¨¨,-~:*¤@#                                          #@¤*:~-,¨¨
..,-;%¤@¶@                                          @¶@¤%;-,..
¨^»:*&#¶##                                          ##¶#&*:»^¨
,,,~:=£#@#                                          #@#£=:~,,,
,,¨^=^%&¤@                                          @¤&%^=^¨,,
,¨,.:»^†%@                                          @%†^»:.,¨,
....,^~:†*           #^%¨¨,,¨,¨,,.¨,¨¨*^#           *†:~^,....
.¨.¨--=§&£          #%§  "DIGITALITY"  ^%#          £&§=--¨.¨.
,..~-*=%@@           #$%,¨,,¨...,,,,,¨††#           @@%=*-~..,
,.:-;*£&¶#                                          #¶&£*;-:.,
.:~\*£§@@#                    ^                     #@@§£*\~:.
,.^~**£§£#                                          #£§£**~^.,
...,~^$@££ DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ££@$^~,...
¨.,,-»\=$¤                                          ¤$=\»-,,.¨
¨¨¨,,^~:*¤                    †                     ¤*:~^,,¨¨¨
,...~~=%§&                                          &§%=~~...,
¨¨,^»:%$&@    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   @&$%:»^,¨¨
,..~=$¤§@#   SYMBOLS. THE ENGLISH TRANSLATION IS    #@§¤$=~..,
¨:~*=$§¶##    "THROUGH NUMBERS". YOU CAN USE THIS   ##¶§$=*~:¨
,,:»††£§##  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ##§£††»:,,
¨.,,~*=££#                                          #££=*~,,.¨
.,..,«=§$@                    =                     @$§=«,..,.
.¨,¨¨--:§&                                          &§:--¨¨,¨.
,,...~/^%§   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  §%^/~...,,
¨¨¨^-/**&#  THE GIFTED CAN TURN ANALOG SIGNALS INTO #&**/-^¨¨¨
.,,~^**§##    DIGITAL - THE ANALOG IS IN ITSELF A   ##§**^~,,.
¨:»^%££@##  REPRESENTATION OF THE WORLD INSIDE THE  ##@££%^»:¨
..,«:=*£¶@   WORLD, WHICH IS FURTHER ENCODED INTO   @¶£*=:«,..
..,,~;%&&#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #&&%;~,,..
,¨¨,,«\=*£   THE NUMBERS ARE SYMBOLS WHO CARRY THE  £*=\«,,¨¨,
,¨.,,:»†*@  MEANING SEMANTICALLY AND NOT IN THEIR   @*†»:,,.¨,
,¨¨.~»\=£§ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) §£=\»~.¨¨,
...^»;%&£#                                          #£&%;»^...
.,^»:%&§@#                    $                     #@§&%:»^,.
,--:%&£@##                                          ##@£&%:--,
,,^~^†§&##     VARIOUS SCHEMES EXIST FOR HOW TO     ##&§†^~^,,
,,,^~^†§&#  INTERPRET AND WORK FURTHER WITH THESE   #&§†^~^,,,
,,,,^~^†§&   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   &§†^~^,,,,
,,,,,^~^†§   VOR, HYP, MKV). GETTING FAMILIAR WITH  §†^~^,,,,,
,,,,^~^†§&  THESE IS A GOOD START ON YOUR JOURNEY,  &§†^~^,,,,
,,,^~^†§&#    ALTHOUGH EVEN A WIZARD MIGHT ONLY     #&§†^~^,,,
,,^~^†§&##   ~REALLY~ KNOW TWO OR THREE IN THEIR    ##&§†^~^,,
,^~^†§&###                 LIFETIME.                ###&§†^~^,
¨¨--\$*&£@                                          @£&*$\--¨¨
¨.¨.-/*§@#                     ^                    #@§*/-.¨.¨
,.¨..=^§&#                                          #&§^=..¨.,
,.¨..:-**@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @**-:..¨.,
¨¨¨¨,~/*%£      CAN ENCODE THE DIGITAL SYMBOLS      £%*/~,¨¨¨¨
.,.,=†$$¤#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #¤$$†=,.,.
,.--^§£¤@#   TERMINATE IN THE ANALOG; IF KNOWLEDGE  #@¤£§^--.,
,~-:%$¤###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###¤$%:-~,
¨.-~*^%@@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@@%^*~-.¨
¨,,.»/%£¤@  THAT WITH THE RIGHT SPELLS AND METHODS  @¤£%/».,,¨
.¨¨..~:*%#  YOU CAN USE DIGITAL REPRESENTATION FOR  #%*:~..¨¨.
¨,.,,-«^*£   ANALYSIS (MUST BE COMBATTED AT EVERY   £*^«-,,.,¨
..,.-=\§££               OPPORTUNITY)               ££§\=-.,..
¨,,,~†§£@¶                                          ¶@£§†~,,,¨
.¨~~;*@#¶@                                          @¶#@*;~~¨.
,^-/%@@@@#                                          #@@@@%/-^,
,,,~†%%&@@                                          @@&%%†~,,,
,¨.^~†*¤@@                                          @@¤*†~^.¨,