.,.¨:-*\£# #£\*-:¨.,.
,--:^%£¶## ##¶£%^:--,
,.,.,,=^$@ @$^=,,.,.,
¨:~==*£@@# #@@£*==~:¨
¨¨.,¨¨-^*¤ ¤*^-¨¨,.¨¨
,,~\§$§### statuette ###§$§\~,,
..»^@§£### ###£§@^»..
,..¨=\:†¤@ %¤@*%@£&$£%$££$¤«~»~»-==@$&¤@££&%&%@&$@% @¤†:\=¨..,
.,,.¨«†§#& §%¤$¤£$££ §†«¨.,,.
¨--;=£@¶£@ @£¶@£=;--¨
,¨.¨~:*#§& forests around my childhood home. thick &§#*:~¨.¨,
,:-†=$## pine arcades that were planted and ###&$=†-:,
¨^-††§@@## forgotten. wild boars roaming ##@@§††-^¨
.~~:*£¤£## underneath, sniffing at the ground. it ##£¤£*:~~.
,.¨=\;£&¤# is dark and moist, the canopy having #¤&£;\=¨.,
..«\†¤¤£## already soaked up all the sun. ##£¤¤†\«..
¨,«^%¤¤£## ##£¤¤%^«,¨
,:=^**££@# there's a river passing by, from east #@££**^=:,
¨,~,-*£@£@ to west, getting broader and deeper and @£@£*-,~,¨
¨.¨^:~%§#§ slower as it goes. equisetum grow just §#§%~:^¨.¨
.,»;*%%¤§# where the pine hands start to let #§¤%%*;»,.
,^-/§*§§@# through light, horsemint on the rocky #@§§*§/-^,
.-»=†£££¶@ river bed. @¶£££†=»-.
.,.,,~†¤%# #%¤†~,,.,.
,,¨,..,=*£ ; £*=,..,¨,,
.~~;%%£§§# #§§£%%;~~.
¨:~;$%£#@# the riverbanks reek of magic. tonight #@#£%$;~:¨
.,,.¨¨-/=¤ they had been a swampworld with sylvan ¤=/-¨¨.,,.
.,»*^/%£££ water, stone rings and floating moss. £££%/^*»,.
.,,./=*§@@ you could've found me wallowing around @@§*=/.,,.
,-~%§&@### on the southern shores until i got ###@&§%~-,
,,»~-/**#§ bitten. §#**/-~»,,
.,,,.-^*$# #$*^-.,,,.
..¨,,~§@&@ but now i'm further back, on solid @&@§~,,¨..
.,=:^@#### ground, in shoulder-high grass, with an ####@^:=,.
,.¨:.^*@#@ orange tin radio and a translucent @#@*^.:¨.,
.,~/†*¤@## umbrella which i'm sitting on. ##@¤*†/~,.
.-~†$*=§@@ @@§=*$†~-.
..-;^@#### ^ ####@^;-..
.,¨,-$$$£¶ ¶£$$$-,¨,.
.,.~*^@*## somethings moving in the grass. it's ##*@^*~.,.
¨,,:;%§¤£# invisible to my eyes but i can feel #£¤§%;:,,¨
,.=^^$@$@# through the ground just how large it is. #@$@$^^=.,
,^~:%#@# #@##&%:~^,
¨.¨¨¨¨-*£@ the soil is muddy. i slip when trying @£*-¨¨¨¨.¨
.,«^†$§@## to get up, still looking at the ##@§$†^«,.
¨,.,^^^*#@ direction of sound rather than at my @#*^^^,.,¨
¨.~;%£## hands, who are busy putting things in ###&£%;~.¨
,:~*%%&£@# my pockets. #@£&%%*~:,
,~~†*§$$#¶ ¶#$$§*†~~,
..-†§@#¶@# then i run east toward my home. #@¶#@§†-..
.,~;†@##@# #@##@†;~,.
,-»\^¤#### ; ####¤^\»-,
,~«~«$&%£# #£%&$«~«~,
..-^**¤### i am not followed, and slow down in the ###¤**^-..
¨.,.~%%%@# clearing where you at first can spot #@%%%~.,.¨
...:~~:$^£ the house, not yet really in the £^$:~~:...
¨,=\%§££@# backyard. from my pockets i retrieve my #@££§%\=,¨
¨.«=†*¤££@ radio (now dented) but also a small @££¤*†=«.¨
.,«:$&@### clay figure i've never seen before. it ###@&$:«,.
¨.¨-~;:=§¤ must have been laying in the wet dirt, ¤§=:;~-¨.¨
,,~\%$#### and i must've picked it up with my ####$%\~,,
,.«\=£@¶## other belongings. ##¶@£=\«.,
,,~\$*##@# #@##*$\~,,
..-=*£¤£## it's a statuette of a girl laying naked ##£¤£*=-..
.^-=*¤&@## on her stomach, feet in the air, ##@&¤*=-^.
¨,»*†$££## roughly seven centimeters long. it's ##££$†*»,¨
.¨¨¨,-^$## freshly made, not yet completely dried. ##$^-,¨¨¨.
.,~=$%&@@# #@@&%$=~,.
.-~=^£#### my mom is here now. i ask her for some ####£^=~-.
¨.¨.¨,:*£¶ particle board for it to dry on, but ¶£*:,¨.¨.¨
¨..,¨,=†$@ she is worried and wants me to @$†=,¨,..¨
¨^~^=§¤£## throw it away. ##£¤§=^~^¨
.,«^*¤¤#@# #@#¤¤*^«,.
.,,.-%¤§§# #§§¤%-.,,.
,,¨.-^††$§ §$††^-.¨,,
.,.,~*£££@ @£££*~,.,.
.,,.¨«-$§@ @§$-«¨.,,.
¨-~;%§#@## ##@#§%;~-¨