¨¨,~~%$&£@ @£&$%~~,¨¨
¨¨..^-«^ #&^«-^..¨¨
¨:~;*$#@@# #@@#$*;~:¨
..¨^/\&$*§ §*$&\/^¨..
¨,«=%¤&££§ §££&¤%=«,¨
¨.»:^&@### statuette ###@&^:».¨
¨.,¨.=†£@@ @@£†=.¨,.¨
..«^%¤§@## ¤$§§££%$%%*$&&**-~«=~~~«%%¤%¤%%$¤§$&£&$@ ##@§¤%^«..
,,~^$*#¶## *&%$*§$$$ ##¶#*$^~,,
,,,.-~/*§# #§*/~-.,,,
.,-^†%¤¶## forests around my childhood home. thick ##¶¤%†^-,.
¨.-†%£&¤@# pine arcades that were planted and #@¤&£%†-.¨
,-«:*^$@¤# forgotten. wild boars roaming #¤@$^*:«-,
,..^†*^;§# underneath, sniffing at the ground. it #§;^*†^..,
,,.¨-««$@@ is dark and moist, the canopy having @@$««-¨.,,
¨-«=*£§@@# already soaked up all the sun. #@@§£*=«-¨
¨,¨^-»%&¤§ §¤&%»-^¨,¨
¨^«/%§£§£§ there's a river passing by, from east §£§£§%/«^¨
.:===&@### to west, getting broader and deeper and ###@&===:.
.^~/%&¤### slower as it goes. equisetum grow just ###¤&%/~^.
.,..,¨~/¤# where the pine hands start to let #¤/~¨,..,.
.,~^*&£#@# through light, horsemint on the rocky #@#£&*^~,.
,,-:^%$%§# river bed. #§%$%^:-,,
¨~-=*$*¤§@ @§¤*$*=-~¨
,^~/=§#@## † ##@#§=/~^,
¨,»/**@%#@ @#%@**/»,¨
,.~-:/\**£ the riverbanks reek of magic. tonight £**\/:-~.,
,-«†=$#@## they had been a swampworld with sylvan ##@#$=†«-,
.:-/*$@### water, stone rings and floating moss. ###@$*/-:.
¨-=/%&¤@@# you could've found me wallowing around #@@¤&%/=-¨
,¨¨,.^:**¤ on the southern shores until i got ¤**:^.,¨¨,
,:~/*%#### bitten. ####%*/~:,
¨¨,,¨~/¤£& &£¤/~¨,,¨¨
¨¨¨¨.¨-~†¤ but now i'm further back, on solid ¤†~-¨.¨¨¨¨
,,»:$$§@## ground, in shoulder-high grass, with an ##@§$$:»,,
,,¨^-*§£§@ orange tin radio and a translucent @§£§*-^¨,,
¨,«/*&§### umbrella which i'm sitting on. ###§&*/«,¨
¨,..,:^$&& &&$^:,..,¨
¨,,,:*¤@¤# ^ #¤@¤*:,,,¨
,^:$%@#@## ##@#@%$:^,
^=;†£@¶### somethings moving in the grass. it's ###¶@£†;=^
¨,-\*@@# invisible to my eyes but i can feel #@@#&*\-,¨
,^~†*@¤### through the ground just how large it is. ###¤@*†~^,
.:~†=$¤#@# #@#¤$=†~:.
¨:~*^&£### the soil is muddy. i slip when trying ###£&^*~:¨
,..~~»$%*@ to get up, still looking at the @*%$»~~..,
¨..,,.«= direction of sound rather than at my #&=«.,,..¨
,,=*%%&£## hands, who are busy putting things in ##£&%%*=,,
¨¨.,^*$##£ my pockets. £##$*^,.¨¨
¨,.¨.»=^%@ @%^=».¨.,¨
,:«†§*#£## then i run east toward my home. ##£#*§†«:,
¨,~^%§§#@# #@#§§%^~,¨
¨,~†$%@¶## ^ ##¶@%$†~,¨
....--^= #&=^--....
¨¨.¨.,-*@@ i am not followed, and slow down in the @@*-,.¨.¨¨
¨,-\%&@### clearing where you at first can spot ###@&%\-,¨
¨,..:*^$*& the house, not yet really in the &*$^*:..,¨
¨-~:†%¤£@# backyard. from my pockets i retrieve my #@£¤%†:~-¨
¨~=/%$#£## radio (now dented) but also a small ##£#$%/=~¨
¨-~:*£&£## clay figure i've never seen before. it ##£&£*:~-¨
,^-:%#@@## must have been laying in the wet dirt, ##@@#%:-^,
,.~=*%@¶## and i must've picked it up with my ##¶@%*=~.,
.,~/†£#### other belongings. ####£†/~,.
.,.¨»\££¤# #¤££\»¨.,.
..-/^†$*@# it's a statuette of a girl laying naked #@*$†^/-..
¨,,¨«~~%£# on her stomach, feet in the air, #£%~~«¨,,¨
¨,-«=/¤§££ roughly seven centimeters long. it's ££§¤/=«-,¨
,,~†=%%$§¶ freshly made, not yet completely dried. ¶§$%%=†~,,
¨~~††£&¶## ##¶&£††~~¨
,,¨:^»~%@# my mom is here now. i ask her for some #@%~»^:¨,,
.,~/$*&@## particle board for it to dry on, but ##@&*$/~,.
..-:*£#¶@# she is worried and wants me to #@¶#£*:-..
,,~=*§§@## throw it away. ##@§§*=~,,
¨~-*%$£§#¶ ¶#§£$%*-~¨
,.,.¨-~%*& &*%~-¨.,.,
,,-:\*¤$£# #£$¤*\:-,,
¨:»=§%#@@# #@@#%§=»:¨
..¨.¨~\^§¤ ¤§^\~¨.¨..
,,»^†%£### ###£%†^»,,