,,-;*$#¶## ##¶#$*;-,,
,,-;*$#¶## ##¶#$*;-,,
,,,,--;*#¶ ¶#*;--,,,,
,,,-;***$# #$***;-,,,
,,-;*$#¶## ##¶#$*;-,,
,,-;*$#¶## THE SKYSCRAPER THAT MOVES ##¶#$*;-,,
,,-;*$#### ####$*;-,,
,,,,,,,;*# TAINARON IS A BUILDING OWNED AND #*;,,,,,,,
,,,,,---*# OPERATED BY AMATA TEXNOLOGIYASI PLACED #*---,,,,,
,,-;*$#¶## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¶#$*;-,,
,,-;*$$#¶¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶¶#$$*;-,,
,,,,--*$## UNKNOWN), DARK BLUE AND COMPLETELY ##$*--,,,,
,,-;*$#¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶#$*;-,,
,,,,,-;$$¶ LIGHTS, OR ORNAMENTS, APART FROM A ¶$$;-,,,,,
,,-;*$#¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶#$*;-,,
,,-;*$#¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶#$*;-,,
,,,,,,,-*# #*-,,,,,,,
,,-;*$#¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶#$*;-,,
,-;*$#¶### SIGNATURE FOG ROLLING IN FROM THE SEA, ###¶#$*;-,
,,-;*$#¶## THE BUILDING COMES TO LIFE: IT MOVES ON ##¶#$*;-,,
,,-;*$#¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶#$*;-,,
,,,,-;*$## (SECRET) PART OF TOWN, OR PERHAPS OUT ##$*;-,,,,
,,,,,,;*$# TO SEA. THIS SIGNALS A NEW AND MORE #$*;,,,,,,
,,-;*$#¶## VISCIOUS PHASE OF THE TAINARON ##¶#$*;-,,
,,,,,,-;$¶ ECOSYSTEM. ¶$;-,,,,,,
,,-;$#¶### ###¶#$;-,,
,,-;*$#¶¶# THE GUESTS ARRIVING DURING THE EARLY #¶¶#$*;-,,
,,,,,--*## EVENING ARE TREATED TO FOOD AND DRINK, ##*--,,,,,
,,-;*$#¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶#$*;-,,
,,-;*$#¶## COMFORTABLE BUT MAZE-LIKE INTERIOR ##¶#$*;-,,
,,-;*$#### STRUCTURE (THE BUILDING FEATURES A ####$*;-,,
,,,-;;;$## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##$;;;-,,,
,,,,,,;*## PLACED SEEMINGLY AT RANDOM, NONE GOING ##*;,,,,,,
,,,,-;$#¶¶ FURTHER THAN A FEW FLOORS). ¶¶#$;-,,,,
,,,,,;*#¶# #¶#*;,,,,,
,,-;*$#### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ####$*;-,,
,,-;*$#¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶#$*;-,,
,,,,,,,-*# SAME QUALITY AS THE SURROUNDING MIST: #*-,,,,,,,
,,-;*$$### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###$$*;-,,
,,-;*$#¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶#$*;-,,
,,,,,;*$#¶ IF YOU WOULD LOOK THROUGH THE WINDOWS ¶#$*;,,,,,
,,,,,,,;$¶ YOU WOULD SEE THE MIST ROLLING BY, AND ¶$;,,,,,,,
,,,,;;$#¶# PERHAPS THE OUTLINE OF SOME OTHER #¶#$;;,,,,
,,-;*$#### BUILDING, FAR BELOW. ####$*;-,,
,,-;*$#¶## ##¶#$*;-,,
,,-;*$#¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶#$*;-,,
,,-;*$#### STARTED MOVING, THE LOWER FLOORS ARE ####$*;-,,
,,-;*$#¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶#$*;-,,
,,,----*$# THE GUESTS. FOOD IS NO LONGER SERVED, #$*----,,,
,,-;*$#¶¶¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶¶¶#$*;-,,
,,-;*$##¶¶ IT'S AT THIS POINT THAT THE SECOND SET ¶¶##$*;-,,
,,-;*$#¶## OF GUEST ARRIVES, VIA HELICOPTER - ##¶#$*;-,,
,,-;*$#¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶#$*;-,,
,,-;*$#¶## ##¶#$*;-,,
,,-;*$#¶## ----- ##¶#$*;-,,
,,,,,-*$¶¶ ¶¶$*-,,,,,
,,,,,-;*## IN MY DREAM I AM INVITED AS A FRIEND OF ##*;-,,,,,
,,-;*$$$## ONE OF THE SERVERS, AND THUS SAFE. WE ##$$$*;-,,
,,-;*$#¶## SIT IN ONE OF THE LARGE WINDOWS, ##¶#$*;-,,
,,-;*$#¶## LOOKING THROUGH THE MIST FOR ANY ##¶#$*;-,,
,,,,,-;$## LANDMARKS TO PIERCE THROUGH THE MIST. ##$;-,,,,,
,,,,,;*$$¶ SHE TELLS ME THAT APART FROM COMING AND ¶$$*;,,,,,
,,,--;;*## GOING FROM WORK, SHE'S NEVER SEEN THE ##*;;--,,,
,,,,---**# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #**---,,,,
,,-;*$#¶## ##¶#$*;-,,
,,-;*$#¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶#$*;-,,
,,,,-*$$¶¶ DEMONSTRATION OF THE EXOBUBBLE. ¶¶$$*-,,,,
,,-;*$#¶## ##¶#$*;-,,
,,,,,,-*#¶ ¶#*-,,,,,,
,,,,,,-;$¶ ¶$;-,,,,,,
,,-;*$#¶## ##¶#$*;-,,
,,,,,;$### ###$;,,,,,