##@&**^-,.                                          .,-^**&@##
#@&**^-,..                                          ..,-^**&@#
@&**^-,...                                          ...,-^**&@
&**^-,....                                          ....,-^**&
**^-,.....                                          .....,-^**
*^-,......                                          ......,-^*
^-,.......                ..*###*..                 .......,-^
*^-,......       ,, PITTSBURGH ELECTRONICS ,,       ......,-^*
**^-,.....             -- LIFEFORMS --              .....,-^**
&**^-,....               ^^ SV ONE ^^               ....,-^**&
@&**^-,...                                          ...,-^**&@
#@&**^-,.. THIS IS A EURORACK  MODULE BUT  I BOUGHT ..,-^**&@#
##@&**^-,. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .,-^**&@##
#@&**^-,..                                          ..,-^**&@#
@&**^-,... IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ...,-^**&@
&**^-,....                                          ....,-^**&
**^-,.....             .*@ CONTAINS @*.             .....,-^**
*^-,......           MIDI TO CV CONVERTER           ......,-^*
^-,.......                TWO VCO'S                 .......,-^
*^-,...... FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ......,-^*
**^-,.....       TWO SUB OSCILLATORS I THINK        .....,-^**
&**^-,....         TWO ONE TO TWO SPLITTERS         ....,-^**&
@&**^-,...          WHITE NOISE GENERATOR           ...,-^**&@
#@&**^-,..              SAMPLE AND HOLD             ..,-^**&@#
##@&**^-,.          LFO PLUS A DIGITAL LFO          .,-^**&@##
#@&**^-,..   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..,-^**&@#
@&**^-,...               ADSR ENVELOPE              ...,-^**&@
&**^-,....                 ONE VCA                  ....,-^**&
**^-,.....               HEADPHONE AMP              .....,-^**
*^-,......         FOURTY NINE PATCHPOINTS!         ......,-^*
^-,.......                                          .......,-^
*^-,......                  .,###,.                 ......,-^*
**^-,.....           -** SO WHAT NOW **-            .....,-^**
&**^-,....                 .,###,.                  ....,-^**&
@&**^-,...                                          ...,-^**&@
#@&**^-,.. CLOCK  IO GOES TO ASDR  IN I  THINK  AND ..,-^**&@#
##@&**^-,. MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT .,-^**&@##
#@&**^-,.. SUBBASE  AND NOISE IN CHANNEL THREE  AND ..,-^**&@#
@&**^-,... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ...,-^**&@
&**^-,.... TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ....,-^**&
**^-,..... ONE.   SAMPLE  AND   HOLD  OUT  TO   THE .....,-^**
*^-,......   FILTER... MAYBE... RESONANCE AT HALF.  ......,-^*
^-,....... SOME FREQUENCY  IN THE  FIRST OSCILLATOR .......,-^
*^-,...... AND THEN  THE SECOND  OSC FOUR SEMITONES ......,-^*
**^-,.....                  HIGHER.                 .....,-^**
&**^-,....                                          ....,-^**&
@&**^-,...                 ,-&@&-,                  ...,-^**&@
#@&**^-,..           ^** DESKTOP SYNTH **^          ..,-^**&@#
##@&**^-,.                 ,-&@&-,                  .,-^**&@##
#@&**^-,..                                          ..,-^**&@#
@&**^-,...                                          ...,-^**&@
&**^-,....                                          ....,-^**&
**^-,.....                                          .....,-^**
*^-,......                                          ......,-^*
^-,.......                                          .......,-^