,,¨&.,..,. ¤£@¤£.,.¨¨
@@,¨,¤@&£& ,&&£¨¨##&&
£.,§,¨¤£@¤ ,.¤,.¨,¤@£
¨¨.¨,.¨§#§ #,¨.#¤¨,#&
,&&&¤£¨,#¤ ¨¨@,,¨.,,¨
,,¤,,¨,@ statuette £,.¨¤£
...£¨¨§¤¨. ..@,.#¤#£,
£&,¨,.¨.¨# £$¤£*$$@@*£§¤%$£»~«=»~~=@%%£%@§£&£&$*&&% ¤,¨¨,,§&¨¨
¨.,@§£&§¨. @%£&%&§%* ,.##@,..,,
¤¤.,&¤#,¨@ £,.¤¨.#@&£
¤.¨¨.¤¨,., forests around my childhood home. thick ¨.,¨...¤@¤
..&£,¨¨£#@ pine arcades that were planted and &&&§..@&
,.¨,.#,,§@ forgotten. wild boars roaming @#¤#@,.,,,
@@&§.,¨,,¤ underneath, sniffing at the ground. it #£#£.¨&£#§
¤@&¨¨¤@§,. is dark and moist, the canopy having §#@,,¨,£&£
§#,¨,.¤¨,@ already soaked up all the sun. #&¨,¤@¨¨¤¤
§..&¤.,,.. ¤,,,¨.,.¨&
¨¨.,¨.£¤&. there's a river passing by, from east ,,£#£@¨¨
#@¤@§¨.#,, to west, getting broader and deeper and .,,§¤£§¨¨&
§@@#¨¨...@ slower as it goes. equisetum grow just #¤.¨§¤¨,¨¨
¨£&,¨§&§., where the pine hands start to let ,..,,.¨¤£,
.,¨.¨,@.¨¨ through light, horsemint on the rocky ¤@§§¤¤.¨,.
§§&&&.,.§& river bed. .@§§#.¨£&@
&§§§,¨£,.¨ .,£§¨¨¨,§¤
&§@¨¨¨,.£§ = £,¨¨¨£&¨,§
§¤,.#&£,¨¨ ¨,§¤¨¨¨.¨.
.¨,,¨#¨.@¤ the riverbanks reek of magic. tonight ¨.¨¨.&¤¤¤,
£§¨..¨.¨ they had been a swampworld with sylvan ¤¤#@..£&,¨
.@#,¨§¤£££ water, stone rings and floating moss. ,@£,¨¨¨¨..
¨¨,¨,¨&@£¨ you could've found me wallowing around .¨,.§¤¤@@§
.£¤¤§¨¨#,. on the southern shores until i got ,#&¨.§#.
.,#¤.,¨,.& bitten. ¨¨¨,..££.,
@..¨¨§&£,¨ ,&@#&,..¨£
¨.@£¨¨£,,, but now i'm further back, on solid .¨&&..¨.
&,.,,¨.,¤¤ ground, in shoulder-high grass, with an @¨.,.,¨¨.§
¨¨££&§#,,¨ orange tin radio and a translucent ,.@#§£,,
&.¨¤#£..¤£ umbrella which i'm sitting on. &,.§&§£,.¤
.,.¨§¨..¨. ,¨¨¨#¤.¨,.
@§&,,.¤§§& / ¤#@¨¨..¤£¤
£@..§¨¨¤¤¤ ¤¤,.£§,¨£¤
¤,.¨¨¨,.@¤ somethings moving in the grass. it's ,,¨¨,,¨¨.#
¨¨&§&&@¨.¨ invisible to my eyes but i can feel §££&¤§£@¨¨
#,,#£@,¨#& through the ground just how large it is. ¤#@#£@£..&
.,¨,¤.¨,,¨ ##§#&&.,¨¨
&££¨¨.&& the soil is muddy. i slip when trying £¤&§§,,&¤§
,¨@,.§ to get up, still looking at the ¤@&@¨¨,¨##
¤¨¨,¨¨¨.&¤ direction of sound rather than at my §£&¨.&¤¨¨#
,.#@#&£¨,. hands, who are busy putting things in &§.,¨,¨,,,
#..£##¨.¤# my pockets. §,,§£§@§£@
..,¨#.,,¨& ¨,,,#£&£
,&§¨..§¤., then i run east toward my home. ¨¤&,,§@@&.
¨,¨¨&¨...¨ ¨¨¨,.¨§#¨¨
@¤@,.¨##@@ \ ¨#§£@...¨£
£&,,&.¨&£, .,#§,,,.
,,.,.,,.¨. i am not followed, and slow down in the ,.,.,.,,,¨
#&@£&&§&&§ clearing where you at first can spot £¤£&§##¤££
£&@£&@§# the house, not yet really in the £@&¤¤£#§&£
§§§#@££#§# backyard. from my pockets i retrieve my #§&££§£&¤£
£&§@£¤¤§&@ radio (now dented) but also a small @§&¤@¤£@##
&&&¤£§@&¤& clay figure i've never seen before. it #£§¤#@@@
¤#§¤@#¤£ must have been laying in the wet dirt, ¤£¤£#£@&
@#@@&&§££# and i must've picked it up with my £#&§@&§£#&
#&£&@¤¤### other belongings. @¤¤#§##£¤¤
§&§§&@##£& #@#&¤@#&¤&
££#@##¤@£§ it's a statuette of a girl laying naked &&£#&§&§&&
£@#£¤@#& on her stomach, feet in the air, #£@@¤£&@£¤
¤#@@@£#@@@ roughly seven centimeters long. it's &¤§@@¤£&¤¤
@£@#@#@¤¤@ freshly made, not yet completely dried. &§¤§¤¤@#&@
§@¤£¤@@§£@ @£@##¤¤&&¤
£££££@#@£§ my mom is here now. i ask her for some £§££&¤#¤@&
£¤¤&@¤#& particle board for it to dry on, but ¤£@§§§§#§¤
¤&¤¤&@§&££ she is worried and wants me to §££¤£§@@§¤
&£££&£#& throw it away. #¤##¤§&@¤#
¤¤@&@§¤§¤& &&@££@&£#@
@§@§&@£&£@ #§£#£¤@££@
@§£¤#¤§£#& ¤§¤&§£#£#¤
##@#@¤@#@& £§#§¤§¤#
£&@#&§§£ &@@£§&@¤@§
£&¤@&§&&&§ @¤&@#@£¤@§