#@£¤&%=«,¨ ¨,«=%&¤£@#
££¤&%«¨¨¨¨ ¨¨¨¨«%&¤££
@£¤¤&%=«,¨ ¨,«=%&¤¤£@
##@£¤%=«,¨ ¨,«=%¤£@##
#@£¤&%=«,¨ ¨,«=%&¤£@#
@¤%««,¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨,««%¤@
¤&%«,¨¨¨¨¨ ¨¨¨¨¨,«%&¤
#@£¤&%=«,¨ TAINARON IS A BUILDING OWNED AND ¨,«=%&¤£@#
##@¤&%=«,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,«=%&¤@##
@£&%%%=«,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,«=%%%&£@
#@£¤&%=«,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,«=%&¤£@#
££&=,¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨,=&££
¤¤%««¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨««%¤¤
##£¤&%=«,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,«=%&¤£##
¤¤&&==,,¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨,,==&&¤¤
#@£¤&%=«,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,«=%&¤£@#
#@£¤&%=«,¨ ¨,«=%&¤£@#
¤¤%%=,¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨,=%%¤¤
#@£¤&%=«,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,«=%&¤£@#
@@£¤&%=«,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,«=%&¤£@@
#@£¤&%=«,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,«=%&¤£@#
#@£¤&%=«,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,«=%&¤£@#
@¤¤%%=«,,¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨,,«=%%¤¤@
¤¤%=,¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨,=%¤¤
££¤%=,¨¨¨¨ ECOSYSTEM. ¨¨¨¨,=%¤££
#@£¤&%=«,¨ ¨,«=%&¤£@#
@¤¤¤&%=«,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,«=%&¤¤¤@
£¤%%=,¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨,=%%¤£
##@£&%=«,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,«=%&£@##
££¤&&%=«,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,«=%&&¤££
£&&%=,¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨,=%&&£
@¤¤%««,¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨,««%¤¤@
£¤&%«¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨«%&¤£
##@¤&%=«,¨ FURTHER THAN A FEW FLOORS). ¨,«=%&¤@##
@¤&=«¨¨¨¨¨ ¨¨¨¨¨«=&¤@
#@£¤&%=«,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,«=%&¤£@#
¤¤¤¤&%=«,¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨,«=%&¤¤¤¤
@£&&&%=«,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,«=%&&&£@
£¤¤&&%=«,¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨,«=%&&¤¤£
@¤¤&=«,¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨,«=&¤¤@
##@£¤%=«,¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨,«=%¤£@##
£&=«,¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨,«=&£
@¤&%%=««,¨ PERHAPS THE OUTLINE OF SOME OTHER ¨,««=%%&¤@
¤%=«¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨«=%¤
¤¤¤¤&%=«,¨ ¨,«=%&¤¤¤¤
#@£¤&%=«,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,«=%&¤£@#
@¤&&&%=«,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,«=%&&&¤@
##@¤&%=«,¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨,«=%&¤@##
£¤&%«¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨«%&¤£
##@£¤%=«,¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨,«=%¤£@##
##@£¤&%«,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,«%&¤£@##
@££¤&%=«,¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨,«=%&¤££@
#@£¤&%=«,¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨,«=%&¤£@#
££&&%«,¨¨¨ ¨¨¨,«%&&££
##£¤&%=«,¨ ««««« ¨,«=%&¤£##
##@£&%=«,¨ ¨,«=%&£@##
##£¤&%=«,¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨,«=%&¤£##
@¤¤%%==«,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,«==%%¤¤@
££&%%=,,¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨,,=%%&££
@¤&%===«,¨ LOOKING THROUGH THE MIST FOR ANY ¨,«===%&¤@
@£¤¤&%=«,¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨,«=%&¤¤£@
¤¤¤%=,,¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨,,=%¤¤¤
@¤&%=«,¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨,«=%&¤@
¤%%=,¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨,=%%¤
##@£¤&%«,¨ ¨,«%&¤£@##
#@£¤&%=«,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,«=%&¤£@#
£¤%«,¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨,«%¤£
#@£¤&%=«,¨ ¨,«=%&¤£@#
@££¤&%=«,¨ ¨,«=%&¤££@
#@£¤&%=«,¨ ¨,«=%&¤£@#
##£¤&%=«,¨ ¨,«=%&¤£##
£&=,¨¨¨¨¨¨ ¨¨¨¨¨¨,=&£