#¤*§^=.¨¨¨ ¨¨¨.=^§*¤#
¤*§^=.¨¨¨¨ ¨¨¨¨.=^§*¤
*§^=.¨¨¨¨¨ ¨¨¨¨¨.=^§*
§^=.¨¨¨¨¨¨ ¨¨¨¨¨¨.=^§
^=.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨¨¨.=^
§^=.¨¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨¨.=^§
*§^=.¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨.=^§*
¤*§^=.¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨.=^§*¤
#¤*§^=.¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨.=^§*¤#
##¤*§^=.¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨.=^§*¤##
###¤*§^=.¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨.=^§*¤###
##¤*§^=.¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨.=^§*¤##
#¤*§^=.¨¨¨ ¨¨¨.=^§*¤#
¤*§^=.¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨.=^§*¤
*§^=.¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨.=^§*
§^=.¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨.=^§
^=.¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨¨¨.=^
§^=.¨¨¨¨¨¨ ¨¨¨¨¨¨.=^§
*§^=.¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨.=^§*
¤*§^=.¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨.=^§*¤
#¤*§^=.¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨.=^§*¤#
##¤*§^=.¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨.=^§*¤##
###¤*§^=.¨ STRUCTURE (THE BUILDING FEATURES A ¨.=^§*¤###
##¤*§^=.¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨.=^§*¤##
#¤*§^=.¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨.=^§*¤#
¤*§^=.¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨.=^§*¤
*§^=.¨¨¨¨¨ ¨¨¨¨¨.=^§*
§^=.¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨.=^§
^=.¨¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨¨.=^
§^=.¨¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨¨.=^§
*§^=.¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨.=^§*
¤*§^=.¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨.=^§*¤
#¤*§^=.¨¨¨ ¨¨¨.=^§*¤#
##¤*§^=.¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨.=^§*¤##
###¤*§^=.¨ STARTED MOVING, THE LOWER FLOORS ARE ¨.=^§*¤###
##¤*§^=.¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨.=^§*¤##
#¤*§^=.¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨.=^§*¤#
¤*§^=.¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨.=^§*¤
*§^=.¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨.=^§*
§^=.¨¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨¨.=^§
^=.¨¨¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ ===== ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨¨.=^
§^=.¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨.=^§
*§^=.¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨.=^§*
¤*§^=.¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨.=^§*¤
#¤*§^=.¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨.=^§*¤#
##¤*§^=.¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨.=^§*¤##
###¤*§^=.¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨.=^§*¤###
##¤*§^=.¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨.=^§*¤##
#¤*§^=.¨¨¨ ¨¨¨.=^§*¤#
¤*§^=.¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨.=^§*¤
*§^=.¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨.=^§*
§^=.¨¨¨¨¨¨ ¨¨¨¨¨¨.=^§
^=.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=