,:~=†$££## ##££$†=~:,
,:=^§£@@@# #@@@£§^=:,
.,~==££@## ##@££==~,.
¨,..~~†$¶@ @¶$†~~..,¨
.-~†*$## ###&$*†~-.
,¨¨¨¨.,;$# statuette #$;,.¨¨¨¨,
,:«/*§@# #@#&§*/«:,
¨,«:§*$§¤§ ¤§$%%%§@§*@&§¤*%-«~-=»~=§%%@£*%%%@%*§$$* §¤§$*§:«,¨
..~~.«^*#@ $@*&¤£%*& @#*^«.~~..
¨,»=†$££££ ££££$†=»,¨
¨,~=*#¶### forests around my childhood home. thick ###¶#*=~,¨
¨¨¨¨¨,~\§@ pine arcades that were planted and @§\~,¨¨¨¨¨
.¨,¨«:*££@ forgotten. wild boars roaming @££*:«¨,¨.
.¨,,^-/£§§ underneath, sniffing at the ground. it §§£/-^,,¨.
.,,,=*@%$# is dark and moist, the canopy having #$%@*=,,,.
,,~\†¤## already soaked up all the sun. ###&¤†\~,,
,~=;=@§### ###§@=;=~,
,,-;*£££#@ there's a river passing by, from east @#£££*;-,,
¨¨,¨.,~^¤@ to west, getting broader and deeper and @¤^~,.¨,¨¨
¨,«†%£#£## slower as it goes. equisetum grow just ##£#£%†«,¨
¨,.«*=$£¤¤ where the pine hands start to let ¤¤£$=*«.,¨
,,~:†£#¶@# through light, horsemint on the rocky #@¶#£†:~,,
¨¨.,,~*$*# river bed. #*$*~,,.¨¨
,...-^*&§# #§&*^-...,
,.»/%$¤¶## = ##¶¤$%/».,
.,~^%§#### ####§%^~,.
,,~:†%§£## the riverbanks reek of magic. tonight ##£§%†:~,,
.,-\=&@£@@ they had been a swampworld with sylvan @@£@&=\-,.
¨,,¨,\$$§§ water, stone rings and floating moss. §§$$\,¨,,¨
,¨,,,-%¤¤£ you could've found me wallowing around £¤¤%-,,,¨,
¨:=†%£#### on the southern shores until i got ####£%†=:¨
.¨.¨,~$&¶# bitten. #¶&$~,¨.¨.
¨,,,-**£¤# #¤£**-,,,¨
¨,»/§¤¤### but now i'm further back, on solid ###¤¤§/»,¨
¨:~*^&@¶@# ground, in shoulder-high grass, with an #@¶@&^*~:¨
.¨.¨~==*£& orange tin radio and a translucent &£*==~¨.¨.
.,,¨.\%=§§ umbrella which i'm sitting on. §§=%\.¨,,.
,:=/$%@@#@ @#@@%$/=:,
¨:-/§@£#@# = #@#£@§/-:¨
.,»:^%¤¶## ##¶¤%^:»,.
,:«*%$¤&§# somethings moving in the grass. it's #§&¤$%*«:,
¨.,,~~†£@# invisible to my eyes but i can feel #@£†~~,,.¨
¨~»/%¤¤### through the ground just how large it is. ###¤¤%/»~¨
¨~-/=£¶### ###¶£=/-~¨
,...¨.-%#£ the soil is muddy. i slip when trying £#%-.¨...,
,,~;=*@@## to get up, still looking at the ##@@*=;~,,
.¨,.»*†§§¶ direction of sound rather than at my ¶§§†*».,¨.
...~~/*^§£ hands, who are busy putting things in £§^*/~~...
¨¨,~^=*%§# my pockets. #§%*=^~,¨¨
¨~~/*£¶### ###¶£*/~~¨
.-»\†@## then i run east toward my home. ##@#&†\»-.
.,=†^£¤#@# #@#¤£^†=,.
,,¨.¨.^\£¶ * ¶£\^.¨.¨,,
,,.~/*=**§ §**=*/~.,,
.~~/^@@¶## i am not followed, and slow down in the ##¶@@^/~~.
¨.-\$§§### clearing where you at first can spot ###§§$\-.¨
..¨¨~†^£@# the house, not yet really in the #@£^†~¨¨..
,--\=£#@@# backyard. from my pockets i retrieve my #@@#£=\--,
¨~~:%*¤£## radio (now dented) but also a small ##£¤*%:~~¨
.,==@@@@## clay figure i've never seen before. it ##@@@@==,.
,.«^†&¤@## must have been laying in the wet dirt, ##@¤&†^«.,
,~»=^£§£## and i must've picked it up with my ##£§£^=»~,
~~=%¤@@### other belongings. ###@@¤%=~~
...¨-,;†¤# #¤†;,-¨...
.,-==%¤@@@ it's a statuette of a girl laying naked @@@¤%==-,.
.,==§££@@# on her stomach, feet in the air, #@@££§==,.
.^=:=&¤¶## roughly seven centimeters long. it's ##¶¤&=:=^.
..-/%£## freshly made, not yet completely dried. ###&£%/-..
¨~«^$@£### ###£@$^«~¨
,,«;%@¶@ my mom is here now. i ask her for some @¶@#&%;«,,
.^«\*$§### particle board for it to dry on, but ###§$*\«^.
.~~:**¤### she is worried and wants me to ###¤**:~~.
,:~=^%§### throw it away. ###§%^=~:,
,..^,:%#@# #@#%:,^..,
¨,¨,=$£$§@ @§$£$=,¨,¨
,:~\%%#¶## ##¶#%%\~:,
¨,¨..-~=£@ @£=~-..¨,¨
,.=*^$¤@## ##@¤$^*=.,
^~:*£§@### ###@§£*:~^