,¤£#...¤@§ ,,,¨¨.&,¨,
,.¤.¨¤..@¨ §@§@#..,£#
¨.¨,,,¨¨,¨ £££¤.,@.¨,
£@¤#@@£¤ £@§.¨¨.,¤§
£&£¤£@£&£@ ¤¤,¨¤¤@,¨&
&@&@§###£, statuette &¨.¨,&,¨¨¨
¨@#£§@&¤,¨ .¨¤@,.¨&@,
¨¨#§@§#¨¨¤ @&$@¤£$§&@££%**&=-«=»»-=@@$£%*$*§&£*§*§$ .¨¨.,¤¨¨¨.
§¨,&§#..,. §¤%£@£*$% &£@#¨,¨#@#
¨,¨¨&¨¨@§¨ @&@.,&,,&&
¨@§,¨,.¨,. forests around my childhood home. thick ¤#,¨,,¨¨..
¨,¨.£¤¤£@@ pine arcades that were planted and @,,&&@&&&£
.¤¤,,@¤@§& forgotten. wild boars roaming ¨.,¨#§&¤£,
..¨¨..£§&§ underneath, sniffing at the ground. it ¨&¤¨¨#£&.,
£§&£#.,@¤£ is dark and moist, the canopy having ,.,¨¨.§,,¤
£¤@&,,,.§& already soaked up all the sun. &&&§¤.,¨¨.
,§£¨,§§¨.£ &§&§.¨@¤@¨
.¨..¨.¨.,. there's a river passing by, from east £¤@.,¨.¤¨¨
&¤#¤#§@@&. to west, getting broader and deeper and ¤&..#§.,.£
¤£¤§£££&., slower as it goes. equisetum grow just ,..¨.,¨¤,¨
.§¤@£§&..£ where the pine hands start to let ££¤@¤#,¨.¨
.¨&§..¨. through light, horsemint on the rocky §@¤§&¨¨§&¤
,¨.#@,.¤£, river bed. &&¤¤,¨,¨§,
@@,.,¨..¨, ¨#£¨.£#¨¨.
,..&¤£@¤&¨ = ¨¨¨¨¨¨¨,@,
£@¨,#¤£#¨, ,#@#@&§...
.,,.,¤&.¨. the riverbanks reek of magic. tonight ,.@§@&,,#,
§££#,...¤§ they had been a swampworld with sylvan ,.¨§£.¨,.,
,¤&¨¨#&.¨. water, stone rings and floating moss. #@.,..§¨
,,,¨,¨¨¨&¤ you could've found me wallowing around ,,,&¤,,#,.
¤£§@£@§.¨, on the southern shores until i got §£,¨,¨..¨£
§¤@&@£.,¤§ bitten. #,,§££&&¨¨
.££¤¤.,¨¨¤ ,¨..&§£.,¨
,,¤£.,£@., but now i'm further back, on solid ,##¨.¤.,#¤
¨,.¨¨.,¨., ground, in shoulder-high grass, with an ,.,.¨,,,¨¨
§£¤§@#@£§¤ orange tin radio and a translucent #££§¤¤#¤¤£
&§§§¤§@&@& umbrella which i'm sitting on. @§#@@#
£@¤@@¤£@@@ §¤&&§§£#§¤
§#&@§¤¤@ * ¤#¤§§§&&
¤@§§&&§£ ¤¤§@¤¤&¤
¤¤¤¤£&£§@@ somethings moving in the grass. it's &&£¤@#¤@§&
¤£¤@§¤@£¤§ invisible to my eyes but i can feel §¤@£@&§&
§¤¤§#§#§ through the ground just how large it is. £§¤##§#@@#
@&¤@§&£@§@ ¤¤#@##¤##¤
@£¤§£#@&&¤ the soil is muddy. i slip when trying &@##&¤@¤£¤
££@&&@#§ to get up, still looking at the @£@@£@#¤£#
¤£¤#¤£###§ direction of sound rather than at my §¤£#&£&£
£@§§¤¤#& hands, who are busy putting things in £§¤¤¤§@@
&¤£§£¤@£££ my pockets. @§&§¤#££@#
¤#&¤£#§§#¤ &@£§@&&¤
¤¤£¤¤@¤¤#§ then i run east toward my home. &@@@#¤¤@
§#@£@§@§ &£#£§§##&&
#¤#§£¤¤§#& \ &@##&£¤@
§@§#§£#¤ @¤&¤£¤@&§&
£§£¤@##§¤& i am not followed, and slow down in the §#&&@&&@@#
£&@##§&@¤§ clearing where you at first can spot ¤¤#§¤###¤&
#£¤&¤§@#&& the house, not yet really in the @¤&£¤¤&&£§
§£&£§¤§@ backyard. from my pockets i retrieve my §£§§§¤¤&&&
@§&£§@¤&£# radio (now dented) but also a small &¤#&¤§£@&¤
§¤@&&@&£ clay figure i've never seen before. it £§#§#@§¤@&
§§&£@@£@@@ must have been laying in the wet dirt, &¤#&¤¤£§£#
¤§£¤&§§#£¤ and i must've picked it up with my £§£@@§§¤£@
#@¤@¤##¤&@ other belongings. ¤§#£§§¤@@§
¤&&¤¤¤##&¤ #¤#@§@#£@£
¤##§¤@£#¤£ it's a statuette of a girl laying naked £&£§£#£¤¤£
££¤&£¤§@@# on her stomach, feet in the air, ##¤£##&££@
&@@@£@#¤ roughly seven centimeters long. it's &@¤¤§&§@££
¤¤£&¤@§@## freshly made, not yet completely dried. §&§¤¤§§¤@&
££@£&¤££ £§#§#&££§#
§@§#§&§¤&& my mom is here now. i ask her for some £&&&£££#£§
¤@¤&§@§@@# particle board for it to dry on, but #§&&&§§@
£¤£¤§&££¤§ she is worried and wants me to #£&¤¤£#¤££
&£@££#&&@§ throw it away. &¤#¤¤§&§
§@¤#£#§£¤# ¤££#§&¤@&&
¤#&@¤@##@@ £##&£@£&
@¤@&&£##&£ ¤¤#£##§¤#£
@§@£#££¤¤@ @@##¤@&@##
§£##¤&£¤¤¤ @¤£#@#&£
#¤@&&@£@ #¤&@£&@§