¨¨¨¨¨,~/%£                                          £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/%                                          %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£                                          £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶                                          ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                                          #¶£%/~,¨¨¨
¨¨,~/%£¶##         THE SKYSCRAPER THAT MOVES        ##¶£%/~,¨¨
¨,~/%£¶###                                          ###¶£%/~,¨
¨¨,~/%£¶## TAINARON   IS   A  BUILDING  OWNED   AND ##¶£%/~,¨¨
¨¨¨,~/%£¶#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶ CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£ ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/%    UNKNOWN), DARK BLUE AND COMPLETELY    %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£    RECTANGULAR. IT FEATURES NO SIGNS,    £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶ LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶# HELIPAD   ON  TOP.   MOST  FLOORS   HAVE #¶£%/~,¨¨¨
¨¨,~/%£¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶£%/~,¨¨
¨,~/%£¶###                                          ###¶£%/~,¨
¨¨,~/%£¶## IN LATE  EVENINGS,  SHROUDED  BY MALMö'S ##¶£%/~,¨¨
¨¨¨,~/%£¶# SIGNATURE  FOG ROLLING IN  FROM THE SEA, #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶ THE BUILDING COMES TO LIFE: IT MOVES  ON ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/% (SECRET) PART  OF  TOWN, OR PERHAPS  OUT %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£ TO  SEA.  THIS  SIGNALS  A NEW  AND MORE £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶      VISCIOUS PHASE OF THE TAINARON      ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                ECOSYSTEM.                #¶£%/~,¨¨¨
¨¨,~/%£¶##                                          ##¶£%/~,¨¨
¨,~/%£¶### THE  GUESTS ARRIVING  DURING  THE  EARLY ###¶£%/~,¨
¨¨,~/%£¶## EVENING  ARE TREATED TO FOOD AND  DRINK, ##¶£%/~,¨¨
¨¨¨,~/%£¶# LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶    COMFORTABLE BUT MAZE-LIKE INTERIOR    ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£    STRUCTURE (THE BUILDING FEATURES A    £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/%  MULTITUDE OF STAIRWELLS AND ELEVATORS,  %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£ PLACED SEEMINGLY  AT  RANDOM, NONE GOING £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶       FURTHER THAN A FEW FLOORS).        ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                                          #¶£%/~,¨¨¨
¨¨,~/%£¶## AS TIME GOES ON, THE LIGHTS  SLOWLY DIM, ##¶£%/~,¨¨
¨,~/%£¶### UNTIL  THE  AIR INSIDE  HAS TAKEN ON THE ###¶£%/~,¨
¨¨,~/%£¶## SAME  QUALITY AS  THE  SURROUNDING MIST: ##¶£%/~,¨¨
¨¨¨,~/%£¶# BLUE-GRAY, SPRINKLED WITH THE  SMALL RED #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶ DOT'S  BY DOOR LOCKS AND CONTROL PANELS. ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£ IF YOU WOULD  LOOK  THROUGH THE  WINDOWS £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/% YOU WOULD  SEE  THE MIST ROLLING BY, AND %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£ PERHAPS   THE  OUTLINE  OF  SOME   OTHER £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶           BUILDING, FAR BELOW.           ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                                          #¶£%/~,¨¨¨
¨¨,~/%£¶## DURING  THE NIGHT,  AFTER  TAINARON  HAS ##¶£%/~,¨¨
¨,~/%£¶### STARTED  MOVING,  THE LOWER  FLOORS  ARE ###¶£%/~,¨
¨¨,~/%£¶## SHUT OFF, PREVENTING ENTRY  OR EXIT  FOR ##¶£%/~,¨¨
¨¨¨,~/%£¶# THE  GUESTS. FOOD IS NO  LONGER  SERVED, #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶ BUT THE DRINKS BECOME  MORE EXTRAVAGANT. ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£ IT'S AT THIS  POINT  THAT THE SECOND SET £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/% OF  GUEST   ARRIVES,  VIA  HELICOPTER  - %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶                                          ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                  ~~~~~                   #¶£%/~,¨¨¨
¨¨,~/%£¶##                                          ##¶£%/~,¨¨
¨,~/%£¶### IN MY DREAM I AM  INVITED AS A FRIEND OF ###¶£%/~,¨
¨¨,~/%£¶## ONE  OF THE SERVERS,  AND THUS  SAFE. WE ##¶£%/~,¨¨
¨¨¨,~/%£¶# SIT  IN   ONE  OF  THE  LARGE   WINDOWS, #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶ LOOKING   THROUGH  THE   MIST  FOR   ANY ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£ LANDMARKS  TO  PIERCE THROUGH THE  MIST. £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/% SHE TELLS  ME THAT APART FROM COMING AND %/~,¨¨¨¨¨¨
¨¨¨¨¨,~/%£ GOING  FROM  WORK,  SHE'S NEVER SEEN THE £%/~,¨¨¨¨¨
¨¨¨¨,~/%£¶ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¶£%/~,¨¨¨¨
¨¨¨,~/%£¶#                                          #¶£%/~,¨¨¨
¨¨,~/%£¶## THE  NEXT DAY I AM INVITED TO THE PUBLIC ##¶£%/~,¨¨
¨,~/%£¶###      DEMONSTRATION OF THE EXOBUBBLE.     ###¶£%/~,¨
¨¨,~/%£¶##                                          ##¶£%/~,¨¨
¨¨¨,~/%£¶#                                          #¶£%/~,¨¨¨
¨¨¨¨,~/%£¶                                          ¶£%/~,¨¨¨¨
¨¨¨¨¨,~/%£                                          £%/~,¨¨¨¨¨
¨¨¨¨¨¨,~/%                                          %/~,¨¨¨¨¨¨