,,¨¨&...¨, .,£.¨,.¨.,
¤¤&,,¨&§&¤ .¨.¨¤@@¤@#
¤#.¨@,,&@& &@@.¨£@£¤#
#,,,,¨.¨§§ ¨¤.¨¨,§#£#
¨¨£§£&@,¨& ,.¨&¤,.§&¤
.,¨££§,.¨¨ statuette &£,,¨.,¨§¨
##¨,#¨,£@& #,,¤£#&¨¨,
¨..,.¨,,&£ $$&£&££$§¤%§£%£§=~~»-~»~%§%£§§%%§$§%§$££ ,,..&@,,&¨
@@§¤£#¤¨.@ ¤$§*£&¤£§ £@@¨...¨,.
.§&&¨.,, ¤&¨.#¤@¤¤.
..£¤£¨.£&& forests around my childhood home. thick §..¨.&&&,¨
&..¤,¨.,#@ pine arcades that were planted and ¨,££,.@,.#
¨..,,¤£,,¤ forgotten. wild boars roaming §,...¨,¨.,
##@#¨..,,. underneath, sniffing at the ground. it ¨.&£@¤£#@§
£§&.,§&¤£¤ is dark and moist, the canopy having @¨.@##§¤
@£..,¨£&&§ already soaked up all the sun. ¨,¨¨¤£#¤&§
¤¨.¤£¨,£@§ .#£,.¤#£&§
¨,...,..¤§ there's a river passing by, from east ¨,¨,¨¨§¤@¤
,£@§&£¤,.¨ to west, getting broader and deeper and .¤§@@,,@@.
,¨@§#@¨,§& slower as it goes. equisetum grow just ¨,£§,¨¨,,.
#.¨&¤,,¨¨# where the pine hands start to let ¤¨¨¨¨¤§§#@
,¨.,¨,.. through light, horsemint on the rocky .¨@@,,§#@@
.¤@£@,.,., river bed. §.,.¨¨.&§¨
,.@§,,£££& ¨,#§@&¨.,.
@,..,.,&@, \ ¨,¨§§.¨&¤§
.,£¤,,¨. ¤#.,...,§#
,.¨@@.,#§¤ the riverbanks reek of magic. tonight @,.#§@£,..
@@,¨,..,§£ they had been a swampworld with sylvan ,.,,#¤¨.¤¤
§¨¨##&@,¨@ water, stone rings and floating moss. ,¤&,¨.¨..¤
¨...§#,¨,. you could've found me wallowing around ¨...§§£&¨,
¤¤¤....£ on the southern shores until i got @#@.,@#.,£
§¤¨,§£¨.§£ bitten. #¤.¨.,,,,¨
,¨¨.¨¨¨,,¤ ¤..¤@¤§@@.
£@@¤§#&@,, but now i'm further back, on solid ,..¨§@£@¨¨
,#§&£#@,.@ ground, in shoulder-high grass, with an #@¤¨.#@,.¨
¨¨§§¤@,,,, orange tin radio and a translucent §#¨¨,.,,
,..¨,§@¨ umbrella which i'm sitting on. @¨.£¤@#.,.
&&,,¨,¨¨., ,,.,#£,,&&
#,.@§@&&§. † §&§.,¨..,§
....¤#¤@¨¨ ¨¨¤&§@,,
&@#¨.&£... somethings moving in the grass. it's £.¨¨,.,£
££,¨¨.¨,&@ invisible to my eyes but i can feel ..§¤.¨,.¨,
.¨,¤#@@¨,¨ through the ground just how large it is. #.¨¨.¤£¤¤.
##.¨&£,¨#§ ,¨#§¨.¤£¨,
..,,,..¨¨, the soil is muddy. i slip when trying ¨¨,¨,¨¨¨,,
¤#@#&§¤##£ to get up, still looking at the §#§@&£##&&
@£@@&§£@¤@ direction of sound rather than at my §§¤£&¤§&
@¤§&@&££¤# hands, who are busy putting things in &¤£&@#§§§#
@&§@¤@£&@# my pockets. @#@¤§£#£¤#
§@&§&§@£ @§@§¤&§@§§
@¤£¤¤#@@§# then i run east toward my home. ¤##¤#¤@¤¤#
£§@£#@¤¤£# £¤@#§§£&
£@####@£&& = @§#@£&
§§£§¤@ #£§§¤¤&£§&
£§@£#¤¤§#£ i am not followed, and slow down in the ¤§&§§§£§
§#@§¤££@ clearing where you at first can spot @£@££&&@@§
¤¤#@£¤£¤§# the house, not yet really in the #@§#£¤£§¤#
@£#£¤@@£§# backyard. from my pockets i retrieve my ££¤#£§#£££
§@&§#&¤¤¤£ radio (now dented) but also a small @££@£@##@£
¤££@#&¤£## clay figure i've never seen before. it ¤&&@£#§@§&
£¤¤£¤£§££# must have been laying in the wet dirt, ¤§§@@#£@@£
#§£¤#§#@§& and i must've picked it up with my @#§§§£@@&£
@#£@&¤@£¤§ other belongings. £§##§¤§#@£
#@¤£&¤#§@¤ ¤#§§¤£§#&&
#&££§@¤£ it's a statuette of a girl laying naked ¤#@£&&@@
£@§&¤#¤@ on her stomach, feet in the air, §£§&&&¤@£#
¤§#@§¤¤¤#¤ roughly seven centimeters long. it's £#¤@£££@
££££#¤&£§@ freshly made, not yet completely dried. ¤¤£##@£¤@¤
§¤§#£¤¤#§§ §¤§§&@££§§
£#&@##@#§# my mom is here now. i ask her for some &&£§¤#§#@#
@&@#§£@#§¤ particle board for it to dry on, but §£§#¤##£@&
¤&££#§@§ she is worried and wants me to &£#&#@@¤
#¤@@¤&¤# throw it away. £¤§££££¤@&
£&§§¤#§§@# #@@£&§&£#§
§£££@@£§&& £&&£££@§§#
£@¤@#¤§#&@ §@@£§@£#@¤
&¤£¤@#¤§§@ #@@&&@#§¤#
@£¤§¤¤ #¤¤§@§§¤#£
£##&¤&&@¤# §£¤###¤#¤§