.,~:**§### ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## THE SKYSCRAPER THAT MOVES ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## TAINARON IS A BUILDING OWNED AND ##§**:~,..
.,~:**§### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###§**:~,.
..,~:**§## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##§**:~,..
.,~:**§### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###§**:~,.
..,~:**§## UNKNOWN), DARK BLUE AND COMPLETELY ##§**:~,..
.,~:**§### RECTANGULAR. IT FEATURES NO SIGNS, ###§**:~,.
..,~:**§## LIGHTS, OR ORNAMENTS, APART FROM A ##§**:~,..
.,~:**§### HELIPAD ON TOP. MOST FLOORS HAVE ###§**:~,.
..,~:**§## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## IN LATE EVENINGS, SHROUDED BY MALMö'S ##§**:~,..
.,~:**§### SIGNATURE FOG ROLLING IN FROM THE SEA, ###§**:~,.
..,~:**§## THE BUILDING COMES TO LIFE: IT MOVES ON ##§**:~,..
.,~:**§### A THOUSAND ROBOTIC LEGS TO ANOTHER ###§**:~,.
..,~:**§## (SECRET) PART OF TOWN, OR PERHAPS OUT ##§**:~,..
.,~:**§### TO SEA. THIS SIGNALS A NEW AND MORE ###§**:~,.
..,~:**§## VISCIOUS PHASE OF THE TAINARON ##§**:~,..
.,~:**§### ECOSYSTEM. ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### THE GUESTS ARRIVING DURING THE EARLY ###§**:~,.
..,~:**§## EVENING ARE TREATED TO FOOD AND DRINK, ##§**:~,..
.,~:**§### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###§**:~,.
..,~:**§## COMFORTABLE BUT MAZE-LIKE INTERIOR ##§**:~,..
.,~:**§### STRUCTURE (THE BUILDING FEATURES A ###§**:~,.
..,~:**§## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##§**:~,..
.,~:**§### PLACED SEEMINGLY AT RANDOM, NONE GOING ###§**:~,.
..,~:**§## FURTHER THAN A FEW FLOORS). ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##§**:~,..
.,~:**§### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###§**:~,.
..,~:**§## SAME QUALITY AS THE SURROUNDING MIST: ##§**:~,..
.,~:**§### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###§**:~,.
..,~:**§## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##§**:~,..
.,~:**§### IF YOU WOULD LOOK THROUGH THE WINDOWS ###§**:~,.
..,~:**§## YOU WOULD SEE THE MIST ROLLING BY, AND ##§**:~,..
.,~:**§### PERHAPS THE OUTLINE OF SOME OTHER ###§**:~,.
..,~:**§## BUILDING, FAR BELOW. ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## DURING THE NIGHT, AFTER TAINARON HAS ##§**:~,..
.,~:**§### STARTED MOVING, THE LOWER FLOORS ARE ###§**:~,.
..,~:**§## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##§**:~,..
.,~:**§### THE GUESTS. FOOD IS NO LONGER SERVED, ###§**:~,.
..,~:**§## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##§**:~,..
.,~:**§### IT'S AT THIS POINT THAT THE SECOND SET ###§**:~,.
..,~:**§## OF GUEST ARRIVES, VIA HELICOPTER - ##§**:~,..
.,~:**§### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### ~~~~~ ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### IN MY DREAM I AM INVITED AS A FRIEND OF ###§**:~,.
..,~:**§## ONE OF THE SERVERS, AND THUS SAFE. WE ##§**:~,..
.,~:**§### SIT IN ONE OF THE LARGE WINDOWS, ###§**:~,.
..,~:**§## LOOKING THROUGH THE MIST FOR ANY ##§**:~,..
.,~:**§### LANDMARKS TO PIERCE THROUGH THE MIST. ###§**:~,.
..,~:**§## SHE TELLS ME THAT APART FROM COMING AND ##§**:~,..
.,~:**§### GOING FROM WORK, SHE'S NEVER SEEN THE ###§**:~,.
..,~:**§## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## THE NEXT DAY I AM INVITED TO THE PUBLIC ##§**:~,..
.,~:**§### DEMONSTRATION OF THE EXOBUBBLE. ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## ##§**:~,..
.,~:**§### ###§**:~,.
..,~:**§## ##§**:~,..