#&%%//««-, ,-««//%%&#
#%«,,,,,,, ,,,,,,,«%#
##@#&%/«-, ,-«/%&#@##
###&//-,,, ,,,-//&###
@@##&%/«-, ,-«/%&##@@
##&%//«-,, THE SKYSCRAPER THAT MOVES ,,-«//%&##
##@#&%/«-, ,-«/%&#@##
##@#&%/«-, TAINARON IS A BUILDING OWNED AND ,-«/%&#@##
##@#&%/«-, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,-«/%&#@##
##&/---,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,---/&##
###@&%/«-, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,-«/%&@###
##@#&%/«-, UNKNOWN), DARK BLUE AND COMPLETELY ,-«/%&#@##
##%«--,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,--«%##
#%«,,,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,,,«%#
#&//--,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,--//&#
##%«-,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,-«%##
###@&%/«-, ,-«/%&@###
#%«-,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,-«%#
#&&%//-,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,-//%&&#
##@#&%/«-, THE BUILDING COMES TO LIFE: IT MOVES ON ,-«/%&#@##
#@&%%«,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,«%%&@#
#%«,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,«%#
##@#&%/«-, TO SEA. THIS SIGNALS A NEW AND MORE ,-«/%&#@##
##@#&%/«-, VISCIOUS PHASE OF THE TAINARON ,-«/%&#@##
##@#&%/«-, ECOSYSTEM. ,-«/%&#@##
@@&&%««,,, ,,,««%&&@@
#%%/«,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,«/%%#
##@#&%/«-, EVENING ARE TREATED TO FOOD AND DRINK, ,-«/%&#@##
#%/--,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,--/%#
@#&%«-,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,-«%&#@
##@#&%/«-, STRUCTURE (THE BUILDING FEATURES A ,-«/%&#@##
##@#&%/«-, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,-«/%&#@##
##@#&%/«-, PLACED SEEMINGLY AT RANDOM, NONE GOING ,-«/%&#@##
#%/-,,,,,, FURTHER THAN A FEW FLOORS). ,,,,,,-/%#
##&&&%/«-, ,-«/%&&&##
##@#&%/«-, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,-«/%&#@##
##@#&%/«-, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,-«/%&#@##
###@#&%/«, SAME QUALITY AS THE SURROUNDING MIST: ,«/%&#@###
##@#&%/«-, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,-«/%&#@##
##@#&%/«-, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,-«/%&#@##
@#&&///«-, IF YOU WOULD LOOK THROUGH THE WINDOWS ,-«///&&#@
##@#&%/«-, YOU WOULD SEE THE MIST ROLLING BY, AND ,-«/%&#@##
##@#&%/«-, PERHAPS THE OUTLINE OF SOME OTHER ,-«/%&#@##
##@#&%/«-, BUILDING, FAR BELOW. ,-«/%&#@##
@&/-,,,,,, ,,,,,,-/&@
##@#&%/«-, DURING THE NIGHT, AFTER TAINARON HAS ,-«/%&#@##
#&%«,,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,,«%&#
##@#&%/«-, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,-«/%&#@##
##@#&%/«-, THE GUESTS. FOOD IS NO LONGER SERVED, ,-«/%&#@##
##@#&%/«-, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,-«/%&#@##
##@#&%/«-, IT'S AT THIS POINT THAT THE SECOND SET ,-«/%&#@##
##@#&%/«-, OF GUEST ARRIVES, VIA HELICOPTER - ,-«/%&#@##
###@#&/«-, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,-«/&#@###
####&%/«-, ,-«/%&####
##@#&%/«-, ««««« ,-«/%&#@##
##@#&%/«-, ,-«/%&#@##
@@##&%/«-, IN MY DREAM I AM INVITED AS A FRIEND OF ,-«/%&##@@
####&%/«-, ONE OF THE SERVERS, AND THUS SAFE. WE ,-«/%&####
##&%«-,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,-«%&##
##@#&%/«-, LOOKING THROUGH THE MIST FOR ANY ,-«/%&#@##
@&/-,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,-/&@
##@#&%/«-, SHE TELLS ME THAT APART FROM COMING AND ,-«/%&#@##
##@#&%/«-, GOING FROM WORK, SHE'S NEVER SEEN THE ,-«/%&#@##
#%%««,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,««%%#
@@&%«,,,,, ,,,,,«%&@@
##@#&%/«-, THE NEXT DAY I AM INVITED TO THE PUBLIC ,-«/%&#@##
##@#&%/«-, DEMONSTRATION OF THE EXOBUBBLE. ,-«/%&#@##
###%«,,,,, ,,,,,«%###
##@#&%/«-, ,-«/%&#@##
#%«-,,,,,, ,,,,,,-«%#
##@#&%/«-, ,-«/%&#@##
#@#%«,,,,, ,,,,,«%#@#