§§.¨,¤&@£¨ ¨¨¨&,,,.¨,
..¨¤.,£§¨. §¤¨.¨§§¤¤¨
&@¨.,.¨.,£ §..§..&&¨,
.¨,#@§@#.¨ ¨.,,,¨¨.,.
&§¨¨¤§#.,. @@@#§#£@
@¨,¨.¤,¨£@ statuette ££££&££¤§¤
.¨,,,¨¨¨ ##§#£#&£¤&
.,..,&&§§# $*$%%§$£%*%%$£%§-«==»~~«$&@£££$$&$§%£@$@ ¤§&&&£@#£.
@£§@..@# %%@$£*%£$ §£§@@@¤¤,¨
,##.,¨,#&£ ,§@£##@¨¨,
.¨.¨£§¨,@# forests around my childhood home. thick ,¨££¤£¨,#@
,@#¨,,¨¨.§ pine arcades that were planted and £,,&§¨,,,,
¨¨,¨§#§@¨. forgotten. wild boars roaming .,..¨.&£§#
¨¤£¨,#£¨,¤ underneath, sniffing at the ground. it .@¤§&¨.¤@¨
,¨,,,.¨.¨, is dark and moist, the canopy having .,@§¨,¨.,¨
¤&¤@¤§£@§# already soaked up all the sun. #.,¨.#@§£#
¤¤£@£¤@& ¨¨&£..@§¤@
§§§§¤¤£¨ there's a river passing by, from east ¨,.¨,..£#@
£¤§&§£#§.. to west, getting broader and deeper and @¤#&¤@..@@
¤££@#&¤.¨¨ slower as it goes. equisetum grow just ,&§@¤.¨..§
@@§§#§,.@£ where the pine hands start to let ,¨££,¨,,
.@££&..¨¨¨ through light, horsemint on the rocky ¨¨,¨¨.¨.¨,
.,#@¨¨@§#& river bed. ¤¤§&@#¤@@#
¨¨¨,¨.,&¤§ .§&@&¤@&§,
@£##¤&,¨&§ † ¨.£§£§&&..
.§££&,,.¨, £.,§£@&¨¨¨
.,§§,.@#§@ the riverbanks reek of magic. tonight ,¨,.§@¨,§§
,,.¨¨¨.&§, they had been a swampworld with sylvan .££,,¨,,,,
&&¤#§#,¨.¨ water, stone rings and floating moss. .¨,.##§¤¤#
£@&¤@¨,§§. you could've found me wallowing around ,@#.¨¤&§
&§&§.,,,., on the southern shores until i got ¨¨.¨¨¨@¤@@
#£#..@¤#§§ bitten. £§££¤¨¨£££
@#¨,,,&&§£ &£@#,,¨¨&&
&,¨¤£.,¤¤, but now i'm further back, on solid ,#§¨.#@,.@
,¨,¨.,,.¨. ground, in shoulder-high grass, with an ,¨,¨,,,,,.
#&¤£#@&&@£ orange tin radio and a translucent &§@£§£@@§¤
££#§¤&&§ umbrella which i'm sitting on. §####£¤@¤#
#¤@£§¤@§££ £@#£¤##§#¤
§&@§&¤£& = £#§&¤&§#¤¤
#£§@@§£#££ §£¤#£#£§#¤
¤#¤£§&&§¤¤ somethings moving in the grass. it's @£§#¤&£¤
#¤@@#&£@¤¤ invisible to my eyes but i can feel §&£§&£§§&£
§¤@@@&¤@ through the ground just how large it is. #&§§@@¤§
§£@&£#¤#£# £§&£&¤#&§@
#@¤@£&£# the soil is muddy. i slip when trying ##£§¤&§&
&&§&&@£@ to get up, still looking at the ££££#£@&&§
@&§@#@£&&¤ direction of sound rather than at my &¤@@¤§¤£££
#¤¤@¤£&¤#& hands, who are busy putting things in §£@&¤#££@§
@@£@§#¤@¤& my pockets. ¤@@@¤#¤&¤£
&§¤#@#&@&& @§@£##¤¤@§
#&¤§&¤¤&£@ then i run east toward my home. ¤§££§#@£§£
¤&&£@££#¤@ &£¤§@¤&§@¤
@@§#@§&¤§& \ §§£&@£¤£¤&
¤¤¤§#&¤& #¤#£&££§¤¤
@£&§£££@ i am not followed, and slow down in the &§#&@@¤#&¤
#§£¤¤&¤§§¤ clearing where you at first can spot @#@&§§£#§¤
@§§§&£#@¤£ the house, not yet really in the £&@¤@#§£@#
§@§@@£&@ backyard. from my pockets i retrieve my #@£@&@££#&
#¤§¤@&£§£& radio (now dented) but also a small £¤&&¤¤#&§§
¤##¤§#££¤@ clay figure i've never seen before. it @##¤¤££&
@#&¤#§#§§¤ must have been laying in the wet dirt, §@@£¤@##£¤
@§§¤##@§§¤ and i must've picked it up with my £@£##&§£@@
&§@£@¤§& other belongings. §§#£#£¤#&&
¤¤§@§&@¤#£ &&§@#@#&§&
&¤@@@£££¤# it's a statuette of a girl laying naked @&¤£&§#@¤&
@££@§£¤#§# on her stomach, feet in the air, &¤§£@£#§#¤
¤¤§¤£&£§&£ roughly seven centimeters long. it's @¤¤#&§@§£¤
£##££&§#&& freshly made, not yet completely dried. &&&§§§@&£¤
¤££§§£#£&§ ##£@§§#£¤£
¤££@§&@#§@ my mom is here now. i ask her for some #@¤@£££§#&
#@¤@#¤##@# particle board for it to dry on, but @&£#@#§§
@§&§§§#£ she is worried and wants me to #&¤£#§¤&
£&£##§§§@@ throw it away. ##&£##£&&§
#§#§&@§§§& #@@££#¤¤
£@@&&@## &@&§@&@¤¤@
§§¤@§¤§#¤@ @#¤@@¤#§¤&
§@£§¤&&¤¤& §&£££@§¤#£
£#@@£@&¤&£ §£¤@@&¤&@£
@§@&@§@£&£ ¤££#&£¤¤&@