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\«,.,¨,¨¨¨           #=%,,...¨,,,¨¨.,.%=#           ¨¨¨,¨,.,«\
=-,.,¨¨,,.          #**  "DIGITALITY"  %=#          .,,¨¨,.,-=
†~-¨¨.,,¨,           #%§.¨.....,,¨,¨¨.%*#           ,¨,,.¨¨-~†
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%%;«^¨,¨,.                    ^                     .,¨,¨^«;%%
¤£$\=-.,¨¨                                          ¨¨,.-=\$£¤
£§£%/=~¨,. DIGITAL, THE DIGITAL, TO  BECOME DIGITAL .,¨~=/%£§£
#£¤§%^~,,,                                          ,,,~^%§¤£#
#@@£$**«:.                    =                     .:«**$£@@#
#¶§%§*«~¨¨                                          ¨¨~«*§%§¶#
#¤¤**=.,,,   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ,,,.=**¤¤#
¤&%:«,¨.¨¨   SYMBOLS. THE ENGLISH TRANSLATION IS    ¨¨.¨,«:%&¤
%*=»,,,¨..    "THROUGH NUMBERS". YOU CAN USE THIS   ..¨,,,»=*%
^†-~¨..¨¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨¨..¨~-†^
/~,,,¨.¨.¨                                          ¨.¨.¨,,,~/
«,¨...¨,,,                     §                    ,,,¨...¨,«
:»~,,.,.,,                                          ,,.,.,,~»:
$^~,¨,¨¨,¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ¨,¨¨,¨,~^$
£%;«.¨¨¨,,  THE GIFTED CAN TURN ANALOG SIGNALS INTO ,,¨¨¨.«;%£
#$%*-:,¨..   DIGITAL - THE ANALOG IS IN ITSELF A    ..¨,:-*%$#
#@¤=^»..,¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨,..»^=¤@#
#@£$==»:.¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨.:»==$£@#
#@¶@¤^:~..  DIGITAL (ENCODED IN THE LITERAL SENSE;  ..~:^¤@¶@#
#¶&%%^=,.,  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ,.,=^%%&¶#
##£*\=~,,.   MEANING SEMANTICALLY AND NOT IN THEIR  .,,~=\*£##
&*=^»~¨,¨¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨¨,¨~»^=*&
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=».¨,,,,,,                                          ,,,,,,¨.»=
=,,,,,,,,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,,,,,,,,=
==,,,,,,,,  INTERPRET AND WORK FURTHER WITH THESE   ,,,,,,,,==
§==,,,,,,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,,,,,,==§
£§==,,,,,,  VOR, HYP, MKV). GETTING FAMILIAR WITH   ,,,,,,==§£
@£§==,,,,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,,,,==§£@
¶@£§==,,,,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,,,,==§£@¶
#¶@£§==,,,    =REALLY= KNOW TWO OR THREE IN THEIR   ,,,==§£@¶#
##¶@£§==,,                LIFETIME.                 ,,==§£@¶##
#@££%/~,,,                                          ,,,~/%££@#
£§$$†«:,¨,                    =                     ,¨,:«†$$§£
§£$==,.¨,.                                          .,¨.,==$£§
&*\~,¨.,,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,,.¨,~\*&
†;»~,.¨,,.      CAN ENCODE THE DIGITAL SYMBOLS      .,,¨.,~»;†
*~^¨...,¨.  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  .¨,...¨^~*
-.,,¨.¨¨.¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨.¨¨.¨,,.-
/».,.¨,,¨¨  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ¨¨,,¨.,.»/
^†~~,,¨¨¨¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨¨¨¨,,~~†^
£%/~,,,,,¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨,,,,,~/%£
@$$=»:¨¨¨.  YOU CAN USE DIGITAL REPRESENTATION FOR  .¨¨¨:»=$$@
#£§*=~,,¨.   ANALYSIS (MUST BE COMBATTED AT EVERY   .¨,,~=*§£#
@@#$†\~,,.               OPPORTUNITY)               .,,~\†$#@@
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