.¨¨,,..¨,¨                                          ¨,¨..,,¨¨.
»,,.,,,,¨.                                          .¨,,,,.,,»
†~~,,.¨¨,.                                          .,¨¨.,,~~†
=\~,¨¨..¨,                                          ,¨..¨¨,~\=
@*:«^¨,.,,                                          ,,.,¨^«:*@
£%§/~-¨.¨,                                          ,¨.¨-~/§%£
@#%$=~.,,,           #§*¨¨¨¨,¨¨,,¨¨.¨.†%#           ,,,.~=$%#@
#£@£$=-:.,          #=%  "DIGITALITY"  *$#          ,.:-=$£@£#
###@£$†«..           #*†¨¨¨¨..¨,¨.,,.¨*^#           ..«†$£@###
#@££†;=..¨                                          ¨..=;†££@#
#¤£††~:,.,                     ^                    ,.,:~††£¤#
&&%^~.,,,,                                          ,,,,.~^%&&
£*=-^,.,., DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ,.,.,^-=*£
=^».¨..,¨.                                          .¨,..¨.»^=
/«-.¨¨..¨,                    =                     ,¨..¨¨.-«/
~~,.,,¨.,,                                          ,,.¨,,.,~~
.,,¨.¨..¨.    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   .¨..¨.¨,,.
,,¨.¨¨¨¨¨.    SYMBOLS. THE ENGLISH TRANSLATION IS   .¨¨¨¨¨.¨,,
,,¨.¨,¨,..   "THROUGH NUMBERS". YOU CAN USE THIS    ..,¨,¨.¨,,
-^.,,.,...  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ...,.,,.^-
:»,,,¨,,..                                          ..,,¨,,,»:
%\=,¨...¨¨                     $                    ¨¨...¨,=\%
£†*-~¨...¨                                          ¨...¨~-*†£
&@%†~^,,,,   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ,,,,^~†%@&
@&£%†»:¨¨. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .¨¨:»†%£&@
##@$^\»^¨.    DIGITAL - THE ANALOG IS IN ITSELF A   .¨^»\^$@##
###£$$:-:.  REPRESENTATION OF THE WORLD INSIDE THE  .:-:$$£###
##£¤§^~,,,   WORLD, WHICH IS FURTHER ENCODED INTO   ,,,~^§¤£##
¶¤¤§:~:.,,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,,.:~:§¤¤¶
&§=*~,.,,,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,,,.,~*=§&
§%=«^.¨,,,  MEANING SEMANTICALLY AND NOT IN THEIR   ,,,¨.^«=%§
^=«,¨,,..¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨..,,¨,«=^
*~,,,¨....                                          ....¨,,,~*
-~¨,,,,..¨                     $                    ¨..,,,,¨~-
~..,.,.,.¨                                          ¨.,.,.,..~
..........     VARIOUS SCHEMES EXIST FOR HOW TO     ..........
-.........   INTERPRET AND WORK FURTHER WITH THESE  .........-
--........   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ........--
/--.......  VOR, HYP, MKV). GETTING FAMILIAR WITH   .......--/
$/--......  THESE IS A GOOD START ON YOUR JOURNEY,  ......--/$
*$/--.....     ALTHOUGH EVEN A WIZARD MIGHT ONLY    .....--/$*
¤*$/--....   -REALLY- KNOW TWO OR THREE IN THEIR    ....--/$*¤
£¤*$/--...                 LIFETIME.                ...--/$*¤£
##¤$%=«^..                                          ..^«=%$¤##
##£#§%=«,.                    §                     .,«=%§#£##
#@&§$\~,..                                          ..,~\$§&@#
¶¤*†*-~.,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,.~-*†*¤¶
@*%:=...,,      CAN ENCODE THE DIGITAL SYMBOLS      ,,...=:%*@
%**«~,..,¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨,..,~«**%
†/~,¨.,.,.  TERMINATE IN THE ANALOG; IF KNOWLEDGE   .,.,.¨,~/†
/«^,.,.,¨,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,¨,.,.,^«/
~-,¨¨¨,¨,¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨,¨,¨¨¨,-~
^..¨¨,,¨..  THAT WITH THE RIGHT SPELLS AND METHODS  ..¨,,¨¨..^
,,¨.¨.,,¨,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,¨,,.¨.¨,,
:.,,¨.¨.¨,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,¨.¨.¨,,.:
~,¨¨.,¨,.,               OPPORTUNITY)               ,.,¨,.¨¨,~
*=,.¨..,¨¨                                          ¨¨,..¨.,=*
%==~.,¨¨¨.                                          .¨¨¨,.~==%
$=†~,,¨.,.                                          .,.¨,,~†=$
@$††~~.,..                                          ..,.~~††$@
#&¤%\~,..,                                          ,..,~\%¤&#