¨^«†%§@### ###@§%†«^¨
¨.,-^*¤@@# #@@¤*^-,.¨
.¨,.»^=@£@ @£@=^».,¨.
,¨:»:§§@## ##@§§:»:¨,
,,=\^§¶### ###¶§^\=,,
,,.-^$$### statuette ###$$^-.,,
.,,--;§§@# #@§§;--,,.
¨,~»/*§@## *@£¤%¤$%%%%§§¤$&~«»=««»~%%¤£$%$&§@££¤@&% ##@§*/»~,¨
.~«**§#### $§&&*£¤¤§ ####§**«~.
,,.~:$£### ###£$:~.,,
...-=*§££@ forests around my childhood home. thick @££§*=-...
¨¨.«;§£¶## pine arcades that were planted and ##¶£§;«.¨¨
¨,~\=§¶### forgotten. wild boars roaming ###¶§=\~,¨
¨,,»\^*@## underneath, sniffing at the ground. it ##@*^\»,,¨
¨,¨-»;$¤@# is dark and moist, the canopy having #@¤$;»-¨,¨
¨..~^=$### already soaked up all the sun. ###$=^~..¨
.^~=^££@## ##@££^=~^.
..--/*£@@# there's a river passing by, from east #@@£*/--..
,,..»†§@## to west, getting broader and deeper and ##@§†»..,,
.,.»\=*@@# slower as it goes. equisetum grow just #@@*=\».,.
¨.«*%§¶### where the pine hands start to let ###¶§%*«.¨
,.~»=$£@@# through light, horsemint on the rocky #@@£$=»~.,
,,.,«:*@@# river bed. #@@*:«,.,,
.¨,~**££## ##££**~,¨.
.--:$£@@## ^ ##@@£$:--.
..,~^^£¶## ##¶£^^~,..
¨.¨,==$$## the riverbanks reek of magic. tonight ##$$==,¨.¨
.¨^~\=§### they had been a swampworld with sylvan ###§=\~^¨.
.:~=*£¶### water, stone rings and floating moss. ###¶£*=~:.
¨¨-»=*$¶## you could've found me wallowing around ##¶$*=»-¨¨
,,¨:~†%%¶@ on the southern shores until i got @¶%%†~:¨,,
,¨:=:^%### bitten. ###%^:=:¨,
.--^%%¶@## ##@¶%%^--.
¨,-»==¤### but now i'm further back, on solid ###¤==»-,¨
,,,,»**%¶# ground, in shoulder-high grass, with an #¶%**»,,,,
¨,,~*=$£## orange tin radio and a translucent ##£$=*~,,¨
.^~†%@## umbrella which i'm sitting on. ##@#&%†~^.
,¨,~†^¤¶@# #@¶¤^†~,¨,
¨¨.^-==§@# \ #@§==-^.¨¨
,,:=\†¤¶## ##¶¤†\=:,,
¨^«^%%@@## somethings moving in the grass. it's ##@@%%^«^¨
¨,~~^**¶## invisible to my eyes but i can feel ##¶**^~~,¨
¨,,,-=$£@@ through the ground just how large it is. @@£$=-,,,¨
¨.--†$&¶## ##¶&$†--.¨
¨:-:%### the soil is muddy. i slip when trying ####&%:-:¨
..,=^^$£@# to get up, still looking at the #@£$^^=,..
.,.~»*=@#@ direction of sound rather than at my @#@=*»~.,.
..,~=%¤#@# hands, who are busy putting things in #@#¤%=~,..
¨:~:*%¶@## my pockets. ##@¶%*:~:¨
.,^=\$%¶## ##¶%$\=^,.
¨,,:«^^§¶@ then i run east toward my home. @¶§^^«:,,¨
.¨^~:*&£@# #@£&*:~^¨.
,:=\*%£### ^ ###£%*\=:,
¨,:»^$*@@# #@@*$^»:,¨
,.,-=†=¤@# i am not followed, and slow down in the #@¤=†=-,.,
¨.~~††&@## clearing where you at first can spot ##@&††~~.¨
.^-†$£@@## the house, not yet really in the ##@@£$†-^.
¨¨:»;%*### backyard. from my pockets i retrieve my ###*%;»:¨¨
,,¨:=:*&£@ radio (now dented) but also a small @£&*:=:¨,,
,,,«/§@### clay figure i've never seen before. it ###@§/«,,,
.^~:$§@### must have been laying in the wet dirt, ###@§$:~^.
.,,~/$£### and i must've picked it up with my ###£$/~,,.
¨.¨~«:*££# other belongings. #££*:«~¨.¨
¨..~†%%@@# #@@%%†~..¨
.^«\†*@### it's a statuette of a girl laying naked ###@*†\«^.
.¨.~***@@# on her stomach, feet in the air, #@@***~.¨.
¨¨,^~*$*## roughly seven centimeters long. it's ##*$*~^,¨¨
,¨^-*^¤### freshly made, not yet completely dried. ###¤^*-^¨,
,~-:^¤@### ###@¤^:-~,
.,,=†*@¶## my mom is here now. i ask her for some ##¶@*†=,,.
,,,,-^=¤@@ particle board for it to dry on, but @@¤=^-,,,,
,¨^~†$¤£## she is worried and wants me to ##£¤$†~^¨,
.:~:^@@@## throw it away. ##@@@^:~:.
..:~†%$£@# #@£$%†~:..
¨..:~†*§£# #£§*†~:..¨
..:~\*$@@# #@@$*\~:..
,.=^†&¶### ###¶&†^=.,
¨.:-/=%@@# #@@%=/-:.¨
¨.¨.«=†¤#@ @#¤†=«.¨.¨