£&&&*§\~~, ,~~\§*&&&£
###£&§\~~, ,~~\§&£###
#&*§§\\~~, ,~~\\§§*
#£&&*§\~~, ,~~\§*&&£#
##£&*§\~~, ,~~\§*&£##
##£&*§\~~, THE SKYSCRAPER THAT MOVES ,~~\§*&£##
&***\~,,,, ,,,,~\***&
£**\~,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,~\**£
#£&§~,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,~§&£#
#££&*§\~~, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,~~\§*&££#
££&§~~,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,~~§&££
##£&*§\~~, UNKNOWN), DARK BLUE AND COMPLETELY ,~~\§*&£##
£*§\~~,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,~~\§*£
&&§~~,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,~~§&&
&§\~~,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,~~\§&
&§\~,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,~\§&
##£&*§\~~, ,~~\§*&£##
#&*\~~~,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,~~~\*
£&**\~,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,~\**&£
&§\\\~,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,~\\\§&
##£&*§\~~, A THOUSAND ROBOTIC LEGS TO ANOTHER ,~~\§*&£##
#&§\~~~,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,~~~\§
##£&*§\~~, TO SEA. THIS SIGNALS A NEW AND MORE ,~~\§*&£##
##£&*§\~~, VISCIOUS PHASE OF THE TAINARON ,~~\§*&£##
###£&*\~~, ECOSYSTEM. ,~~\*&£###
##£&*§\~~, ,~~\§*&£##
##£&*§\~~, THE GUESTS ARRIVING DURING THE EARLY ,~~\§*&£##
##£&*§\~~, EVENING ARE TREATED TO FOOD AND DRINK, ,~~\§*&£##
##£&*§\~~, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,~~\§*&£##
£&§\~,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,~\§&£
###£*§\~~, STRUCTURE (THE BUILDING FEATURES A ,~~\§*£###
##£&*§\~~, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,~~\§*&£##
&&§\~,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,~\§&&
#£&&*§\~~, FURTHER THAN A FEW FLOORS). ,~~\§*&&£#
#££&*§\~~, ,~~\§*&££#
##£&*§\~~, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,~~\§*&£##
##£&*§\~~, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,~~\§*&£##
£&*\~,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,~\*&£
&§§§\~~~,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,~~~\§§§&
###&*§\~~, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,~~\§*##
##£&*§\~~, IF YOU WOULD LOOK THROUGH THE WINDOWS ,~~\§*&£##
&§§§\~,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,~\§§§&
##£&*§\~~, PERHAPS THE OUTLINE OF SOME OTHER ,~~\§*&£##
&***§~,,,, BUILDING, FAR BELOW. ,,,,~§***&
##£&*§\~~, ,~~\§*&£##
££*\\~~,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,~~\\*££
###£&*\~~, STARTED MOVING, THE LOWER FLOORS ARE ,~~\*&£###
#£&**§\~~, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,~~\§**&£#
&§~~,,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,,~~§&
##£&*§\~~, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,~~\§*&£##
##£&*§\~~, IT'S AT THIS POINT THAT THE SECOND SET ,~~\§*&£##
###£*§\~~, OF GUEST ARRIVES, VIA HELICOPTER - ,~~\§*£###
##£&*§\~~, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,~~\§*&£##
##£&*§\~~, ,~~\§*&£##
##£&*§\~~, ~~~~~ ,~~\§*&£##
#&§\~~~,,, ,,,~~~\§
##£&*§\~~, IN MY DREAM I AM INVITED AS A FRIEND OF ,~~\§*&£##
&*\~,,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,,~\*&
##£&*§\~~, SIT IN ONE OF THE LARGE WINDOWS, ,~~\§*&£##
£*\\~,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,~\\*£
#&§§§~~~,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,~~~§§§
##£&*§\~~, SHE TELLS ME THAT APART FROM COMING AND ,~~\§*&£##
#&*§\~~~~, GOING FROM WORK, SHE'S NEVER SEEN THE ,~~~~\§*
£***\~,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,~\***£
##£&*§\~~, ,~~\§*&£##
£££&*§\~~, THE NEXT DAY I AM INVITED TO THE PUBLIC ,~~\§*&£££
&*§\~,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,~\§*&
##£&*§\~~, ,~~\§*&£##
##£&*§\~~, ,~~\§*&£##
##£&*§\~~, ,~~\§*&£##
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##£&*§\~~, ,~~\§*&£##