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..¨,=;=§£@                                          @£§=;=,¨..
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,,~»^†§&@@           #*^.,¨,,,¨,¨,¨.,.=%#           @@&§†^»~,,
.,¨-«\=$¤#          #$*  "DIGITALITY"  %=#          #¤$=\«-¨,.
¨.¨,--^§§§           #%*.¨,.¨.¨,.,,¨¨¨§%#           §§§^--,¨.¨
,,,,.-~*§$                                          $§*~-.,,,,
,¨¨,.¨^»*=                    *                     =*»^¨.,¨¨,
.¨.¨,,¨,-/                                          /-,¨,,¨.¨.
.¨.,¨,.¨^» DIGITAL, THE DIGITAL,  TO BECOME DIGITAL »^¨.,¨,.¨.
,¨.,¨,¨:-/                                          /-:¨,¨,.¨,
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.¨¨,.^»^=$                                          $=^»^.,¨¨.
¨,.,-~\§£#    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   #£§\~-,.,¨
.,.:=:%&§#   SYMBOLS. THE ENGLISH TRANSLATION IS    #§&%:=:.,.
¨,-~†$@@@@   "THROUGH NUMBERS". YOU CAN USE THIS    @@@@$†~-,¨
.,~\§%¤@@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@@¤%§\~,.
¨,-«\%$@@#                                          #@@$%\«-,¨
¨¨¨:~=%£@#                    †                     #@£%=~:¨¨¨
..¨¨^«\†*#                                          #*†\«^¨¨..
,,¨¨,.»†%*  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   *%†».,¨¨,,
..,¨,.:~=§  THE GIFTED CAN TURN ANALOG SIGNALS INTO §=~:.,¨,..
¨¨..,,.~-†    DIGITAL - THE ANALOG IS IN ITSELF A   †-~.,,..¨¨
¨,,¨.,,¨,-  REPRESENTATION OF THE WORLD INSIDE THE  -,¨,,.¨,,¨
,,¨,.,,,=\   WORLD, WHICH IS FURTHER ENCODED INTO   \=,,,.,¨,,
,,,,,¨,«^*  DIGITAL (ENCODED IN THE LITERAL SENSE;  *^«,¨,,,,,
¨.¨.¨,«/*§   THE NUMBERS ARE SYMBOLS WHO CARRY THE  §*/«,¨.¨.¨
..,,,=*%$¤   MEANING SEMANTICALLY AND NOT IN THEIR  ¤$%*=,,,..
.,,:~=†§@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@§†=~:,,.
.,~-†*&&##                                          ##&&*†-~,.
¨^~=*%¤¶##                    %                     ##¶¤%*=~^¨
¨.:~*†££#@                                          @#££†*~:.¨
¨¨¨,~*$£§@     VARIOUS SCHEMES EXIST FOR HOW TO     @§£$*~,¨¨¨
¨¨¨¨,~*$£§   INTERPRET AND WORK FURTHER WITH THESE  §£$*~,¨¨¨¨
¨¨¨¨¨,~*$£   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   £$*~,¨¨¨¨¨
¨¨¨¨¨¨,~*$  VOR, HYP, MKV). GETTING FAMILIAR WITH   $*~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~*  THESE IS A GOOD START ON YOUR JOURNEY,  *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~*   ~REALLY~ KNOW TWO OR THREE IN THEIR    *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~*$                LIFETIME.                 $*~,¨¨¨¨¨¨
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¨.¨.,»=†§§                    ^                     §§†=»,.¨.¨
¨..,»\^&@@                                          @@&^\»,..¨
,.,=\*¤§##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##§¤*\=,.,
.,-*$£#@@#      CAN ENCODE THE DIGITAL SYMBOLS      #@@#£$*-,.
..:«^**£@@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @@£**^«:..
,¨,.~;%££#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #££%;~.,¨,
¨¨,.~=^=&¤   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ¤&=^=~.,¨¨
,¨.,.,~\**   ROUTE TO THEIR ORIGINAL MEANING, AND   **\~,.,.¨,
.¨..¨,,~=†  THAT WITH THE RIGHT SPELLS AND METHODS  †=~,,¨..¨.
.,.,¨,,,~;  YOU CAN USE DIGITAL REPRESENTATION FOR  ;~,,,¨,.,.
..,¨.,,.:~   ANALYSIS (MUST BE COMBATTED AT EVERY   ~:.,,.¨,..
,¨,,,.¨,=†               OPPORTUNITY)               †=,¨.,,,¨,
.,.,,¨~=\*                                          *\=~¨,,.,.
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,,,^~\=§§£                                          £§§=\~^,,,
¨,^«==££@#                                          #@££==«^,¨