.¨@#¤,¨¨&¨ .§@.,.¨.##
.,.#,¨§¨., ¨¨..£,¨.
#@,,,.¨.§. ¨@&.,¤,,£§
¤¨.¤£@#,,. .¨..,.¨¨.&
¨,,.#&.,@@ ,#@#@£¨.
¤@¤.¨..¨.& statuette ¨,&£@§§..#
&@¨¨£@§§.¨ @¨.#&&..¨,
¨.,¨,@&¨¨& £%*£%$@££¤%&$*£$=~«===~~¤%@%&@£$%£§£%£££ ¨,¨¨@¨.£#.
§&§¤¨..,., @$*¤%*&%$ #§¤¨,¨.,,.
¨£§..@@&&£ #£,,&@##@,
¨..¨,,§&¤, forests around my childhood home. thick #¨¨¨.§£§¨¨
@&§¤#,,§,. pine arcades that were planted and .¨@@,¨£.,@
¤£..,,,. forgotten. wild boars roaming ...¨,¨¨¨..
.@§¨.@§£@# underneath, sniffing at the ground. it #&&¤£§@#¤.
¨,,,.,#&@¨ is dark and moist, the canopy having .¤@££¤#£..
££#@¤,.¤,¨ already soaked up all the sun. ¨.&£§#§¨,&
&¤,¨¨,¨¨ ,¨.¤@§.,¨¨
.§¤,.@@¤¤# there's a river passing by, from east §@.,§¨.@@,
,...,,&£ to west, getting broader and deeper and @¨¨..,.¨¨.
§#££¤,¨§&@ slower as it goes. equisetum grow just ,¨&§£&£##&
#§..,.¤¤ where the pine hands start to let ¨..§£#£££&
&¤§..¤¤¨¨§ through light, horsemint on the rocky #@,.£#§£@&
#£¨,.¨¨¨¨¨ river bed. ..,..#¤¤£@
£,,@¤£#§#£ ¤@#&,.¤&@@
¨¨,¨£&&@#@ * .&§,,,¨¤#£
.£¤¨¨#££¤£ ,¨¨.¤&,.&,
,,,¨,,&&&§ the riverbanks reek of magic. tonight ¤&@¨,,,¨¨¨
#@¤#£,.¤¤, they had been a swampworld with sylvan #§,,££¤@¤&
¤&¤§,.¨¨,, water, stone rings and floating moss. &.¨,,§#@£¤
@@£.,£¤¤£@ you could've found me wallowing around ..&§.,#@
&§.,¨¨@&§@ on the southern shores until i got ,.,¨.,,§§£
§¨.#&¨,§§§ bitten. ¤@#&¤&..@£
,¨,¨¨¨¨,¤£ ¨¤¤@£.,¨,£
,##¤§¤&.¨§ but now i'm further back, on solid .,&¤¨.&&.,
.¨&@&@,¨.. ground, in shoulder-high grass, with an @.,¨,¨¨,.¤
,.,#¤.¨££§ orange tin radio and a translucent ..§&&£@#,.
¤§,,.,¨,@# umbrella which i'm sitting on. ,.¨£@,.§
¤.,&&@§,,, §£¨¨#@¨,,.
,,¨.@&,¨£# ; .,¨¨.¨¨@#¨
@#@,.¨.,¨. #&&&@&¨¨.,
.£¨¨&&§§#@ somethings moving in the grass. it's #&£££,.¤#¨
¨,...#§£¤¨ invisible to my eyes but i can feel #¤@¤...¨¨.
¤¤@@.¨##¨, through the ground just how large it is. .@#.¨§¤###
¤¤§¨¨,..¨. ,.,¨¨.¤¤¤&
££..£@££#£ the soil is muddy. i slip when trying @@@¤&,¨§§£
&..,¨££¤&¨ to get up, still looking at the @£¤£,,,.@&
¨.&&¨.§£., direction of sound rather than at my ¨£@,.#§.,¤
,..,,,,,.. hands, who are busy putting things in ,,¨¨,,.¨,.
§§¤#££¤&§# my pockets. @£§#£§£@#&
#&@@§¤&§§# #@#&@@¤§&£
§#@&&§££¤¤ then i run east toward my home. £&¤@£¤££¤£
¤@£#£@§@@& ¤£¤&¤@¤£#&
§##&£§£¤ = £@&&&¤§§¤@
§£§§&£§£ ¤§¤¤@#@&¤&
#@&@#¤@¤§£ i am not followed, and slow down in the #§@£&@##
@#£§§¤&§ clearing where you at first can spot §#¤§£&¤#@£
@@#§§§&£ the house, not yet really in the £#¤¤&&&¤££
#£¤&§¤@¤@& backyard. from my pockets i retrieve my ¤@&¤¤#£&@@
§¤¤¤§@¤@@# radio (now dented) but also a small &¤§@#¤&§¤#
¤#¤@¤@§¤&@ clay figure i've never seen before. it @£¤@¤¤&@§@
§@§¤@@£#£& must have been laying in the wet dirt, §#@#¤#£@§§
&§@&£§&&¤# and i must've picked it up with my §#§£§§@#§§
#¤¤#£#¤#&£ other belongings. @¤@@§&@#&¤
£¤£§§#&&§@ @£§@##£&£¤
£¤@@&£§&£@ it's a statuette of a girl laying naked §#&¤@¤#@&¤
#&§@£¤§&¤# on her stomach, feet in the air, #&§#£@@&¤&
&@@£¤§§§§@ roughly seven centimeters long. it's ££##££#&¤#
§¤££¤@@£@& freshly made, not yet completely dried. #¤§¤@¤§#@#
§£#@&§££ @£¤§#§£@@&
§#§££&@@&¤ my mom is here now. i ask her for some ¤#§¤¤££§
¤¤@¤¤#£§@# particle board for it to dry on, but #&§@£@@#¤&
§§@§££&¤@# she is worried and wants me to ¤§££££¤£&¤
¤£¤&£@@£&£ throw it away. &§§#&§@£@#
#££§#@£¤#@ ¤§&§@§@§@@
&@&¤££¤@¤@ &@¤§&§§§#£
&&£#¤££¤@¤ £@#§££§#£#
¤&£@£§#¤£¤ §@#@¤££§#¤
#§@#&§@£¤& ¤§#£¤££§
§§#§&@¤#£# £&&£¤§&&&@