,.@@¨¨..,¨ .,,.,,,,..
#,,¨,§&£¤£ §§@£#&&¤#&
,,§¤.,¤§#£ £¤#@#§¤§§@
,..,¨..¤§# @£#§#§§##.
&§¤¤#¤..§& #£@¤@#¤@¨,
.§&¤@¨¨,¨. statuette £§£#§.¨.
.¨&&¨¨##§£ §&&&@@.¨£§
,,,,¨.,&@§ *£&@*$@&%$$%$§§&~»»=~«=-@%&&@$$$%%§$%§%& &§@£@.,,,,
£§&£##..@£ $¤$$£@£@$ ##§§.,#@§£
§¤#§@,¨... ¨@§.¨.,£&@
£@@§.,&§§# forests around my childhood home. thick ..¨,&&,¨££
&,,¨¨§£. pine arcades that were planted and .&@...¨¨.¤
@£¨¨§£¨¨.¨ forgotten. wild boars roaming ,,.¨&§¤&¨,
¨¨,.¨¨.&£@ underneath, sniffing at the ground. it #¤§..@@.¨.
£§@£§£¨.&¤ is dark and moist, the canopy having @#.,,.,¨§§
@§&@#¨,¨¨, already soaked up all the sun. ..¨¤&&§,,&
££££..§#&& @£¨,£§,¨.¨
.&§,,.,&@@ there's a river passing by, from east ¤,,¨.¨.@#,
,¨¨¨##¨,@§ to west, getting broader and deeper and ¨.##&@¨,¨¨
££§¨¨¨,,¨¨ slower as it goes. equisetum grow just &..¤#,.¤&£
¤@,¨£@&¤ where the pine hands start to let ..¨,,¨.¨##
#¨¨,.¤¤§¤, through light, horsemint on the rocky ##&£§£#.,§
.¨££¨,£#¨¨ river bed. ¤#@£#@,.¨¨
§,¨,,¨..,, .@£#§,¨§@£
,.§§@¤¤¤ ^ ¨.##,,,¨§@
,¨.§§£§@¤§ @.,..&§.¨.
¤#,,&& the riverbanks reek of magic. tonight ,,§#¨..¨§£
§.,¨,@§£§# they had been a swampworld with sylvan §,,,¨¤@.,&
,¨§£¨.££#£ water, stone rings and floating moss. ¨,&@.,,¨¨¨
#,¨,¨..§#¤ you could've found me wallowing around &,¨.¨#£#@£
¨,#&,,£. on the southern shores until i got ¨¨@§,.¤¤¤¤
¨¨,£@¨.,., bitten. .....¨,¤§¨
§@,¨¨¨§§@# ¤¤¤§#&,¨,¨
,.,££.¨§@# but now i'm further back, on solid .#¤¤#.¨#£.
¤@¨,¨..,£, ground, in shoulder-high grass, with an ,,£¤,¨,¨,.
,¨¨#§¤@,,¨ orange tin radio and a translucent §.,.,#¤§@¨
.¨&§,¨§¨ umbrella which i'm sitting on. ..#§..&£,.
¨¨¨,,¨.... ¨,¨¨,¨¨,¨¨
@#§&£§§&@# / §¤@£&&¤§@&
£&§¤###¤§@ #§¤@£§#¤
¤££§#§¤#&§ somethings moving in the grass. it's ££§@#@&§@#
@¤####&& invisible to my eyes but i can feel ¤#§§§£@@@¤
£¤££&&§#¤& through the ground just how large it is. ¤@£#£¤#¤@§
§§§§@¤@#¤§ &@¤§£¤##@@
&¤£#@@§@&§ the soil is muddy. i slip when trying @&£@£#§§@¤
#¤§§@#§£¤§ to get up, still looking at the ##¤¤¤#§¤@§
¤@£§#§£@&& direction of sound rather than at my @£#¤¤¤§£
§&§§&§ hands, who are busy putting things in #§@#§£§£¤@
#£@@££§#£@ my pockets. §@£§&&£##¤
§¤#£@£@¤£# §£@§£§£@#¤
§§¤&@§@@¤£ then i run east toward my home. ¤¤#£¤#§@#£
£#¤¤§@&£@@ ¤£§@¤£#@
§#££&§¤@&§ = §#§£&¤¤#¤¤
£¤¤#@#@@#@ ¤¤@&@#§§#£
&&&@@£#§¤§ i am not followed, and slow down in the ££@@@#¤&@@
&¤&¤#@§¤@& clearing where you at first can spot §@¤§§¤¤#
&§#§###£## the house, not yet really in the £¤&£@¤£§§&
§@£@&§@@@§ backyard. from my pockets i retrieve my £&&&£¤@§@#
£@£¤&£ radio (now dented) but also a small #§@§§§@&¤#
§@@@@@#£#& clay figure i've never seen before. it @&§¤@#&§££
@¤@¤¤@£§£¤ must have been laying in the wet dirt, @&£@@@&£¤£
##@£§£££ and i must've picked it up with my ¤££¤&§£¤&£
¤£££#£#&@& other belongings. @§@#&££&&£
££#¤##§@#§ #§@¤#@£#&§
&@£§¤§@£ it's a statuette of a girl laying naked #&¤@¤£@¤£¤
&¤¤#¤@&£&& on her stomach, feet in the air, §£¤§£#§§§§
@@#£#§@¤¤¤ roughly seven centimeters long. it's §££@§¤§§@#
§£§£@#££ freshly made, not yet completely dried. #&£@¤@§¤§&
@£&§#&&§£§ &£@£##£@¤#
§&§&¤&&§@¤ my mom is here now. i ask her for some &@@#£§§&&¤
##@&¤¤#¤§§ particle board for it to dry on, but §¤&£&@@@#¤
@££¤£¤##¤¤ she is worried and wants me to #&&¤¤@£§&£
¤¤§§£#&# throw it away. &£#§¤#§#&@
@@§&¤§##¤& #@£##¤#§#&
&£@£##@¤¤§ @§§£§¤§£#£
#&&££#¤@§§ #&§£#£@#@£
§#¤@¤&&& £¤&¤¤£§#£#
#¤£#£&@§@£ §@§#§#£¤&§
¤§&§£#£#&£ #@#£&§¤¤@¤