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^ the glass factory. ^
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,,.-†^¤&£# several centuries after it had last #£&¤^†-.,,
,,,.-†^¤&£ belonged to us, we went on an outing to £&¤^†-.,,,
,,,,.-†^¤& the glass factory that bore our family &¤^†-.,,,,
,,,,,.-†^¤ name. it had changed owners many times ¤^†-.,,,,,
,,,,,,.-†^ since our ancestors death, and then ^†-.,,,,,,
,,,,,.-†^¤ stood abandoned for a long while. ¤^†-.,,,,,
,,,,.-†^¤& finally, the natural end station for &¤^†-.,,,,
,,,.-†^¤&£ the buildings that survive: a museum, £&¤^†-.,,,
,,.-†^¤&£# and a gift shop. #£&¤^†-.,,
,.-†^¤&£## ##£&¤^†-.,
,,.-†^¤&£# there's a long time since my family #£&¤^†-.,,
,,,.-†^¤&£ made anything. by many, we would be £&¤^†-.,,,
,,,,.-†^¤& considered poor. &¤^†-.,,,,
,,,,,.-†^¤ ¤^†-.,,,,,
,,,,,,.-†^ there are two main factory buildings, ^†-.,,,,,,
,,,,,.-†^¤ domed things of several floors, made in ¤^†-.,,,,,
,,,,.-†^¤& yellow brick. large but narrow windows, &¤^†-.,,,,
,,,.-†^¤&£ reminescent of some cathedral. £&¤^†-.,,,
,,.-†^¤&£# custom-made glass, of course, large and #£&¤^†-.,,
,.-†^¤&£## leaded, and ashen. a bit too dark to be ##£&¤^†-.,
,,.-†^¤&£# practical. on the eastern building, #£&¤^†-.,,
,,,.-†^¤&£ some are shattered. £&¤^†-.,,,
,,,,.-†^¤& &¤^†-.,,,,
,,,,,.-†^¤ the other one is publicly open. there's ¤^†-.,,,,,
,,,,,,.-†^ a museum, with wax figures of my great ^†-.,,,,,,
,,,,,.-†^¤ great great grandfather, or something. ¤^†-.,,,,,
,,,,.-†^¤& various tools (or replicas) laid out on &¤^†-.,,,,
,,,.-†^¤&£ tables, with explaining texts. a lot of £&¤^†-.,,,
,,.-†^¤&£# glass of varying thickness. #£&¤^†-.,,
,.-†^¤&£## ##£&¤^†-.,
,,.-†^¤&£# ^^ #£&¤^†-.,,
,,,.-†^¤&£ ^^ ^^ £&¤^†-.,,,
,,,,.-†^¤& ------- ^ ^ ------- &¤^†-.,,,,
,,,,,.-†^¤ ^^ ^^ ¤^†-.,,,,,
,,,,,,.-†^ ^^ ^†-.,,,,,,
,,,,,.-†^¤ ¤^†-.,,,,,
,,,,.-†^¤& i quickly sneak out, and climb into the &¤^†-.,,,,
,,,.-†^¤&£ other building. the contrast is £&¤^†-.,,,
,,.-†^¤&£# overwhelming. it must have stood #£&¤^†-.,,
,.-†^¤&£## derelict for a long time, windows ##£&¤^†-.,
,,.-†^¤&£# broken, metallic trash and pools of #£&¤^†-.,,
,,,.-†^¤&£ dark glass all over the floor. no £&¤^†-.,,,
,,,,.-†^¤& electric lights, but i can see by the &¤^†-.,,,,
,,,,,.-†^¤ light that shines in wherever the dark ¤^†-.,,,,,
,,,,,,.-†^ windows are missing a pane. ^†-.,,,,,,
,,,,,.-†^¤ ¤^†-.,,,,,
,,,,.-†^¤& however, the greatest difference is the &¤^†-.,,,,
,,,.-†^¤&£ higher floors: this building has none. £&¤^†-.,,,
,,.-†^¤&£# it is one massive hall, stretching away #£&¤^†-.,,
,.-†^¤&£## infinitely above me. somewhere up there ##£&¤^†-.,
,,.-†^¤&£# is some great iron latticework, from #£&¤^†-.,,
,,,.-†^¤&£ where chains are suspended, and parts £&¤^†-.,,,
,,,,.-†^¤& of machinery has been falling down. &¤^†-.,,,,
,,,,,.-†^¤ ¤^†-.,,,,,
,,,,,,.-†^ there is, in the middle of the great ^†-.,,,,,,
,,,,,.-†^¤ hall, a thin spiral staircase that ¤^†-.,,,,,
,,,,.-†^¤& leads up there. i sneak over there, and &¤^†-.,,,,
,,,.-†^¤&£ take a few reluctant steps. after just £&¤^†-.,,,
,,.-†^¤&£# a revolution, i notice that for each #£&¤^†-.,,
,.-†^¤&£## step the building starts to glow, the ##£&¤^†-.,
,,.-†^¤&£# bricks turning a dark red, and then #£&¤^†-.,,
,,,.-†^¤&£ orange, all the piled up debree being £&¤^†-.,,,
,,,,.-†^¤& lit from behind. &¤^†-.,,,,
,,,,,.-†^¤ ¤^†-.,,,,,
,,,,,,.-†^ i stop ready to run down and out, but ^†-.,,,,,,
,,,,,.-†^¤ there's someone else on the staircase ¤^†-.,,,,,
,,,,.-†^¤& with me now, pressed close. he's &¤^†-.,,,,
,,,.-†^¤&£ looking like me, short hair and thin £&¤^†-.,,,
,,.-†^¤&£# arms, but with ears from some animal, #£&¤^†-.,,
,.-†^¤&£## and more disturbingly, completely made ##£&¤^†-.,
,,.-†^¤&£# of dark liquid glass. #£&¤^†-.,,
,,,.-†^¤&£ £&¤^†-.,,,
,,,,.-†^¤& ^^ &¤^†-.,,,,
,,,,,.-†^¤ ^^ ^^ ¤^†-.,,,,,
,,,,,,.-†^ ------- ^ ^ ------- ^†-.,,,,,,
,,,,,.-†^¤ ^^ ^^ ¤^†-.,,,,,
,,,,.-†^¤& ^^ &¤^†-.,,,,
,,,.-†^¤&£ £&¤^†-.,,,
,,.-†^¤&£# my fear holds me in place while he #£&¤^†-.,,
,.-†^¤&£## starts operating levers and dials set ##£&¤^†-.,
,,.-†^¤&£# in the center of the staircase. slowly, #£&¤^†-.,,
,,,.-†^¤&£ it starts spinning, circling upwards. £&¤^†-.,,,
,,,,.-†^¤& it's an elevator! i start to run &¤^†-.,,,,
,,,,,.-†^¤ downwards, but now the liquid boy ¤^†-.,,,,,
,,,,,,.-†^ creature grabs hold of me. i try to ^†-.,,,,,,
,,,,,.-†^¤ shake him off, but he's too strong, and ¤^†-.,,,,,
,,,,.-†^¤& pulls me back up beside him. &¤^†-.,,,,
,,,.-†^¤&£ £&¤^†-.,,,
,,.-†^¤&£# this time, i turn angry instead. what #£&¤^†-.,,
,.-†^¤&£## the hell? who is this guy, acting like ##£&¤^†-.,
,,.-†^¤&£# this? i reach out my free arm and slam #£&¤^†-.,,
,,,.-†^¤&£ a random lever. some metal bar is £&¤^†-.,,,
,,,,.-†^¤& suddenly released between us, hitting &¤^†-.,,,,
,,,,,.-†^¤ him on the arm, forcing my release. i ¤^†-.,,,,,
,,,,,,.-†^ shove him off of me, and he falls into ^†-.,,,,,,
,,,,,.-†^¤ the levers, messing them up. ¤^†-.,,,,,
,,,,.-†^¤& immediately, a thin rusty chainmail &¤^†-.,,,,
,,,.-†^¤&£ curtain is dropped around me. but the £&¤^†-.,,,
,,.-†^¤&£# elevator also speeds up significantly. #£&¤^†-.,,
,.-†^¤&£## ##£&¤^†-.,
,,.-†^¤&£# the walls are flaring now, yellow, #£&¤^†-.,,
,,,.-†^¤&£ white, almost blue. i close my eyes and £&¤^†-.,,,
,,,,.-†^¤& curl into a ball. but then, the glass &¤^†-.,,,,
,,,,,.-†^¤ boy screams, a piercing sound that ¤^†-.,,,,,
,,,,,,.-†^ forces my eyes back open. i watch as he ^†-.,,,,,,
,,,,,.-†^¤ becomes too liquid, his body pooling ¤^†-.,,,,,
,,,,.-†^¤& down in his now massive tail, and the &¤^†-.,,,,
,,,.-†^¤&£ tip of it suddenly breaks of in a glass £&¤^†-.,,,
,,.-†^¤&£# drop that falls toward the factory #£&¤^†-.,,
,.-†^¤&£## floor. ##£&¤^†-.,
,,.-†^¤&£# #£&¤^†-.,,
,,,.-†^¤&£ he's crawling on the stairs, unable to £&¤^†-.,,,
,,,,.-†^¤& keep his body upright. can't reach the &¤^†-.,,,,
,,,,,.-†^¤ levers, claws at my chainmail cage, ¤^†-.,,,,,
,,,,,,.-†^ while his body is turning into dark ^†-.,,,,,,
,,,,,.-†^¤ pearls. finally, he's lost too much of ¤^†-.,,,,,
,,,,.-†^¤& himself and the scream is cut short. &¤^†-.,,,,
,,,.-†^¤&£ the last of him rains down. £&¤^†-.,,,
,,.-†^¤&£# #£&¤^†-.,,
,.-†^¤&£## i still can't reach the levers from ##£&¤^†-.,
,,.-†^¤&£# within my cage. looking up, i try to #£&¤^†-.,,
,,,.-†^¤&£ make out the ceiling, but it's all a £&¤^†-.,,,
,,,,.-†^¤& whirling sea of colours. below me glows &¤^†-.,,,,
,,,,,.-†^¤ the hellfire of the factory walls, but ¤^†-.,,,,,
,,,,,,.-†^ very faint. i sit down, curl back up, ^†-.,,,,,,
,,,,,.-†^¤ become still. ¤^†-.,,,,,
,,,,.-†^¤& &¤^†-.,,,,
,,,.-†^¤&£ ^^ £&¤^†-.,,,
,,.-†^¤&£# ^^ ^^ #£&¤^†-.,,
,.-†^¤&£## ------- ^ ^ ------- ##£&¤^†-.,
,,.-†^¤&£# ^^ ^^ #£&¤^†-.,,
,,,.-†^¤&£ ^^ £&¤^†-.,,,
,,,,.-†^¤& &¤^†-.,,,,
,,,,,.-†^¤ a large clunk shakes my entire body, ¤^†-.,,,,,
,,,,,,.-†^ and snaps me back into reality. i'm ^†-.,,,,,,
,,,,,.-†^¤ back at the factory floor, but the ¤^†-.,,,,,
,,,,.-†^¤& stairs are still moving slightly, &¤^†-.,,,,
,,,.-†^¤&£ clicking in place, carrying me the last £&¤^†-.,,,
,,.-†^¤&£# few centimeters. i came from below, #£&¤^†-.,,
,.-†^¤&£## somehow. the chainmail is retracted, ##£&¤^†-.,
,,.-†^¤&£# and i slowly dismount the stairs. #£&¤^†-.,,
,,,.-†^¤&£ £&¤^†-.,,,
,,,,.-†^¤& shaking and crying, i make my way over &¤^†-.,,,,
,,,,,.-†^¤ the factory floor, wading through dark ¤^†-.,,,,,
,,,,,,.-†^ glass marbles. a quick glance down, and ^†-.,,,,,,
,,,,,.-†^¤ i see there's something faint inside ¤^†-.,,,,,
,,,,.-†^¤& them. embryos? are these eggs? &¤^†-.,,,,
,,,.-†^¤&£ £&¤^†-.,,,
,,.-†^¤&£# i shudder, and climb back out. #£&¤^†-.,,
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