#@£¤&%=«,¨                                          ¨,«=%&¤£@#
££¤&%«¨¨¨¨                                          ¨¨¨¨«%&¤££
@£¤¤&%=«,¨                                          ¨,«=%&¤¤£@
##@£¤%=«,¨                                          ¨,«=%¤£@##
#@£¤&%=«,¨                                          ¨,«=%&¤£@#
@¤%««,¨¨¨¨        THE SKYSCRAPER THAT MOVES         ¨¨¨¨,««%¤@
¤&%«,¨¨¨¨¨                                          ¨¨¨¨¨,«%&¤
#@£¤&%=«,¨ TAINARON  IS   A  BUILDING   OWNED   AND ¨,«=%&¤£@#
##@¤&%=«,¨  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ¨,«=%&¤@##
@£&%%%=«,¨ CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S ¨,«=%%%&£@
#@£¤&%=«,¨ ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER ¨,«=%&¤£@#
££&=,¨¨¨¨¨    UNKNOWN), DARK BLUE AND COMPLETELY    ¨¨¨¨¨,=&££
¤¤%««¨¨¨¨¨    RECTANGULAR. IT FEATURES NO SIGNS,    ¨¨¨¨¨««%¤¤
##£¤&%=«,¨ LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ¨,«=%&¤£##
¤¤&&==,,¨¨ HELIPAD   ON   TOP.  MOST   FLOORS  HAVE ¨¨,,==&&¤¤
#@£¤&%=«,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,«=%&¤£@#
#@£¤&%=«,¨                                          ¨,«=%&¤£@#
¤¤%%=,¨¨¨¨ IN  LATE EVENINGS,  SHROUDED  BY MALMö'S ¨¨¨¨,=%%¤¤
#@£¤&%=«,¨ SIGNATURE FOG  ROLLING IN FROM  THE SEA, ¨,«=%&¤£@#
@@£¤&%=«,¨ THE BUILDING COMES TO LIFE:  IT MOVES ON ¨,«=%&¤£@@
#@£¤&%=«,¨ A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER ¨,«=%&¤£@#
#@£¤&%=«,¨ (SECRET) PART  OF  TOWN,  OR PERHAPS OUT ¨,«=%&¤£@#
@¤¤%%=«,,¨ TO  SEA. THIS  SIGNALS  A NEW  AND  MORE ¨,,«=%%¤¤@
¤¤%=,¨¨¨¨¨      VISCIOUS PHASE OF THE TAINARON      ¨¨¨¨¨,=%¤¤
££¤%=,¨¨¨¨                ECOSYSTEM.                ¨¨¨¨,=%¤££
#@£¤&%=«,¨                                          ¨,«=%&¤£@#
@¤¤¤&%=«,¨ THE  GUESTS  ARRIVING  DURING  THE EARLY ¨,«=%&¤¤¤@
£¤%%=,¨¨¨¨ EVENING ARE TREATED  TO  FOOD AND DRINK, ¨¨¨¨,=%%¤£
##@£&%=«,¨ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ¨,«=%&£@##
££¤&&%=«,¨    COMFORTABLE BUT MAZE-LIKE INTERIOR    ¨,«=%&&¤££
£&&%=,¨¨¨¨    STRUCTURE (THE BUILDING FEATURES A    ¨¨¨¨,=%&&£
@¤¤%««,¨¨¨  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ¨¨¨,««%¤¤@
£¤&%«¨¨¨¨¨ PLACED  SEEMINGLY AT RANDOM,  NONE GOING ¨¨¨¨¨«%&¤£
##@¤&%=«,¨       FURTHER THAN A FEW FLOORS).        ¨,«=%&¤@##
@¤&=«¨¨¨¨¨                                          ¨¨¨¨¨«=&¤@
#@£¤&%=«,¨ AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, ¨,«=%&¤£@#
¤¤¤¤&%=«,¨ UNTIL  THE AIR INSIDE  HAS TAKEN ON  THE ¨,«=%&¤¤¤¤
@£&&&%=«,¨ SAME QUALITY  AS  THE SURROUNDING  MIST: ¨,«=%&&&£@
£¤¤&&%=«,¨ BLUE-GRAY, SPRINKLED WITH  THE SMALL RED ¨,«=%&&¤¤£
@¤¤&=«,¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL  PANELS. ¨¨¨,«=&¤¤@
##@£¤%=«,¨ IF  YOU WOULD  LOOK THROUGH THE  WINDOWS ¨,«=%¤£@##
£&=«,¨¨¨¨¨ YOU WOULD SEE  THE  MIST ROLLING BY, AND ¨¨¨¨¨,«=&£
@¤&%%=««,¨ PERHAPS   THE  OUTLINE  OF  SOME   OTHER ¨,««=%%&¤@
¤%=«¨¨¨¨¨¨           BUILDING, FAR BELOW.           ¨¨¨¨¨¨«=%¤
¤¤¤¤&%=«,¨                                          ¨,«=%&¤¤¤¤
#@£¤&%=«,¨ DURING  THE NIGHT,  AFTER  TAINARON  HAS ¨,«=%&¤£@#
@¤&&&%=«,¨ STARTED MOVING,  THE  LOWER  FLOORS  ARE ¨,«=%&&&¤@
##@¤&%=«,¨ SHUT OFF, PREVENTING ENTRY  OR  EXIT FOR ¨,«=%&¤@##
£¤&%«¨¨¨¨¨ THE GUESTS.  FOOD  IS NO  LONGER SERVED, ¨¨¨¨¨«%&¤£
##@£¤%=«,¨ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ¨,«=%¤£@##
##@£¤&%«,¨ IT'S AT THIS POINT THAT  THE SECOND  SET ¨,«%&¤£@##
@££¤&%=«,¨ OF  GUEST  ARRIVES,  VIA  HELICOPTER   - ¨,«=%&¤££@
#@£¤&%=«,¨  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ¨,«=%&¤£@#
££&&%«,¨¨¨                                          ¨¨¨,«%&&££
##£¤&%=«,¨                   «««««                  ¨,«=%&¤£##
##@£&%=«,¨                                          ¨,«=%&£@##
##£¤&%=«,¨ IN MY DREAM I AM INVITED  AS A FRIEND OF ¨,«=%&¤£##
@¤¤%%==«,¨ ONE OF  THE SERVERS,  AND THUS  SAFE. WE ¨,«==%%¤¤@
££&%%=,,¨¨ SIT   IN  ONE  OF   THE  LARGE  WINDOWS, ¨¨,,=%%&££
@¤&%===«,¨ LOOKING   THROUGH   THE   MIST  FOR  ANY ¨,«===%&¤@
@£¤¤&%=«,¨ LANDMARKS  TO PIERCE THROUGH  THE  MIST. ¨,«=%&¤¤£@
¤¤¤%=,,¨¨¨ SHE TELLS ME THAT APART FROM COMING  AND ¨¨¨,,=%¤¤¤
@¤&%=«,¨¨¨ GOING FROM  WORK, SHE'S NEVER  SEEN  THE ¨¨¨,«=%&¤@
¤%%=,¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨,=%%¤
##@£¤&%«,¨                                          ¨,«%&¤£@##
#@£¤&%=«,¨ THE NEXT DAY I AM INVITED  TO THE PUBLIC ¨,«=%&¤£@#
£¤%«,¨¨¨¨¨      DEMONSTRATION OF THE EXOBUBBLE.     ¨¨¨¨¨,«%¤£
#@£¤&%=«,¨                                          ¨,«=%&¤£@#
@££¤&%=«,¨                                          ¨,«=%&¤££@
#@£¤&%=«,¨                                          ¨,«=%&¤£@#
##£¤&%=«,¨                                          ¨,«=%&¤£##
£&=,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,=&£