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#@@££**»~, THE SKYSCRAPER THAT MOVES ,~»**££@@#
###@£**»~, ,~»**£@###
###@£**»~, TAINARON IS A BUILDING OWNED AND ,~»**£@###
#£*~,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,~*£#
##£**»~,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,~»**£##
@@£££**»~, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,~»**£££@@
@@@@£**»~, UNKNOWN), DARK BLUE AND COMPLETELY ,~»**£@@@@
###@£**»~, RECTANGULAR. IT FEATURES NO SIGNS, ,~»**£@###
#@£***~,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,~***£@#
@£*~,,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,~*£@
#@@*»»,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,»»*@@#
###@£**»~, ,~»**£@###
@@@£**»,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,»**£@@@
@*»,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,»*@
#@@@£**»~, THE BUILDING COMES TO LIFE: IT MOVES ON ,~»**£@@@#
###@£**»~, A THOUSAND ROBOTIC LEGS TO ANOTHER ,~»**£@###
##£**»»~,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,~»»**£##
@££**»»»~, TO SEA. THIS SIGNALS A NEW AND MORE ,~»»»**££@
#£*»~,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,~»*£#
@£**»~,,,, ECOSYSTEM. ,,,,~»**£@
###@£**»~, ,~»**£@###
@**~,,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,,~**@
#££££**»~, EVENING ARE TREATED TO FOOD AND DRINK, ,~»**££££#
###@£**»~, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,~»**£@###
###@£**»~, COMFORTABLE BUT MAZE-LIKE INTERIOR ,~»**£@###
###@£**»~, STRUCTURE (THE BUILDING FEATURES A ,~»**£@###
###@£**»~, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,~»**£@###
@**»,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,,»**@
####£**»~, FURTHER THAN A FEW FLOORS). ,~»**£####
####@£*»~, ,~»*£@####
##@****»~, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,~»****@##
###@£**»~, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,~»**£@###
###@£**»~, SAME QUALITY AS THE SURROUNDING MIST: ,~»**£@###
###@£**»~, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,~»**£@###
####@£**»~ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ~»**£@####
####£**»~, IF YOU WOULD LOOK THROUGH THE WINDOWS ,~»**£####
###@£**»~, YOU WOULD SEE THE MIST ROLLING BY, AND ,~»**£@###
#@£*»»»,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,»»»*£@#
###@£**»~, BUILDING, FAR BELOW. ,~»**£@###
##££*»,,,, ,,,,»*££##
###@£**»~, DURING THE NIGHT, AFTER TAINARON HAS ,~»**£@###
##@£*»~~,, STARTED MOVING, THE LOWER FLOORS ARE ,,~~»*£@##
###@£**»~, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,~»**£@###
#£**»»~,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,~»»**£#
###@£**»~, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,~»**£@###
###@£**»~, IT'S AT THIS POINT THAT THE SECOND SET ,~»**£@###
###@£**»~, OF GUEST ARRIVES, VIA HELICOPTER - ,~»**£@###
###@£**»~, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,~»**£@###
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#££*»»»~~, IN MY DREAM I AM INVITED AS A FRIEND OF ,~~»»»*££#
###@£**»~, ONE OF THE SERVERS, AND THUS SAFE. WE ,~»**£@###
###@£**»~, SIT IN ONE OF THE LARGE WINDOWS, ,~»**£@###
#@@£*~,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,~*£@@#
####@**»~, LANDMARKS TO PIERCE THROUGH THE MIST. ,~»**@####
####£**»~, SHE TELLS ME THAT APART FROM COMING AND ,~»**£####
#@£££**»~, GOING FROM WORK, SHE'S NEVER SEEN THE ,~»**£££@#
#@@@£**»~, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,~»**£@@@#
###@£**»~, ,~»**£@###
@££££**»~, THE NEXT DAY I AM INVITED TO THE PUBLIC ,~»**££££@
###@£**»~, DEMONSTRATION OF THE EXOBUBBLE. ,~»**£@###
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