¨&,¨.,¨£@¤ ,,.¤¨.¤&,¨
¨,,@¤§.,@£ §£¨¨,.,,.£
.#,.§.,¨., #.,£§@@#..
¨¨,¨¨¨&@#& ,¨,.&££,,£
,&¤@£,.¤§¤ ¨££¨,£.¨..
,,§¤,..¨ statuette ,,,.¨¨,&¤@
,¨.¨¨#£.¨¨ £££&@@,.£¨
@@,.,¨#£ §$£¤¤%£§*&&$&@**»«-«««~«&*%£$@%££%£&&&%£ @§#§£,¨¨¨.
.£@,¨#@,¨¤ *¤@%@$%&§ ¨§#¤,,&¨
.,.,,¨¨... .,§.,..&.¨
§##£§@@¤ forests around my childhood home. thick ,.¨.#£,¨¨£
§¤#&@££@§@ pine arcades that were planted and ¤,,..¤¨,
,¤&@#@&@ forgotten. wild boars roaming ,§,¨¤#,,,.
.¨¤£¤@&@§¤ underneath, sniffing at the ground. it ¨.,.,,.£§@
¨¨¨§&¤&@ is dark and moist, the canopy having #&£&§£¨,¤¨
£¤¨,#@£¤ already soaked up all the sun. §&£@&.¨¨,.
,,¨¨¨#@§¤. .&@§..&¤¤¨
¤&§&¨,¤#,, there's a river passing by, from east ¨¨@,...#..
.&&,,¨,¨¨§ to west, getting broader and deeper and ,¨,,££,¨¨.
¨.,,@@£&¨¨ slower as it goes. equisetum grow just &§£..¨¨§#§
,¤¤¨¨£@,¨¤ where the pine hands start to let ,@..££¨¨£,
¨,,..¨¨,¨¨ through light, horsemint on the rocky ,,¨,¨¨,.¨¨
£@££§£¤, river bed. #¤@&§&@£££
£@£&¤&&@,. ¤§#¤#&@§¤@
#£¤¤§§¤,¨@ : ,#§£¤@&@&@
¤¤@&§§.¨., ..§@@¤@¤&¤
££§#&,¨#¤£ the riverbanks reek of magic. tonight ,..#£¤¤£&&
#§@£¨¨,¨££ they had been a swampworld with sylvan ¤¤.,@£§@#¤
£¨,££¨., water, stone rings and floating moss. ¨..,¨@£#£&
§@.,¨.¨,§@ you could've found me wallowing around ¤@§§¨.@§££
£¨¨§@£§,¨, on the southern shores until i got ,£&,.¨,£#£
.,,.&@¨,¤¤ bitten. ¨.¨.@§,¨&§
,¤&.,.¨¨,# ¨¤@¨...¨.¨
.,.,£§£&.¨ but now i'm further back, on solid ¨¨..@¤&@#£
,#§,¨#¤¨,¨ ground, in shoulder-high grass, with an ¤##.¨#§¨
,¨¨..¨¨¨&& orange tin radio and a translucent §&.¨..§§¨,
@£@§##@¨., umbrella which i'm sitting on. @..&¤.¨,¨§
§&@#§¤..#¤ ¨¨..¨,§£.¨
,&¤§§..¨,# ; £¤£@£,¨¨,¨
.¨#§.¨@#,¨ .#§§.,#§@£
¨..¨.¨,¨¨¨ somethings moving in the grass. it's ,,§¨,,,¤£,
#&££¤¤§£¤# invisible to my eyes but i can feel ,,¨¨§#¨,..
,£¤¤@£§¤£& through the ground just how large it is. §#&,,,.#£¨
,,£#§¤¤@£§ ¨&.¨¤£...,
&¨¨&§¤@§£# the soil is muddy. i slip when trying ¨,,¨.,,&§¤
,,,,@££§§£ to get up, still looking at the &¤§&¤&,,#§
.£#¨.&@@@@ direction of sound rather than at my @#&@@,,,,¨
.,,.,,#§#¤ hands, who are busy putting things in .&@@¨.¤&&£
.@§@§¨,&&¨ my pockets. .,£¨.,¨£@¨
.¨@&¨.¨¨.¨ ¨,.,&&,¨¨¨
&¨¨.¨&@¤&, then i run east toward my home. #¤@¨.,.¤£@
.,&§..£¤,, ¨@¨.§@,,¤#
.¨,,¨¨,.¨, † ,.,,¨,¨¨.¨
¤&§¤£&§#&£ §@££¤#@¤§§
££&@¤§§§£& i am not followed, and slow down in the §&££@@¤§¤¤
£§£¤¤#@&§# clearing where you at first can spot £¤§£@@##&&
£§@¤§££¤@¤ the house, not yet really in the &¤@&¤&§£
£§#¤£#@#&£ backyard. from my pockets i retrieve my ¤£#§&¤§@
#@#¤#¤¤§££ radio (now dented) but also a small ##&@&£@#
¤§§&£# clay figure i've never seen before. it &@&§¤#£#
&££§&¤ must have been laying in the wet dirt, #§#££¤¤£#¤
¤&§@&& and i must've picked it up with my #¤#&¤§@#&§
#¤¤#&£¤#&& other belongings. £#&£#§&¤¤£
¤@£#@&¤& £#@¤£¤@¤@@
¤#£&¤££& it's a statuette of a girl laying naked &§§§¤£&@#§
&§@¤#£&§#@ on her stomach, feet in the air, #§¤#@#£¤£@
£§&@£§¤§ roughly seven centimeters long. it's £§§¤&£§#&@
£¤§§#@#£#§ freshly made, not yet completely dried. §¤£#§£&§§¤
#@¤¤¤£§#¤£ @@§£&@¤£@£
£#£¤¤&££@# my mom is here now. i ask her for some £@@@£#@§¤§
@¤£@¤£@@¤@ particle board for it to dry on, but #§@££#&£§&
§@£&&¤#¤£# she is worried and wants me to #§#&§##&@@
&&§#@&&¤@¤ throw it away. &@§£#£¤@¤#
&£&§¤££¤ ¤@£££§¤£&§
¤#¤@&££¤&§ £@§¤§£@£&¤
@#£#§£££¤£ £@££§&&£¤§
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