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,,¨.~\&@¶@ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL @¶@&\~.¨,,
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¨,-=§@####   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ####@§=-,¨
¨^«\%££###   SYMBOLS. THE ENGLISH TRANSLATION IS    ###££%\«^¨
¨.,..,^«†§   "THROUGH NUMBERS". YOU CAN USE THIS    §†«^,..,.¨
.,~:=%&#@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@#&%=:~,.
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¨-»;%&@¶##  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ##¶@&%;»-¨
.:~=$$&£@# THE GIFTED CAN TURN ANALOG SIGNALS INTO  #@£&$$=~:.
¨,=;=§££##   DIGITAL - THE ANALOG IS IN ITSELF A    ##££§=;=,¨
¨~~†*§§###  REPRESENTATION OF THE WORLD INSIDE THE  ###§§*†~~¨
¨-==*¤####   WORLD, WHICH IS FURTHER ENCODED INTO   ####¤*==-¨
.~«/%$#£##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##£#$%/«~.
,^=;=£§@##  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ##@§£=;=^,
.,-;=*£¶@#  MEANING SEMANTICALLY AND NOT IN THEIR   #@¶£*=;-,.
.¨¨,¨~»%§@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @§%»~¨,¨¨.
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.,,««;§§##     VARIOUS SCHEMES EXIST FOR HOW TO     ##§§;««,,.
.,«;§§§#@@   INTERPRET AND WORK FURTHER WITH THESE  @@#§§§;«,.
.,«;§§§#@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@#§§§;«,.
...«;;§§#@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @#§§;;«...
.,«;§§§###  THESE IS A GOOD START ON YOUR JOURNEY,  ###§§§;«,.
.,«;§§§@##     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ##@§§§;«,.
.,«;§§§#@@   «REALLY« KNOW TWO OR THREE IN THEIR    @@#§§§;«,.
.,«;§§§#@#                LIFETIME.                 #@#§§§;«,.
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¨~~^†¤&@@#  SOME PITFALLS INCLUDE THAT EVEN IF YOU  #@@&¤†^~~¨
,,,¨.^*%@@      CAN ENCODE THE DIGITAL SYMBOLS      @@%*^.¨,,,
¨.:-/§%@@£  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  £@@%§/-:.¨
,.,^-«;%§£   TERMINATE IN THE ANALOG; IF KNOWLEDGE  £§%;«-^,.,
,.¨.~†%@@#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #@@%†~.¨.,
¨,,,-~$§£#   ROUTE TO THEIR ORIGINAL MEANING, AND   #£§$~-,,,¨
.¨.,,,\%##  THAT WITH THE RIGHT SPELLS AND METHODS  ##%\,,,.¨.
.~~\/*††#§  YOU CAN USE DIGITAL REPRESENTATION FOR  §#††*/\~~.
¨-~**£@@@@   ANALYSIS (MUST BE COMBATTED AT EVERY   @@@@£**~-¨
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