..~/†@#@##                                          ##@#@†/~..
...~/†@#@#                                          #@#@†/~...
....~/†@#@                                          @#@†/~....
...~/†@#@#                                          #@#@†/~...
..~/†@#@##                                          ##@#@†/~..
...~/†@#@#         THE SKYSCRAPER THAT MOVES        #@#@†/~...
....~/†@#@                                          @#@†/~....
...~/†@#@# TAINARON   IS  A   BUILDING  OWNED   AND #@#@†/~...
..~/†@#@##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##@#@†/~..
...~/†@#@# CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S #@#@†/~...
....~/†@#@ ROUGHLY  SIXTY  FLOORS HIGH (REAL NUMBER @#@†/~....
...~/†@#@#    UNKNOWN), DARK BLUE AND COMPLETELY    #@#@†/~...
..~/†@#@##    RECTANGULAR. IT FEATURES NO SIGNS,    ##@#@†/~..
...~/†@#@# LIGHTS,  OR   ORNAMENTS,  APART  FROM  A #@#@†/~...
....~/†@#@ HELIPAD   ON   TOP.  MOST   FLOORS  HAVE @#@†/~....
...~/†@#@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@#@†/~...
..~/†@#@##                                          ##@#@†/~..
...~/†@#@# IN  LATE EVENINGS, SHROUDED  BY  MALMö'S #@#@†/~...
....~/†@#@ SIGNATURE FOG ROLLING  IN FROM THE  SEA, @#@†/~....
...~/†@#@# THE  BUILDING COMES TO LIFE: IT MOVES ON #@#@†/~...
..~/†@#@## A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER ##@#@†/~..
...~/†@#@# (SECRET)  PART OF TOWN,  OR  PERHAPS OUT #@#@†/~...
....~/†@#@ TO SEA.  THIS  SIGNALS A  NEW  AND  MORE @#@†/~....
...~/†@#@#      VISCIOUS PHASE OF THE TAINARON      #@#@†/~...
..~/†@#@##                ECOSYSTEM.                ##@#@†/~..
...~/†@#@#                                          #@#@†/~...
....~/†@#@ THE  GUESTS  ARRIVING  DURING  THE EARLY @#@†/~....
...~/†@#@# EVENING ARE TREATED  TO  FOOD AND DRINK, #@#@†/~...
..~/†@#@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@#@†/~..
...~/†@#@#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #@#@†/~...
....~/†@#@    STRUCTURE (THE BUILDING FEATURES A    @#@†/~....
...~/†@#@#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #@#@†/~...
..~/†@#@## PLACED SEEMINGLY  AT RANDOM,  NONE GOING ##@#@†/~..
...~/†@#@#       FURTHER THAN A FEW FLOORS).        #@#@†/~...
....~/†@#@                                          @#@†/~....
...~/†@#@# AS TIME GOES  ON, THE LIGHTS SLOWLY DIM, #@#@†/~...
..~/†@#@## UNTIL  THE AIR INSIDE  HAS TAKEN ON  THE ##@#@†/~..
...~/†@#@# SAME QUALITY AS  THE  SURROUNDING  MIST: #@#@†/~...
....~/†@#@ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED @#@†/~....
...~/†@#@# DOT'S BY DOOR  LOCKS AND CONTROL PANELS. #@#@†/~...
..~/†@#@## IF  YOU  WOULD LOOK  THROUGH THE WINDOWS ##@#@†/~..
...~/†@#@# YOU  WOULD  SEE THE MIST ROLLING BY, AND #@#@†/~...
....~/†@#@ PERHAPS  THE  OUTLINE   OF   SOME  OTHER @#@†/~....
...~/†@#@#           BUILDING, FAR BELOW.           #@#@†/~...
..~/†@#@##                                          ##@#@†/~..
...~/†@#@# DURING THE  NIGHT,  AFTER  TAINARON  HAS #@#@†/~...
....~/†@#@ STARTED MOVING,  THE  LOWER  FLOORS  ARE @#@†/~....
...~/†@#@# SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR #@#@†/~...
..~/†@#@## THE  GUESTS. FOOD IS  NO  LONGER SERVED, ##@#@†/~..
...~/†@#@# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #@#@†/~...
....~/†@#@ IT'S AT  THIS POINT THAT THE SECOND  SET @#@†/~....
...~/†@#@# OF   GUEST  ARRIVES,  VIA  HELICOPTER  - #@#@†/~...
..~/†@#@##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##@#@†/~..
...~/†@#@#                                          #@#@†/~...
....~/†@#@                   ~~~~~                  @#@†/~....
...~/†@#@#                                          #@#@†/~...
..~/†@#@## IN MY DREAM I AM INVITED AS  A FRIEND OF ##@#@†/~..
...~/†@#@# ONE OF THE  SERVERS,  AND THUS SAFE.  WE #@#@†/~...
....~/†@#@ SIT  IN   ONE   OF  THE  LARGE  WINDOWS, @#@†/~....
...~/†@#@# LOOKING  THROUGH  THE   MIST   FOR   ANY #@#@†/~...
..~/†@#@## LANDMARKS TO PIERCE  THROUGH  THE  MIST. ##@#@†/~..
...~/†@#@# SHE TELLS ME THAT APART  FROM COMING AND #@#@†/~...
....~/†@#@ GOING FROM WORK,  SHE'S NEVER  SEEN  THE @#@†/~....
...~/†@#@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@#@†/~...
..~/†@#@##                                          ##@#@†/~..
...~/†@#@# THE NEXT  DAY I AM INVITED TO THE PUBLIC #@#@†/~...
....~/†@#@     DEMONSTRATION OF THE EXOBUBBLE.      @#@†/~....
...~/†@#@#                                          #@#@†/~...
..~/†@#@##                                          ##@#@†/~..
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