###¶*§\~., ,.~\§*¶###
¶*\\~,,,,, ,,,,,~\\*¶
##¶&*§\~., ,.~\§*&¶##
#&§§~~..., ,...~~§§
#&&&*§\~., ,.~\§*&&
##¶&*§\~., THE SKYSCRAPER THAT MOVES ,.~\§*&¶##
###¶&*§~., ,.~§*&¶###
¶¶*§§~~.,, TAINARON IS A BUILDING OWNED AND ,,.~~§§*¶¶
##¶&*§\~., OPERATED BY AMATA TEXNOLOGIYASI PLACED ,.~\§*&¶##
##¶&*§\~., CLOSED TO THE HARBOR IN MALMÖ. IT'S ,.~\§*&¶##
#&&**§\~., ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,.~\§**&
##¶&*§\~., UNKNOWN), DARK BLUE AND COMPLETELY ,.~\§*&¶##
&****§\~., RECTANGULAR. IT FEATURES NO SIGNS, ,.~\§****&
#¶¶&*§\~., LIGHTS, OR ORNAMENTS, APART FROM A ,.~\§*&¶¶#
###¶*§\~., HELIPAD ON TOP. MOST FLOORS HAVE ,.~\§*¶###
##¶&*§\~., EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,.~\§*&¶##
¶***§\\~., ,.~\\§***¶
##¶&*§\~., IN LATE EVENINGS, SHROUDED BY MALMö'S ,.~\§*&¶##
#&§\.,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,.\§
¶&*§~,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,~§*&¶
#&&§~~~,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,~~~§&
##¶&*§\~., (SECRET) PART OF TOWN, OR PERHAPS OUT ,.~\§*&¶##
##¶&*§\~., TO SEA. THIS SIGNALS A NEW AND MORE ,.~\§*&¶##
##¶&*§\~., VISCIOUS PHASE OF THE TAINARON ,.~\§*&¶##
##¶&*§\~., ECOSYSTEM. ,.~\§*&¶##
¶¶&&*§\~., ,.~\§*&&¶¶
¶&§§§\~~., THE GUESTS ARRIVING DURING THE EARLY ,.~~\§§§&¶
&&§§~~,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,~~§§&&
#¶&&*§\~., LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,.~\§*&&¶#
##¶&*§\~., COMFORTABLE BUT MAZE-LIKE INTERIOR ,.~\§*&¶##
###¶&*§~., STRUCTURE (THE BUILDING FEATURES A ,.~§*&¶###
##¶&*§\~., MULTITUDE OF STAIRWELLS AND ELEVATORS, ,.~\§*&¶##
##¶&*§\~., PLACED SEEMINGLY AT RANDOM, NONE GOING ,.~\§*&¶##
&§§~~,,,,, FURTHER THAN A FEW FLOORS). ,,,,,~~§§&
¶¶¶&*§\~., ,.~\§*&¶¶¶
¶¶¶&*§\~., AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,.~\§*&¶¶¶
&§§\.,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,.\§§&
¶¶&&*§\~., SAME QUALITY AS THE SURROUNDING MIST: ,.~\§*&&¶¶
&§\~,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,~\§&
##¶&*§\~., DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,.~\§*&¶##
##¶&*§\~., IF YOU WOULD LOOK THROUGH THE WINDOWS ,.~\§*&¶##
##¶&*§\~., YOU WOULD SEE THE MIST ROLLING BY, AND ,.~\§*&¶##
##¶&*§\~., PERHAPS THE OUTLINE OF SOME OTHER ,.~\§*&¶##
##¶&*§\~., BUILDING, FAR BELOW. ,.~\§*&¶##
&§§\~~.,,, ,,,.~~\§§&
&&&*§\\~., DURING THE NIGHT, AFTER TAINARON HAS ,.~\\§*&&&
&**\\.,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,.\\**&
¶&***§\~., SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,.~\§***&¶
###¶&§\~., THE GUESTS. FOOD IS NO LONGER SERVED, ,.~\§&¶###
#¶***§\~., BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,.~\§***¶#
&§§~~,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,~~§§&
##¶&*§\~., OF GUEST ARRIVES, VIA HELICOPTER - ,.~\§*&¶##
&§~~~~,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,~~~~§&
#¶*§\.,,,, ,,,,.\§*¶#
##¶&*§\~., ~~~~~ ,.~\§*&¶##
###¶*§\~., ,.~\§*¶###
¶****§\~., IN MY DREAM I AM INVITED AS A FRIEND OF ,.~\§****¶
##¶&*§\~., ONE OF THE SERVERS, AND THUS SAFE. WE ,.~\§*&¶##
¶&§\.,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,.\§&¶
##¶&*§\~., LOOKING THROUGH THE MIST FOR ANY ,.~\§*&¶##
¶***§\~.,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,.~\§***¶
##¶&*§\~., SHE TELLS ME THAT APART FROM COMING AND ,.~\§*&¶##
#&§~,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,~§
##¶&*§\~., BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,.~\§*&¶##
¶*\\~~..,, ,,..~~\\*¶
##¶&*§\~., THE NEXT DAY I AM INVITED TO THE PUBLIC ,.~\§*&¶##
##¶&*§\~., DEMONSTRATION OF THE EXOBUBBLE. ,.~\§*&¶##
##¶&*§\~., ,.~\§*&¶##
##¶&*§\~., ,.~\§*&¶##
#¶*\~~~~., ,.~~~~\*¶#
###&*§\~., ,.~\§*##
¶*\~~~.,,, ,,,.~~~\*¶