##@§$$\~., ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
#§$\.,,,,, ,,,,,.\$§#
§$\~,,,,,, ,,,,,,~\$§
#@@§$$\~., ,.~\$$§@@#
@§$~,,,,,, THE SKYSCRAPER THAT MOVES ,,,,,,~$§@
#§§$~,,,,, ,,,,,~$§§#
##@§$$\~., TAINARON IS A BUILDING OWNED AND ,.~\$$§@##
##@§$$\~., OPERATED BY AMATA TEXNOLOGIYASI PLACED ,.~\$$§@##
##@§$$\~., CLOSED TO THE HARBOR IN MALMÖ. IT'S ,.~\$$§@##
#@@§$$\~., ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,.~\$$§@@#
##@§$$\~., UNKNOWN), DARK BLUE AND COMPLETELY ,.~\$$§@##
###§$$\~., RECTANGULAR. IT FEATURES NO SIGNS, ,.~\$$§###
##@§$$\~., LIGHTS, OR ORNAMENTS, APART FROM A ,.~\$$§@##
#§$$$$\~., HELIPAD ON TOP. MOST FLOORS HAVE ,.~\$$$$§#
#§$$$$\~., EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,.~\$$$$§#
#§$~.,,,,, ,,,,,.~$§#
§$$\\\~,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,~\\\$$§
§$~.,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,.~$§
##@§$$\~., THE BUILDING COMES TO LIFE: IT MOVES ON ,.~\$$§@##
###§$$\~., A THOUSAND ROBOTIC LEGS TO ANOTHER ,.~\$$§###
##@§$$\~., (SECRET) PART OF TOWN, OR PERHAPS OUT ,.~\$$§@##
§§$\\...., TO SEA. THIS SIGNALS A NEW AND MORE ,....\\$§§
##@§$$\~., VISCIOUS PHASE OF THE TAINARON ,.~\$$§@##
§$\\..,,,, ECOSYSTEM. ,,,,..\\$§
##@§$$\~., ,.~\$$§@##
##@§$$\~., THE GUESTS ARRIVING DURING THE EARLY ,.~\$$§@##
##@§$$\~., EVENING ARE TREATED TO FOOD AND DRINK, ,.~\$$§@##
§$$~..,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,..~$$§
@§$$\\..,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,..\\$$§@
##@§$$\~., STRUCTURE (THE BUILDING FEATURES A ,.~\$$§@##
#@§$$$\~., MULTITUDE OF STAIRWELLS AND ELEVATORS, ,.~\$$$§@#
##@§$$\~., PLACED SEEMINGLY AT RANDOM, NONE GOING ,.~\$$§@##
##@§$$\~., FURTHER THAN A FEW FLOORS). ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
##@§$$\~., AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,.~\$$§@##
§$$\~,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,~\$$§
#§$\...,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,...\$§#
#§$\\\..., BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,...\\\$§#
##@§$$\~., DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,.~\$$§@##
###§$$\~., IF YOU WOULD LOOK THROUGH THE WINDOWS ,.~\$$§###
##@§$$\~., YOU WOULD SEE THE MIST ROLLING BY, AND ,.~\$$§@##
#@§§$$\~., PERHAPS THE OUTLINE OF SOME OTHER ,.~\$$§§@#
##@§$$\~., BUILDING, FAR BELOW. ,.~\$$§@##
@$\...,,,, ,,,,...\$@
##@§$$\~., DURING THE NIGHT, AFTER TAINARON HAS ,.~\$$§@##
##@§$$\~., STARTED MOVING, THE LOWER FLOORS ARE ,.~\$$§@##
###@§$$\~. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .~\$$§@###
#@$$\~.,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,.~\$$@#
@$$\\.,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,.\\$$@
@$\~~...,, IT'S AT THIS POINT THAT THE SECOND SET ,,...~~\$@
#@$$$$\~., OF GUEST ARRIVES, VIA HELICOPTER - ,.~\$$$$@#
##@§$$\~., AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
§$\~.,,,,, ~~~~~ ,,,,,.~\$§
#@$\.,,,,, ,,,,,.\$@#
#@§$$\\~., IN MY DREAM I AM INVITED AS A FRIEND OF ,.~\\$$§@#
##@§$$\~., ONE OF THE SERVERS, AND THUS SAFE. WE ,.~\$$§@##
§$$\\\\~., SIT IN ONE OF THE LARGE WINDOWS, ,.~\\\\$$§
##@§$$\~., LOOKING THROUGH THE MIST FOR ANY ,.~\$$§@##
@§§$$$\~., LANDMARKS TO PIERCE THROUGH THE MIST. ,.~\$$$§§@
##@§$$\~., SHE TELLS ME THAT APART FROM COMING AND ,.~\$$§@##
##@§$$\~., GOING FROM WORK, SHE'S NEVER SEEN THE ,.~\$$§@##
§§$\~,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,~\$§§
##@§$$\~., ,.~\$$§@##
§$$~~~~,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,~~~~$$§
@§$\~~,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,~~\$§@
##@§$$\~., ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
##@§$$\~., ,.~\$$§@##
@§§§$$\~., ,.~\$$§§§@