.^-:^&¤### ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## --::-- ##¤&^:-^..
...^-:^&¤# ... SLEEP ... #¤&^:-^...
..^-:^&¤## ^^--^^ ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## SLEEP IS THE MOST IMPORTANT MEAL OF THE ##¤&^:-^..
...^-:^&¤# DAY. SLEEP IS SAYING GOODBYE FOR A #¤&^:-^...
..^-:^&¤## WHILE. IF YOU CAN DREAM, YOU ALSO GET ##¤&^:-^..
.^-:^&¤### TO VISIT FRIENDS AND OTHER ANIMALS. ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# ..^^.. #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### DEEPER THAN DEATH IS TO BE ALIVE AND ###¤&^:-^.
..^-:^&¤## ASLEEP. IT IS DEATH IF IT WAS TEMPORARY ##¤&^:-^..
...^-:^&¤# AND REJUVENATING. #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### ..^^.. ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# SLEEP IS A BLACK MARBLE OUTSIDE OF #¤&^:-^...
..^-:^&¤## WHICH THERE IS NOTHING. INSIDE IS ALL ##¤&^:-^..
.^-:^&¤### THE STARS AND IN THE MIDDLE A ###¤&^:-^.
..^-:^&¤## BLACK LAKE. AT THE FOOT OF THIS LAKE ##¤&^:-^..
...^-:^&¤# STANDS AN OLD FRIEND. #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### ..^^.. ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# WHEN YOU SLEEP ALL SOUND IS INTERNAL. #¤&^:-^...
..^-:^&¤## WHEN YOU SLEEP YOUR BRAIN SHRINKS. ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## ..^^.. ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## IF YOU WISH TO MEASURE SLEEP, USE THESE ##¤&^:-^..
.^-:^&¤### FOUR QUANTIFIERS:: GRIP, DEEPNESS, ###¤&^:-^.
..^-:^&¤## OTHERWORLDINESS AND REVITALIZATION. ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## GRIP GOES FROM NOT BEING ABLE TO LET GO ##¤&^:-^..
.^-:^&¤### ALL DAY (LEFT) TO NOT CARING TO ###¤&^:-^.
..^-:^&¤## REMEMBER (RIGHT). ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## DEEPNESS GOES FROM BEING SEVERAL ##¤&^:-^..
.^-:^&¤### HUNDRED METERS DOWN (LEFT) TO BARELY ###¤&^:-^.
..^-:^&¤## TOUCHING THE SURFACE (RIGHT). ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## OTHERWORLDLINESS GOES FROM A SINGLE ##¤&^:-^..
.^-:^&¤### COHERENT DREAMSCAPE (LEFT), VIA NORMAL ###¤&^:-^.
..^-:^&¤## DREAM AMOUNTS (MIDDLE) TO NO DREAMS ##¤&^:-^..
...^-:^&¤# (RIGHT). #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### REVITALIZATION GOES FROM A FEELING OF ###¤&^:-^.
..^-:^&¤## NOT HAVING SLEPT AT ALL (LEFT) TO BEING ##¤&^:-^..
...^-:^&¤# FULL OF ENERGY AND MAYBE OPTIMISM #¤&^:-^...
..^-:^&¤## (RIGHT). ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## ^^ ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## HIGH OTHERWORLDLINESS AND HIGH GRIP IS ##¤&^:-^..
.^-:^&¤### A PARTICULARLY EFFECTIVE COMBO. ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# --::-- #¤&^:-^...
..^-:^&¤## ... SEE ALSO ... ##¤&^:-^..
.^-:^&¤### ^^--^^ ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# SLEEP DEITIES #¤&^:-^...
..^-:^&¤## THE BLACKBIRD ##¤&^:-^..
.^-:^&¤### SOLIPSISM ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# --::-- #¤&^:-^...
..^-:^&¤## ... FURTHERMORE ... ##¤&^:-^..
.^-:^&¤### ^^--^^ ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# THIS IS STILL A PLACE: HERE, IN THE #¤&^:-^...
..^-:^&¤## SILENCE, DARKNESS AND NIGHT - AND ##¤&^:-^..
.^-:^&¤### LONELINESS, HOLDING A KIND OF DILUTION ###¤&^:-^.
..^-:^&¤## OF REALITY, AND SUDDENLY IT'S NOT ##¤&^:-^..
...^-:^&¤# IMPORTANT THAT I LIE IN MY BED, THE #¤&^:-^...
..^-:^&¤## LACK OF PRESENCE BRINGS THE NOTION ##¤&^:-^..
.^-:^&¤### THAT, IF I DO NOT CHOOSE SLEEP, I ###¤&^:-^.
..^-:^&¤## CHOOSE PAST, FUTURE, SOMETHING WITH ##¤&^:-^..
...^-:^&¤# MORE SUBSTANCE THAN THE OBJECTS I #¤&^:-^...
..^-:^&¤## SURROUND MYSELF WITH. ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..
...^-:^&¤# #¤&^:-^...
..^-:^&¤## ##¤&^:-^..
.^-:^&¤### ###¤&^:-^.
..^-:^&¤## ##¤&^:-^..