¨,»†*$## ###&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨¨,,»†***& &***†»,,¨¨
¨¨¨¨¨»»*&& &&*»»¨¨¨¨¨
¨,»†*$$&&& &&&$$*†»,¨
¨,»†*$## THE SKYSCRAPER THAT MOVES ###&$*†»,¨
¨,,»»*$$ #&$$*»»,,¨
¨,»†*$## TAINARON IS A BUILDING OWNED AND ###&$*†»,¨
¨,»†*$## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###&$*†»,¨
¨¨¨¨¨»††$# CLOSED TO THE HARBOR IN MALMÖ. IT'S #$††»¨¨¨¨¨
¨¨¨¨,†** ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #&**†,¨¨¨¨
¨,»†*$## UNKNOWN), DARK BLUE AND COMPLETELY ###&$*†»,¨
¨¨,,»»»»*& RECTANGULAR. IT FEATURES NO SIGNS, &*»»»»,,¨¨
¨¨¨¨¨»** LIGHTS, OR ORNAMENTS, APART FROM A #&**»¨¨¨¨¨
¨,»†*$## HELIPAD ON TOP. MOST FLOORS HAVE ###&$*†»,¨
¨,»†*$## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨¨¨¨,†$$## IN LATE EVENINGS, SHROUDED BY MALMö'S ##$$†,¨¨¨¨
¨¨¨¨»»»†$& SIGNATURE FOG ROLLING IN FROM THE SEA, &$†»»»¨¨¨¨
¨,»†*$## THE BUILDING COMES TO LIFE: IT MOVES ON ###&$*†»,¨
¨,»†*$## A THOUSAND ROBOTIC LEGS TO ANOTHER ###&$*†»,¨
¨¨¨¨¨,»†$& (SECRET) PART OF TOWN, OR PERHAPS OUT &$†»,¨¨¨¨¨
¨,»†*$$$$& TO SEA. THIS SIGNALS A NEW AND MORE &$$$$*†»,¨
¨,»†*$## VISCIOUS PHASE OF THE TAINARON ###&$*†»,¨
¨,†*$### ECOSYSTEM. ####&$*†,¨
¨¨¨¨¨¨»†$# #$†»¨¨¨¨¨¨
¨,»†*$## THE GUESTS ARRIVING DURING THE EARLY ###&$*†»,¨
¨,»†*### EVENING ARE TREATED TO FOOD AND DRINK, ####&*†»,¨
¨,»†***$## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##$***†»,¨
¨¨¨¨¨»»†*& COMFORTABLE BUT MAZE-LIKE INTERIOR &*†»»¨¨¨¨¨
¨,»†***# STRUCTURE (THE BUILDING FEATURES A ##&***†»,¨
¨¨¨¨¨»*# MULTITUDE OF STAIRWELLS AND ELEVATORS, ##&*»¨¨¨¨¨
¨¨¨¨¨¨¨»*& PLACED SEEMINGLY AT RANDOM, NONE GOING &*»¨¨¨¨¨¨¨
¨¨¨¨¨¨¨»*& FURTHER THAN A FEW FLOORS). &*»¨¨¨¨¨¨¨
¨¨¨,,,†$$& &$$†,,,¨¨¨
¨¨,,»»»*&& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &&*»»»,,¨¨
¨¨¨,»††*&& UNTIL THE AIR INSIDE HAS TAKEN ON THE &&*††»,¨¨¨
¨¨¨¨»†$$&& SAME QUALITY AS THE SURROUNDING MIST: &&$$†»¨¨¨¨
¨,»†*$## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###&$*†»,¨
¨,»†*$## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###&$*†»,¨
¨¨,,,»††$# IF YOU WOULD LOOK THROUGH THE WINDOWS #$††»,,,¨¨
¨¨¨¨»†*$$& YOU WOULD SEE THE MIST ROLLING BY, AND &$$*†»¨¨¨¨
¨,»†*$## PERHAPS THE OUTLINE OF SOME OTHER ###&$*†»,¨
¨¨¨¨¨,»*$# BUILDING, FAR BELOW. #$*»,¨¨¨¨¨
¨¨¨¨,»†$## ##$†»,¨¨¨¨
¨,»†*$## DURING THE NIGHT, AFTER TAINARON HAS ###&$*†»,¨
¨,»†*$$&&& STARTED MOVING, THE LOWER FLOORS ARE &&&$$*†»,¨
¨,»†*$## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###&$*†»,¨
¨,»†*$## THE GUESTS. FOOD IS NO LONGER SERVED, ###&$*†»,¨
¨,»†*$## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###&$*†»,¨
¨,»†***# IT'S AT THIS POINT THAT THE SECOND SET ##&***†»,¨
¨¨¨¨,†*$## OF GUEST ARRIVES, VIA HELICOPTER - ##$*†,¨¨¨¨
¨¨¨»†††$$# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #$$†††»¨¨¨
¨,»†*$## ###&$*†»,¨
¨,»†*$&&&& »»»»» &&&&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## IN MY DREAM I AM INVITED AS A FRIEND OF ###&$*†»,¨
¨¨¨¨,»††$# ONE OF THE SERVERS, AND THUS SAFE. WE #$††»,¨¨¨¨
¨¨¨¨,»***& SIT IN ONE OF THE LARGE WINDOWS, &***»,¨¨¨¨
¨¨¨¨¨,†$ LOOKING THROUGH THE MIST FOR ANY #&$†,¨¨¨¨¨
¨,»†*$## LANDMARKS TO PIERCE THROUGH THE MIST. ###&$*†»,¨
¨,»†*$## SHE TELLS ME THAT APART FROM COMING AND ###&$*†»,¨
¨¨¨¨,†$$ GOING FROM WORK, SHE'S NEVER SEEN THE #&$$†,¨¨¨¨
¨¨¨¨»**$## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##$**»¨¨¨¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## THE NEXT DAY I AM INVITED TO THE PUBLIC ###&$*†»,¨
¨¨¨¨,»†$$# DEMONSTRATION OF THE EXOBUBBLE. #$$†»,¨¨¨¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## ###&$*†»,¨
¨,»†*$## ###&$*†»,¨