..~/†@#@## ##@#@†/~..
...~/†@#@# #@#@†/~...
....~/†@#@ @#@†/~....
...~/†@#@# #@#@†/~...
..~/†@#@## ##@#@†/~..
...~/†@#@# THE SKYSCRAPER THAT MOVES #@#@†/~...
....~/†@#@ @#@†/~....
...~/†@#@# TAINARON IS A BUILDING OWNED AND #@#@†/~...
..~/†@#@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@#@†/~..
...~/†@#@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@#@†/~...
....~/†@#@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @#@†/~....
...~/†@#@# UNKNOWN), DARK BLUE AND COMPLETELY #@#@†/~...
..~/†@#@## RECTANGULAR. IT FEATURES NO SIGNS, ##@#@†/~..
...~/†@#@# LIGHTS, OR ORNAMENTS, APART FROM A #@#@†/~...
....~/†@#@ HELIPAD ON TOP. MOST FLOORS HAVE @#@†/~....
...~/†@#@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@#@†/~...
..~/†@#@## ##@#@†/~..
...~/†@#@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#@†/~...
....~/†@#@ SIGNATURE FOG ROLLING IN FROM THE SEA, @#@†/~....
...~/†@#@# THE BUILDING COMES TO LIFE: IT MOVES ON #@#@†/~...
..~/†@#@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@#@†/~..
...~/†@#@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@#@†/~...
....~/†@#@ TO SEA. THIS SIGNALS A NEW AND MORE @#@†/~....
...~/†@#@# VISCIOUS PHASE OF THE TAINARON #@#@†/~...
..~/†@#@## ECOSYSTEM. ##@#@†/~..
...~/†@#@# #@#@†/~...
....~/†@#@ THE GUESTS ARRIVING DURING THE EARLY @#@†/~....
...~/†@#@# EVENING ARE TREATED TO FOOD AND DRINK, #@#@†/~...
..~/†@#@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@#@†/~..
...~/†@#@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@#@†/~...
....~/†@#@ STRUCTURE (THE BUILDING FEATURES A @#@†/~....
...~/†@#@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@#@†/~...
..~/†@#@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@#@†/~..
...~/†@#@# FURTHER THAN A FEW FLOORS). #@#@†/~...
....~/†@#@ @#@†/~....
...~/†@#@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@#@†/~...
..~/†@#@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@#@†/~..
...~/†@#@# SAME QUALITY AS THE SURROUNDING MIST: #@#@†/~...
....~/†@#@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @#@†/~....
...~/†@#@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@#@†/~...
..~/†@#@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@#@†/~..
...~/†@#@# YOU WOULD SEE THE MIST ROLLING BY, AND #@#@†/~...
....~/†@#@ PERHAPS THE OUTLINE OF SOME OTHER @#@†/~....
...~/†@#@# BUILDING, FAR BELOW. #@#@†/~...
..~/†@#@## ##@#@†/~..
...~/†@#@# DURING THE NIGHT, AFTER TAINARON HAS #@#@†/~...
....~/†@#@ STARTED MOVING, THE LOWER FLOORS ARE @#@†/~....
...~/†@#@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@#@†/~...
..~/†@#@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@#@†/~..
...~/†@#@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@#@†/~...
....~/†@#@ IT'S AT THIS POINT THAT THE SECOND SET @#@†/~....
...~/†@#@# OF GUEST ARRIVES, VIA HELICOPTER - #@#@†/~...
..~/†@#@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@#@†/~..
...~/†@#@# #@#@†/~...
....~/†@#@ ~~~~~ @#@†/~....
...~/†@#@# #@#@†/~...
..~/†@#@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@#@†/~..
...~/†@#@# ONE OF THE SERVERS, AND THUS SAFE. WE #@#@†/~...
....~/†@#@ SIT IN ONE OF THE LARGE WINDOWS, @#@†/~....
...~/†@#@# LOOKING THROUGH THE MIST FOR ANY #@#@†/~...
..~/†@#@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@#@†/~..
...~/†@#@# SHE TELLS ME THAT APART FROM COMING AND #@#@†/~...
....~/†@#@ GOING FROM WORK, SHE'S NEVER SEEN THE @#@†/~....
...~/†@#@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@#@†/~...
..~/†@#@## ##@#@†/~..
...~/†@#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#@†/~...
....~/†@#@ DEMONSTRATION OF THE EXOBUBBLE. @#@†/~....
...~/†@#@# #@#@†/~...
..~/†@#@## ##@#@†/~..
...~/†@#@# #@#@†/~...
....~/†@#@ @#@†/~....
...~/†@#@# #@#@†/~...