*†«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«†
«,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,«
†«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«†
*†«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«†*
¤*†«,¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨,«†*¤
¤¤*†«,¨¨¨¨ ¨¨¨¨,«†*¤¤
@¤¤*†«,¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨,«†*¤¤@
#@¤¤*†«,¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨,«†*¤¤@#
##@¤¤*†«,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,«†*¤¤@##
#@¤¤*†«,¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨,«†*¤¤@#
@¤¤*†«,¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨,«†*¤¤@
¤¤*†«,¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨,«†*¤¤
¤*†«,¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨,«†*¤
*†«,¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨¨,«†
«,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,«
†«,¨¨¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨¨¨,«†
*†«,¨¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨¨,«†*
¤*†«,¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨,«†*¤
¤¤*†«,¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨,«†*¤¤
@¤¤*†«,¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨,«†*¤¤@
#@¤¤*†«,¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨,«†*¤¤@#
##@¤¤*†«,¨ VISCIOUS PHASE OF THE TAINARON ¨,«†*¤¤@##
#@¤¤*†«,¨¨ ECOSYSTEM. ¨¨,«†*¤¤@#
@¤¤*†«,¨¨¨ ¨¨¨,«†*¤¤@
¤¤*†«,¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨,«†*¤¤
¤*†«,¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨,«†*¤
*†«,¨¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨¨¨¨,«†
«,¨¨¨¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨¨¨¨,«
†«,¨¨¨¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨¨¨¨,«†
*†«,¨¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨¨,«†*
¤*†«,¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨,«†*¤
¤¤*†«,¨¨¨¨ ¨¨¨¨,«†*¤¤
@¤¤*†«,¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨,«†*¤¤@
#@¤¤*†«,¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨,«†*¤¤@#
##@¤¤*†«,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,«†*¤¤@##
#@¤¤*†«,¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨,«†*¤¤@#
@¤¤*†«,¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨,«†*¤¤@
¤¤*†«,¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨,«†*¤¤
¤*†«,¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨,«†*¤
*†«,¨¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨¨,«†
«,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,«
†«,¨¨¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨¨¨,«†
*†«,¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨,«†*
¤*†«,¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨,«†*¤
¤¤*†«,¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨,«†*¤¤
@¤¤*†«,¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨,«†*¤¤@
#@¤¤*†«,¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨,«†*¤¤@#
##@¤¤*†«,¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨,«†*¤¤@##
#@¤¤*†«,¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨,«†*¤¤@#
@¤¤*†«,¨¨¨ ¨¨¨,«†*¤¤@
¤¤*†«,¨¨¨¨ ««««« ¨¨¨¨,«†*¤¤
¤*†«,¨¨¨¨¨ ¨¨¨¨¨,«†*¤
*†«,¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨¨,«†
«,¨¨¨¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨¨¨¨,«
†«,¨¨¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨¨¨,«†
*†«,¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨,«†*
¤*†«,¨¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨¨,«†*¤
¤¤*†«,¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨,«†*¤¤
@¤¤*†«,¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨,«†*¤¤@
#@¤¤*†«,¨¨ ¨¨,«†*¤¤@#
##@¤¤*†«,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,«†*¤¤@##
#@¤¤*†«,¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨,«†*¤¤@#
@¤¤*†«,¨¨¨ ¨¨¨,«†*¤¤@
¤¤*†«,¨¨¨¨ ¨¨¨¨,«†*¤¤
¤*†«,¨¨¨¨¨ ¨¨¨¨¨,«†*¤
*†«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«†*
†«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«†