,,,,:=£##@ @##£=:,,,,
,,,,,~::£¶ ¶£::~,,,,,
,,~:=£#¶## ##¶#£=:~,,
,,~:=£#¶@# #@¶#£=:~,,
,,,,,~===# #===~,,,,,
,,~::::££# THE SKYSCRAPER THAT MOVES #££::::~,,
,,,,:=£#¶¶ ¶¶#£=:,,,,
,,~:=£#¶## TAINARON IS A BUILDING OWNED AND ##¶#£=:~,,
,,~:=£#¶@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@¶#£=:~,,
,,,,~:£££# CLOSED TO THE HARBOR IN MALMÖ. IT'S #£££:~,,,,
,,~:=£#¶## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##¶#£=:~,,
,,~:=£#¶@# UNKNOWN), DARK BLUE AND COMPLETELY #@¶#£=:~,,
,,~:=£#¶@# RECTANGULAR. IT FEATURES NO SIGNS, #@¶#£=:~,,
,,~:=£#¶@@ LIGHTS, OR ORNAMENTS, APART FROM A @@¶#£=:~,,
,,~:=£#¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶#£=:~,,
,,~:==££#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#££==:~,,
,,~:=£#¶@# #@¶#£=:~,,
,,~:=£#¶@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@¶#£=:~,,
,,,,~:::£# SIGNATURE FOG ROLLING IN FROM THE SEA, #£:::~,,,,
,,~:=£#¶@# THE BUILDING COMES TO LIFE: IT MOVES ON #@¶#£=:~,,
,,~:=£#¶@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¶#£=:~,,
,,,~~~~=£¶ (SECRET) PART OF TOWN, OR PERHAPS OUT ¶£=~~~~,,,
,,~:=£#¶@# TO SEA. THIS SIGNALS A NEW AND MORE #@¶#£=:~,,
,,~:=£#¶@# VISCIOUS PHASE OF THE TAINARON #@¶#£=:~,,
,,~:=£#¶@# ECOSYSTEM. #@¶#£=:~,,
,,~:=£#¶@# #@¶#£=:~,,
,,~:=£#¶@# THE GUESTS ARRIVING DURING THE EARLY #@¶#£=:~,,
,,,,~::==# EVENING ARE TREATED TO FOOD AND DRINK, #==::~,,,,
,,~:=£#¶@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@¶#£=:~,,
,,~:=£#¶@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¶#£=:~,,
,,~:=£¶@## STRUCTURE (THE BUILDING FEATURES A ##@¶£=:~,,
,,~:=£#¶@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@¶#£=:~,,
,,,,~==##@ PLACED SEEMINGLY AT RANDOM, NONE GOING @##==~,,,,
,,,,,::=#@ FURTHER THAN A FEW FLOORS). @#=::,,,,,
,,~:==£££¶ ¶£££==:~,,
,,~:=£££¶¶ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¶¶£££=:~,,
,,~:=£#¶@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@¶#£=:~,,
,,,,,~:£#@ SAME QUALITY AS THE SURROUNDING MIST: @#£:~,,,,,
,,~:=£#¶@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@¶#£=:~,,
,,~:=£#¶@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@¶#£=:~,,
,,~:=£#¶@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@¶#£=:~,,
,,~=£#¶@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@¶#£=~,,
,,,,,,~=#@ PERHAPS THE OUTLINE OF SOME OTHER @#=~,,,,,,
,,,,,,~=£# BUILDING, FAR BELOW. #£=~,,,,,,
,,,,,:===# #===:,,,,,
,,,,,,:£#¶ DURING THE NIGHT, AFTER TAINARON HAS ¶#£:,,,,,,
,,,,,,,:£¶ STARTED MOVING, THE LOWER FLOORS ARE ¶£:,,,,,,,
,,~:=£#¶@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@¶#£=:~,,
,,~:=£#¶@# THE GUESTS. FOOD IS NO LONGER SERVED, #@¶#£=:~,,
,,~:=££££¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶££££=:~,,
,,~~::::£# IT'S AT THIS POINT THAT THE SECOND SET #£::::~~,,
,,~:=£#¶@@ OF GUEST ARRIVES, VIA HELICOPTER - @@¶#£=:~,,
,,~:=£#¶@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@¶#£=:~,,
,,,,,::£#¶ ¶#£::,,,,,
,,~:=£#¶@# ~~~~~ #@¶#£=:~,,
,,~:=£##¶¶ ¶¶##£=:~,,
,,,,,,:£#@ IN MY DREAM I AM INVITED AS A FRIEND OF @#£:,,,,,,
,,~::=££## ONE OF THE SERVERS, AND THUS SAFE. WE ##££=::~,,
,,~:=£#¶@# SIT IN ONE OF THE LARGE WINDOWS, #@¶#£=:~,,
,,,,~=£#¶@ LOOKING THROUGH THE MIST FOR ANY @¶#£=~,,,,
,,,,,,,:£¶ LANDMARKS TO PIERCE THROUGH THE MIST. ¶£:,,,,,,,
,,,,,:=£## SHE TELLS ME THAT APART FROM COMING AND ##£=:,,,,,
,,,,,::=#@ GOING FROM WORK, SHE'S NEVER SEEN THE @#=::,,,,,
,,,,,~:££¶ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¶££:~,,,,,
,,~:=£#¶@@ @@¶#£=:~,,
,,~:=£#¶@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@¶#£=:~,,
,,,,,,:=#¶ DEMONSTRATION OF THE EXOBUBBLE. ¶#=:,,,,,,
,,,~::£#¶@ @¶#£::~,,,
,,,,,~=£#¶ ¶#£=~,,,,,
,,~:==££## ##££==:~,,
,,,,,~==£¶ ¶£==~,,,,,
,,,,,:££¶@ @¶££:,,,,,