,,-;*$#¶##                                          ##¶#$*;-,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,,,--;*#¶                                          ¶#*;--,,,,
,,,-;***$#                                          #$***;-,,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,-;*$#¶##         THE SKYSCRAPER THAT MOVES        ##¶#$*;-,,
,,-;*$####                                          ####$*;-,,
,,,,,,,;*# TAINARON   IS   A  BUILDING  OWNED   AND #*;,,,,,,,
,,,,,---*#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #*---,,,,,
,,-;*$#¶## CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S ##¶#$*;-,,
,,-;*$$#¶¶ ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER ¶¶#$$*;-,,
,,,,--*$##    UNKNOWN), DARK BLUE AND COMPLETELY    ##$*--,,,,
,,-;*$#¶##    RECTANGULAR. IT FEATURES NO SIGNS,    ##¶#$*;-,,
,,,,,-;$$¶ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A ¶$$;-,,,,,
,,-;*$#¶## HELIPAD   ON   TOP.  MOST   FLOORS  HAVE ##¶#$*;-,,
,,-;*$#¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶#$*;-,,
,,,,,,,-*#                                          #*-,,,,,,,
,,-;*$#¶## IN  LATE EVENINGS,  SHROUDED  BY MALMö'S ##¶#$*;-,,
,-;*$#¶### SIGNATURE FOG ROLLING IN  FROM  THE SEA, ###¶#$*;-,
,,-;*$#¶## THE BUILDING COMES  TO LIFE: IT MOVES ON ##¶#$*;-,,
,,-;*$#¶## A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER ##¶#$*;-,,
,,,,-;*$## (SECRET) PART  OF  TOWN,  OR PERHAPS OUT ##$*;-,,,,
,,,,,,;*$# TO  SEA. THIS  SIGNALS  A  NEW  AND MORE #$*;,,,,,,
,,-;*$#¶##      VISCIOUS PHASE OF THE TAINARON      ##¶#$*;-,,
,,,,,,-;$¶                ECOSYSTEM.                ¶$;-,,,,,,
,,-;$#¶###                                          ###¶#$;-,,
,,-;*$#¶¶# THE  GUESTS ARRIVING  DURING  THE  EARLY #¶¶#$*;-,,
,,,,,--*## EVENING ARE  TREATED TO FOOD  AND DRINK, ##*--,,,,,
,,-;*$#¶## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##¶#$*;-,,
,,-;*$#¶##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##¶#$*;-,,
,,-;*$####    STRUCTURE (THE BUILDING FEATURES A    ####$*;-,,
,,,-;;;$##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##$;;;-,,,
,,,,,,;*## PLACED SEEMINGLY  AT  RANDOM, NONE GOING ##*;,,,,,,
,,,,-;$#¶¶       FURTHER THAN A FEW FLOORS).        ¶¶#$;-,,,,
,,,,,;*#¶#                                          #¶#*;,,,,,
,,-;*$#### AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, ####$*;-,,
,,-;*$#¶## UNTIL THE AIR  INSIDE  HAS TAKEN  ON THE ##¶#$*;-,,
,,,,,,,-*# SAME  QUALITY  AS THE  SURROUNDING MIST: #*-,,,,,,,
,,-;*$$### BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ###$$*;-,,
,,-;*$#¶## DOT'S BY DOOR LOCKS AND CONTROL  PANELS. ##¶#$*;-,,
,,,,,;*$#¶ IF  YOU  WOULD LOOK  THROUGH THE WINDOWS ¶#$*;,,,,,
,,,,,,,;$¶ YOU  WOULD SEE THE MIST ROLLING BY,  AND ¶$;,,,,,,,
,,,,;;$#¶# PERHAPS  THE   OUTLINE  OF   SOME  OTHER #¶#$;;,,,,
,,-;*$####           BUILDING, FAR BELOW.           ####$*;-,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,-;*$#¶## DURING  THE  NIGHT, AFTER  TAINARON  HAS ##¶#$*;-,,
,,-;*$#### STARTED  MOVING,  THE  LOWER  FLOORS ARE ####$*;-,,
,,-;*$#¶## SHUT  OFF,  PREVENTING ENTRY OR EXIT FOR ##¶#$*;-,,
,,,----*$# THE  GUESTS.  FOOD  IS NO LONGER SERVED, #$*----,,,
,,-;*$#¶¶¶ BUT THE DRINKS  BECOME MORE EXTRAVAGANT. ¶¶¶#$*;-,,
,,-;*$##¶¶ IT'S AT  THIS  POINT THAT THE SECOND SET ¶¶##$*;-,,
,,-;*$#¶## OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ##¶#$*;-,,
,,-;*$#¶##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##¶#$*;-,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,-;*$#¶##                  -----                   ##¶#$*;-,,
,,,,,-*$¶¶                                          ¶¶$*-,,,,,
,,,,,-;*## IN MY DREAM I AM INVITED AS A  FRIEND OF ##*;-,,,,,
,,-;*$$$## ONE  OF  THE SERVERS, AND THUS SAFE.  WE ##$$$*;-,,
,,-;*$#¶## SIT  IN  ONE  OF  THE   LARGE   WINDOWS, ##¶#$*;-,,
,,-;*$#¶## LOOKING  THROUGH   THE   MIST   FOR  ANY ##¶#$*;-,,
,,,,,-;$## LANDMARKS  TO  PIERCE THROUGH THE  MIST. ##$;-,,,,,
,,,,,;*$$¶ SHE TELLS  ME THAT APART FROM COMING AND ¶$$*;,,,,,
,,,--;;*## GOING FROM WORK, SHE'S  NEVER  SEEN  THE ##*;;--,,,
,,,,---**# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #**---,,,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,-;*$#¶## THE NEXT DAY I  AM INVITED TO THE PUBLIC ##¶#$*;-,,
,,,,-*$$¶¶      DEMONSTRATION OF THE EXOBUBBLE.     ¶¶$$*-,,,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,,,,,-*#¶                                          ¶#*-,,,,,,
,,,,,,-;$¶                                          ¶$;-,,,,,,
,,-;*$#¶##                                          ##¶#$*;-,,
,,,,,;$###                                          ###$;,,,,,