,¨,¨,.,=**                                          **=,.,¨,¨,
.¨,¨..¨^=^                                          ^=^¨..¨,¨.
¨.¨,.¨^~;†                                          †;~^¨.,¨.¨
¨.,.,^»/=&                                          &=/»^,.,.¨
¨¨¨¨,~:^%&                                          &%^:~,¨¨¨¨
¨.,^-^%@&@                                          @&@%^-^,.¨
,¨,~/§¤@£#           #%*¨,,.¨¨..¨¨,,,.%^#           #£@¤§/~,¨,
¨,=^%¤££@#          #^^  "digitality"  ^*#          #@££¤%^=,¨
.¨~«†*£&@#           #=^¨,..¨,¨¨.¨,.¨¨§†#           #@&£*†«~¨.
..,-=\*%#@                                          @#%*\=-,..
.,.,.-†*@&                    ^                     &@*†-.,.,.
,¨,,,.~\†&                                          &†\~.,,,¨,
¨,..,¨^«/% digital, the digital,  to become digital %/«^¨,..,¨
,,,,,..^=:                                          :=^..,,,,,
¨,.,.,,==†                     ^                    †==,,.,.,¨
¨¨,..,»;$$                                          $$;»,..,¨¨
,¨.,:=;†£¤   ancient (mesopothamia) knot made of    ¤£†;=:,.¨,
.,¨,-\§*#£   symbols. the english translation is    £#*§\-,¨,.
.,:«†%¤@@#    "through numbers". you can use this   #@@¤%†«:,.
¨~~*$§####  machine to remember, predict, or hide.  ####§$*~~¨
,.^-*§£¤¶#                                          #¶¤£§*-^.,
,..-~/^*@#                     *                    #@*^/~-..,
¨..¨:-†*&£                                          £&*†-:¨..¨
.,,.¨~~;=£   though it might look like witchcraft,  £=;~~¨.,,.
,¨¨,¨¨:~/* the gifted can turn analog signals into  */~:¨¨,¨¨,
.¨.¨..,~~=    digital - the analog is in itself a   =~~,..¨.¨.
,,¨.,.,-*=  representation of the world inside the  =*-,.,.¨,,
¨¨¨,¨,-^*£   world, which is further encoded into   £*^-,¨,¨¨¨
.¨,,:~;*£#  digital (encoded in the literal sense;  #£*;~:,,¨.
,¨,,~\§$£#  the numbers are symbols who carry the   #£$§\~,,¨,
.,,»†§@§@#  meaning semantically and not in their   #@§@§†»,,.
,:-/$$##@# shape (analog beings are the opposite.)) #@##$$/-:,
.,-»;$£¤##                                          ##¤£$;»-,.
¨¨¨,«\§@§@                     *                    @§@§\«,¨¨¨
,,¨.-=/%$§                                          §$%/=-.¨,,
.....--\$$     various schemes exist for how to     $$\--.....
......--\$  interpret and work further with these   $\--......
.......--\   symbols (such as wav, jpg, nfo, diz,   \--.......
......--\$  vor, hyp, mkv). getting familiar with   $\--......
.....--\$$  these is a good start on your journey,  $$\--.....
....--\$$¤     although even a wizard might only    ¤$$\--....
...--\$$¤¶    -really- know two or three in their   ¶¤$$\--...
..--\$$¤¶@                 lifetime.                @¶¤$$\--..
.~»;%*¤¶##                                          ##¶¤*%;»~.
¨¨~-/^¤¤@#                     *                    #@¤¤^/-~¨¨
..,,~;$%£#                                          #£%$;~,,..
,¨..,-\^%&  some pitfalls include that even if you  &%^\-,..¨,
,¨,,.:~=*&      can encode the digital symbols      &*=~:.,,¨,
,¨....^«\=  themselves as digital, somehow it must  =\«^....¨,
¨¨..¨¨¨.-^   terminate in the analog; if knowledge  ^-.¨¨¨..¨¨
.¨.,¨.,»=%   is lost, you can have symbols with no  %=»,.¨,.¨.
.¨¨¨,,=/%£   route to their original meaning, and   £%/=,,¨¨¨.
,,¨,:~†$@¤  that with the right spells and methods  ¤@$†~:,¨,,
.,.:~=†@¤#  you can use digital representation for  #¤@†=~:.,.
.,,~;%$&¶#   analysis (must be combatted at every   #¶&$%;~,,.
.--†=£§@##               opportunity)               ##@§£=†--.
.¨~~*$%&@#                                          #@&%$*~~¨.
.¨¨.-:=$&#                                          #&$=:-.¨¨.
,,.,:«/*£§                                          §£*/«:,.,,
..,¨¨,=;§$                                          $§;=,¨¨,..
.¨.,,¨~»;$                                          $;»~¨,,.¨.