,,«=%§&&@# #@&&§%=«,,
¨:-:%£¤### ###¤£%:-:¨
.,~=%%###@ @###%%=~,.
¨.~==¤&¶## ##¶&¤==~.¨
¨^-==*## ###&*==-^¨
....~^»†£# statuette #£†»^~....
.,,,,,«§§@ @§§«,,,,,.
¨:~\^%¤##£ ¤%@@*$$$£*§&%&£&»-~-»~-~¤£§&£&§&*%$%@£@* £##¤%^\~:¨
¨.«^^$#£## &%§¤££&*@ ##£#$^^«.¨
¨,»*†%@$@@ @@$@%†*»,¨
¨,-=%@§### forests around my childhood home. thick ###§@%=-,¨
¨--*§£## pine arcades that were planted and ###&£§*--¨
.~=:%&&@@# forgotten. wild boars roaming #@@&&%:=~.
¨,~†§$&@## underneath, sniffing at the ground. it ##@&$§†~,¨
,^~=^*£### is dark and moist, the canopy having ###£*^=~^,
¨:«;%%#¶## already soaked up all the sun. ##¶#%%;«:¨
¨¨.^~\^\%# #%\^\~^.¨¨
,,..¨»^%@& there's a river passing by, from east &@%^»¨..,,
¨.¨,::/;$@ to west, getting broader and deeper and @$;/::,¨.¨
,.=*^£¤¶## slower as it goes. equisetum grow just ##¶¤£^*=.,
.¨:,.=^†$§ where the pine hands start to let §$†^=.,:¨.
,¨,,¨-;;$# through light, horsemint on the rocky #$;;-¨,,¨,
¨.-^=£§£## river bed. ##£§£=^-.¨
,¨¨¨-*%# #%*-¨¨¨,
.,~;*£&@## † ##@&£*;~,.
..~=*@£¶@# #@¶£@*=~..
.^,~»^§££¤ the riverbanks reek of magic. tonight ¤££§^»~,^.
¨.,,,.~/£§ they had been a swampworld with sylvan §£/~.,,,.¨
¨~,~-~*^*§ water, stone rings and floating moss. §*^*~-~,~¨
..¨.,.:% you could've found me wallowing around #&%:.,.¨..
.,¨»=\*# on the southern shores until i got #*\=»¨,.
,~«/§¤#¶## bitten. ##¶#¤§/«~,
¨^=:%¤§¤¤# #¤¤§¤%:=^¨
,.~\†£@§ but now i'm further back, on solid #&§@£†\~.,
¨^»:*$#@## ground, in shoulder-high grass, with an ##@#$*:»^¨
¨-»:†$&£## orange tin radio and a translucent ##£&$†:»-¨
,~«=%£§£## umbrella which i'm sitting on. ##£§£%=«~,
,.~:*%£@## ##@£%*:~.,
¨^»††§¤¶@# † #@¶¤§††»^¨
...,.,»§§# #§§»,.,...
,¨,.,,~^$£ somethings moving in the grass. it's £$^~,,.,¨,
¨:=**£#@@# invisible to my eyes but i can feel #@@#£**=:¨
.,,.,=-/%¶ through the ground just how large it is. ¶%/-=,.,,.
.,¨¨^=*£## ##£*=^¨¨,.
,,,,,,~^&& the soil is muddy. i slip when trying &&^~,,,,,,
.-»/*£¤£@# to get up, still looking at the #@£¤£*/»-.
.,:~=*=%¤# direction of sound rather than at my #¤%=*=~:,.
¨.,,~=\=$# hands, who are busy putting things in #$=\=~,,.¨
,,=†$$¤@@# my pockets. #@@¤$$†=,,
¨~~:$¤£¶@# #@¶£¤$:~~¨
..««:^¤§## then i run east toward my home. ##§¤^:««..
,,~*$¤¤#@# #@#¤¤$*~,,
,,=*$%@### \ ###@%$*=,,
,«†%%@£### ###£@%%†«,
,,=††%$*£& i am not followed, and slow down in the &£*$%††=,,
.:==†£¤@## clearing where you at first can spot ##@¤£†==:.
¨.,=~;$%&& the house, not yet really in the &&%$;~=,.¨
¨^-/^£§@## backyard. from my pockets i retrieve my ##@§£^/-^¨
.^~^*%¤£@# radio (now dented) but also a small #@£¤%*^~^.
.,«;§%&@@# clay figure i've never seen before. it #@@&%§;«,.
¨^~;††$%$£ must have been laying in the wet dirt, £$%$††;~^¨
.,,,.¨^-*£ and i must've picked it up with my £*-^¨.,,,.
...,-,~†&¤ other belongings. ¤&†~,-,...
,,,¨,.-*§@ @§*-.,¨,,,
.~»:*;†%&¶ it's a statuette of a girl laying naked ¶&%†;*:»~.
,,==%$#@## on her stomach, feet in the air, ##@#$%==,,
.,.,^~\:££ roughly seven centimeters long. it's ££:\~^,.,.
¨^»:^¤@# freshly made, not yet completely dried. #@#&¤^:»^¨
.-»\=$&@## ##@&$=\»-.
.,«/^£##&@ my mom is here now. i ask her for some @#£^/«,.
,~~^§@## particle board for it to dry on, but ###&@§^~~,
¨,~=$%§£## she is worried and wants me to ##£§%$=~,¨
,,¨.,¨=*%# throw it away. #%*=¨,.¨,,
¨¨,-«/;%¤@ @¤%;/«-,¨¨
¨..~=^^% #&%^^=~..¨
.^-†%§@### ###@§%†-^.
.-=;*%££## ##££%*;=-.
¨¨,~:~*$§# #§$*~:~,¨¨
,.«*:\\@§£ £§@\\:*«.,