¨^~†§&@¶##                                          ##¶@&§†~^¨
¨^~†§&@###                                          ###@&§†~^¨
¨¨¨~~†&&@@                                          @@&&†~~¨¨¨
¨^^~†§§@@@                                          @@@§§†~^^¨
¨^~†§&@¶##                                          ##¶@&§†~^¨
¨^~†§&@¶##                                          ##¶@&§†~^¨
¨^~†§&@¶##                ¨¨&###&¨¨                 ##¶@&§†~^¨
¨¨¨¨¨¨¨~§@       ^^ PITTSBURGH ELECTRONICS ^^       @§~¨¨¨¨¨¨¨
¨¨¨¨~††§§@              ~~ LIFEFORMS ~~             @§§††~¨¨¨¨
¨^~†§&@@@#               †† SV ONE ††               #@@@&§†~^¨
¨^~†§&&@@#                                          #@@&&§†~^¨
¨^~†§&@¶## THIS  IS  A EURORACK MODULE BUT I BOUGHT ##¶@&§†~^¨
¨^~†§&@¶## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##¶@&§†~^¨
¨^~†§&@¶##                                          ##¶@&§†~^¨
¨¨¨^^^^~§@ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. @§~^^^^¨¨¨
¨^~†††§§§@                                          @§§§†††~^¨
¨¨¨¨¨¨¨~§@             ¨§¶ CONTAINS ¶§¨             @§~¨¨¨¨¨¨¨
¨^~†§&@¶¶¶           MIDI TO CV CONVERTER           ¶¶¶@&§†~^¨
¨^~†§&@@¶#                 TWO VCO'S                #¶@@&§†~^¨
¨¨¨¨^†††&@ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER @&†††^¨¨¨¨
¨¨¨¨¨^†&&@        TWO SUB OSCILLATORS I THINK       @&&†^¨¨¨¨¨
¨^†§&@¶###         TWO ONE TO TWO SPLITTERS         ###¶@&§†^¨
¨^~†§§&@¶¶           WHITE NOISE GENERATOR          ¶¶@&§§†~^¨
¨^~†§&@¶##             SAMPLE AND HOLD              ##¶@&§†~^¨
¨^~†§&@¶##          LFO PLUS A DIGITAL LFO          ##¶@&§†~^¨
¨¨¨¨^~†&&@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @&&†~^¨¨¨¨
¨^~†§&@¶¶#               ADSR ENVELOPE              #¶¶@&§†~^¨
¨^~†§@¶###                  ONE VCA                 ###¶@§†~^¨
¨^~†§&@@¶#              HEADPHONE AMP               #¶@@&§†~^¨
¨^~†§&¶###         FOURTY NINE PATCHPOINTS!         ###¶&§†~^¨
¨^~†§&&&@¶                                          ¶@&&&§†~^¨
¨¨¨¨^~~†&¶                  ¨^###^¨                 ¶&†~~^¨¨¨¨
¨¨¨¨^^^†&@            ~§§ SO WHAT NOW §§~           @&†^^^¨¨¨¨
¨¨¨¨¨^†§&@                 ¨^###^¨                  @&§†^¨¨¨¨¨
¨¨¨^††§§&¶                                          ¶&§§††^¨¨¨
¨¨¨¨^†&@@@ CLOCK  IO GOES  TO ASDR IN I  THINK  AND @@@&†^¨¨¨¨
¨^~†§&@¶## MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT ##¶@&§†~^¨
¨^~†§&@¶## SUBBASE AND NOISE IN  CHANNEL THREE  AND ##¶@&§†~^¨
¨¨¨^†††&@@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @@&†††^¨¨¨
¨^~†§&@@¶# TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL #¶@@&§†~^¨
¨^~†§&@¶## ONE.   SAMPLE   AND  HOLD  OUT  TO   THE ##¶@&§†~^¨
¨^~†§&@¶##   FILTER... MAYBE... RESONANCE AT HALF.  ##¶@&§†~^¨
¨^~†§&@¶## SOME FREQUENCY  IN THE  FIRST OSCILLATOR ##¶@&§†~^¨
¨¨¨^†††&&@ AND THEN  THE SECOND OSC FOUR  SEMITONES @&&†††^¨¨¨
¨¨¨^^††&¶¶                 HIGHER.                  ¶¶&††^^¨¨¨
¨^~†§&&&&¶                                          ¶&&&&§†~^¨
¨¨¨¨^~§&¶#                 ^~@¶@~^                  #¶&§~^¨¨¨¨
¨¨¨¨¨^^†&@           †&& DESKTOP SYNTH &&†          @&†^^¨¨¨¨¨
¨^~†§&@¶##                  ^~@¶@~^                 ##¶@&§†~^¨
¨¨^^~~†&&@                                          @&&†~~^^¨¨
¨¨¨¨~§&&&¶                                          ¶&&&§~¨¨¨¨
¨^~†§&@¶##                                          ##¶@&§†~^¨
¨^~†§&@¶##                                          ##¶@&§†~^¨
¨¨¨¨¨^†§@@                                          @@§†^¨¨¨¨¨
¨¨¨¨^†§§@¶                                          ¶@§§†^¨¨¨¨