.:-==§@@## ##@@§==-:.
...:::==§@ @§==:::...
......:==@ @==:......
.:-==§@@## ##@@§==-:.
.:-==§@@@# #@@@§==-:.
.:-==§@@## THE SKYSCRAPER THAT MOVES ##@@§==-:.
.:-==§@@## ##@@§==-:.
.....:-=§@ TAINARON IS A BUILDING OWNED AND @§=-:.....
.:-==§@@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@@§==-:.
.....-=§@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@§=-.....
.:-==§@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@§==-:.
.:-===§§§@ UNKNOWN), DARK BLUE AND COMPLETELY @§§§===-:.
.....--=§@ RECTANGULAR. IT FEATURES NO SIGNS, @§=--.....
.:-==§@@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@@§==-:.
.:==§@@### HELIPAD ON TOP. MOST FLOORS HAVE ###@@§==:.
.:-==@@### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###@@==-:.
.:-==§@@## ##@@§==-:.
...:-==§§@ IN LATE EVENINGS, SHROUDED BY MALMö'S @§§==-:...
.:-==§@@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@@§==-:.
.:-==§@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@§==-:.
.....-=§@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@§=-.....
....-===@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@===-....
.....:-=@@ TO SEA. THIS SIGNALS A NEW AND MORE @@=-:.....
.:-====@@@ VISCIOUS PHASE OF THE TAINARON @@@====-:.
...-====§@ ECOSYSTEM. @§====-...
.....-=§@@ @@§=-.....
.:-==§@@## THE GUESTS ARRIVING DURING THE EARLY ##@@§==-:.
.:-==§@### EVENING ARE TREATED TO FOOD AND DRINK, ###@§==-:.
.:-==§@@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@@§==-:.
.:-==§@@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@@§==-:.
....:==@@# STRUCTURE (THE BUILDING FEATURES A #@@==:....
...----==@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @==----...
.....-==§@ PLACED SEEMINGLY AT RANDOM, NONE GOING @§==-.....
.:-==§@### FURTHER THAN A FEW FLOORS). ###@§==-:.
.:-==§@@@@ @@@@§==-:.
.:-==§@@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@@§==-:.
.:-==§@@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@@§==-:.
....:===@@ SAME QUALITY AS THE SURROUNDING MIST: @@===:....
.:-==§@@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@@§==-:.
.:-==§@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@§==-:.
.....--=§@ IF YOU WOULD LOOK THROUGH THE WINDOWS @§=--.....
.:-==§@### YOU WOULD SEE THE MIST ROLLING BY, AND ###@§==-:.
....::=§§@ PERHAPS THE OUTLINE OF SOME OTHER @§§=::....
......:==@ BUILDING, FAR BELOW. @==:......
.:-==§@@## ##@@§==-:.
..:-==§§@# DURING THE NIGHT, AFTER TAINARON HAS #@§§==-:..
...:-==§§@ STARTED MOVING, THE LOWER FLOORS ARE @§§==-:...
.....--==@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @==--.....
.:-==§@@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@@§==-:.
....:::=§@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @§=:::....
.:-==§@### IT'S AT THIS POINT THAT THE SECOND SET ###@§==-:.
......:=§@ OF GUEST ARRIVES, VIA HELICOPTER - @§=:......
......-=@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@=-......
.:-==§@@## ##@@§==-:.
.:-==§§§@@ ----- @@§§§==-:.
.:-==§@@## ##@@§==-:.
.:-==§@@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@@§==-:.
.:-==§@@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@@§==-:.
....:==@@# SIT IN ONE OF THE LARGE WINDOWS, #@@==:....
...-==§@@# LOOKING THROUGH THE MIST FOR ANY #@@§==-...
.:-==§§§@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@§§§==-:.
.:-==§@@## SHE TELLS ME THAT APART FROM COMING AND ##@@§==-:.
.:-==§@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@§==-:.
.:-==§@@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@@§==-:.
....--==@# #@==--....
.:-====@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@====-:.
.:-==§@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@§==-:.
.:-==§@@@@ @@@@§==-:.
.:-==§@@## ##@@§==-:.
.:-==§@@## ##@@§==-:.
.:-==§@@## ##@@§==-:.
.:-==§@### ###@§==-:.