@,,,,,,@@@ @,@@,@,,,@
@,,,,,@,,, @@,@@@,,@,
@,,,,@@,,@ ,@@,,@,@@@
@,,,@,@,@, @,@,@@@,,,
@,,@@@@@@, @@@@,,@,,@
@,@,,,,,@@ the last song on side b (and to some ,,,@,@@,@,
@@@,,,,@,, extent the first song on side a) talks ,,@@@,@@@@
,,@,,,@@,@ for the whole album, not just their ,@,,@@,,,,
,@@,,@,@@@ side. the last song on side b is @@,@,@,,,,
@,@,@@@,,, probably the most important ,@@@@@,,,,
@@@@,,@,,@ opportunity, the most charged slot. @,,,,@,,,@
,,,@,@@,@, @,,,@@,,@,
,,@@@,@@@, ,###, @,,@,@,@@,
,@,,@@,,@@ @,@@@@@,@,
@@,@,@,@,, the album is a singularity, an anomaly @@,,,,@@@,
,@@@@@@@,, in spacetime, a creature that knows ,@,,,@,,@@
@,,,,,,@,@ exactly how beautiful it is. @@,,@@,@,@
@,,,,,@@@, , ,@,@,@@@@,
@,,,,@,,@@ and the thing is: it sees itself in @@@@@,,,@@
@,,,@@,@,, three d. it knows that it's dying. ,,,,@,,@,,
@,,@,@@@,@ ,,,@@,@@,@
@,@@@,,@@@ %%$$%%$$%%$$%%$$%%$@@$%%$$%%$$%%$$%%$$%% ,,@,@@,@@,
@@,,@,@,,@ ,@@@,@@,@@
,@,@@@@,@, , dolphins and cats , @,,@@,@@,,
@@@,,,@@@, bring us @,@,@@,@,,
,,@,,@,,@, , flowers and honey , @@@@,@@@,@
,@@,@@,@@@ ,,,@@,,@@@
@,@@,@@,,, , dolphins and cats , ,,@,@,@,,@
@@,@@,@,,@ bring us ,@@@@@@,@,
,@@,@@@,@, , fairies and bees , @,,,,,@@@@
@,@@,,@@@@ @,,,,@,,,@
@@,@,@,,,@ our boat is afloat @,,,@@,,@,
,@@@@@,,@, on a surface of lilies @,,@,@,@@@
@,,,,@,@@, , dolphins and cats , @,@@@@@,,@
@,,,@@@,@@ drag us down @@,,,,@,@,
@,,@,,@@,, ,«% underneath %«, ,@,,,@@@@@
@,@@,@,@,, @@,,@,,,,,
@@,@@@@@,, %%$$%%$$%%$$%%$$%%$@@$%%$$%%$$%%$$%%$$%% ,@,@@,,,,@
,@@,,,,@,@ @@@,@,,,@,
@,@,,,@@@@ side a is foresty, and side b might ,,@@@,,@@,
@@@,,@,,,, be lizardy. but the last song is full ,@,,@,@,@@
,,@,@@,,,@ of space. @@,@@@@@,,
,@@@,@,,@@ ,@@,,,,@,,
@,,@@@,@,, @,@,,,@@,,
@,@,,@@@,, @@@,,@,@,@
@@@,@,,@,, ,,@,@@@@@,
,,@@@,@@,, ,@@@,,,,@@