.^=^=@## ##@#&=^=^.
.^=^=@@@ @@@#&=^=^.
...^^^@@ @@#&^^^...
....^=^=## ##=^=^....
......^^&@ @&^^......
..^^=^^& TIME TO ..####.##.###.#####..ICK #&&^^=^^..
...======# =^... # TIME TO GET QUICK # ...^= #======...
.....^==## ..####.##.###.#####.. ##==^.....
.^=^=@@# OK SOMETHING IS GOING #@@#&=^=^.
.^=^^^=#@@ ON- I CAN GET &&&&&&&&&&&&&&&&&& @@#=^^^=^.
.^=^===# THERE IS NO QUESTION! ##&===^=^.
.^=^=@@@ *FULL* PERMISSION IS GIVEN FROM MYSELF @@@#&=^=^.
.....^==#@ TO MYSELF, TO CHANGE THIS ONE LATER. @#==^.....
.^=^=&&&&@ @&&&&=^=^.
.^=^=@@# I FEEL LOVE TOWARD MONO-STRETCH ALGORITH #@@#&=^=^.
.....==^=# MS THAT ARE ALLOWED TO BE SMART :( #=^==.....
.^=^=@@# #@@#&=^=^.
...====^ LEVEL CHECK. THINGS HERE AROUND ME HAVE #&^====...
.^=^===# A WAIY RIME YO HAVTO HNGE I LIBEY ##&===^=^.
.^=^=&&&&@ TO BE SURE TO AFFORD THE TIME ORTO @&&&&=^=^.
.^=^^^=&@@ BE IN TIME @@&=^^^=^.
.^=^=@@# #@@#&=^=^.
....^=^=#@ AND I HAVE BIG THINGS ANYWAY. IT STARTS @#=^=^....
.^=^=@@@ NOW. RIGHT AND LEFT IN THE LUNG @@@#&=^=^.
....=^=&@@ ........ ......... @@&=^=....
.^=^=@@# ........ @@@@@@@@@@@@@@@@@ #@@#&=^=^.
.^=^===#@@ ........ @@#===^=^.
.^=^=@@# ........ IT TINGLES ALL OV #@@#&=^=^.
.^=^=====# @@@@@@@@@@@@@@@@@@@O ER MY BODY, I'M #=====^=^.
....=^&&@@ OUTSIDE, WALKING CHIRS AND FURTHER AWAY. @@&&^=....
.^=^=@## THIS IS MINE, MY GREAT FOREST. KINDA, ##@#&=^=^.
.^=^=@@# I KINDA LOVE IT. ICE KINGDOM, TWELVE #@@#&=^=^.
.^=^====## PLAYERS, TWELVE PLAYERS COMBINE. ##====^=^.
.^=^=&#@ I'M STILL HER E AND DOING THIS. AND THIS @##&&=^=^.
.^=^=@@# IS, THE CLOUD, THE GENERAL SUPPORT #@@#&=^=^.
.^=^=@@# STAKES, THE SQUEEZE IN ARMS AND LEGS; #@@#&=^=^.
.^=^=##@ AND THE NECK!!! KIND OF! INVERTED @###&=^=^.
.^=^=&&&@@ AND ON FIRE. @@&&&=^=^.
.^=^===#@@ @@#===^=^.
.^=^=##@ AN ATTEMPT TO SPEAK. WITH SIGNS? @###&=^=^.
....^=^=#@ FOR THE SAKE OF THE EDGE. NOT AN EDGE @#=^=^....
.^=^=@@# AS IN BEING EDGY, BUT AS AN EDGE, #@@#&=^=^.
.^=^=@@# LIKE THOSE OF LYRAS. #@@#&=^=^.
.^=^=@@# #@@#&=^=^.
.^=^=@@# ABANDON THAT WHICH HAS GONE TOO FAR????? #@@#&=^=^.
.^=^=@@# ((! ?=META NEW. I'M BACKFIRING SOMEWHAT. #@@#&=^=^.
.^=^=@@# FOR TF. SQUARE META, BACKWARDS IN TIME, #@@#&=^=^.
.^=^=@@# IN THE MEANING TIME, EVERYTH^ING IS @@@ #@@#&=^=^.
.^=^=##@ LEAKING, MY THOUGHTS AND MEANINGS ARE @ @###&=^=^.
....^^=@ LEAKING, LEAKING IN TIM E @@@@@@@@@@@@@ @#&=^^....
.^^^^^^&@@ @@&^^^^^^.
...^====#@ @#====^...
.^=^=@@# #@@#&=^=^.
.^=^=@@# ###### #@@#&=^=^.
.^=^=#@@ ####THERE WAS A SHADOW OF SOMETHING @@##&=^=^.
.^=^@@## ENORMOUS ##@@#&^=^.
....=^^@ A FEAR AND A LOOP, IN THE SAME PACKAGE, @#&^^=....
....^^&@ AND I WAS ALONE WITH THE WORLD @#&&^^....
......===# BUT IT WAS FAMILIAR, OR, I AM INSIDE OUT #===......
.^=^=@@# AND USUAL SHAPES ARE HOLOGRAMS NOW, AND #@@#&=^=^.
.^=^=@@# I FIND MYSELF AS A PATTERN #@@#&=^=^.
.^======## AND I BECOME MYSELF AGAIN, THROUGH THE ##======^.
.^=^=@@# WATERFALL, #@@#&=^=^.
.^=^====#@ IT IS LIKE I AM INSIDE A SWEATER LOOKING @#====^=^.
.^=^=&#@ FOR WHERE TO PUT THE ARMS, LIKE EMERGING @##&&=^=^.
.......==# FROM UNDER A SHEAT OF ACUTENESS #==.......
.^=^=@@@ AND THE WORLD IS NO LONGER A @@@#&=^=^.
.^=^=@## SHAPELESS ##@#&=^=^.
.^=^=@@# PIECE #@@#&=^=^.
.^=^=@## AND SOMEONE HAS TO READ ALL OF THIS ##@#&=^=^.
.^=^=@## ##@#&=^=^.
.^=^=&@@## ##@@&=^=^.
.^=^=@## ##@#&=^=^.
......===# #===......
.......==# #==.......
.^=^=@@# #@@#&=^=^.