@@£%\,,,,, ,,,,,\%£@@
#@£\\\»,,, ,,,»\\\£@#
###££%\»,, ,,»\%££###
££%\\\\»,, ,,»\\\\%££
##£@£%\»,, ,,»\%£@£##
@@@%\»»,,, %%%%%%%%%% ,,,»»\%@@@
#@£\\,,,,, ,,,,,\\£@#
@@%\\»,,,, lyra eight ,,,,»\\%@@
£@@%\»»»,, ,,»»»\%@@£
££@£\»»,,, ,, ,,,»»\£@££
@%\,,,,,,, , , ,,,,,,,\%@
#£@£%%\»,, » » ,,»\%%£@£#
@%%%%%\»,, \ \ ,,»\%%%%%@
##£@£%\»,, % % ,,»\%£@£##
#££\,,,,,, ,,,,,,\££#
##£@£%\»,, cave sculpter ,,»\%£@£##
##£@£%\»,, dream to chord translator ,,»\%£@£##
##£@£%\»,, ,,»\%£@£##
##£@£%\»,, eight voiced bleeding fortune teller ,,»\%£@£##
@%\\\,,,,, ,,,,,\\\%@
##£@£%\»,, dual self-modulating delay line ,,»\%£@£##
##£@£%\»,, switch for "total feedback" ,,»\%£@£##
£@@£\,,,,, ,,,,,\£@@£
#£@%%%\»,, lick the contact pads ,,»\%%%@£#
@@£\»,,,,, ,,,,,»\£@@
££@%\,,,,, % % ,,,,,\%@££
##£@£%\»,, \ \ ,,»\%£@£##
@@@@£%\»,, » » ,,»\%£@@@@
££@@£%\»,, , , ,,»\%£@@££
##£@£%\»,, ,, ,,»\%£@£##
##£@£%\»,, ,,»\%£@£##
£££%»»,,,, gearlist , another synth ,,,,»»%£££
##£@£%\»,, ,,»\%£@£##
##£@£%\»,, %%%%%%%%%%%%%%%%%%%%%%%%% ,,»\%£@£##
##£@£%\»,, ,,»\%£@£##
###££%\»,, ,,»\%££###
##£@£%\»,, ,,»\%£@£##
@£\,,,,,,, ,,,,,,,\£@
@@@@£%\»,, ,,»\%£@@@@