,,~=/^$#@# #@#$^/=~,,
,.=;*£¤### ###¤£*;=.,
,,,-;*$§@# #@§$*;-,,,
¨¨,,=*§§## ##§§*=,,¨¨
,¨.=†^%#@# #@#%^†=.¨,
,.-:%¤#### statuette ####¤%:-.,
¨¨-»;*@# ##&@*;»-¨¨
,¨.:»=^%§@ @%$&*&&¤$@$$¤%$&«~=«-«~«£$%&$&££&¤§&$*£% @§%^=»:.¨,
¨.^-\§££## §%*&%%$£$ ##££§\-^.¨
,:~*§$@### ###@$§*~:,
¨.,~*=%### forests around my childhood home. thick ###%=*~,.¨
,,,^«=**§@ pine arcades that were planted and @§**=«^,,,
..-=^^£&@# forgotten. wild boars roaming #@&£^^=-..
.,~\§$¤### underneath, sniffing at the ground. it ###¤$§\~,.
,.-=^=§§## is dark and moist, the canopy having ##§§=^=-.,
.¨.^=\=$@# already soaked up all the sun. #@$=\=^.¨.
,¨,»/*£¤@# #@¤£*/»,¨,
¨,=:§$£### there's a river passing by, from east ###£$§:=,¨
.¨:»*^@¤@# to west, getting broader and deeper and #@¤@^*»:¨.
¨..:~^†&@@ slower as it goes. equisetum grow just @@&†^~:..¨
¨.:«†$§### where the pine hands start to let ###§$†«:.¨
.,-†%@## through light, horsemint on the rocky ###&@%†-,.
.,~=\%*@## river bed. ##@*%\=~,.
,,,.~=*& #&&*=~.,,,
.¨:=\^%§@# * #@§%^\=:¨.
.,«*†@## ##@#&†*«,.
,..~**$§@# the riverbanks reek of magic. tonight #@§$**~..,
¨,.~«\%£@@ they had been a swampworld with sylvan @@£%\«~.,¨
.¨,«\%§&@# water, stone rings and floating moss. #@&§%\«,¨.
,,~:†§@### you could've found me wallowing around ###@§†:~,,
,.,«^*@### on the southern shores until i got ###@*^«,.,
¨¨¨:~\%¤£# bitten. #£¤%\~:¨¨¨
¨,.~=†¤£## ##£¤†=~.,¨
,:~\§*## but now i'm further back, on solid ###&*§\~:,
,..«\**§## ground, in shoulder-high grass, with an ##§**\«..,
.,,^«^*£ orange tin radio and a translucent #&£*^«^,,.
¨.,«*$¤¤## umbrella which i'm sitting on. ##¤¤$*«,.¨
,.~^$§¤### ###¤§$^~.,
,¨.=†§$§## ^ ##§$§†=.¨,
,,.~«^§$¤# #¤$§^«~.,,
,¨-~^$*&@# somethings moving in the grass. it's #@&*$^~-¨,
.--/%%¤### invisible to my eyes but i can feel ###¤%%/--.
¨¨,»:%¤§## through the ground just how large it is. ##§¤%:»,¨¨
.¨..«=†@£# #£@†=«..¨.
,,^»=†*### the soil is muddy. i slip when trying ###*†=»^,,
¨~»†^§§### to get up, still looking at the ###§§^†»~¨
.,-=**&§## direction of sound rather than at my ##§&**=-,.
...:=;^%## hands, who are busy putting things in ##%^;=:...
,¨-«*^¤¤## my pockets. ##¤¤^*«-¨,
,~~\$@@@## ##@@@$\~~,
¨¨-~*§## then i run east toward my home. ###&§*~-¨¨
.,.:»:§¤@# #@¤§:»:.,.
,¨:~=$£§## † ##§£$=~:¨,
¨.»/†§£### ###£§†/».¨
,¨.~/*&§@# i am not followed, and slow down in the #@§&*/~.¨,
,,.,«=%%§# clearing where you at first can spot #§%%=«,.,,
.,-=\†¤# the house, not yet really in the ##&¤†\=-,.
.-«*$$@@## backyard. from my pockets i retrieve my ##@@$$*«-.
,,:~^†@### radio (now dented) but also a small ###@†^~:,,
¨,,~~^$*§# clay figure i've never seen before. it #§*$^~~,,¨
,¨~-/$$¤## must have been laying in the wet dirt, ##¤$$/-~¨,
.--=%*£### and i must've picked it up with my ###£*%=--.
.,:»\%%&@# other belongings. #@&%%\»:,.
,,..=:=@#@ @#@=:=..,,
¨,~-:=%¤## it's a statuette of a girl laying naked ##¤%=:-~,¨
,,«:§%&@## on her stomach, feet in the air, ##@&%§:«,,
,,:=;§%£## roughly seven centimeters long. it's ##£%§;=:,,
,¨,^=*%$£# freshly made, not yet completely dried. #£$%*=^,¨,
¨¨:»†*@&@# #@&@*†»:¨¨
,--†$%#### my mom is here now. i ask her for some ####%$†--,
¨¨~«*$¤¤@# particle board for it to dry on, but #@¤¤$*«~¨¨
¨.,-»;%*£# she is worried and wants me to #£*%;»-,.¨
,¨,«;^## throw it away. ###&^;«,¨,
,~~*%££### ###££%*~~,
¨¨-~†=¤# ##&¤=†~-¨¨
,...«*%*@# #@*%*«...,
,¨:«†$£§## ##§£$†«:¨,
,,~*$*## ###&*$*~,,
¨.,»=*$¤## ##¤$*=»,.¨