,:«;%%£@@@ @@@£%%;«:,
,,,:;;%%%£ £%%%;;:,,,
,,,,,:«%%@ @%%«:,,,,,
,:«;%£@@## ##@@£%;«:,
,:«;%%£@@# #@@£%%;«:,
,:«;%%£@@# THE SKYSCRAPER THAT MOVES #@@£%%;«:,
,:«;%%%%%£ £%%%%%;«:,
,,,,,:«%£@ TAINARON IS A BUILDING OWNED AND @£%«:,,,,,
,:«;%%£@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@£%%;«:,
,:«;%%@@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@@%%;«:,
,,,,,,:«%£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £%«:,,,,,,
,:«;%%£@## UNKNOWN), DARK BLUE AND COMPLETELY ##@£%%;«:,
,,,,«««%£@ RECTANGULAR. IT FEATURES NO SIGNS, @£%«««,,,,
,:««««%%£@ LIGHTS, OR ORNAMENTS, APART FROM A @£%%««««:,
,:«;%%£@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@£%%;«:,
,:«;%%£@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@£%%;«:,
,:«;%%£@@# #@@£%%;«:,
,,,::;%%£@ IN LATE EVENINGS, SHROUDED BY MALMö'S @£%%;::,,,
,:«;%%£@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@£%%;«:,
,,:«;%%%£@ THE BUILDING COMES TO LIFE: IT MOVES ON @£%%%;«:,,
,,,::;;;%£ A THOUSAND ROBOTIC LEGS TO ANOTHER £%;;;::,,,
,,,««%%££@ (SECRET) PART OF TOWN, OR PERHAPS OUT @££%%««,,,
,,,,,:«%%£ TO SEA. THIS SIGNALS A NEW AND MORE £%%«:,,,,,
,:«;%%£@@# VISCIOUS PHASE OF THE TAINARON #@@£%%;«:,
,,,,,:«%£@ ECOSYSTEM. @£%«:,,,,,
,:«;%%£@## ##@£%%;«:,
,,,,:««;%£ THE GUESTS ARRIVING DURING THE EARLY £%;««:,,,,
,:«;%%£@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@£%%;«:,
,:«;%%£@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@£%%;«:,
,:«;;%%%@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@%%%;;«:,
,,,,:«%%%£ STRUCTURE (THE BUILDING FEATURES A £%%%«:,,,,
,,,,,«;%£@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @£%;«,,,,,
,:«;;%%£@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@£%%;;«:,
,:«;%%£@@# FURTHER THAN A FEW FLOORS). #@@£%%;«:,
,,,,««;%%@ @%%;««,,,,
,,,,,:;%@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@%;:,,,,,
,:«;%%£@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@£%%;«:,
,:«;%%£@@# SAME QUALITY AS THE SURROUNDING MIST: #@@£%%;«:,
,:«;%%£@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@£%%;«:,
,:«;%%£@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@@£%%;«:,
,:«;%%£@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@£%%;«:,
,:«;%%£@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@£%%;«:,
,,,,,:;%%£ PERHAPS THE OUTLINE OF SOME OTHER £%%;:,,,,,
,:««;;;;%@ BUILDING, FAR BELOW. @%;;;;««:,
,:«;%%£@@@ @@@£%%;«:,
,,,:««%%£@ DURING THE NIGHT, AFTER TAINARON HAS @£%%««:,,,
,,,,,:««%£ STARTED MOVING, THE LOWER FLOORS ARE £%««:,,,,,
,:«;%%%££@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @££%%%;«:,
,:«;%%£@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@£%%;«:,
,:«;%%£@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@£%%;«:,
,,,,,:;%£@ IT'S AT THIS POINT THAT THE SECOND SET @£%;:,,,,,
,,,,,,,«%£ OF GUEST ARRIVES, VIA HELICOPTER - £%«,,,,,,,
,:«;%%£@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@£%%;«:,
,:«;%%£@@@ @@@£%%;«:,
,:«;%%£@@@ ««««« @@@£%%;«:,
,,,,««;;%£ £%;;««,,,,
,:«;%%£@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@£%%;«:,
,:«;%%£@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@£%%;«:,
,:«;%%£££@ SIT IN ONE OF THE LARGE WINDOWS, @£££%%;«:,
,,,,,:;%%@ LOOKING THROUGH THE MIST FOR ANY @%%;:,,,,,
,:«;%%£@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@£%%;«:,
,:«;%%££££ SHE TELLS ME THAT APART FROM COMING AND ££££%%;«:,
,:«;%%£@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@£%%;«:,
,,,,,««%%£ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. £%%««,,,,,
,:«;%%££@@ @@££%%;«:,
,:«;%%%£££ THE NEXT DAY I AM INVITED TO THE PUBLIC £££%%%;«:,
,:«;%%£@@# DEMONSTRATION OF THE EXOBUBBLE. #@@£%%;«:,
,:«;%%£££@ @£££%%;«:,
,:«;%%£@@# #@@£%%;«:,
,:«;%%£@@# #@@£%%;«:,
,:«;%%£@@# #@@£%%;«:,
,,,:;%%££@ @££%%;:,,,