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..^«*^*¤## # # * * ^ ^ * * # # ##¤*^*«^..
...^«*^*¤# # ¤ ^ « wetlands « ^ ¤ # #¤*^*«^...
....^«*^*¤ # # * * ^ ^ * * # # ¤*^*«^....
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..^«*^*¤## the sea pretends to be a completely ##¤*^*«^..
...^«*^*¤# flat surface spanning further than the #¤*^*«^...
....^«*^*¤ thought of it, which is partially true. ¤*^*«^....
...^«*^*¤# but outside of a map it is decidedly #¤*^*«^...
..^«*^*¤## more violent, being made up of vast ##¤*^*«^..
.^«*^*¤### amounts of purposeful water, moving ###¤*^*«^.
..^«*^*¤## toward some secluded but important ##¤*^*«^..
...^«*^*¤# destiny. #¤*^*«^...
....^«*^*¤ ¤*^*«^....
...^«*^*¤# a permanent procession on land floods #¤*^*«^...
..^«*^*¤## the earth, weathers the forests, and ##¤*^*«^..
.^«*^*¤### slowly submerges the green. but another ###¤*^*«^.
..^«*^*¤## expanse is taking place, in the ##¤*^*«^..
...^«*^*¤# opposite direction - the animals that #¤*^*«^...
....^«*^*¤ inhabit the dirt are building paths ¤*^*«^....
...^«*^*¤# elevated above the mires, building #¤*^*«^...
..^«*^*¤## temples at the waters edge, building ##¤*^*«^..
.^«*^*¤### dwellings in the reed... ###¤*^*«^.
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