,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                  ~~††~~                  @££@%†~.,,
,.~†%@££@#               ,,, SLEEP ,,,              #@££@%†~.,
,,.~†%@££@                  ..~~..                  @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@ SLEEP IS  THE MOST IMPORTANT MEAL OF THE @££@%†~.,,
,.~†%@££@# DAY.  SLEEP  IS  SAYING  GOODBYE  FOR  A #@££@%†~.,
,,.~†%@££@ WHILE.  IF YOU CAN DREAM, YOU  ALSO  GET @££@%†~.,,
,.~†%@££@# TO  VISIT  FRIENDS  AND  OTHER  ANIMALS. #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                  ,,..,,                  #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@# DEEPER  THAN DEATH IS  TO BE  ALIVE  AND #@££@%†~.,
,,.~†%@££@ ASLEEP. IT IS DEATH IF IT WAS  TEMPORARY @££@%†~.,,
,.~†%@££@#             AND REJUVENATING.            #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                  ,,..,,                  #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@# SLEEP  IS  A  BLACK  MARBLE  OUTSIDE  OF #@££@%†~.,
,,.~†%@££@ WHICH THERE  IS NOTHING. INSIDE  IS  ALL @££@%†~.,,
,.~†%@££@# THE   STARS   AND   IN   THE  MIDDLE   A #@££@%†~.,
,,.~†%@££@ BLACK LAKE.  AT THE  FOOT  OF  THIS LAKE @££@%†~.,,
,.~†%@££@#           STANDS AN OLD FRIEND.          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                  ,,..,,                  #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@# WHEN YOU SLEEP ALL  SOUND  IS  INTERNAL. #@££@%†~.,
,,.~†%@££@ WHEN  YOU  SLEEP   YOUR  BRAIN  SHRINKS. @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                  ,,..,,                  @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@ IF YOU  WISH TO MEASURE SLEEP, USE THESE @££@%†~.,,
,.~†%@££@#    FOUR QUANTIFIERS:: GRIP, DEEPNESS,    #@££@%†~.,
,,.~†%@££@   OTHERWORLDINESS AND REVITALIZATION.    @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@ GRIP GOES FROM NOT BEING ABLE TO  LET GO @££@%†~.,,
,.~†%@££@# ALL   DAY  (LEFT)  TO  NOT   CARING   TO #@££@%†~.,
,,.~†%@££@            REMEMBER (RIGHT).             @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@     DEEPNESS GOES FROM BEING SEVERAL     @££@%†~.,,
,.~†%@££@# HUNDRED  METERS DOWN  (LEFT)  TO  BARELY #@££@%†~.,
,,.~†%@££@       TOUCHING THE SURFACE (RIGHT).      @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@    OTHERWORLDLINESS GOES FROM A SINGLE   @££@%†~.,,
,.~†%@££@#  COHERENT DREAMSCAPE (LEFT), VIA NORMAL  #@££@%†~.,
,,.~†%@££@ DREAM  AMOUNTS  (MIDDLE)  TO  NO  DREAMS @££@%†~.,,
,.~†%@££@#                 (RIGHT).                 #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@# REVITALIZATION GOES FROM  A  FEELING  OF #@££@%†~.,
,,.~†%@££@ NOT HAVING SLEPT AT ALL (LEFT) TO  BEING @££@%†~.,,
,.~†%@££@# FULL  OF   ENERGY   AND  MAYBE  OPTIMISM #@££@%†~.,
,,.~†%@££@                 (RIGHT).                 @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                    ..                    @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@ HIGH OTHERWORLDLINESS AND HIGH  GRIP  IS @££@%†~.,,
,.~†%@££@#     A PARTICULARLY EFFECTIVE COMBO.      #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                  ~~††~~                  #@££@%†~.,
,,.~†%@££@             ,,, SEE ALSO ,,,             @££@%†~.,,
,.~†%@££@#                  ..~~..                  #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#              SLEEP DEITIES               #@££@%†~.,
,,.~†%@££@               THE BLACKBIRD              @££@%†~.,,
,.~†%@££@#                 SOLIPSISM                #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                  ~~††~~                  #@££@%†~.,
,,.~†%@££@           ,,, FURTHERMORE ,,,            @££@%†~.,,
,.~†%@££@#                  ..~~..                  #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@# THIS  IS  STILL A  PLACE:  HERE,  IN THE #@££@%†~.,
,,.~†%@££@ SILENCE,  DARKNESS  AND   NIGHT   -  AND @££@%†~.,,
,.~†%@££@# LONELINESS,  HOLDING A KIND OF  DILUTION #@££@%†~.,
,,.~†%@££@ OF  REALITY,  AND   SUDDENLY   IT'S  NOT @££@%†~.,,
,.~†%@££@# IMPORTANT THAT  I  LIE  IN MY  BED,  THE #@££@%†~.,
,,.~†%@££@ LACK  OF  PRESENCE  BRINGS  THE   NOTION @££@%†~.,,
,.~†%@££@# THAT,  IF  I  DO  NOT  CHOOSE  SLEEP,  I #@££@%†~.,
,,.~†%@££@   CHOOSE PAST, FUTURE, SOMETHING WITH    @££@%†~.,,
,.~†%@££@# MORE  SUBSTANCE   THAN   THE  OBJECTS  I #@££@%†~.,
,,.~†%@££@          SURROUND MYSELF WITH.           @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,
,.~†%@££@#                                          #@££@%†~.,
,,.~†%@££@                                          @££@%†~.,,