;«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«;
«,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,«
,¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨,
«,¨¨¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨¨¨,«
;«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«;
*;«,¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨,«;*
@*;«,¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨,«;*@
#@*;«,¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨,«;*@#
##@*;«,¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨,«;*@##
###@*;«,¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨,«;*@###
####@*;«,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,«;*@####
###@*;«,¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨,«;*@###
##@*;«,¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨,«;*@##
#@*;«,¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨,«;*@#
@*;«,¨¨¨¨¨ ¨¨¨¨¨,«;*@
*;«,¨¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨¨,«;*
;«,¨¨¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨¨¨,«;
«,¨¨¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨¨¨,«
,¨¨¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨¨¨¨¨,
«,¨¨¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨¨¨,«
;«,¨¨¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨¨¨,«;
*;«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«;*
@*;«,¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨,«;*@
#@*;«,¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨,«;*@#
##@*;«,¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨,«;*@##
###@*;«,¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨,«;*@###
####@*;«,¨ STRUCTURE (THE BUILDING FEATURES A ¨,«;*@####
###@*;«,¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨,«;*@###
##@*;«,¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨,«;*@##
#@*;«,¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨,«;*@#
@*;«,¨¨¨¨¨ ¨¨¨¨¨,«;*@
*;«,¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨,«;*
;«,¨¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨¨,«;
«,¨¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨¨,«
,¨¨¨¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨¨¨¨,
«,¨¨¨¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨¨¨¨,«
;«,¨¨¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨¨¨,«;
*;«,¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨,«;*
@*;«,¨¨¨¨¨ ¨¨¨¨¨,«;*@
#@*;«,¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨,«;*@#
##@*;«,¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨,«;*@##
###@*;«,¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨,«;*@###
####@*;«,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,«;*@####
###@*;«,¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨,«;*@###
##@*;«,¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨,«;*@##
#@*;«,¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨,«;*@#
@*;«,¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨,«;*@
*;«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«;*
;«,¨¨¨¨¨¨¨ ««««« ¨¨¨¨¨¨¨,«;
«,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,«
,¨¨¨¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨¨¨¨¨,
«,¨¨¨¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨¨¨¨,«
;«,¨¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨¨,«;
*;«,¨¨¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨¨¨,«;*
@*;«,¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨,«;*@
#@*;«,¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨,«;*@#
##@*;«,¨¨¨ ¨¨¨,«;*@##
###@*;«,¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨,«;*@###
####@*;«,¨ DEMONSTRATION OF THE EXOBUBBLE. ¨,«;*@####
###@*;«,¨¨ ¨¨,«;*@###
##@*;«,¨¨¨ ¨¨¨,«;*@##
#@*;«,¨¨¨¨ ¨¨¨¨,«;*@#
@*;«,¨¨¨¨¨ ¨¨¨¨¨,«;*@
*;«,¨¨¨¨¨¨ ¨¨¨¨¨¨,«;*