,,~**£££@# #@£££**~,,
¨-»^†@@### ###@@†^»-¨
,¨,~†\$§@£ £@§$\†~,¨,
..~\=†%#@# #@#%†=\~..
¨,«:†##### #####†:«,¨
¨.~/*%@### statuette ###@%*/~.¨
,,¨..»^$$& &$$^»..¨,,
,^~/$*@@## ¤$&%$£&$*&%$§%*¤~»»««»~~£§$@$¤$$£%@$£%&¤ ##@@*$/~^,
.-~\$¤%@#£ %*$%$£**$ £#@%¤$\~-.
¨:~=*¤£#@# #@#£¤*=~:¨
,,¨^^†/@¤# forests around my childhood home. thick #¤@/†^^¨,,
,,»**£££## pine arcades that were planted and ##£££**»,,
..¨.¨.«†%£ forgotten. wild boars roaming £%†«.¨.¨..
¨¨.,^-†% underneath, sniffing at the ground. it #&%†-^,.¨¨
,,~†%£¤### is dark and moist, the canopy having ###¤£%†~,,
,,=;^%&@@# already soaked up all the sun. #@@&%^;=,,
.,~:*@#### ####@*:~,.
,,«/†$¤¶## there's a river passing by, from east ##¶¤$†/«,,
.:=††§##¤@ to west, getting broader and deeper and @¤##§††=:.
,.:~«~§&£# slower as it goes. equisetum grow just #£&§~«~:.,
.^-;*%#@£@ where the pine hands start to let @£@#%*;-^.
,¨.-~/:£@# through light, horsemint on the rocky #@£:/~-.¨,
,,-^†&@@@# river bed. #@@@&†^-,,
,,,¨«/;%§@ @§%;/«¨,,,
.~-=%$£$@# † #@$£$%=-~.
.¨,,,»§&¤£ £¤&§»,,,¨.
,,=;*@&@## the riverbanks reek of magic. tonight ##@&@*;=,,
.:~/$@¤# they had been a swampworld with sylvan #¤#&@$/~:.
.~-^=^=¤#@ water, stone rings and floating moss. @#¤=^=^-~.
¨,¨.~;$&@@ you could've found me wallowing around @@&$;~.¨,¨
,-~:$£¤### on the southern shores until i got ###¤£$:~-,
¨...-††§@@ bitten. @@§††-...¨
.¨¨¨:--=¤& &¤=--:¨¨¨.
.:=*=*^%@@ but now i'm further back, on solid @@%^*=*=:.
¨...~»=£$§ ground, in shoulder-high grass, with an §$£=»~...¨
..¨,,.«^$@ orange tin radio and a translucent @$^«.,,¨..
,.~\§£§@## umbrella which i'm sitting on. ##@§£§\~.,
.~~\*†%¤£# #£¤%†*\~~.
..«:*%&@## \ ##@&%*:«..
.^»*$&&@## ##@&&$*»^.
...-=†&$@@ somethings moving in the grass. it's @@$&†=-...
¨¨..---=^# invisible to my eyes but i can feel #^=---..¨¨
¨^»=%$@@## through the ground just how large it is. ##@@$%=»^¨
,¨.,,=$% #&%$=,,.¨,
....¨¨~%## the soil is muddy. i slip when trying ##%~¨¨....
¨^~^%%§@## to get up, still looking at the ##@§%%^~^¨
¨.-†%§£### direction of sound rather than at my ###£§%†-.¨
..=\†@§#@# hands, who are busy putting things in #@#§@†\=..
.,,.~$£*¶# my pockets. #¶*£$~.,,.
,.,,~»:§#& §:»~,,.,
¨,.«†/†¤ then i run east toward my home. #&¤†/†«.,¨
¨¨,,.,,~$§ §$~,,.,,¨¨
,-~:=¤§#@# : #@#§¤=:~-,
,--†$$£%@# #@%£$$†--,
.~*§£##@## i am not followed, and slow down in the ##@##£§*~.
,-»^%*@@## clearing where you at first can spot ##@@*%^»-,
,-~/*£§£@@ the house, not yet really in the @@£§£*/~-,
,.,.~^*£#¶ backyard. from my pockets i retrieve my ¶#£*^~.,.,
,..,,«:¤¶@ radio (now dented) but also a small @¶¤:«,,..,
¨,~\*%##¶# clay figure i've never seen before. it #¶##%*\~,¨
¨~~;*@## must have been laying in the wet dirt, ##@#&*;~~¨
¨.~^†§@### and i must've picked it up with my ###@§†^~.¨
.-=^**#£## other belongings. ##£#**^=-.
¨^»/$§@### ###@§$/»^¨
,~-^$%¤#¶@ it's a statuette of a girl laying naked @¶#¤%$^-~,
.^~**$¤£## on her stomach, feet in the air, ##£¤$**~^.
,:-;†*¤### roughly seven centimeters long. it's ###¤*†;-:,
.,~:=@£#@# freshly made, not yet completely dried. #@#£@=:~,.
.,»*%£££*# #*£££%*»,.
,¨..¨~»*££ my mom is here now. i ask her for some ££*»~¨..¨,
¨-»:=&¤#@# particle board for it to dry on, but #@#¤&=:»-¨
.¨,,.,^=@@ she is worried and wants me to @@=^,.,,¨.
¨,=:§&£### throw it away. ###£&§:=,¨
¨.,..«†$£@ @£$†«..,.¨
.--*$£¤### ###¤£$*--.
.,~†$@@@¶# #¶@@@$†~,.
.^~,«^@§£# #£§@^«,~^.
¨~-*%£¤#@@ @@#¤£%*-~¨
,.~/%££@## ##@££%/~.,