££.£££.££. ££.£.£.££.
£.££..££.£ ..££££££.£
.££.£.£.££ ..£.....££
££.££££££. £.££....£.
£.££.....£ £££.£...££
.££.£....£ THE SKYSCRAPER THAT MOVES ...£££..£.
.£.£££...£ £..£..£.££
££££..£..£ TAINARON IS A BUILDING OWNED AND ££.££.£££.
£...£.££.£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £.££.££..£
.£..£££.££ CLOSED TO THE HARBOR IN MALMÖ. IT'S £££.££.£.£
£££.£..££. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £..££.££££
...£££.£.£ UNKNOWN), DARK BLUE AND COMPLETELY .£.£.££...
...£..££££ RECTANGULAR. IT FEATURES NO SIGNS, .£££££.£..
...££.£... LIGHTS, OR ORNAMENTS, APART FROM A ££....£££.
...£.£££.. HELIPAD ON TOP. MOST FLOORS HAVE £.£...£..£
£..£££..£. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .£££..££.£
.£.£..£.££ .£..£.£.££
£££££.£££. IN LATE EVENINGS, SHROUDED BY MALMö'S £££.£££££.
£....££..£ SIGNATURE FOG ROLLING IN FROM THE SEA, £..££....£
.£...£.£.£ THE BUILDING COMES TO LIFE: IT MOVES ON ££.£.£...£
£££..£££££ A THOUSAND ROBOTIC LEGS TO ANOTHER ..£££££..£
...£.£.... (SECRET) PART OF TOWN, OR PERHAPS OUT ..£....£.£
£..££££... TO SEA. THIS SIGNALS A NEW AND MORE ..££...£££
.£.£...£.. VISCIOUS PHASE OF THE TAINARON ..£.£..£..
.££££..££. ECOSYSTEM. ..££££.££.
.£...£.£.£ ..£...££.£
£££..£££££ THE GUESTS ARRIVING DURING THE EARLY ..££..£.££
...£.£.... EVENING ARE TREATED TO FOOD AND DRINK, £.£.£.£££.
...££££... LIVE MUSIC, BEATUTIFUL VIEWS, AND A .££££££..£
£..£...£.. COMFORTABLE BUT MAZE-LIKE INTERIOR ££.....£.£
.£.££..££. STRUCTURE (THE BUILDING FEATURES A £.£....£££
££££.£.£.£ MULTITUDE OF STAIRWELLS AND ELEVATORS, ££££...£..
£...££££££ PLACED SEEMINGLY AT RANDOM, NONE GOING ....£..££.
££..£..... FURTHER THAN A FEW FLOORS). £...££.£.£
..£.££.... ££..£.££££
£.£££.£... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £.£.£££...
£££..£££.. UNTIL THE AIR INSIDE HAS TAKEN ON THE .££££..£..
£..£.£..£. SAME QUALITY AS THE SURROUNDING MIST: ££...£.££.
££.££££.££ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £.£..£££.£
..££...££. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .£££.£..££
£.£.£..£.£ IF YOU WOULD LOOK THROUGH THE WINDOWS ££..£££.£.
££££££.£££ YOU WOULD SEE THE MIST ROLLING BY, AND £.£.£..£££
......££.. PERHAPS THE OUTLINE OF SOME OTHER .£££££.£..
......£.£. BUILDING, FAR BELOW. .£....£££.
......££££ £££...£..£
£.....£... DURING THE NIGHT, AFTER TAINARON HAS £..£..££.£
.£....££.. STARTED MOVING, THE LOWER FLOORS ARE .£.££.£.££
£££...£.£. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .£££.££££.
£..£..££££ THE GUESTS. FOOD IS NO LONGER SERVED, .£..££...£
.£.££.£... BUT THE DRINKS BECOME MORE EXTRAVAGANT. .££.£.£..£
££££.£££.. IT'S AT THIS POINT THAT THE SECOND SET ££.£££££.£
....££..£. OF GUEST ARRIVES, VIA HELICOPTER - ..££....££
£...£.£.££ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £.£.£...£.
££..£££££. .£££££..££
..£.£....£ »»»»» ££....£.£.
..££££...£ £.£...££££
£.£...£..£ IN MY DREAM I AM INVITED AS A FRIEND OF ££££..£...
££££..££.£ ONE OF THE SERVERS, AND THUS SAFE. WE £...£.££..
£...£.£.££ SIT IN ONE OF THE LARGE WINDOWS, .£..£££.£.
££..£££££. LOOKING THROUGH THE MIST FOR ANY .££.£..£££
..£.£....£ LANDMARKS TO PIERCE THROUGH THE MIST. ££.£££.£..
..££££...£ SHE TELLS ME THAT APART FROM COMING AND ..££..£££.
..£...£..£ GOING FROM WORK, SHE'S NEVER SEEN THE ..£.£.£..£
£.££..££.£ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..££££££.£
.££.£.£.££ ..£.....££
££.££££££. THE NEXT DAY I AM INVITED TO THE PUBLIC £.££....£.
£.££.....£ DEMONSTRATION OF THE EXOBUBBLE. £££.£...££
.££.£....£ ...£££..£.
.£.£££...£ £..£..£.££
££££..£..£ ££.££.£££.
£...£.££.£ £.££.££..£
.£..£££.££ £££.££.£.£