¨~-*%£@@## ##@@£%*-~¨
,:-~:†$$@@ @@$$†:~-:,
.^«*=£#### ####£=*«^.
,~«\†%£$¤£ £¤$£%†\«~,
.¨,,\%§&%¶ ¶%&§%\,,¨.
¨¨.,..~«*£ statuette £*«~..,.¨¨
,,.:^†;%#@ @#%;†^:.,,
..~\=§%$%¤ ££§%££$*%*£¤$¤&$»=«»»~~~*¤%&%*%§¤£*$£§£¤ ¤%$%§=\~..
¨.-†$£&@## £%$&£%£§* ##@&£$†-.¨
.¨,¨,.«§£# #£§«.,¨,¨.
¨¨.=«;%¤@# forests around my childhood home. thick #@¤%;«=.¨¨
,¨,,,¨«%%# pine arcades that were planted and #%%«¨,,,¨,
.¨,,~§$==@ forgotten. wild boars roaming @==$§~,,¨.
..¨^:%*¤@£ underneath, sniffing at the ground. it £@¤*%:^¨..
.^«=*@££## is dark and moist, the canopy having ##££@*=«^.
¨.«*=$%@&@ already soaked up all the sun. @&@%$=*«.¨
,.¨,,\:*&§ §&*:\,,¨.,
,¨¨¨~~†:£@ there's a river passing by, from east @£:†~~¨¨¨,
,:-~»†*££@ to west, getting broader and deeper and @££*†»~-:,
,,»^†¤#@ slower as it goes. equisetum grow just @#¤#&†^»,,
,-~/^£#@## where the pine hands start to let ##@#£^/~-,
¨^:,^;^&$# through light, horsemint on the rocky #$&^;^,:^¨
,,=/%*#£¶# river bed. #¶£#*%/=,,
¨,~†%$&@## ##@&$%†~,¨
..»;^%## = ###&%^;»..
.,»*=*¤@## ##@¤*=*»,.
¨-~;§*@@## the riverbanks reek of magic. tonight ##@@*§;~-¨
.^~\†£§### they had been a swampworld with sylvan ###§£†\~^.
.~-;$$§#@# water, stone rings and floating moss. #@#§$$;-~.
¨~~:§£#### you could've found me wallowing around ####£§:~~¨
¨.»^*£#@## on the southern shores until i got ##@#£*^».¨
.¨.¨,^†*&£ bitten. £&*†^,¨.¨.
,,-;*%¤### ###¤%*;-,,
¨¨.¨,\§*&£ but now i'm further back, on solid £&*§\,¨.¨¨
..,.-.~»%¤ ground, in shoulder-high grass, with an ¤%»~.-.,..
.:~;%£## orange tin radio and a translucent ###&£%;~:.
,^»*%$£### umbrella which i'm sitting on. ###£$%*»^,
,,,,,,:†$§ §$†:,,,,,,
¨^==%$#@@# : #@@#$%==^¨
¨¨¨,,:$# ##&$:,,¨¨¨
¨¨,,¨-†$¤@ somethings moving in the grass. it's @¤$†-¨,,¨¨
¨,«\§¤@### invisible to my eyes but i can feel ###@¤§\«,¨
¨,~†^&@@## through the ground just how large it is. ##@@&^†~,¨
,.=*%££¶## ##¶££%*=.,
¨-/†$§£@## the soil is muddy. i slip when trying ##@£§$†/-¨
,~~=†§§@@# to get up, still looking at the #@@§§†=~~,
¨,~/§¤@£## direction of sound rather than at my ##£@¤§/~,¨
,^~^%%§$@@ hands, who are busy putting things in @@$§%%^~^,
,-~;§**#§¤ my pockets. ¤§#**§;~-,
.,.,,¨«=*§ §*=«¨,,.,.
¨-»†%%§### then i run east toward my home. ###§%%†»-¨
,~~:^@¤#@# #@#¤@^:~~,
,.~\%$&£## : ##£&$%\~.,
.^=†$*&@## ##@&*$†=^.
¨.~***£@## i am not followed, and slow down in the ##@£***~.¨
,,~=†*##@# clearing where you at first can spot #@##*†=~,,
¨..»~-/$ the house, not yet really in the #&$/-~»..¨
¨¨,.:*$$#@ backyard. from my pockets i retrieve my @#$$*:.,¨¨
¨,,¨¨,»%*# radio (now dented) but also a small #*%»,¨¨,,¨
..¨~»$*§£# clay figure i've never seen before. it #£§*$»~¨..
.-=;%$@#@# must have been laying in the wet dirt, #@#@$%;=-.
¨,^»«\†$£@ and i must've picked it up with my @£$†\«»^,¨
¨.~=%%£### other belongings. ###£%%=~.¨
.^~;^%£@@# #@@£%^;~^.
¨.,:-\†^#£ it's a statuette of a girl laying naked £#^†\-:,.¨
,-==^¤§£## on her stomach, feet in the air, ##£§¤^==-,
,,=;$%§@## roughly seven centimeters long. it's ##@§%$;=,,
.¨,..«;££@ freshly made, not yet completely dried. @££;«..,¨.
¨~-\=££¶## ##¶££=\-~¨
.,~*§££@## my mom is here now. i ask her for some ##@££§*~,.
,.~;*%@@## particle board for it to dry on, but ##@@%*;~.,
,¨,¨.¨«*%£ she is worried and wants me to £%*«¨.¨,¨,
,:«^^*&@## throw it away. ##@&*^^«:,
¨,»†$££### ###££$†»,¨
..¨,^\;%$@ @$%;\^,¨..
¨,~*%%&@## ##@&%%*~,¨
.¨.¨..-/@# #@/-..¨.¨.
¨^=†;§%$¤# #¤$%§;†=^¨
¨¨,.,/¤§§# #§§¤/,.,¨¨