¨¨--~~~†## ##†~~~--¨¨
¨-~/†%#@## ##@#%†/~-¨
¨-~/†%#@@@ @@@#%†/~-¨
¨-~/†%#@## ##@#%†/~-¨
¨-~/†%#@## ##@#%†/~-¨
¨¨¨-~†††%# THE SKYSCRAPER THAT MOVES #%†††~-¨¨¨
¨¨¨¨¨¨~~†# #†~~¨¨¨¨¨¨
¨-~/†%#@## TAINARON IS A BUILDING OWNED AND ##@#%†/~-¨
¨¨¨¨¨-/%## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##%/-¨¨¨¨¨
¨-~/†%#### CLOSED TO THE HARBOR IN MALMÖ. IT'S ####%†/~-¨
-~/†%#@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@#%†/~-
¨-~/†%#@## UNKNOWN), DARK BLUE AND COMPLETELY ##@#%†/~-¨
¨¨¨¨--~†## RECTANGULAR. IT FEATURES NO SIGNS, ##†~--¨¨¨¨
¨-~/†%#@## LIGHTS, OR ORNAMENTS, APART FROM A ##@#%†/~-¨
¨¨¨¨¨¨¨~†# HELIPAD ON TOP. MOST FLOORS HAVE #†~¨¨¨¨¨¨¨
¨¨¨¨¨¨¨~†# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #†~¨¨¨¨¨¨¨
¨-~/†%%%#@ @#%%%†/~-¨
¨¨¨¨¨~/†#@ IN LATE EVENINGS, SHROUDED BY MALMö'S @#†/~¨¨¨¨¨
¨¨¨~//%%@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@%%//~¨¨¨
¨-~/†%#@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@#%†/~-¨
¨-~/†%#@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@#%†/~-¨
¨-~/†%#@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@#%†/~-¨
¨-~/†%#@## TO SEA. THIS SIGNALS A NEW AND MORE ##@#%†/~-¨
¨-~/†%#### VISCIOUS PHASE OF THE TAINARON ####%†/~-¨
¨-~/†%#@## ECOSYSTEM. ##@#%†/~-¨
¨¨¨¨~/†### ###†/~¨¨¨¨
¨-~/†%#@## THE GUESTS ARRIVING DURING THE EARLY ##@#%†/~-¨
¨-~/†%#@## EVENING ARE TREATED TO FOOD AND DRINK, ##@#%†/~-¨
¨-~/†%#@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@#%†/~-¨
¨-~/†#@### COMFORTABLE BUT MAZE-LIKE INTERIOR ###@#†/~-¨
¨¨¨¨-/†%## STRUCTURE (THE BUILDING FEATURES A ##%†/-¨¨¨¨
¨-~/†%#@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@#%†/~-¨
¨¨¨¨¨¨~/%# PLACED SEEMINGLY AT RANDOM, NONE GOING #%/~¨¨¨¨¨¨
¨-~/†%#@## FURTHER THAN A FEW FLOORS). ##@#%†/~-¨
¨¨¨¨¨--/%# #%/--¨¨¨¨¨
¨-~/†%#@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@#%†/~-¨
¨¨¨¨¨-/%## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##%/-¨¨¨¨¨
¨-~/†%#@## SAME QUALITY AS THE SURROUNDING MIST: ##@#%†/~-¨
¨-~/†%#@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@#%†/~-¨
¨-~~~//%## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##%//~~~-¨
¨¨¨¨¨~~/%# IF YOU WOULD LOOK THROUGH THE WINDOWS #%/~~¨¨¨¨¨
¨-~/†%#@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@#%†/~-¨
¨¨¨¨-~~†## PERHAPS THE OUTLINE OF SOME OTHER ##†~~-¨¨¨¨
¨¨¨¨¨-/%%@ BUILDING, FAR BELOW. @%%/-¨¨¨¨¨
¨-~/†%#@## ##@#%†/~-¨
¨-~/†%###@ DURING THE NIGHT, AFTER TAINARON HAS @###%†/~-¨
¨-~/†%#@## STARTED MOVING, THE LOWER FLOORS ARE ##@#%†/~-¨
¨¨¨¨¨-/†%@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @%†/-¨¨¨¨¨
¨¨¨¨¨--/%# THE GUESTS. FOOD IS NO LONGER SERVED, #%/--¨¨¨¨¨
¨-~/†%#@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@#%†/~-¨
¨-~/†%#@## IT'S AT THIS POINT THAT THE SECOND SET ##@#%†/~-¨
¨-~/†%#@## OF GUEST ARRIVES, VIA HELICOPTER - ##@#%†/~-¨
¨-~/†%#@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@#%†/~-¨
¨-~/†%#@## ##@#%†/~-¨
¨-~/†%#@@# ~~~~~ #@@#%†/~-¨
¨-~/†%#@## ##@#%†/~-¨
¨¨¨¨-/†%%@ IN MY DREAM I AM INVITED AS A FRIEND OF @%%†/-¨¨¨¨
¨-~/†%#@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@#%†/~-¨
¨¨¨¨¨-//%# SIT IN ONE OF THE LARGE WINDOWS, #%//-¨¨¨¨¨
¨-~/†%#@## LOOKING THROUGH THE MIST FOR ANY ##@#%†/~-¨
¨¨¨¨-//†## LANDMARKS TO PIERCE THROUGH THE MIST. ##†//-¨¨¨¨
¨-~/†%#@## SHE TELLS ME THAT APART FROM COMING AND ##@#%†/~-¨
¨¨¨¨-//%## GOING FROM WORK, SHE'S NEVER SEEN THE ##%//-¨¨¨¨
¨-~/†%#@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@#%†/~-¨
¨¨¨-/††#@@ @@#††/-¨¨¨
¨-~///†††# THE NEXT DAY I AM INVITED TO THE PUBLIC #†††///~-¨
¨-~/†††#@# DEMONSTRATION OF THE EXOBUBBLE. #@#†††/~-¨
¨¨¨¨¨-/%%@ @%%/-¨¨¨¨¨
¨-~/†%#@## ##@#%†/~-¨
¨¨¨¨¨-~†#@ @#†~-¨¨¨¨¨
¨-~/†%#@@@ @@@#%†/~-¨
¨¨¨¨~††#@@ @@#††~¨¨¨¨