.,~:**§###                                          ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§##         THE SKYSCRAPER THAT MOVES        ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§## TAINARON  IS   A  BUILDING   OWNED   AND ##§**:~,..
.,~:**§###  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ###§**:~,.
..,~:**§## CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ##§**:~,..
.,~:**§### ROUGHLY  SIXTY FLOORS HIGH (REAL  NUMBER ###§**:~,.
..,~:**§##    UNKNOWN), DARK BLUE AND COMPLETELY    ##§**:~,..
.,~:**§###    RECTANGULAR. IT FEATURES NO SIGNS,    ###§**:~,.
..,~:**§## LIGHTS,  OR   ORNAMENTS,  APART  FROM  A ##§**:~,..
.,~:**§### HELIPAD   ON  TOP.   MOST   FLOORS  HAVE ###§**:~,.
..,~:**§## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§## IN  LATE EVENINGS,  SHROUDED  BY MALMö'S ##§**:~,..
.,~:**§### SIGNATURE FOG ROLLING  IN FROM  THE SEA, ###§**:~,.
..,~:**§## THE BUILDING COMES TO LIFE: IT  MOVES ON ##§**:~,..
.,~:**§### A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER ###§**:~,.
..,~:**§## (SECRET)  PART  OF TOWN, OR PERHAPS  OUT ##§**:~,..
.,~:**§### TO  SEA.  THIS  SIGNALS  A  NEW AND MORE ###§**:~,.
..,~:**§##      VISCIOUS PHASE OF THE TAINARON      ##§**:~,..
.,~:**§###                ECOSYSTEM.                ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§### THE  GUESTS  ARRIVING  DURING  THE EARLY ###§**:~,.
..,~:**§## EVENING ARE  TREATED TO FOOD  AND DRINK, ##§**:~,..
.,~:**§### LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ###§**:~,.
..,~:**§##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##§**:~,..
.,~:**§###    STRUCTURE (THE BUILDING FEATURES A    ###§**:~,.
..,~:**§##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##§**:~,..
.,~:**§### PLACED  SEEMINGLY AT RANDOM, NONE  GOING ###§**:~,.
..,~:**§##        FURTHER THAN A FEW FLOORS).       ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§## AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ##§**:~,..
.,~:**§### UNTIL THE  AIR INSIDE HAS  TAKEN  ON THE ###§**:~,.
..,~:**§## SAME QUALITY  AS  THE SURROUNDING  MIST: ##§**:~,..
.,~:**§### BLUE-GRAY, SPRINKLED WITH THE SMALL  RED ###§**:~,.
..,~:**§## DOT'S BY DOOR LOCKS AND CONTROL  PANELS. ##§**:~,..
.,~:**§### IF YOU  WOULD  LOOK THROUGH  THE WINDOWS ###§**:~,.
..,~:**§## YOU WOULD SEE  THE  MIST ROLLING BY, AND ##§**:~,..
.,~:**§### PERHAPS  THE  OUTLINE  OF   SOME   OTHER ###§**:~,.
..,~:**§##           BUILDING, FAR BELOW.           ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§## DURING  THE  NIGHT,  AFTER TAINARON  HAS ##§**:~,..
.,~:**§### STARTED  MOVING,  THE  LOWER  FLOORS ARE ###§**:~,.
..,~:**§## SHUT  OFF, PREVENTING ENTRY OR EXIT  FOR ##§**:~,..
.,~:**§### THE  GUESTS. FOOD  IS NO LONGER  SERVED, ###§**:~,.
..,~:**§## BUT THE DRINKS BECOME  MORE EXTRAVAGANT. ##§**:~,..
.,~:**§### IT'S AT  THIS POINT  THAT THE SECOND SET ###§**:~,.
..,~:**§## OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ##§**:~,..
.,~:**§###  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§###                  ~~~~~                   ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§### IN  MY DREAM I AM INVITED AS A FRIEND OF ###§**:~,.
..,~:**§## ONE OF  THE SERVERS, AND THUS  SAFE.  WE ##§**:~,..
.,~:**§### SIT  IN  ONE  OF   THE  LARGE   WINDOWS, ###§**:~,.
..,~:**§## LOOKING  THROUGH   THE  MIST   FOR   ANY ##§**:~,..
.,~:**§### LANDMARKS TO  PIERCE THROUGH  THE  MIST. ###§**:~,.
..,~:**§## SHE  TELLS ME THAT APART FROM COMING AND ##§**:~,..
.,~:**§### GOING  FROM WORK, SHE'S NEVER  SEEN  THE ###§**:~,.
..,~:**§## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§## THE NEXT DAY  I AM INVITED TO THE PUBLIC ##§**:~,..
.,~:**§###      DEMONSTRATION OF THE EXOBUBBLE.     ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§##                                          ##§**:~,..
.,~:**§###                                          ###§**:~,.
..,~:**§##                                          ##§**:~,..