,,»/*£§### ###§£*/»,,
,,»/*£§### ###§£*/»,,
,,,,,»*£§§ §§£*»,,,,,
,,»/*£§### ###§£*/»,,
,,»/*£§### ###§£*/»,,
,,»/*£§### THE SKYSCRAPER THAT MOVES ###§£*/»,,
,,»/*£§§## ##§§£*/»,,
,,»////£§§ TAINARON IS A BUILDING OWNED AND §§£////»,,
,,»/*£§### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###§£*/»,,
,,»/*£§§## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##§§£*/»,,
,,»/*£§### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###§£*/»,,
,,,,,,,/£§ UNKNOWN), DARK BLUE AND COMPLETELY §£/,,,,,,,
,,»/*££§## RECTANGULAR. IT FEATURES NO SIGNS, ##§££*/»,,
,,/*£§#### LIGHTS, OR ORNAMENTS, APART FROM A ####§£*/,,
,,,,,//££§ HELIPAD ON TOP. MOST FLOORS HAVE §££//,,,,,
,,»/*£§### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###§£*/»,,
,,,»»»*££§ §££*»»»,,,
,»/*£§#### IN LATE EVENINGS, SHROUDED BY MALMö'S ####§£*/»,
,,,»»*£§## SIGNATURE FOG ROLLING IN FROM THE SEA, ##§£*»»,,,
,,»/*£§### THE BUILDING COMES TO LIFE: IT MOVES ON ###§£*/»,,
,,»»»»»*£§ A THOUSAND ROBOTIC LEGS TO ANOTHER §£*»»»»»,,
,,,,//**£§ (SECRET) PART OF TOWN, OR PERHAPS OUT §£**//,,,,
,,»/**£§§# TO SEA. THIS SIGNALS A NEW AND MORE #§§£**/»,,
,,»/*£§### VISCIOUS PHASE OF THE TAINARON ###§£*/»,,
,,,,,//*£# ECOSYSTEM. #£*//,,,,,
,,,»»»*£§# #§£*»»»,,,
,,»/£§#### THE GUESTS ARRIVING DURING THE EARLY ####§£/»,,
,,,,,,»/*§ EVENING ARE TREATED TO FOOD AND DRINK, §*/»,,,,,,
,,»/*§#### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ####§*/»,,
,,»/****£# COMFORTABLE BUT MAZE-LIKE INTERIOR #£****/»,,
,,,,,»/££# STRUCTURE (THE BUILDING FEATURES A #££/»,,,,,
,,»/*£§### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###§£*/»,,
,,,,»//*§# PLACED SEEMINGLY AT RANDOM, NONE GOING #§*//»,,,,
,,,,,/££§§ FURTHER THAN A FEW FLOORS). §§££/,,,,,
,,»/*£§### ###§£*/»,,
,,»/*£§### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###§£*/»,,
,,»/*£§### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###§£*/»,,
,,»»»**££§ SAME QUALITY AS THE SURROUNDING MIST: §££**»»»,,
,,,,,»/£§§ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §§£/»,,,,,
,,»/*£§### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###§£*/»,,
,,»/*£§### IF YOU WOULD LOOK THROUGH THE WINDOWS ###§£*/»,,
,,»/*£§### YOU WOULD SEE THE MIST ROLLING BY, AND ###§£*/»,,
,,»/*£§§§# PERHAPS THE OUTLINE OF SOME OTHER #§§§£*/»,,
,,,,,,,»*§ BUILDING, FAR BELOW. §*»,,,,,,,
,,»/*££§§# #§§££*/»,,
,,,,//*§## DURING THE NIGHT, AFTER TAINARON HAS ##§*//,,,,
,,»/*£££## STARTED MOVING, THE LOWER FLOORS ARE ##£££*/»,,
,,,,»»*£§# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #§£*»»,,,,
,,»/*£§### THE GUESTS. FOOD IS NO LONGER SERVED, ###§£*/»,,
,,,,,,,/£§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §£/,,,,,,,
,,,»»*£££§ IT'S AT THIS POINT THAT THE SECOND SET §£££*»»,,,
,,,»»**££§ OF GUEST ARRIVES, VIA HELICOPTER - §££**»»,,,
,,,,,,»»*§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §*»»,,,,,,
,,,,,,»*£# #£*»,,,,,,
,,,,,»»*§§ »»»»» §§*»»,,,,,
,,,,//*£## ##£*//,,,,
,,»/*£§### IN MY DREAM I AM INVITED AS A FRIEND OF ###§£*/»,,
,,»/*£§### ONE OF THE SERVERS, AND THUS SAFE. WE ###§£*/»,,
,,,,,»*££# SIT IN ONE OF THE LARGE WINDOWS, #££*»,,,,,
,,»/*£§### LOOKING THROUGH THE MIST FOR ANY ###§£*/»,,
,,»*£§#### LANDMARKS TO PIERCE THROUGH THE MIST. ####§£*»,,
,,,,»/**§# SHE TELLS ME THAT APART FROM COMING AND #§**/»,,,,
,,,,,/££## GOING FROM WORK, SHE'S NEVER SEEN THE ##££/,,,,,
,,»*£§#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####§£*»,,
,,»/*£§### ###§£*/»,,
,,»/*£#### THE NEXT DAY I AM INVITED TO THE PUBLIC ####£*/»,,
,,»/*£§§## DEMONSTRATION OF THE EXOBUBBLE. ##§§£*/»,,
,,,,,//£§# #§£//,,,,,
,,,,,,»*§# #§*»,,,,,,
,,,,,»*££# #££*»,,,,,
,,»/*£#### ####£*/»,,
,,»/*£§### ###§£*/»,,