.-«=*%§#@# #@#§%*=«-.
,:~**@£¶## ##¶£@**~:,
..~~»=§% #&%§=»~~..
¨.=/*£&@@# #@@&£*/=.¨
,~«:§@§@## ##@§@§:«~,
¨,~:*&&@@# statuette #@@&&*:~,¨
¨,..,,«†#& †«,,..,¨
.,~;§¤@*## *£%£@¤£*£§@¤*&£@-=-~-«-«*%£§$$%%&§£&%¤@% ##*@¤§;~,.
¨.«†%%£¶## £$%@$§&%$ ##¶£%%†«.¨
¨.,...^\£§ §£\^...,.¨
.-«\†$§£## forests around my childhood home. thick ##£§$†\«-.
..==*$@### pine arcades that were planted and ###@$*==..
.,~†%§§£## forgotten. wild boars roaming ##£§§%†~,.
,.»=%§££¶£ underneath, sniffing at the ground. it £¶££§%=».,
.-»*=¤£### is dark and moist, the canopy having ###£¤=*»-.
.^~†§££¶## already soaked up all the sun. ##¶££§†~^.
,,«:%§£@## ##@£§%:«,,
,.~^*¤¤@@# there's a river passing by, from east #@@¤¤*^~.,
..~;^@¤¶¶# to west, getting broader and deeper and #¶¶¤@^;~..
¨.¨,,,«:%§ slower as it goes. equisetum grow just §%:«,,,¨.¨
.,«^*%¤#@# where the pine hands start to let #@#¤%*^«,.
,,»==%@#@@ through light, horsemint on the rocky @@#@%==»,,
,¨,,¨¨«\%£ river bed. £%\«¨¨,,¨,
~«:%&§@@## ##@@§&%:«~
.^~^^@@@## / ##@@@^^~^.
¨~=^%†%@¶# #¶@%†%^=~¨
,,»§£### the riverbanks reek of magic. tonight ###£#&§»,,
,-~~-/*£@¶ they had been a swampworld with sylvan ¶@£*/-~~-,
.^~*%@#@#@ water, stone rings and floating moss. @#@#@%*~^.
¨,,~»-*@#£ you could've found me wallowing around £#@*-»~,,¨
,.«†%@#¶## on the southern shores until i got ##¶#@%†«.,
¨.~*†:&*£# bitten. #£*&:†*~.¨
,...»~^*&@ @&*^~»...,
,~»^=$%¤%£ but now i'm further back, on solid £%¤%$=^»~,
¨.~:§§#£## ground, in shoulder-high grass, with an ##£#§§:~.¨
¨-~;*$¤¶## orange tin radio and a translucent ##¶¤$*;~-¨
¨^-^^@¤¶## umbrella which i'm sitting on. ##¶¤@^^-^¨
,,«=**§#@# #@#§**=«,,
¨-=**%@§§¤ = ¤§§@%**=-¨
.:-†$$†$&§ §&$†$$†-:.
,^-:%%## somethings moving in the grass. it's ###&%%:-^,
.,~;*$&@## invisible to my eyes but i can feel ##@&$*;~,.
,:~:†*§#@# through the ground just how large it is. #@#§*†:~:,
,,~^=&## ###&&=^~,,
,..~=\/§&@ the soil is muddy. i slip when trying @&§/\=~..,
.,»\%£## to get up, still looking at the ###&£%\»,.
¨^~:†%¤@£# direction of sound rather than at my #£@¤%†:~^¨
,¨¨^,»†£%£ hands, who are busy putting things in £%£†»,^¨¨,
¨^~\†£&@#@ my pockets. @#@&£†\~^¨
¨~»†**£##@ @##£**†»~¨
.~~/§%###@ then i run east toward my home. @###%§/~~.
,~«/=£¶### ###¶£=/«~,
.,~=:$§£¤# \ #¤£§$:=~,.
,,~-~~†*¤# #¤*†~~-~,,
.~~†*@@### i am not followed, and slow down in the ###@@*†~~.
.,~^%*^§ clearing where you at first can spot #&§^*%^~,.
,,~:†*#¶## the house, not yet really in the ##¶#*†:~,,
,~~†%@@### backyard. from my pockets i retrieve my ###@@%†~~,
¨,~=%$¤### radio (now dented) but also a small ###¤$%=~,¨
.¨,,»=†£#§ clay figure i've never seen before. it §#£†=»,,¨.
.¨,..-%£$¶ must have been laying in the wet dirt, ¶$£%-..,¨.
¨-~;=§#@## and i must've picked it up with my ##@#§=;~-¨
,:~/§£@@@# other belongings. #@@@£§/~:,
.:~*$§§@@# #@@§§$*~:.
¨,«**$#### it's a statuette of a girl laying naked ####$**«,¨
¨.,,^*%¤#¶ on her stomach, feet in the air, ¶#¤%*^,,.¨
,,==§%£### roughly seven centimeters long. it's ###£%§==,,
,,-:%@£@£# freshly made, not yet completely dried. #£@£@%:-,,
,~»^%$§@## ##@§$%^»~,
¨~»†^%#£## my mom is here now. i ask her for some ##£#%^†»~¨
.~~**$£@## particle board for it to dry on, but ##@£$**~~.
¨~~;†==@@@ she is worried and wants me to @@@==†;~~¨
.-~\*¤#@## throw it away. ##@#¤*\~-.
¨-»*%=$$¤@ @¤$$=%*»-¨
.-=†*@£@## ##@£@*†=-.
.^~\*%&£## ##£&%*\~^.
¨^»=%%@§@# #@§@%%=»^¨
¨,»:=£## ###&£=:»,¨
.¨¨,¨~†%=& &=%†~¨,¨¨.