.,-,«†*§*¤ ¤*§*†«,-,.
.¨.,»*^¤¤@ @¤¤^*»,.¨.
¨,.¨^^=;$@ @$;=^^¨.,¨
¨~~†=&§¶## ##¶§&=†~~¨
¨,-/§¤&@## ##@&¤§/-,¨
,~~:=£#@¶# statuette #¶@#£=:~~,
,¨¨,,^:$¤# #¤$:^,,¨¨,
,:»\§¤@@## @&%&££¤&%%&$§$$@=~«=»»~»*§%%%&£*&@¤@$&£¤ ##@@¤§\»:,
,¨,.¨~»=&@ ££$£$$*@$ @&=»~¨.,¨,
¨-«^$££¶## ##¶££$^«-¨
...,,,-: forests around my childhood home. thick #&:-,,,...
,~-=†¤¤##@ pine arcades that were planted and @##¤¤†=-~,
¨-~\§$££## forgotten. wild boars roaming ##££$§\~-¨
,^«:†*§£## underneath, sniffing at the ground. it ##£§*†:«^,
¨¨...¨~/$§ is dark and moist, the canopy having §$/~¨...¨¨
,:~†^@#@## already soaked up all the sun. ##@#@^†~:,
,..¨:^&§#@ @#§&^:¨..,
.¨.»†%$@£¶ there's a river passing by, from east ¶£@$%†».¨.
¨.,~«»†*@@ to west, getting broader and deeper and @@*†»«~,.¨
,,~^%*@# slower as it goes. equisetum grow just #@#&*%^~,,
,^~/=&¤¶## where the pine hands start to let ##¶¤&=/~^,
¨.»;%*#¶@# through light, horsemint on the rocky #@¶#*%;».¨
.¨¨,,--\£¤ river bed. ¤£\--,,¨¨.
,.-†=%§@#@ @#@§%=†-.,
..-»~*^£§# / #§£^*~»-..
.,-~»=§=&@ @&=§=»~-,.
..¨,,,/†&£ the riverbanks reek of magic. tonight £&†/,,,¨..
¨.,^-$^£§¤ they had been a swampworld with sylvan ¤§£^$-^,.¨
.-»/$§#### water, stone rings and floating moss. ####§$/»-.
¨»*=*¤#### you could've found me wallowing around ####¤*=*»¨
,,-«»=~;*& on the southern shores until i got &*;~=»«-,,
,~»*$£¤#@# bitten. #@#¤£$*»~,
..~^†%¤£## ##£¤%†^~..
,,«\%££@@# but now i'm further back, on solid #@@££%\«,,
.,¨,--†=£& ground, in shoulder-high grass, with an &£=†--,¨,.
¨.=*%#£### orange tin radio and a translucent ###£#%*=.¨
,¨¨¨.¨«$#@ umbrella which i'm sitting on. @#$«¨.¨¨¨,
.,,,=\@§§@ @§§@\=,,,.
¨,-*%§¤### ; ###¤§%*-,¨
¨.-/†£#### ####£†/-.¨
¨:»-*†¤@ somethings moving in the grass. it's @#&¤†*-»:¨
¨-~*%&£¶## invisible to my eyes but i can feel ##¶£&%*~-¨
¨--==*£¤#£ through the ground just how large it is. £#¤£*==--¨
.^-;%%&££@ @££&%%;-^.
.~~:†/£$£@ the soil is muddy. i slip when trying @£$£/†:~~.
¨^=**§£¶## to get up, still looking at the ##¶£§**=^¨
.:«:$%@£@# direction of sound rather than at my #@£@%$:«:.
,~»/†%¶### hands, who are busy putting things in ###¶%†/»~,
,--^§&&@## my pockets. ##@&&§^--,
¨,.~;/†^¤# #¤^†/;~.,¨
¨.,.¨¨-%&@ then i run east toward my home. @&%-¨¨.,.¨
¨,~^^¤£§ §£¤#&^^~,¨
..,=~*$&£@ * @£&$*~=,..
,^«;$§@### ###@§$;«^,
,:==†£¤¶## i am not followed, and slow down in the ##¶¤£†==:,
¨.....~%†@ clearing where you at first can spot @†%~.....¨
,¨,¨,»=*¤@ the house, not yet really in the @¤*=»,¨,¨,
.-~;*@§#¶@ backyard. from my pockets i retrieve my @¶#§@*;~-.
.:-:§%¤@## radio (now dented) but also a small ##@¤%§:-:.
¨~~:=@§@## clay figure i've never seen before. it ##@§@=:~~¨
,~»^%¤§#@# must have been laying in the wet dirt, #@#§¤%^»~,
,^==^&¤@## and i must've picked it up with my ##@¤&^==^,
,,»^**#¶## other belongings. ##¶#**^»,,
.~~;§%§¶@# #@¶§%§;~~.
¨.,.,,\†§# it's a statuette of a girl laying naked #§†\,,.,.¨
,,-\^@#¶@# on her stomach, feet in the air, #@¶#@^\-,,
.:»^†£§@## roughly seven centimeters long. it's ##@§£†^»:.
,,=\$%§&§¤ freshly made, not yet completely dried. ¤§&§%$\=,,
.:«\^¤£¶#@ @#¶£¤^\«:.
¨.«:%*@##¶ my mom is here now. i ask her for some ¶##@*%:«.¨
,-»\†£@@## particle board for it to dry on, but ##@@£†\»-,
¨....*%$@# she is worried and wants me to #@$%*....¨
.,-^^$@@## throw it away. ##@@$^^-,.
.,=^†^**§# #§**^†^=,.
,¨.,-:/*†@ @†*/:-,.¨,
,-~/^&¤@## ##@¤&^/~-,
..¨,¨¨«=@# #@=«¨¨,¨..
¨^«;*%#¶£# #£¶#%*;«^¨
¨:»=*£@### ###@£*=»:¨