,,-^§££### ###££§^-,,
.,:«^%£### ###£%^«:,.
.^~†%¤#@## ##@#¤%†~^.
..^-\=## ###&=\-^..
,,-/†££### ###££†/-,,
,,~=**¤#@# statuette #@#¤**=~,,
.-=*†#£### ###£#†*=-.
.,~-^†&¶## %§$£%&$§@%$§&$¤£~-»~»~»-§&£@*$$%%§§£$&*@ ##¶&†^-~,.
,-~/%@#### £¤$*£$$&£ ####@%/~-,
.¨^~:†£¶## ##¶£†:~^¨.
¨~»=^§#@## forests around my childhood home. thick ##@#§^=»~¨
,,.»/$@@## pine arcades that were planted and ##@@$/».,,
,,»/%&¶### forgotten. wild boars roaming ###¶&%/»,,
¨,,«;†§#@# underneath, sniffing at the ground. it #@#§†;«,,¨
.^-\$££### is dark and moist, the canopy having ###££$\-^.
.¨,»;^§@## already soaked up all the sun. ##@§^;»,¨.
.~«/^££### ###££^/«~.
¨,~=:†#### there's a river passing by, from east ####†:=~,¨
¨~=†%¤@@## to west, getting broader and deeper and ##@@¤%†=~¨
,.^«†%£@@# slower as it goes. equisetum grow just #@@£%†«^.,
,^«^%¤@### where the pine hands start to let ###@¤%^«^,
¨¨-~=*£@## through light, horsemint on the rocky ##@£*=~-¨¨
.:~:^@@### river bed. ###@@^:~:.
¨¨~~†=#### ####=†~~¨¨
.^~/^§#### = ####§^/~^.
,,,-=*&£@# #@£&*=-,,,
.~=†§@#### the riverbanks reek of magic. tonight ####@§†=~.
.¨,«*%@@@# they had been a swampworld with sylvan #@@@%*«,¨.
¨~~/§#¶### water, stone rings and floating moss. ###¶#§/~~¨
,,,-†$@#@# you could've found me wallowing around #@#@$†-,,,
,:~:^#¶### on the southern shores until i got ###¶#^:~:,
,,,~\*¤@## bitten. ##@¤*\~,,,
¨~=†§££### ###££§†=~¨
,.-~/=&¶## but now i'm further back, on solid ##¶&=/~-.,
.-»:§§#### ground, in shoulder-high grass, with an ####§§:»-.
..^-/*§¶## orange tin radio and a translucent ##¶§*/-^..
.~«\$#@### umbrella which i'm sitting on. ###@#$\«~.
,.^~;*#£## ##£#*;~^.,
,-«;=@#@## † ##@#@=;«-,
,.,«\*¤@## ##@¤*\«,.,
¨,-^*##@## somethings moving in the grass. it's ##@##*^-,¨
..:~*†##@# invisible to my eyes but i can feel #@##†*~:..
¨:=/=§#### through the ground just how large it is. ####§=/=:¨
.,.-†$§@## ##@§$†-.,.
.,~\^@## the soil is muddy. i slip when trying ##@#&^\~,.
,¨.»;§£¶## to get up, still looking at the ##¶£§;».¨,
,,~/^@#@## direction of sound rather than at my ##@#@^/~,,
¨,,~;*£#@# hands, who are busy putting things in #@#£*;~,,¨
.,-\%§£### my pockets. ###£§%\-,.
¨,^-^$&@## ##@&$^-^,¨
¨.»†$#@### then i run east toward my home. ###@#$†».¨
¨.-«\§@@## ##@@§\«-.¨
..==†@## ^ ##@#&†==..
.¨-=;%#£## ##£#%;=-¨.
¨.==†¤@### i am not followed, and slow down in the ###@¤†==.¨
,,~«;%§#@# clearing where you at first can spot #@#§%;«~,,
.~-^=@@@## the house, not yet really in the ##@@@=^-~.
.¨,~/$£#@# backyard. from my pockets i retrieve my #@#£$/~,¨.
,.«:§££@## radio (now dented) but also a small ##@££§:«.,
.¨--\=£¶## clay figure i've never seen before. it ##¶£=\--¨.
¨:~:*### must have been laying in the wet dirt, ####&*:~:¨
¨¨,»=%¤@@# and i must've picked it up with my #@@¤%=»,¨¨
¨,~/†§#@## other belongings. ##@#§†/~,¨
,.:~:$¤£@# #@£¤$:~:.,
,,-;*&£### it's a statuette of a girl laying naked ###£&*;-,,
,¨,«;*@@## on her stomach, feet in the air, ##@@*;«,¨,
.-«=$@#@## roughly seven centimeters long. it's ##@#@$=«-.
¨.~~^%£¶## freshly made, not yet completely dried. ##¶£%^~~.¨
¨^~\%##### #####%\~^¨
,,^«^*§£## my mom is here now. i ask her for some ##£§*^«^,,
¨,-^†££### particle board for it to dry on, but ###££†^-,¨
,,:«/*¤@@# she is worried and wants me to #@@¤*/«:,,
,.»*%¤£@## throw it away. ##@£¤%*».,
.,~-\*£@## ##@£*\-~,.
¨,»\†£¶@## ##@¶£†\»,¨
,,.~:*@### ###@*:~.,,
¨~«=%§@### ###@§%=«~¨
,¨:~**#@@# #@@#**~:¨,
.-«;*@@@## ##@@@*;«-.