THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON AN  OUTING TO 
 THE GLASS FACTORY  THAT  BORE OUR FAMILY 
 NAME. IT HAD CHANGED OWNERS  MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED  FOR  A   LONG   WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE  MY FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE  WOULD BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL  FLOORS, MADE IN 
 YELLOW BRICK.  LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND  ASHEN. A BIT TOO DARK TO BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE  OTHER ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH  WAX FIGURES  OF MY GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I  QUICKLY SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE   FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT I CAN SEE  BY  THE 
 LIGHT THAT SHINES IN WHEREVER  THE  DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER, THE  GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE CHAINS  ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE  MIDDLE OF  THE  GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP  THERE. I SNEAK OVER THERE, AND 
 TAKE A FEW RELUCTANT  STEPS. AFTER  JUST 
 A  REVOLUTION,  I NOTICE  THAT FOR  EACH 
 STEP  THE BUILDING STARTS TO  GLOW,  THE 
 BRICKS  TURNING  A  DARK RED,  AND  THEN 
 ORANGE,  ALL THE PILED  UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY TO RUN DOWN  AND OUT,  BUT 
 THERE'S  SOMEONE ELSE ON  THE  STAIRCASE 
 WITH   ME  NOW,   PRESSED  CLOSE.   HE'S 
 LOOKING LIKE  ME, SHORT  HAIR  AND  THIN 
 ARMS,  BUT WITH EARS  FROM SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND DIALS  SET 
 IN THE  CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!  I   START   TO  RUN 
 DOWNWARDS,   BUT  NOW  THE   LIQUID  BOY 
 CREATURE  GRABS HOLD  OF ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME    BACK   UP   BESIDE    HIM. 
                                          
 THIS  TIME, I  TURN ANGRY INSTEAD.  WHAT 
 THE HELL?  WHO  IS THIS GUY, ACTING LIKE 
 THIS? I REACH OUT MY FREE  ARM AND  SLAM 
 A   RANDOM  LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON  THE ARM,  FORCING MY RELEASE. I 
 SHOVE HIM OFF OF ME, AND HE  FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN   RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED AROUND  ME. BUT  THE 
 ELEVATOR  ALSO SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE.  I CLOSE MY EYES AND 
 CURL INTO A BALL.  BUT THEN,  THE  GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES  MY EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS  OF IN A GLASS 
 DROP   THAT  FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON  THE STAIRS, UNABLE  TO 
 KEEP HIS BODY  UPRIGHT.  CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY,  HE'S  LOST TOO MUCH OF 
 HIMSELF AND  THE SCREAM  IS  CUT  SHORT. 
 THE    LAST    OF   HIM   RAINS    DOWN. 
                                          
 I  STILL  CAN'T REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE.  LOOKING  UP, I TRY  TO 
 MAKE  OUT  THE CEILING,  BUT IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF  THE FACTORY  WALLS, BUT 
 VERY  FAINT. I  SIT DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME  THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND  CRYING, I  MAKE MY WAY OVER 
 THE FACTORY  FLOOR,  WADING THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.