.,»:¤#£@## ##@£#¤:»,.
..=;%$#¶## ##¶#$%;=..
¨.=*^£## ###&£^*=.¨
¨,-†$@##@# #@##@$†-,¨
¨.«=*%## ###&%*=«.¨
.-»=^¤¤@¤¶ statuette ¶¤@¤¤^=»-.
¨:=†£&£@## ##@£&£†=:¨
,:~**¤§### %$£¤¤$¤£§$§%%%§%~=»~~«~=$%*&@¤*§£@@$@&&* ###§¤**~:,
¨,=--*†&%£ *$&§¤$¤*§ £%&†*--=,¨
¨~=:*¤§£#@ @#£§¤*:=~¨
¨,«:$*§¶## forests around my childhood home. thick ##¶§*$:«,¨
¨.~/%*## pine arcades that were planted and ###&*%/~.¨
.¨...-†$¤@ forgotten. wild boars roaming @¤$†-...¨.
¨,«:%£¤### underneath, sniffing at the ground. it ###¤£%:«,¨
,^~=*£## is dark and moist, the canopy having ###&£*=~^,
,-~*^@§¶## already soaked up all the sun. ##¶§@^*~-,
....*†^*@¤ ¤@*^†*....
¨-»\^$@### there's a river passing by, from east ###@$^\»-¨
,,»^*&£¶@# to west, getting broader and deeper and #@¶£&*^»,,
.,~:%%£¶## slower as it goes. equisetum grow just ##¶£%%:~,.
,,,¨:,.*%§ where the pine hands start to let §%*.,:¨,,,
¨¨,,..,~$£ through light, horsemint on the rocky £$~,..,,¨¨
,...¨»$%## river bed. ##%$»¨...,
,,»»:;\==& &==\;:»»,,
..-:%$§£## = ##£§$%:-..
,¨,¨,-~=%# #%=~-,¨,¨,
,.¨==\$$£¶ the riverbanks reek of magic. tonight ¶£$$\==¨.,
,~-:$%##@# they had been a swampworld with sylvan #@##%$:-~,
¨¨¨.¨~»%@¤ water, stone rings and floating moss. ¤@%»~¨.¨¨¨
,~-/§*#@§@ you could've found me wallowing around @§@#*§/-~,
,:-:=£#@## on the southern shores until i got ##@#£=:-:,
,-»;%&¤@## bitten. ##@¤&%;»-,
.^~/†&*££@ @££*&†/~^.
..~^^%†££# but now i'm further back, on solid #££†%^^~..
.--†*£¤@@# ground, in shoulder-high grass, with an #@@¤£*†--.
,.,^=»/;§& orange tin radio and a translucent &§;/»=^,.,
,~~^†¤@£@# umbrella which i'm sitting on. #@£@¤†^~~,
¨.¨.,-;&¤¤ ¤¤&;-,.¨.¨
¨,~†*$§@## † ##@§$*†~,¨
¨¨..-^*£§@ @§£*^-..¨¨
¨.,«*\;/§# somethings moving in the grass. it's #§/;\*«,.¨
¨~~:†%£¶## invisible to my eyes but i can feel ##¶£%†:~~¨
,:-^%%¤### through the ground just how large it is. ###¤%%^-:,
,.~;†@¤@## ##@¤@†;~.,
¨-==**£@## the soil is muddy. i slip when trying ##@£**==-¨
.~«†%&£@ to get up, still looking at the @£#&&%†«~.
.,¨.,~*@#¤ direction of sound rather than at my ¤#@*~,.¨,.
¨¨.....^†# hands, who are busy putting things in #†^.....¨¨
,.¨,.»=&*@ my pockets. @*&=».,¨.,
¨^«\%%£### ###£%%\«^¨
,,=:§### then i run east toward my home. ####&§:=,,
,-«*$*#@## ##@#*$*«-,
¨^-;%§@@£# ^ #£@@§%;-^¨
¨¨.~~*§@ #&@§*~~.¨¨
,¨,,:=*%*§ i am not followed, and slow down in the §*%*=:,,¨,
¨,»\%£##£¶ clearing where you at first can spot ¶£##£%\»,¨
,-=†*%@¶## the house, not yet really in the ##¶@%*†=-,
¨,¨,,=/**& backyard. from my pockets i retrieve my &**/=,,¨,¨
.¨..~.:¤#@ radio (now dented) but also a small @#¤:.~..¨.
¨~«=§$%@£# clay figure i've never seen before. it #£@%$§=«~¨
¨.-/=& must have been laying in the wet dirt, #&&=/-.¨
.¨¨¨,.†*@@ and i must've picked it up with my @@*†.,¨¨¨.
,,:»-/%@$£ other belongings. £$@%/-»:,,
..»;†¤## ###&¤†;»..
¨,«*%$£#@# it's a statuette of a girl laying naked #@#£$%*«,¨
..,..,~%&£ on her stomach, feet in the air, £&%~,..,..
,¨,¨.,=*@# roughly seven centimeters long. it's #@*=,.¨,¨,
...,.*§@@@ freshly made, not yet completely dried. @@@§*.,...
.,-\^£## ###&£^\-,.
,»*^§§£### my mom is here now. i ask her for some ###£§§^*»,
,^=*%%^$#@ particle board for it to dry on, but @#$^%%*=^,
¨-«:^%@##@ she is worried and wants me to @##@%^:«-¨
.^«^*%¤@@# throw it away. #@@¤%*^«^.
.:~\*£&¶## ##¶&£*\~:.
,--^%&&@## ##@&&%^--,
.,¨,.~$##¶ ¶##$~.,¨,.
.,=;*$#### ####$*;=,.
.,.¨¨,-%#@ @#%-,¨¨.,.
¨:==**¤@## ##@¤**==:¨