#..####..# ......##..
#.#...#.#. .....#.#.#
###..####. ....#####.
..#.#...## ...#....##
.####..#.. ..##...#.#
#...#.##.. THE SKYSCRAPER THAT MOVES .#.#..####
#..###.#.. ####.#....
#.#..###.. TAINARON IS A BUILDING OWNED AND ...###...#
###.#..#.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..#..#..#.
..###.##.# CLOSED TO THE HARBOR IN MALMÖ. IT'S .##.##.###
.#..##.##. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #.##.##..#
##.#.##.## UNKNOWN), DARK BLUE AND COMPLETELY ##.##.#.##
.####.##.# RECTANGULAR. IT FEATURES NO SIGNS, .##.####..
#...##.### LIGHTS, OR ORNAMENTS, APART FROM A #.##...#..
#..#.##..# HELIPAD ON TOP. MOST FLOORS HAVE ##.#..##.#
#.###.#.#. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .###.#.##.
##..#####. #..####.##
.#.#....#. IN LATE EVENINGS, SHROUDED BY MALMö'S #.#...##..
####...##. SIGNATURE FOG ROLLING IN FROM THE SEA, ###..#.#..
...#..#.#. THE BUILDING COMES TO LIFE: IT MOVES ON ..#.####.#
..##.####. A THOUSAND ROBOTIC LEGS TO ANOTHER .###...###
.#.##...#. (SECRET) PART OF TOWN, OR PERHAPS OUT #..#..#..#
###.#..##. TO SEA. THIS SIGNALS A NEW AND MORE #.##.##.##
..###.#.#. VISCIOUS PHASE OF THE TAINARON ##.##.##..
.#..#####. ECOSYSTEM. .##.##.#..
##.#....#. #.##.###..
.###...##. THE GUESTS ARRIVING DURING THE EARLY ##.##..#.#
#..#..#.#. EVENING ARE TREATED TO FOOD AND DRINK, .##.#.####
#.##.####. LIVE MUSIC, BEATUTIFUL VIEWS, AND A #.####....
##.##...## COMFORTABLE BUT MAZE-LIKE INTERIOR ##...#...#
.##.#..#.. STRUCTURE (THE BUILDING FEATURES A .#..##..#.
#.###.##.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ##.#.#.##.
##..##.#.. PLACED SEEMINGLY AT RANDOM, NONE GOING .######.##
.#.#.###.# FURTHER THAN A FEW FLOORS). #.....##..
#####..### #....#.#..
....#.#... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #...####.#
...####..# UNTIL THE AIR INSIDE HAS TAKEN ON THE #..#...###
..#...#.#. SAME QUALITY AS THE SURROUNDING MIST: #.##..#..#
.##..##### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##.#.##.##
#.#.#..... DOT'S BY DOOR LOCKS AND CONTROL PANELS. .####.##.#
#####....# IF YOU WOULD LOOK THROUGH THE WINDOWS #...##.##.
....#...## YOU WOULD SEE THE MIST ROLLING BY, AND #..#.##.##
...##..#.# PERHAPS THE OUTLINE OF SOME OTHER #.###.##.#
..#.#.#### BUILDING, FAR BELOW. ##..##.###
.#####.... .#.#.##..#
#....#.... DURING THE NIGHT, AFTER TAINARON HAS #####.#.##
#...##.... STARTED MOVING, THE LOWER FLOORS ARE ....####..
#..#.#...# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...#...#.#
#.####..## THE GUESTS. FOOD IS NO LONGER SERVED, ..##..###.
##...#.#.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .#.#.#..##
.#..####.. IT'S AT THIS POINT THAT THE SECOND SET ######.#..
##.#...#.# OF GUEST ARRIVES, VIA HELICOPTER - .....###..
.###..#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....#..#.#
#..#.#.... ...##.####
#.####.... ««««« ..#.##....
##...#...# .###.#...#
.#..##..#. IN MY DREAM I AM INVITED AS A FRIEND OF #..###..#.
##.#.#.### ONE OF THE SERVERS, AND THUS SAFE. WE #.#..#.##.
.######... SIT IN ONE OF THE LARGE WINDOWS, ###.###.##
#.....#... LOOKING THROUGH THE MIST FOR ANY ..##..##.#
#....##... LANDMARKS TO PIERCE THROUGH THE MIST. .#.#.#.##.
#...#.#... SHE TELLS ME THAT APART FROM COMING AND #######.##
#..####..# GOING FROM WORK, SHE'S NEVER SEEN THE ......##..
#.#...#.#. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .....#.#.#
###..####. ....#####.
..#.#...## THE NEXT DAY I AM INVITED TO THE PUBLIC ...#....##
.####..#.. DEMONSTRATION OF THE EXOBUBBLE. ..##...#.#
#...#.##.. .#.#..####
#..###.#.. ####.#....
#.#..###.. ...###...#
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..###.##.# .##.##.###