@,.£,.,..¨ ¨¨.,¨¨¨¤#£
,.,¨.£@&§¤ ¤#£§§&,.##
.§&£..§¤§. &£¤&@..,,¨
¨.#.¨¨,&., #§@¤¨,¤¤&§
.,,,@§¨.¨¨ §££¨,.¨¤@.
#&£..¨¨@ statuette ¤¤¨.£§,.,¨
.&.,@£,¨@. &.,¨,.¨@§¨
...¨¨¨.,¨. @@*%$&££%&*$¤$%¤=~«=»~«-$&&¤$££@££$§%££$ ¨¨¤&§£,¨¨.
#£#@§§¤¨ §££&%%%%£ ,.,@§¨.§£#
£#§#&§#¤.. £#¨,,,,¨&&
&£&&@§&¨,@ forests around my childhood home. thick .¨.@§££¨.§
##¤£@£...¨ pine arcades that were planted and ¤#.¨#£,..,
.£§&§,,@#, forgotten. wild boars roaming @..¨.,¨#£.
.,,¨.¨.¨ underneath, sniffing at the ground. it ,.§#£¤¨.,.
&¨,¨.&@@#¤ is dark and moist, the canopy having §¨.§£..@@£
.¨¤£.¨#@@§ already soaked up all the sun. .,..¨,,¨@&
.,¨..,.¤¤, £#§#¤.,,
@@@£££¨¨,¨ there's a river passing by, from east ¤¤§&£§,,#@
@£§##¨.¤¤, to west, getting broader and deeper and ¨£§&¤,¨,,&
§#.,.,¨¨ slower as it goes. equisetum grow just ..&¤.¨§¤¨¨
¨¤&.¨§££#& where the pine hands start to let ¤,.¨,¨,...
,¨¨¨.¨&@££ through light, horsemint on the rocky ¨,#@&@&£
.#@§#¨,£&. river bed. ,.¨¤§£@¤#,
¨¨£@¨¨¨¨,, #@.,£§@§..
£.¨,,@&£§& / £¨,..@&,,§
,,@¤¨¨§¤£# ..££¨.¨.,¨
&..,,¨,§£. the riverbanks reek of magic. tonight ¨.¨¨,£¤#@#
¨...., they had been a swampworld with sylvan ¤@¤@,¨@##¤
..,@@,.¤§, water, stone rings and floating moss. &£§¨.,.&@¨
§&¨¨.,,¨.. you could've found me wallowing around @¤,¨##,.¨.
,,¨¤##§@¤£ on the southern shores until i got ,¨¨,¨¨¨£&,
£¤,,&§¤¤## bitten. ¤@&£@#,.¨,
¨..,¨¤#@§@ £##@¤¨,#¤,
¤£§¤¨.#&@, but now i'm further back, on solid &¤@¤,.¨..,
,¤£,¨¨,@¨¨ ground, in shoulder-high grass, with an ,§£¨,£§§£,
¨.,.#§,,.. orange tin radio and a translucent ¨.¨.,.§@,.
&¤@¨,¨¨&&@ umbrella which i'm sitting on. ,&@§&¨.,.@
¤@.¨£§.¨@. ¨.#&.¨££¨.
,,,¨¨¨¨.,¨ * ..¨..¨.¨¨,
£¤¤#£§£@§# £§&&§§
£&§&§&&££& somethings moving in the grass. it's @@@£§£@#£@
¤§£¤£@@# invisible to my eyes but i can feel @§§@§@
&&¤&@§§§£§ through the ground just how large it is. ##§&§#£§¤¤
§@@#§§&@&& &§#@@§§@&§
£&§¤¤¤#££§ the soil is muddy. i slip when trying £@&#£@&¤
§#££¤@¤££& to get up, still looking at the &@&@#@££¤§
@£@§¤¤£&£¤ direction of sound rather than at my ¤&&¤§¤£&¤§
#&&££§#¤§¤ hands, who are busy putting things in §£@@§§££&£
£§£#¤£@¤¤£ my pockets. @&@§&§£§@£
¤§@#¤&§&@£ #§£#@§#¤£¤
¤&¤#¤£§&£¤ then i run east toward my home. ¤@@§¤#@¤@¤
@¤£¤£¤#£§& @§&&¤#@@§£
££#@&@£@#@ : @#@@¤@£§£#
@&¤##§§&§£ £@@¤§##§§#
¤@££#¤£¤§¤ i am not followed, and slow down in the #¤§§#&@#
¤@¤@£#¤#¤£ clearing where you at first can spot ¤§£##§&&&@
@#@£@&&£#§ the house, not yet really in the ¤¤@§&£&¤¤£
§£&£¤#¤#¤& backyard. from my pockets i retrieve my @&£#¤@&¤¤£
&@#¤££#£¤§ radio (now dented) but also a small &@§&&@§&
£##£#§#¤#£ clay figure i've never seen before. it &@##££&&£¤
&£¤@§££¤§# must have been laying in the wet dirt, £#@@##@#¤&
£¤§£¤¤#@&& and i must've picked it up with my #§§#§£####
#§£@@¤@#££ other belongings. §##£#¤§@§§
¤§¤£@§£¤ §£@§@#¤#¤¤
##&§&§@& it's a statuette of a girl laying naked #¤§#@@£&&¤
@¤#¤@§@#&§ on her stomach, feet in the air, @£@@££¤&§§
£££&@£&¤¤& roughly seven centimeters long. it's §##£¤&§§#&
#&£#£&&¤ freshly made, not yet completely dried. §¤@£@£&@££
£££§&§&&§¤ §£#&§£§&£#
#&&@&&¤§ my mom is here now. i ask her for some &&§&¤#&&@@
@#§¤#£§£ particle board for it to dry on, but §¤£@¤¤§@
@§#¤£@£&@# she is worried and wants me to ££§@§#&§¤#
£¤#&&£#£¤§ throw it away. &§¤&&£¤¤#&
&£&£¤§#£@§ #&¤££#@¤&&
§#&¤§§£¤ #§£§@#¤¤§§
§##¤¤#&@@@ @@##¤§§@#§
&&£&@¤#¤## &¤¤£§@
&£&££#¤§ ¤#¤¤#@@££@
#£££#@££&£ £##&£¤&£§&