,.=**£#### ####£**=.,
.¨.=/=%¤@# #@¤%=/=.¨.
,,.^=†%$@# #@$%†=^.,,
,¨-~=†$¤## ##¤$†=~-¨,
,,-^=$@### ###@$=^-,,
,.,~†^*### statuette ###*^†~,.,
.¨,:=^*§§# #§§*^=:,¨.
,¨:»=*£@## %£&¤&£%%*$¤§£%¤£~~~»»~»«@*$§§@§¤$%*%&$£$ ##@£*=»:¨,
,,»:%§#### £@%§§*$%& ####§%:»,,
,¨.=;$@# ##&@$;=.¨,
.¨¨:~:$%£# forests around my childhood home. thick #£%$:~:¨¨.
¨,:«^†$#@# pine arcades that were planted and #@#$†^«:,¨
¨:»^=$&@## forgotten. wild boars roaming ##@&$=^»:¨
¨.-»†^$# underneath, sniffing at the ground. it ##&$^†»-.¨
..,-«†=£¤@ is dark and moist, the canopy having @¤£=†«-,..
.¨^~;$@§## already soaked up all the sun. ##§@$;~^¨.
¨.«;%&£### ###£&%;«.¨
...-/*£#@# there's a river passing by, from east #@#£*/-...
¨¨,,»;%£@@ to west, getting broader and deeper and @@£%;»,,¨¨
¨¨.-:*£¤## slower as it goes. equisetum grow just ##¤£*:-.¨¨
.~~/†££@## where the pine hands start to let ##@££†/~~.
..~-;§£@## through light, horsemint on the rocky ##@£§;-~..
¨¨,:»†%%@# river bed. #@%%†»:,¨¨
.,,~\†£§## ##§£†\~,,.
¨,=\=$@### ; ###@$=\=,¨
.,,«/$%£@# #@£%$/«,,.
,..~~*^* the riverbanks reek of magic. tonight #&*^*~~..,
..,~;=$¤## they had been a swampworld with sylvan ##¤$=;~,..
,^=^†%£@## water, stone rings and floating moss. ##@£%†^=^,
¨,-=^$@¤@# you could've found me wallowing around #@¤@$^=-,¨
..¨:~:=& on the southern shores until i got #&&=:~:¨..
¨.,»:§£¤@# bitten. #@¤£§:»,.¨
,--†%$£### ###£$%†--,
,,.-:^§@## but now i'm further back, on solid ##@§^:-.,,
..,,~^$$§# ground, in shoulder-high grass, with an #§$$^~,,..
¨..==*@£@# orange tin radio and a translucent #@£@*==..¨
.,-=*%&@## umbrella which i'm sitting on. ##@&%*=-,.
¨.~=†*%@## ##@%*†=~.¨
.,..-^%*@# \ #@*%^-..,.
..,-;%¤£## ##£¤%;-,..
,^«†$¤## somethings moving in the grass. it's ###&¤$†«^,
,,^~*^%@@# invisible to my eyes but i can feel #@@%^*~^,,
,..:~;$£ through the ground just how large it is. #&£$;~:..,
.,,-^*$§@# #@§$*^-,,.
,.~^%*§@## the soil is muddy. i slip when trying ##@§*%^~.,
¨¨~~***# to get up, still looking at the ##&***~~¨¨
¨,.,~†^*@# direction of sound rather than at my #@*^†~,.,¨
,,~==%£@@# hands, who are busy putting things in #@@£%==~,,
.:«=$¤§### my pockets. ###§¤$=«:.
¨.:-**$§## ##§$**-:.¨
,.¨.«;%$@# then i run east toward my home. #@$%;«.¨.,
..,«\%$¤## ##¤$%\«,..
.,»^*£## ; ###&£*^»,.
..,~†§*¤## ##¤*§†~,..
,¨¨.«:*%@# i am not followed, and slow down in the #@%*:«.¨¨,
,.:»/^£¤## clearing where you at first can spot ##¤£^/»:.,
¨:~†=$## the house, not yet really in the ###&$=†~:¨
,.~-\^$§## backyard. from my pockets i retrieve my ##§$^\-~.,
¨,¨,~:^£§# radio (now dented) but also a small #§£^:~,¨,¨
,,.~;=££@# clay figure i've never seen before. it #@££=;~.,,
,:-/$§§### must have been laying in the wet dirt, ###§§$/-:,
,¨~~:%£¤## and i must've picked it up with my ##¤£%:~~¨,
.¨¨,»*%¤ other belongings. #&¤%*»,¨¨.
¨¨,«;§@@## ##@@§;«,¨¨
.,»†=*§### it's a statuette of a girl laying naked ###§*=†»,.
,¨^«*†@§## on her stomach, feet in the air, ##§@†*«^¨,
.,,^~\*§£# roughly seven centimeters long. it's #£§*\~^,,.
...~*§*§## freshly made, not yet completely dried. ##§*§*~...
.,~/%§¤### ###¤§%/~,.
¨¨:==%$# my mom is here now. i ask her for some ##&$%==:¨¨
.,.,»=%§## particle board for it to dry on, but ##§%=»,.,.
.,-«=%*@## she is worried and wants me to ##@*%=«-,.
,^»=§¤@### throw it away. ###@¤§=»^,
..^-\**£## ##£**\-^..
.¨,^~^%$@@ @@$%^~^,¨.
,,-~*§@§## ##§@§*~-,,
¨,«†§%#@## ##@#%§†«,¨
,¨:=†§¤§## ##§¤§†=:¨,
.¨.~«\=§ #&§=\«~.¨.