.^-;**&¶## ##¶&**;-^.
¨,¨.¨,.:*# #*:.,¨.¨,¨
,.^^/=%@$# #$@%=/^^.,
.^»\†%#### ####%†\»^.
¨,.¨¨-;££@ @££;-¨¨.,¨
,,~**$@$@@ statuette @@$@$**~,,
¨.,..\£&§¤ ¤§&£\..,.¨
,~~==$£@## ¤£&@£%¤$*@$%%§@$=--»»~~«£¤$@$£££%@&%@&§* ##@£$==~~,
.,==*$#¶## @$&¤&%%§& ##¶#$*==,.
,^-/§¤#### ####¤§/-^,
,¨,,¨,^=%¤ forests around my childhood home. thick ¤%=^,¨,,¨,
¨^=;*§@¤@# pine arcades that were planted and #@¤@§*;=^¨
.¨..,/*#@@ forgotten. wild boars roaming @@#*/,..¨.
.~»^%%@¶@# underneath, sniffing at the ground. it #@¶@%%^»~.
¨~:%@£@@## is dark and moist, the canopy having ##@@£@%:~¨
¨.¨,,^=†%@ already soaked up all the sun. @%†=^,,¨.¨
¨.«=$%%@&@ @&@%%$=«.¨
¨:-;$&§@## there's a river passing by, from east ##@§&$;-:¨
..«=^££### to west, getting broader and deeper and ###££^=«..
,.¨¨~†*& slower as it goes. equisetum grow just #&&*†~¨¨.,
..«*§%£¶ where the pine hands start to let ¶£#&%§*«..
.:~^=### through light, horsemint on the rocky ####&=^~:.
..=*^$£#@# river bed. #@#£$^*=..
¨:~††$££## ##££$††~:¨
,.¨^~~»$£@ † @£$»~~^¨.,
¨~»\%¤@### ###@¤%\»~¨
.¨..,=-†@# the riverbanks reek of magic. tonight #@†-=,..¨.
¨.~;%&@£## they had been a swampworld with sylvan ##£@&%;~.¨
.-~\/\$=## water, stone rings and floating moss. ##=$\/\~-.
¨,,¨.-=%§@ you could've found me wallowing around @§%=-.¨,,¨
¨-=^*§*§¤@ on the southern shores until i got @¤§*§*^=-¨
.,=\%£§¶## bitten. ##¶§£%\=,.
,.«;%*§£## ##£§*%;«.,
¨,~^%¤£### but now i'm further back, on solid ###£¤%^~,¨
,,~\§§@@@# ground, in shoulder-high grass, with an #@@@§§\~,,
¨-»/%§#@## orange tin radio and a translucent ##@#§%/»-¨
¨,.:~†=££@ umbrella which i'm sitting on. @££=†~:.,¨
,,~=$*@£## ##£@*$=~,,
,..,,~%£¶# ^ #¶£%~,,..,
.,.,,=@#¶@ @¶#@=,,.,.
¨-»*†==^#§ somethings moving in the grass. it's §#^==†*»-¨
,,=:$@#### invisible to my eyes but i can feel ####@$:=,,
,..~,«^@§£ through the ground just how large it is. £§@^«,~..,
¨:-*§%§@## ##@§%§*-:¨
,,»*†$%†$@ the soil is muddy. i slip when trying @$†%$†*»,,
,~«\%%¤£@# to get up, still looking at the #@£¤%%\«~,
,..»^/;=$¶ direction of sound rather than at my ¶$=;/^»..,
..-\=¤&@## hands, who are busy putting things in ##@&¤=\-..
,-~;†£&@## my pockets. ##@&£†;~-,
.,=†*%#£## ##£#%*†=,.
¨:«/^$¤@## then i run east toward my home. ##@¤$^/«:¨
¨,«†§$£#@# #@#£$§†«,¨
¨,~\†@## : ##@#&†\~,¨
,:-~=~/^^£ £^^/~=~-:,
¨~~*%£§### i am not followed, and slow down in the ###§£%*~~¨
,..¨.,,\$£ clearing where you at first can spot £$\,,.¨..,
,-~^^*@# the house, not yet really in the #@#&*^^~-,
,~-^=§@¤@¤ backyard. from my pockets i retrieve my ¤@¤@§=^-~,
¨,-==£#¶@# radio (now dented) but also a small #@¶#£==-,¨
¨~»†^%#£@# clay figure i've never seen before. it #@£#%^†»~¨
.^~;$%#@¶¶ must have been laying in the wet dirt, ¶¶@#%$;~^.
,.¨...\$$¤ and i must've picked it up with my ¤$$\...¨.,
,~~*=%¤### other belongings. ###¤%=*~~,
¨,,,.,†& #&&†,.,,,¨
.,~:%$£§#@ it's a statuette of a girl laying naked @#§£$%:~,.
,,~=*%£%@@ on her stomach, feet in the air, @@%£%*=~,,
.:~:%¤@### roughly seven centimeters long. it's ###@¤%:~:.
¨¨,,~%%$@£ freshly made, not yet completely dried. £@$%%~,,¨¨
¨-»†%£§@¶@ @¶@§£%†»-¨
¨,¨~-†%$£@ my mom is here now. i ask her for some @£$%†-~¨,¨
,:»**$@¤§@ particle board for it to dry on, but @§¤@$**»:,
.:==§£§¶## she is worried and wants me to ##¶§£§==:.
,..,.»\¤&¤ throw it away. ¤&¤\».,..,
.,~*%@## ##@#&%*~,.
,,.,.,»^ #&^»,.,.,,
¨:==^=%$#@ @#$%=^==:¨
¨-»^%§#@## ##@#§%^»-¨
¨¨.,~,=*%§ §%*=,~,.¨¨
¨:-/†*§¶@# #@¶§*†/-:¨