,,###,,#,# ,,#,,,#,,,
,,#,##,,,# ,,,#,,,#,,
,,,,###,,# ,,,,#,,,#,
,,,,#,##,# ,,,,,#,,,#
#,,,,,##,, ,,,,,,#,,,
,#,,,,###, THE SKYSCRAPER THAT MOVES ,,,,,,,#,,
,,#,,,#,## ,,,,,,,,#,
,,,#,,,,## TAINARON IS A BUILDING OWNED AND #,,,,,,,,#
#,,,#,,,#, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,#,,,,,,,,
,#,,,#,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,#,,,,,,,
,,#,,,#,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,#,,,,,,
,,,#,,,#,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,#,,,,,
,,,,#,,,#, RECTANGULAR. IT FEATURES NO SIGNS, #,,,,#,,,,
,,,,,#,,,# LIGHTS, OR ORNAMENTS, APART FROM A ,#,,,,#,,,
,,,,,,#,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,#,,,,#,,
,,,,,,,#,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,#,,,,#,
,,,,,,,,#, ,,,,#,,,,#
#,,,,,,,,# IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,#,,,,
,#,,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,#,,,
,,#,,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,#,,
,,,#,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,,#,
,,,,#,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,,,#
#,,,,#,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,,,,,
,#,,,,#,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,,,,,
,,#,,,,#,, ECOSYSTEM. #,,,,,,,,,
,,,#,,,,#, ,#,,,,,,,,
,,,,#,,,,# THE GUESTS ARRIVING DURING THE EARLY ,,#,,,,,,,
,,,,,#,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,#,,,,,,
,,,,,,#,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,#,,,,,
,,,,,,,#,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,#,,,,
,,,,,,,,#, STRUCTURE (THE BUILDING FEATURES A ,,,,,,#,,,
,,,,,,,,,# MULTITUDE OF STAIRWELLS AND ELEVATORS, #,,,,,,#,,
,,,,,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,#,,,,,,#,
,,,,,,,,,, FURTHER THAN A FEW FLOORS). ,,#,,,,,,#
#,,,,,,,,, #,,#,,,,,,
,#,,,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,#,,#,,,,,
,,#,,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,#,,#,,,,
,,,#,,,,,, SAME QUALITY AS THE SURROUNDING MIST: #,,#,,#,,,
,,,,#,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##,,#,,#,,
,,,,,#,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###,,#,,#,
,,,,,,#,,, IF YOU WOULD LOOK THROUGH THE WINDOWS #,##,,#,,#
#,,,,,,#,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,###,,#,,
,#,,,,,,#, PERHAPS THE OUTLINE OF SOME OTHER ,,#,##,,#,
,,#,,,,,,# BUILDING, FAR BELOW. #,,,###,,#
#,,#,,,,,, ##,,#,##,,
,#,,#,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,##,,,###,
,,#,,#,,,, STARTED MOVING, THE LOWER FLOORS ARE ,###,,#,##
#,,#,,#,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,#,##,,,##
##,,#,,#,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,###,,#,
###,,#,,#, BUT THE DRINKS BECOME MORE EXTRAVAGANT. #,,#,##,,,
#,##,,#,,# IT'S AT THIS POINT THAT THE SECOND SET ##,,,###,,
,,###,,#,, OF GUEST ARRIVES, VIA HELICOPTER - ###,,#,##,
,,#,##,,#, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #,##,,,###
#,,,###,,# ,,###,,#,#
##,,#,##,, ~~~~~ ,,#,##,,,#
,##,,,###, ,,,,###,,#
,###,,#,## IN MY DREAM I AM INVITED AS A FRIEND OF #,,,#,##,,
,#,##,,,## ONE OF THE SERVERS, AND THUS SAFE. WE ,#,,,,###,
,,,###,,#, SIT IN ONE OF THE LARGE WINDOWS, ,,#,,,#,##
#,,#,##,,, LOOKING THROUGH THE MIST FOR ANY ,,,#,,,,##
##,,,###,, LANDMARKS TO PIERCE THROUGH THE MIST. #,,,#,,,#,
###,,#,##, SHE TELLS ME THAT APART FROM COMING AND ,#,,,#,,,,
#,##,,,### GOING FROM WORK, SHE'S NEVER SEEN THE ,,#,,,#,,,
,,###,,#,# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,#,,,#,,
,,#,##,,,# ,,,,#,,,#,
,,,,###,,# THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,#,,,#
#,,,#,##,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,,#,,,
,#,,,,###, ,,,,,,,#,,
,,#,,,#,## ,,,,,,,,#,
,,,#,,,,## #,,,,,,,,#
#,,,#,,,#, ,#,,,,,,,,
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