.^»:§%#@## ##@#%§:»^.
.,,«^^&@## ##@&^^«,,.
,,,:=/§%@# #@%§/=:,,,
,,.»;=&&@# #@&&=;».,,
.,»:*%#### ####%*:»,.
.,^-;%£#£# statuette #£#£%;-^,.
¨¨,^-;*@@# #@@*;-^,¨¨
..~=\§$### ¤%§&&@**&@§££%*%=«~»--==¤$%£&§§%$&%%*$$£ ###$§\=~..
.:»:§§£### %$%$§¤&$* ###£§§:»:.
,¨.~\§¤#¶# #¶#¤§\~.¨,
...^~:$@£@ forests around my childhood home. thick @£@$:~^...
,,^-;%$@¶# pine arcades that were planted and #¶@$%;-^,,
.-~;=£¤### forgotten. wild boars roaming ###¤£=;~-.
.¨,~;§%@## underneath, sniffing at the ground. it ##@%§;~,¨.
.,.,~†%§@@ is dark and moist, the canopy having @@§%†~,.,.
¨¨^=;†&£@# already soaked up all the sun. #@£&†;=^¨¨
¨,~=†£§¶## ##¶§£†=~,¨
,.,=\%*£## there's a river passing by, from east ##£*%\=,.,
¨.¨:~==%£# to west, getting broader and deeper and #£%==~:¨.¨
.¨--\*@# slower as it goes. equisetum grow just ##&@*\--¨.
.,-=†%¤£## where the pine hands start to let ##£¤%†=-,.
,.~~\=¤&@# through light, horsemint on the rocky #@&¤=\~~.,
¨..~~\*$ river bed. #&$*\~~..¨
..^»=^*¤@# #@¤*^=»^..
¨-«=†£§### ^ ###§£†=«-¨
,¨,-\%@££# #££@%\-,¨,
¨.¨-=^*§#@ the riverbanks reek of magic. tonight @#§*^=-¨.¨
,,-==$%¤## they had been a swampworld with sylvan ##¤%$==-,,
,-=/=%§£## water, stone rings and floating moss. ##£§%=/=-,
,,.~^*&££# you could've found me wallowing around #££&*^~.,,
,,¨~-\%£§@ on the southern shores until i got @§£%\-~¨,,
,,:~\§@#¶# bitten. #¶#@§\~:,,
,.»;§%#£## ##£#%§;».,
..,~\†@£@# but now i'm further back, on solid #@£@†\~,..
¨¨,,«=§£#@ ground, in shoulder-high grass, with an @#£§=«,,¨¨
,¨,»=%£@@# orange tin radio and a translucent #@@£%=»,¨,
.~~†*&&@## umbrella which i'm sitting on. ##@&&*†~~.
..~»:*%@¶# #¶@%*:»~..
,,.-»\*$£¶ * ¶£$*\»-.,,
..^=:%@# #@#&%:=^..
¨.=;*£&@## somethings moving in the grass. it's ##@&£*;=.¨
,,.-^*£&@# invisible to my eyes but i can feel #@&£*^-.,,
¨¨,,~†^£@@ through the ground just how large it is. @@£^†~,,¨¨
,.-«^$¤£## ##£¤$^«-.,
¨:»*%*&¶## the soil is muddy. i slip when trying ##¶&*%*»:¨
.,-~;§&@¶# to get up, still looking at the #¶@&§;~-,.
.,,,-;%$¤£ direction of sound rather than at my £¤$%;-,,,.
.¨-~;§§¤## hands, who are busy putting things in ##¤§§;~-¨.
¨.-†§§§£## my pockets. ##£§§§†-.¨
.,-«†^£§£# #£§£^†«-,.
..¨:»†%$£# then i run east toward my home. #£$%†»:¨..
¨.,~;%£# ##&£%;~,.¨
.^~^$§@### = ###@§$^~^.
..^=\%¤@@# #@@¤%\=^..
¨¨,,«/*&@# i am not followed, and slow down in the #@&*/«,,¨¨
¨.-~;*@@## clearing where you at first can spot ##@@*;~-.¨
¨-=/†*#### the house, not yet really in the ####*†/=-¨
¨¨.~\*%§¶# backyard. from my pockets i retrieve my #¶§%*\~.¨¨
.,,^«\$%£# radio (now dented) but also a small #£%$\«^,,.
,,:-:^££## clay figure i've never seen before. it ##££^:-:,,
.^=:*¤@@## must have been laying in the wet dirt, ##@@¤*:=^.
.¨.~/^$¤@# and i must've picked it up with my #@¤$^/~.¨.
,.,~«/%$£# other belongings. #£$%/«~,.,
..~»*^&¤£# #£¤&^*»~..
¨^»/^@#@## it's a statuette of a girl laying naked ##@#@^/»^¨
.,~»/=$§@# on her stomach, feet in the air, #@§$=/»~,.
¨,¨,~^*%#@ roughly seven centimeters long. it's @#%*^~,¨,¨
,¨:~*$*£## freshly made, not yet completely dried. ##£*$*~:¨,
..«=*$§@## ##@§$*=«..
,.:-^*%£@# my mom is here now. i ask her for some #@£%*^-:.,
.¨,^~†*$#£ particle board for it to dry on, but £#$*†~^,¨.
¨,,~=^§¤@# she is worried and wants me to #@¤§^=~,,¨
.,«†=*@### throw it away. ###@*=†«,.
¨¨~«/§¤@@# #@@¤§/«~¨¨
,.,.»**£#¶ ¶#£**».,.,
¨,-«=§££¶# #¶££§=«-,¨
¨,-=*£¤@## ##@¤£*=-,¨
...~/=%§¶# #¶§%=/~...
¨,.,~:%&££ ££&%:~,.,¨