..@@..@... .....@@@@.
..@.@.@@.. @....@...@
@.@@@@@.@. @@...@@..@
.@@....@@@ @.@..@.@.@
@@.@...@.. @@@@.@@@@@
..@@@..@@. TIME TO ..####.##.###.#####..ICK @...@@....
..@..@.@.@ »,... # TIME TO GET QUICK # ...,» .@..@.@...
..@@.@@@@@ ..####.##.###.#####.. .@@.@@@@..
..@.@@.... OK SOMETHING IS GOING .@.@@...@.
..@@@.@... ON- I CAN GET $$$$$$$$$$$$$$$$$$ @@@@.@..@@
@.@..@@@.. THERE IS NO QUESTION! @...@@@.@.
@@@@.@..@. *FULL* PERMISSION IS GIVEN FROM MYSELF .@..@..@@@
....@@@.@@ TO MYSELF, TO CHANGE THIS ONE LATER. .@@.@@.@..
....@..@@. @@.@@.@@@.
....@@.@.@ I FEEL LOVE TOWARD MONO-STRETCH ALGORITH ..@@.@@..@
@...@.@@@@ MS THAT ARE ALLOWED TO BE SMART :( ..@.@@.@.@
.@..@@@... @.@@@.@@@@
@@@.@..@.. LEVEL CHECK. THINGS HERE AROUND ME HAVE .@@..@@...
@..@@@.@@. A WAIY RIME YO HAVTO HNGE I LIBEY .@.@.@.@..
@@.@..@@.@ TO BE SURE TO AFFORD THE TIME ORTO .@@@@@@@@.
@.@@@.@.@@ BE IN TIME @@.......@
.@@..@@@@. @.@......@
@@.@.@...@ AND I HAVE BIG THINGS ANYWAY. IT STARTS @@@@.....@
..@@@@@..@ NOW. RIGHT AND LEFT IN THE LUNG @...@....@
@.@....@.@ ........ ......... @@..@@...@
.@@@...@@@ ........ £££££££££££££££££ @.@.@.@..@
@@..@..@.. ........ @@@@@@@@.@
..@.@@.@@. ........ IT TINGLES ALL OV ........@@
@.@@@.@@.@ £££££££££££££££££££O ER MY BODY, I'M ........@.
@@@..@@.@@ OUTSIDE, WALKING CHIRS AND FURTHER AWAY. @.......@@
...@.@.@@. THIS IS MINE, MY GREAT FOREST. KINDA, @@......@.
...@@@@@.@ I KINDA LOVE IT. ICE KINGDOM, TWELVE @.@.....@@
@..@....@@ PLAYERS, TWELVE PLAYERS COMBINE. .@@@....@.
@@.@@...@. I'M STILL HER E AND DOING THIS. AND THIS .@..@...@@
..@@.@..@@ IS, THE CLOUD, THE GENERAL SUPPORT @@@.@@..@.
..@.@@@.@. STAKES, THE SQUEEZE IN ARMS AND LEGS; ...@@.@.@@
@.@@@..@@@ AND THE NECK!!! KIND OF! INVERTED @..@.@@@@.
@@@..@.@.. AND ON FIRE. @@.@@@...@
...@.@@@@. @.@@..@..@
@..@@@...@ AN ATTEMPT TO SPEAK. WITH SIGNS? @@@.@.@@.@
.@.@..@..@ FOR THE SAKE OF THE EDGE. NOT AN EDGE @..@@@@.@@
@@@@@.@@.@ AS IN BEING EDGY, BUT AS AN EDGE, .@.@...@@.
@....@@.@@ LIKE THOSE OF LYRAS. @@@@@..@.@
.@...@.@@. .....@.@@@
@@@..@@@.@ ABANDON THAT WHICH HAS GONE TOO FAR????? @....@@@..
@..@.@..@@ ((! ?»META NEW. I'M BACKFIRING SOMEWHAT. @@...@..@.
@@.@@@@.@. FOR TF. SQUARE META, BACKWARDS IN TIME, ..@..@@.@@
..@@...@@@ IN THE MEANING TIME, EVERYTH,ING IS £££ @.@@.@.@@.
..@.@..@.. LEAKING, MY THOUGHTS AND MEANINGS ARE £ @@@.@@@@.@
@.@@@@.@@. LEAKING, LEAKING IN TIM E £££££££££££££ ...@@...@@
.@@...@@.@ @..@.@..@.
.@.@..@.@@ @@.@@@@.@@
@@@@@.@@@. @.@@...@@.
@....@@..@ ###### .@@.@..@.@
.@...@.@.@ ####THERE WAS A SHADOW OF SOMETHING .@.@@@.@@@
@@@..@@@@@ ENORMOUS .@@@..@@..
@..@.@.... A FEAR AND A LOOP, IN THE SAME PACKAGE, @@..@.@.@.
@@.@@@@... AND I WAS ALONE WITH THE WORLD @.@.@@@@@@
..@@...@.. BUT IT WAS FAMILIAR, OR, I AM INSIDE OUT @@@@@.....
..@.@..@@. AND USUAL SHAPES ARE HOLOGRAMS NOW, AND .....@....
..@@@@.@.@ I FIND MYSELF AS A PATTERN .....@@...
..@...@@@@ AND I BECOME MYSELF AGAIN, THROUGH THE .....@.@..
..@@..@... WATERFALL, .....@@@@.
..@.@.@@.. IT IS LIKE I AM INSIDE A SWEATER LOOKING @....@...@
@.@@@@@.@. FOR WHERE TO PUT THE ARMS, LIKE EMERGING @@...@@..@
.@@....@@@ FROM UNDER A SHEAT OF ACUTENESS @.@..@.@.@
@@.@...@.. AND THE WORLD IS NO LONGER A @@@@.@@@@@
..@@@..@@. SHAPELESS @...@@....
..@..@.@.@ PIECE .@..@.@...
..@@.@@@@@ AND SOMEONE HAS TO READ ALL OF THIS .@@.@@@@..
..@.@@.... .@.@@...@.
..@@@.@... @@@@.@..@@
@.@..@@@.. @...@@@.@.
@@@@.@..@. .@..@..@@@
....@@@.@@ .@@.@@.@..
....@..@@. @@.@@.@@@.