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@#%=†»:.,
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.¨-=/^¤§¶#                     *                    #¶§¤^/=-¨.
¨,,:«^^£@@                                          @@£^^«:,,¨
.....»=$%@     VARIOUS SCHEMES EXIST FOR HOW TO     @%$=».....
......»=$%  INTERPRET AND WORK FURTHER WITH THESE   %$=»......
.....»=$%@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @%$=».....
....»=$%@£  VOR, HYP, MKV). GETTING FAMILIAR WITH   £@%$=»....
...»=$%@£#  THESE IS A GOOD START ON YOUR JOURNEY,  #£@%$=»...
..»=$%@£##     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ##£@%$=»..
...»=$%@£#    »REALLY» KNOW TWO OR THREE IN THEIR   #£@%$=»...
....»=$%@£                LIFETIME.                 £@%$=»....
,¨,¨-»\§@&                                          &@§\»-¨,¨,
¨¨.,,~=/^%                     %                    %^/=~,,.¨¨
¨,¨,^~;$*§                                          §*$;~^,¨,¨
,¨¨,«/^§&#  SOME PITFALLS INCLUDE THAT EVEN IF YOU  #&§^/«,¨¨,
¨,-==†£#¶@      CAN ENCODE THE DIGITAL SYMBOLS      @¶#£†==-,¨
,^»:*£§¶@#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #@¶§£*:»^,
,¨-~†%&##@  TERMINATE IN THE ANALOG; IF KNOWLEDGE   @##&%†~-¨,
.,,^~=†%¤@  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   @¤%†=~^,,.
¨..,--\%*§   ROUTE TO THEIR ORIGINAL MEANING, AND   §*%\--,..¨
¨¨¨,,--/^@  THAT WITH THE RIGHT SPELLS AND METHODS  @^/--,,¨¨¨
,..,:«\^$§  YOU CAN USE DIGITAL REPRESENTATION FOR  §$^\«:,..,
¨,..~†*%§¶   ANALYSIS (MUST BE COMBATTED AT EVERY   ¶§%*†~..,¨
¨.~~^=$@@#               OPPORTUNITY)               #@@$=^~~.¨
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