@@@@@@@,,,                                          ,,,,,@@,,@
,,,,,,@,,,                                          ,,,,@,@,@,
,,,,,@@,,,                                          ,,,@@@@@@,
,,,,@,@,,@                                          ,,@,,,,,@,
,,,@@@@,@@                                          ,@@,,,,@@,
,,@,,,@@,@                                          @,@,,,@,@,
,@@,,@,@@@                 ,,%###%,,                @@@,,@@@@,
@,@,@@@,,,       .. Pittsburgh Electronics ..       ,,@,@,,,@,
@@@@,,@,,@             ~~ Lifeforms ~~              ,@@@@,,@@@
,,,@,@@,@,               \\ Sv One \\               @,,,@,@,,,
,,@@@,@@@@                                          @,,@@@@,,,
,@,,@@,,,, This Is A Eurorack Module But  I  Bought @,@,,,@,,,
@@,@,@,,,@ The  Blackbox  One  So  It'S  Also  Not. @@@,,@@,,,
,@@@@@,,@@                                          ,,@,@,@,,@
@,,,,@,@,@ It  Ships  With Too  Few  Patch  Cables. ,@@@@@@,@@
@,,,@@@@@@                                          @,,,,,@@,,
@,,@,,,,,@             ,=@ Contains @=,             @,,,,@,@,@
@,@@,,,,@,           Midi To Cv Converter           @,,,@@@@@,
@@,@,,,@@@                 Two Vco'S                @,,@,,,,@@
,@@@,,@,,, Four  Channel Or Two X Two Channel Mixer @,@@,,,@,,
@,,@,@@,,,       Two Sub Oscillators I Think        @@,@,,@@,,
@,@@@,@,,@         Two One To Two Splitters         ,@@@,@,@,@
@@,,@@@,@,          White Noise Generator           @,,@@@@@@,
,@,@,,@@@,              Sample And Hold             @,@,,,,,@@
@@@@,@,,@@          Lfo Plus A Digital Lfo          @@@,,,,@,@
,,,@@@,@,,   Filter (Lowpass, Bandpass, Highpass)   ,,@,,,@@@,
,,@,,@@@,,               Adsr Envelope              ,@@,,@,,@,
,@@,@,,@,@                  One Vca                 @,@,@@,@@,
@,@@@,@@@,               Headphone Amp              @@@@,@@,@,
@@,,@@,,@,         Fourty Nine Patchpoints!         ,,,@@,@@@@
,@,@,@,@@,                                          ,,@,@@,,,,
@@@@@@@,@,                  ,.###.,                 ,@@@,@,,,,
,,,,,,@@@@            ~== So What Now ==~           @,,@@@,,,@
,,,,,@,,,,                 ,.###.,                  @,@,,@,,@@
,,,,@@,,,@                                          @@@,@@,@,@
,,,@,@,,@@ Clock  Io  Goes To Asdr  In I Think  And ,,@@,@@@@@
,,@@@@,@,, Maybe Also To The  Sample And Hold.  Put ,@,@@,,,,@
,@,,,@@@,@ Subbase And  Noise In  Channel Three And @@@,@,,,@@
@@,,@,,@@, Four.  Oscillator  One  Saw  To  Channel ,,@@@,,@,@
,@,@@,@,@@ Two, And  Oscillator Two Saw  To Channel ,@,,@,@@@,
@@@,@@@@,@ One.  Sample   And   Hold   Out  To  The @@,@@@,,@,
,,@@,,,@@,  Filter... Maybe... Resonance At Half.   ,@@,,@,@@@
,@,@,,@,@, Some  Frequency  In The First Oscillator @,@,@@@,,@
@@@@,@@@@@ And Then The Second  Osc  Four Semitones @@@@,,@,@@
,,,@@,,,,@                 Higher.                  ,,,@,@@@,,
,,@,@,,,@@                                          ,,@@@,,@,,
,@@@@,,@,,                  .~@@@~.                 ,@,,@,@@,,
@,,,@,@@,@           \%% Desktop Synth %%\          @@,@@@,@,,
@,,@@@,@@@                  .~@@@~.                 ,@@,,@@@,@
@,@,,@@,,,                                          @,@,@,,@@,
@@@,@,@,,@                                          @@@@@,@,@@
,,@@@@@,@,                                          ,,,,@@@@,,
,@,,,,@@@@                                          ,,,@,,,@,,
@@,,,@,,,@                                          ,,@@,,@@,,
,@,,@@,,@,                                          ,@,@,@,@,@