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#@£&¤%\=~, several centuries after it had last ,~=\%¤&£@#
@£&¤%\=~,, belonged to us, we went on an outing to ,,~=\%¤&£@
£&¤%\=~,,, the glass factory that bore our family ,,,~=\%¤&£
&¤%\=~,,,, name. it had changed owners many times ,,,,~=\%¤&
£&¤%\=~,,, since our ancestors death, and then ,,,~=\%¤&£
@£&¤%\=~,, stood abandoned for a long while. ,,~=\%¤&£@
#@£&¤%\=~, finally, the natural end station for ,~=\%¤&£@#
@£&¤%\=~,, the buildings that survive: a museum, ,,~=\%¤&£@
£&¤%\=~,,, and a gift shop. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, there's a long time since my family ,,,~=\%¤&£
@£&¤%\=~,, made anything. by many, we would be ,,~=\%¤&£@
#@£&¤%\=~, considered poor. ,~=\%¤&£@#
@£&¤%\=~,, ,,~=\%¤&£@
£&¤%\=~,,, there are two main factory buildings, ,,,~=\%¤&£
&¤%\=~,,,, domed things of several floors, made in ,,,,~=\%¤&
£&¤%\=~,,, yellow brick. large but narrow windows, ,,,~=\%¤&£
@£&¤%\=~,, reminescent of some cathedral. ,,~=\%¤&£@
#@£&¤%\=~, custom-made glass, of course, large and ,~=\%¤&£@#
@£&¤%\=~,, leaded, and ashen. a bit too dark to be ,,~=\%¤&£@
£&¤%\=~,,, practical. on the eastern building, ,,,~=\%¤&£
&¤%\=~,,,, some are shattered. ,,,,~=\%¤&
£&¤%\=~,,, ,,,~=\%¤&£
@£&¤%\=~,, the other one is publicly open. there's ,,~=\%¤&£@
#@£&¤%\=~, a museum, with wax figures of my great ,~=\%¤&£@#
@£&¤%\=~,, great great grandfather, or something. ,,~=\%¤&£@
£&¤%\=~,,, various tools (or replicas) laid out on ,,,~=\%¤&£
&¤%\=~,,,, tables, with explaining texts. a lot of ,,,,~=\%¤&
£&¤%\=~,,, glass of varying thickness. ,,,~=\%¤&£
@£&¤%\=~,, ,,~=\%¤&£@
#@£&¤%\=~, %% ,~=\%¤&£@#
@£&¤%\=~,, %% %% ,,~=\%¤&£@
£&¤%\=~,,, ======= % % ======= ,,,~=\%¤&£
&¤%\=~,,,, %% %% ,,,,~=\%¤&
£&¤%\=~,,, %% ,,,~=\%¤&£
@£&¤%\=~,, ,,~=\%¤&£@
#@£&¤%\=~, i quickly sneak out, and climb into the ,~=\%¤&£@#
@£&¤%\=~,, other building. the contrast is ,,~=\%¤&£@
£&¤%\=~,,, overwhelming. it must have stood ,,,~=\%¤&£
&¤%\=~,,,, derelict for a long time, windows ,,,,~=\%¤&
£&¤%\=~,,, broken, metallic trash and pools of ,,,~=\%¤&£
@£&¤%\=~,, dark glass all over the floor. no ,,~=\%¤&£@
#@£&¤%\=~, electric lights, but i can see by the ,~=\%¤&£@#
@£&¤%\=~,, light that shines in wherever the dark ,,~=\%¤&£@
£&¤%\=~,,, windows are missing a pane. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, however, the greatest difference is the ,,,~=\%¤&£
@£&¤%\=~,, higher floors: this building has none. ,,~=\%¤&£@
#@£&¤%\=~, it is one massive hall, stretching away ,~=\%¤&£@#
@£&¤%\=~,, infinitely above me. somewhere up there ,,~=\%¤&£@
£&¤%\=~,,, is some great iron latticework, from ,,,~=\%¤&£
&¤%\=~,,,, where chains are suspended, and parts ,,,,~=\%¤&
£&¤%\=~,,, of machinery has been falling down. ,,,~=\%¤&£
@£&¤%\=~,, ,,~=\%¤&£@
#@£&¤%\=~, there is, in the middle of the great ,~=\%¤&£@#
@£&¤%\=~,, hall, a thin spiral staircase that ,,~=\%¤&£@
£&¤%\=~,,, leads up there. i sneak over there, and ,,,~=\%¤&£
&¤%\=~,,,, take a few reluctant steps. after just ,,,,~=\%¤&
£&¤%\=~,,, a revolution, i notice that for each ,,,~=\%¤&£
@£&¤%\=~,, step the building starts to glow, the ,,~=\%¤&£@
#@£&¤%\=~, bricks turning a dark red, and then ,~=\%¤&£@#
@£&¤%\=~,, orange, all the piled up debree being ,,~=\%¤&£@
£&¤%\=~,,, lit from behind. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, i stop ready to run down and out, but ,,,~=\%¤&£
@£&¤%\=~,, there's someone else on the staircase ,,~=\%¤&£@
#@£&¤%\=~, with me now, pressed close. he's ,~=\%¤&£@#
@£&¤%\=~,, looking like me, short hair and thin ,,~=\%¤&£@
£&¤%\=~,,, arms, but with ears from some animal, ,,,~=\%¤&£
&¤%\=~,,,, and more disturbingly, completely made ,,,,~=\%¤&
£&¤%\=~,,, of dark liquid glass. ,,,~=\%¤&£
@£&¤%\=~,, ,,~=\%¤&£@
#@£&¤%\=~, %% ,~=\%¤&£@#
@£&¤%\=~,, %% %% ,,~=\%¤&£@
£&¤%\=~,,, ======= % % ======= ,,,~=\%¤&£
&¤%\=~,,,, %% %% ,,,,~=\%¤&
£&¤%\=~,,, %% ,,,~=\%¤&£
@£&¤%\=~,, ,,~=\%¤&£@
#@£&¤%\=~, my fear holds me in place while he ,~=\%¤&£@#
@£&¤%\=~,, starts operating levers and dials set ,,~=\%¤&£@
£&¤%\=~,,, in the center of the staircase. slowly, ,,,~=\%¤&£
&¤%\=~,,,, it starts spinning, circling upwards. ,,,,~=\%¤&
£&¤%\=~,,, it's an elevator! i start to run ,,,~=\%¤&£
@£&¤%\=~,, downwards, but now the liquid boy ,,~=\%¤&£@
#@£&¤%\=~, creature grabs hold of me. i try to ,~=\%¤&£@#
@£&¤%\=~,, shake him off, but he's too strong, and ,,~=\%¤&£@
£&¤%\=~,,, pulls me back up beside him. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, this time, i turn angry instead. what ,,,~=\%¤&£
@£&¤%\=~,, the hell? who is this guy, acting like ,,~=\%¤&£@
#@£&¤%\=~, this? i reach out my free arm and slam ,~=\%¤&£@#
@£&¤%\=~,, a random lever. some metal bar is ,,~=\%¤&£@
£&¤%\=~,,, suddenly released between us, hitting ,,,~=\%¤&£
&¤%\=~,,,, him on the arm, forcing my release. i ,,,,~=\%¤&
£&¤%\=~,,, shove him off of me, and he falls into ,,,~=\%¤&£
@£&¤%\=~,, the levers, messing them up. ,,~=\%¤&£@
#@£&¤%\=~, immediately, a thin rusty chainmail ,~=\%¤&£@#
@£&¤%\=~,, curtain is dropped around me. but the ,,~=\%¤&£@
£&¤%\=~,,, elevator also speeds up significantly. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, the walls are flaring now, yellow, ,,,~=\%¤&£
@£&¤%\=~,, white, almost blue. i close my eyes and ,,~=\%¤&£@
#@£&¤%\=~, curl into a ball. but then, the glass ,~=\%¤&£@#
@£&¤%\=~,, boy screams, a piercing sound that ,,~=\%¤&£@
£&¤%\=~,,, forces my eyes back open. i watch as he ,,,~=\%¤&£
&¤%\=~,,,, becomes too liquid, his body pooling ,,,,~=\%¤&
£&¤%\=~,,, down in his now massive tail, and the ,,,~=\%¤&£
@£&¤%\=~,, tip of it suddenly breaks of in a glass ,,~=\%¤&£@
#@£&¤%\=~, drop that falls toward the factory ,~=\%¤&£@#
@£&¤%\=~,, floor. ,,~=\%¤&£@
£&¤%\=~,,, ,,,~=\%¤&£
&¤%\=~,,,, he's crawling on the stairs, unable to ,,,,~=\%¤&
£&¤%\=~,,, keep his body upright. can't reach the ,,,~=\%¤&£
@£&¤%\=~,, levers, claws at my chainmail cage, ,,~=\%¤&£@
#@£&¤%\=~, while his body is turning into dark ,~=\%¤&£@#
@£&¤%\=~,, pearls. finally, he's lost too much of ,,~=\%¤&£@
£&¤%\=~,,, himself and the scream is cut short. ,,,~=\%¤&£
&¤%\=~,,,, the last of him rains down. ,,,,~=\%¤&
£&¤%\=~,,, ,,,~=\%¤&£
@£&¤%\=~,, i still can't reach the levers from ,,~=\%¤&£@
#@£&¤%\=~, within my cage. looking up, i try to ,~=\%¤&£@#
@£&¤%\=~,, make out the ceiling, but it's all a ,,~=\%¤&£@
£&¤%\=~,,, whirling sea of colours. below me glows ,,,~=\%¤&£
&¤%\=~,,,, the hellfire of the factory walls, but ,,,,~=\%¤&
£&¤%\=~,,, very faint. i sit down, curl back up, ,,,~=\%¤&£
@£&¤%\=~,, become still. ,,~=\%¤&£@
#@£&¤%\=~, ,~=\%¤&£@#
@£&¤%\=~,, %% ,,~=\%¤&£@
£&¤%\=~,,, %% %% ,,,~=\%¤&£
&¤%\=~,,,, ======= % % ======= ,,,,~=\%¤&
£&¤%\=~,,, %% %% ,,,~=\%¤&£
@£&¤%\=~,, %% ,,~=\%¤&£@
#@£&¤%\=~, ,~=\%¤&£@#
@£&¤%\=~,, a large clunk shakes my entire body, ,,~=\%¤&£@
£&¤%\=~,,, and snaps me back into reality. i'm ,,,~=\%¤&£
&¤%\=~,,,, back at the factory floor, but the ,,,,~=\%¤&
£&¤%\=~,,, stairs are still moving slightly, ,,,~=\%¤&£
@£&¤%\=~,, clicking in place, carrying me the last ,,~=\%¤&£@
#@£&¤%\=~, few centimeters. i came from below, ,~=\%¤&£@#
@£&¤%\=~,, somehow. the chainmail is retracted, ,,~=\%¤&£@
£&¤%\=~,,, and i slowly dismount the stairs. ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, shaking and crying, i make my way over ,,,~=\%¤&£
@£&¤%\=~,, the factory floor, wading through dark ,,~=\%¤&£@
#@£&¤%\=~, glass marbles. a quick glance down, and ,~=\%¤&£@#
@£&¤%\=~,, i see there's something faint inside ,,~=\%¤&£@
£&¤%\=~,,, them. embryos? are these eggs? ,,,~=\%¤&£
&¤%\=~,,,, ,,,,~=\%¤&
£&¤%\=~,,, i shudder, and climb back out. ,,,~=\%¤&£
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