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@£$%=~.¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨.~=%$£@
@@£$%=~.¨¨ ¨¨.~=%$£@@
#@@£$%=~.¨ TAINARON IS A BUILDING OWNED AND ¨.~=%$£@@#
@@£$%=~.¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨.~=%$£@@
@£$%=~.¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨.~=%$£@
@@£$%=~.¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨.~=%$£@@
#@@£$%=~.¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨.~=%$£@@#
@@£$%=~.¨¨ ¨¨.~=%$£@@
@£$%=~.¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨.~=%$£@
@@£$%=~.¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨.~=%$£@@
#@@£$%=~.¨ VISCIOUS PHASE OF THE TAINARON ¨.~=%$£@@#
@@£$%=~.¨¨ ECOSYSTEM. ¨¨.~=%$£@@
@£$%=~.¨¨¨ ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨.~=%$£@
@@£$%=~.¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨.~=%$£@@
#@@£$%=~.¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨.~=%$£@@#
@@£$%=~.¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨.~=%$£@@
@£$%=~.¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨.~=%$£@
@@£$%=~.¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨.~=%$£@@
#@@£$%=~.¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨.~=%$£@@#
@@£$%=~.¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨.~=%$£@@
@£$%=~.¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨.~=%$£@
@@£$%=~.¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨.~=%$£@@
#@@£$%=~.¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨.~=%$£@@#
@@£$%=~.¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨.~=%$£@@
@£$%=~.¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ ¨¨¨.~=%$£@
@@£$%=~.¨¨ ~~~~~ ¨¨.~=%$£@@
#@@£$%=~.¨ ¨.~=%$£@@#
@@£$%=~.¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨.~=%$£@@
@£$%=~.¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨.~=%$£
$%=~.¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨.~=%$
£$%=~.¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨.~=%$£
@£$%=~.¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨.~=%$£@
@@£$%=~.¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨.~=%$£@@
#@@£$%=~.¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨.~=%$£@@#
@@£$%=~.¨¨ ¨¨.~=%$£@@
@£$%=~.¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨.~=%$£@
£$%=~.¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨.~=%$£
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