..@..@@.@@ .@.@@...@@
@.@@.@.@@. .@@@.@..@.
@@@.@@@@.@ @@..@@@.@@
...@@...@@ ..@.@..@@.
...@.@..@. ..@@@@.@.@
@..@@@@.@@ THE SKYSCRAPER THAT MOVES @.@...@@@@
.@.@...@@. @@@@..@...
.@@@@..@.@ TAINARON IS A BUILDING OWNED AND @...@.@@..
.@...@.@@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@..@@@.@.
.@@..@@@.. CLOSED TO THE HARBOR IN MALMÖ. IT'S @.@.@..@@@
@@.@.@..@. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .@@@@@.@..
@.@@@@@.@@ UNKNOWN), DARK BLUE AND COMPLETELY @@....@@@.
@@@....@@. RECTANGULAR. IT FEATURES NO SIGNS, @.@...@..@
...@...@.@ LIGHTS, OR ORNAMENTS, APART FROM A .@@@..@@.@
@..@@..@@@ HELIPAD ON TOP. MOST FLOORS HAVE @@..@.@.@@
.@.@.@.@.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. @.@.@@@@@.
.@@@@@@@@. .@@@@....@
@@.......@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@...@...@
..@......@ SIGNATURE FOG ROLLING IN FROM THE SEA, ..@..@@..@
@.@@.....@ THE BUILDING COMES TO LIFE: IT MOVES ON ..@@.@.@.@
.@@.@....@ A THOUSAND ROBOTIC LEGS TO ANOTHER @.@.@@@@@@
@@.@@@...@ (SECRET) PART OF TOWN, OR PERHAPS OUT .@@@@.....
@.@@..@..@ TO SEA. THIS SIGNALS A NEW AND MORE @@...@....
@@@.@.@@.@ VISCIOUS PHASE OF THE TAINARON ..@..@@...
@..@@@@.@@ ECOSYSTEM. @.@@.@.@..
@@.@...@@. .@@.@@@@@.
@.@@@..@.@ THE GUESTS ARRIVING DURING THE EARLY .@.@@....@
.@@..@.@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@@.@...@
@@.@.@@@.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A @...@@@..@
..@@@@..@. COMFORTABLE BUT MAZE-LIKE INTERIOR .@..@..@.@
@.@...@.@@ STRUCTURE (THE BUILDING FEATURES A .@@.@@.@@@
.@@@..@@@. MULTITUDE OF STAIRWELLS AND ELEVATORS, .@.@@.@@..
.@..@.@..@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@@.@@.@.
.@@.@@@@.@ FURTHER THAN A FEW FLOORS). @...@@.@@@
@@.@@...@@ .@..@.@@..
@.@@.@..@. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@.@@@.@.
@@@.@@@.@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @..@@..@@@
...@@..@@. SAME QUALITY AS THE SURROUNDING MIST: @@.@.@.@..
...@.@.@.@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..@@@@@@@.
...@@@@@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @.@......@
@..@...... IF YOU WOULD LOOK THROUGH THE WINDOWS .@@@.....@
.@.@@..... YOU WOULD SEE THE MIST ROLLING BY, AND .@..@....@
@@@@.@.... PERHAPS THE OUTLINE OF SOME OTHER @@@.@@...@
....@@@... BUILDING, FAR BELOW. @..@@.@..@
@...@..@.. @@.@.@@@.@
.@..@@.@@. DURING THE NIGHT, AFTER TAINARON HAS @.@@@@..@@
@@@.@.@@.@ STARTED MOVING, THE LOWER FLOORS ARE .@@...@.@.
@..@@@@.@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@.@..@@@@
.@.@...@@. THE GUESTS. FOOD IS NO LONGER SERVED, @.@@@.@...
.@@@@..@.@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. .@@..@@@..
.@...@.@@@ IT'S AT THIS POINT THAT THE SECOND SET .@.@.@..@.
.@@..@@@.. OF GUEST ARRIVES, VIA HELICOPTER - .@@@@@@.@@
@@.@.@..@. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .@.....@@.
@.@@@@@.@@ @@@....@.@
.@@....@@. ««««« ...@...@@@
@@.@...@.@ @..@@..@..
@.@@@..@@@ IN MY DREAM I AM INVITED AS A FRIEND OF .@.@.@.@@.
@@@..@.@.. ONE OF THE SERVERS, AND THUS SAFE. WE @@@@@@@@.@
...@.@@@@. SIT IN ONE OF THE LARGE WINDOWS, @.......@@
@..@@@...@ LOOKING THROUGH THE MIST FOR ANY .@......@.
@@.@..@..@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@.....@@
..@@@.@@.@ SHE TELLS ME THAT APART FROM COMING AND @..@....@.
..@..@@.@@ GOING FROM WORK, SHE'S NEVER SEEN THE .@.@@...@@
@.@@.@.@@. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .@@@.@..@.
@@@.@@@@.@ @@..@@@.@@
...@@...@@ THE NEXT DAY I AM INVITED TO THE PUBLIC ..@.@..@@.
...@.@..@. DEMONSTRATION OF THE EXOBUBBLE. ..@@@@.@.@
@..@@@@.@@ @.@...@@@@
.@.@...@@. @@@@..@...
.@@@@..@.@ @...@.@@..
.@...@.@@@ @@..@@@.@.
.@@..@@@.. @.@.@..@@@