-=/%£&@@## ##@@&£%/=-
¨-=/%£&@@# #@@&£%/=-¨
¨¨-=/%£&@@ @@&£%/=-¨¨
¨¨¨-=/%£&@ @&£%/=-¨¨¨
¨¨-=/%£&@@ @@&£%/=-¨¨
¨-=/%£&@@# delay delay d¨la@ & %a¨ - ¨@ = - #@@&£%/=-¨
-=/%£&@@## ##@@&£%/=-
¨-=/%£&@@# #@@&£%/=-¨
¨¨-=/%£&@@ @@&£%/=-¨¨
¨¨¨-=/%£&@ @&£%/=-¨¨¨
¨¨-=/%£&@@ "delay" means repetiton or likewise, @@&£%/=-¨¨
¨-=/%£&@@# but it's mainly useless without #@@&£%/=-¨
-=/%£&@@## feedback, ##@@&£%/=-
¨-=/%£&@@# to allow the delay to eat of it's own #@@&£%/=-¨
¨¨-=/%£&@@ tail, like one of those eaty serpents. @@&£%/=-¨¨
¨¨¨-=/%£&@ thus: it's the serpent effect! @&£%/=-¨¨¨
¨¨-=/%£&@@ @@&£%/=-¨¨
¨-=/%£&@@# it's to be revered as a creator of #@@&£%/=-¨
-=/%£&@@## ambience and of space, if you treat it ##@@&£%/=-
¨-=/%£&@@# right. a somewhat more solid and #@@&£%/=-¨
¨¨-=/%£&@@ slippery sibling of reverb. @@&£%/=-¨¨
¨¨¨-=/%£&@ @&£%/=-¨¨¨
¨¨-=/%£&@@ @@&£%/=-¨¨
¨-=/%£&@@# #@@&£%/=-¨
-=/%£&@@## ##@@&£%/=-
¨-=/%£&@@# #@@&£%/=-¨