.¤..¤..¤¤. ..¤¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. ¤¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. THE SKYSCRAPER THAT MOVES .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. TAINARON IS A BUILDING OWNED AND .¤.¤.¤.¤.¤
.¤..¤.¤.¤. OPERATED BY AMATA TEXNOLOGIYASI PLACED .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. CLOSED TO THE HARBOR IN MALMÖ. IT'S .¤.¤.¤.¤.¤
.¤..¤.¤.¤. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. UNKNOWN), DARK BLUE AND COMPLETELY .¤.¤.¤.¤.¤
.¤..¤.¤.¤. RECTANGULAR. IT FEATURES NO SIGNS, .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. LIGHTS, OR ORNAMENTS, APART FROM A .¤.¤.¤.¤.¤
.¤..¤.¤.¤. HELIPAD ON TOP. MOST FLOORS HAVE .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. IN LATE EVENINGS, SHROUDED BY MALMö'S .¤.¤.¤.¤.¤
.¤..¤.¤.¤. SIGNATURE FOG ROLLING IN FROM THE SEA, .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. THE BUILDING COMES TO LIFE: IT MOVES ON .¤.¤.¤.¤.¤
.¤..¤.¤.¤. A THOUSAND ROBOTIC LEGS TO ANOTHER .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. (SECRET) PART OF TOWN, OR PERHAPS OUT .¤.¤.¤.¤.¤
.¤..¤.¤.¤. TO SEA. THIS SIGNALS A NEW AND MORE .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. VISCIOUS PHASE OF THE TAINARON .¤.¤.¤.¤.¤
.¤..¤.¤.¤. ECOSYSTEM. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. THE GUESTS ARRIVING DURING THE EARLY .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. EVENING ARE TREATED TO FOOD AND DRINK, .¤.¤.¤.¤.¤
.¤..¤.¤.¤. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. COMFORTABLE BUT MAZE-LIKE INTERIOR .¤.¤.¤.¤.¤
.¤..¤.¤.¤. STRUCTURE (THE BUILDING FEATURES A .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. MULTITUDE OF STAIRWELLS AND ELEVATORS, .¤.¤.¤.¤.¤
.¤..¤.¤.¤. PLACED SEEMINGLY AT RANDOM, NONE GOING .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. FURTHER THAN A FEW FLOORS). .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .¤.¤.¤.¤.¤
.¤..¤.¤.¤. UNTIL THE AIR INSIDE HAS TAKEN ON THE .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. SAME QUALITY AS THE SURROUNDING MIST: .¤.¤.¤.¤.¤
.¤..¤.¤.¤. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. IF YOU WOULD LOOK THROUGH THE WINDOWS .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. YOU WOULD SEE THE MIST ROLLING BY, AND .¤.¤.¤.¤.¤
.¤..¤.¤.¤. PERHAPS THE OUTLINE OF SOME OTHER .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. BUILDING, FAR BELOW. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. DURING THE NIGHT, AFTER TAINARON HAS .¤.¤.¤.¤.¤
.¤..¤.¤.¤. STARTED MOVING, THE LOWER FLOORS ARE .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .¤.¤.¤.¤.¤
.¤..¤.¤.¤. THE GUESTS. FOOD IS NO LONGER SERVED, .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. IT'S AT THIS POINT THAT THE SECOND SET .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. OF GUEST ARRIVES, VIA HELICOPTER - .¤.¤.¤.¤.¤
.¤..¤.¤.¤. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. ~~~~~ .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. IN MY DREAM I AM INVITED AS A FRIEND OF .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. ONE OF THE SERVERS, AND THUS SAFE. WE .¤.¤.¤.¤.¤
.¤..¤.¤.¤. SIT IN ONE OF THE LARGE WINDOWS, .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. LOOKING THROUGH THE MIST FOR ANY .¤.¤.¤.¤.¤
.¤..¤.¤.¤. LANDMARKS TO PIERCE THROUGH THE MIST. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. SHE TELLS ME THAT APART FROM COMING AND .¤.¤.¤.¤.¤
.¤..¤.¤.¤. GOING FROM WORK, SHE'S NEVER SEEN THE .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. THE NEXT DAY I AM INVITED TO THE PUBLIC .¤.¤.¤.¤.¤
.¤..¤.¤.¤. DEMONSTRATION OF THE EXOBUBBLE. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤
.¤..¤.¤.¤. .¤.¤.¤.¤.¤
.¤.¤¤.¤.¤. .¤.¤.¤.¤.¤