@...@@@@@@ ..@@@@@@.@
@..@.....@ .@.....@@.
@.@@....@. @@....@.@@
@@.@...@@@ .@...@@@..
.@@@..@... @@..@..@.@
@..@.@@... .. ~~~~~~~ ~~~~~~~ ~~~~~~~ .. .@.@@.@@@@
@.@@@.@... NICK WILDE IS A RED FOX AND A CONMAN. @@@.@@....
@@..@@@..@ .. ~~~~~~~ ~~~~~~~ ~~~~~~~ .. ..@@.@...@
.@.@..@.@@ .@.@@@..@.
@@@@.@@@.. HE'S NOT ABOVE PETTY CRIME, BUT HE @@@..@.@@.
...@@..@.. KNOWS THAT IF HE PUTS IN A BIT OF WORK, ..@.@@@.@@
..@.@.@@.@ HE WILL FIND MUCH MORE LUCRATIVE .@@@..@@.@
.@@@@@.@@@ REWARDS. @..@.@.@@@
@....@@... @.@@@@@..@
@...@.@..@ AND THUS HE'S CURRENTLY WORKING @@....@.@.
@..@@@@.@. ALONGSIDE HATSUNE MIKU FOR A COMPANY .@...@@@@@
@.@...@@@. THAT MAKES SYNTHETIC MEAL REPLACEMENTS. @@..@.....
@@@..@..@. HE'S GOT A VAGUE OUTLINE OF A PLAN, TO .@.@@....@
..@.@@.@@. SCATTER WITH SOME PRODUCT, OR EVEN @@@.@...@.
.@@@.@@.@@ BETTER, SOME FORMULA? THESE THINGS ARE ..@@@..@@.
@..@@.@@.. WORTH A LOT TO A COMPETITOR. .@..@.@.@.
@.@.@@.@.@ @@.@@@@@@@
@@@@.@@@@@ HE'S BEEN LUCKY; THE PLACE IS .@@.......
...@@..... SURPRISINGLY UNGUARDED. ONCE HE'S GOT @.@......@
..@.@....@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL @@@.....@@
.@@@@...@@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, ..@....@.@
@...@..@.. KEEP DOING THE WORK... .@@...@@@@
@..@@.@@.. @.@..@....
@.@.@@.@.@ COME TO THINK OF IT, THE PLACE IS @@@.@@...@
@@@@.@@@@@ ALMOST EERILY EMPTY. THERE ARE FEW ..@@.@..@.
...@@..... COWORKERS. (IN FACT THE COMPANY IS .@.@@@.@@@
..@.@....@ AI-RUN AND ONLY A FEW KEY ROLES ARE @@@..@@..@
.@@@@...@. FILLED BY ACTUAL PEOPLE. ..@.@.@.@@
@...@..@@@ .@@@@@@@.@
@..@@.@..@ NONE OF THE EMPLOYEES KNOW THIS.) @......@@.
@.@.@@@.@@ @.....@.@@
@@@@..@@.@ ~~~ ~~~ @....@@@..
...@.@.@@@ ~~~ ~~~ ~~~ @...@..@.@
..@@@@@... ~~~ ~~~ @..@@.@@@@
.@....@..@ @.@.@@...@
@@...@@.@. NICK AND MIKU ARE BOTH STATIONED IN @@@@.@..@@
.@..@.@@@. EARLY PROCESSING, HOUSED IN A STATE OF ...@@@.@..
@@.@@@..@@ THE ART FACTORY CLOSE TO THE DOCKS. ..@..@@@..
.@@..@.@.@ THEY CREATE THE EARLY BUILDING BLOCKS .@@.@..@.@
@.@.@@@@@. THAT ARE LATER COMBINED INTO THE MEALS @.@@@.@@@@
@@@@....@. THAT'S SOLD TO CUSTOMERS. @@..@@....
...@...@@. .@.@.@...@
..@@..@.@@ THE BASES ARE MOSTLY SLUDGES @@@@@@..@@
.@.@.@@@.. OR PASTES, SUCH AS: .....@.@.@
@@@@@..@.. ....@@@@@@
....@.@@.@ ^~ PLANT MATTER ...@......
...@@@.@@. ^~ BLOOD COLONY ..@@......
..@..@@.@@ (MADE WITH A TYPE OF BACTERIA) .@.@......
.@@.@.@@.. ^~ WILD FLESH @@@@......
@.@@@@.@.. (FREE ROAMING ANIMALS) ...@......
@@...@@@.@ ^~ ORGANS ..@@.....@
.@..@..@@@ (TAKEN FROM A LIVING HUMAN THAT .@.@....@.
@@.@@.@... IS WILLING TO SELL) @@@@...@@.
.@@.@@@... ^~ MINERALS ...@..@.@@
@.@@..@... ^~ BLOOD COLONY TWO ..@@.@@@.@
@@.@.@@..@ ^~ INSECTS .@.@@..@@.
.@@@@.@.@. (WHICH ARE MAINLY USED FOR THEIR @@@.@.@.@@
@...@@@@@@ BRAIN, WHICH IS USED TO EXTRACT ..@@@@@@.@
@..@.....@ RECEPTORS THAT DETECT PHEROMONES) .@.....@@.
@.@@....@. @@....@.@@
@@.@...@@@ ~~~ ~~~ .@...@@@..
.@@@..@... ~~~ ~~~ ~~~ @@..@..@.@
@..@.@@... ~~~ ~~~ .@.@@.@@@@
@.@@@.@... @@@.@@....
@@..@@@..@ MIKU IS IN CHARGE OF THE BLOOD ..@@.@...@
.@.@..@.@@ COLONIES. THERE'S LARGE VATS OF THE .@.@@@..@.
@@@@.@@@.. ORIGINAL CULTURE WHICH IS FED BLOOD @@@..@.@@.
...@@..@.. MEAL, BONE MEAL, WHAT DOESN'T QUALIFY ..@.@@@.@@
..@.@.@@.@ TO GO IN THE "WILD FLESH" PASTE, AND .@@@..@@.@
.@@@@@.@@@ SOME PROCESSING CHEMICALS. ALL THESE @..@.@.@@@
@....@@... INGREDIENTS HAVE AN EFFECT ON THE BLOOD @.@@@@@..@
@...@.@..@ WHICH IN TURN AFFECTS MIKU. @@....@.@.
@..@@@@.@. .@...@@@@@
@.@...@@@. THERE IS A LARGE TANK BEHIND THE @@..@.....
@@@..@..@. FACTORY THAT CONTAINS A VAST NUMBER OF .@.@@....@
..@.@@.@@. AUXILLIARY BLOOD COLONIES. MIKU WATCHES @@@.@...@.
.@@@.@@.@@ OVER THESE AS WELL. THEIR PURPOSE IS ..@@@..@@.
@..@@.@@.. UNCLEAR. .@..@.@.@.
@.@.@@.@.@ @@.@@@@@@@
@@@@.@@@@@ THE FACTORY IS SURROUNDED BY THE BLOOD .@@.......
...@@..... MEAL FARMS. THERE IS A CONSTANT @.@......@
..@.@....@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS @@@.....@@
.@@@@...@@ PROVIDES TWO OF THE MAJOR MATERIALS FOR ..@....@.@
@...@..@.. BOTH THE COLONIES AND MIKU. .@@...@@@@
@..@@.@@.. @.@..@....
@.@.@@.@.@ ~~~ ~~~ @@@.@@...@
@@@@.@@@@@ ~~~ ~~~ ~~~ ..@@.@..@.
...@@..... ~~~ ~~~ .@.@@@.@@@
..@.@....@ @@@..@@..@
.@@@@...@. NICK IS UNCOMFORTABLE AROUND ..@.@.@.@@
@...@..@@@ THE "WILD FLESH" VATS. .@@@@@@@.@
@..@@.@..@ @......@@.
@.@.@@@.@@ @.....@.@@
@@@@..@@.@ @....@@@..
...@.@.@@@ @...@..@.@
..@@@@@... @..@@.@@@@