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=~,,,,,,,, ,,,,,,,,~=
*=~,,,,,,, THE SKYSCRAPER THAT MOVES ,,,,,,,~=*
$*=~,,,,,, ,,,,,,~=*$
¤$*=~,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,~=*$¤
£¤$*=~,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,~=*$¤£
#£¤$*=~,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,~=*$¤£#
##£¤$*=~,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,~=*$¤£##
###£¤$*=~, UNKNOWN), DARK BLUE AND COMPLETELY ,~=*$¤£###
##£¤$*=~,, RECTANGULAR. IT FEATURES NO SIGNS, ,,~=*$¤£##
#£¤$*=~,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,~=*$¤£#
£¤$*=~,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,~=*$¤£
¤$*=~,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,~=*$¤
$*=~,,,,,, ,,,,,,~=*$
*=~,,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,~=*
=~,,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,,~=
~,,,,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,,,~
,,,,,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,,,,
,,,,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,,,,
,,,,,,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,,,,,
~,,,,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,,,,~
=~,,,,,,,, ECOSYSTEM. ,,,,,,,,~=
*=~,,,,,,, ,,,,,,,~=*
$*=~,,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,,~=*$
¤$*=~,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,~=*$¤
£¤$*=~,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,~=*$¤£
#£¤$*=~,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,~=*$¤£#
##£¤$*=~,, STRUCTURE (THE BUILDING FEATURES A ,,~=*$¤£##
###£¤$*=~, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,~=*$¤£###
##£¤$*=~,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,~=*$¤£##
#£¤$*=~,,, FURTHER THAN A FEW FLOORS). ,,,~=*$¤£#
£¤$*=~,,,, ,,,,~=*$¤£
¤$*=~,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,~=*$¤
$*=~,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,~=*$
*=~,,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,,~=*
=~,,,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,,,~=
~,,,,,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,,,,,~
,,,,,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,,,,,
,,,,,,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,,,,,,
,,,,,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,,,,,
~,,,,,,,,, BUILDING, FAR BELOW. ,,,,,,,,,~
=~,,,,,,,, ,,,,,,,,~=
*=~,,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,,~=*
$*=~,,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,,~=*$
¤$*=~,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,~=*$¤
£¤$*=~,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,~=*$¤£
#£¤$*=~,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,~=*$¤£#
##£¤$*=~,, IT'S AT THIS POINT THAT THE SECOND SET ,,~=*$¤£##
###£¤$*=~, OF GUEST ARRIVES, VIA HELICOPTER - ,~=*$¤£###
##£¤$*=~,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,~=*$¤£##
#£¤$*=~,,, ,,,~=*$¤£#
£¤$*=~,,,, ===== ,,,,~=*$¤£
¤$*=~,,,,, ,,,,,~=*$¤
$*=~,,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,,~=*$
*=~,,,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,,,~=*
=~,,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,,,~=
~,,,,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,,,,~
,,,,,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,,,,,
,,,,,,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,,,,,,
,,,,,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,,,,,
~,,,,,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,,,,,~
=~,,,,,,,, ,,,,,,,,~=
*=~,,,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,,,~=*
$*=~,,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,,~=*$
¤$*=~,,,,, ,,,,,~=*$¤
£¤$*=~,,,, ,,,,~=*$¤£
#£¤$*=~,,, ,,,~=*$¤£#
##£¤$*=~,, ,,~=*$¤£##
###£¤$*=~, ,~=*$¤£###