¨.¨,&¤¤¤¤¤ ,,,,¤...,#
¨&&,¨§@&¤# £@£,.¨&&¨.
,¨,,..@£§. &¤.¨¤,...§
.#@§&¨.#¨. @...¨,¤£,,
¨¨§¤.¨,,¨, ,¨§¤¤.,¨.£
¨.,.¨&¤@@@ statuette §..#¨¨£&¨.
@¤¤@¨¨¤¤¤. ,¨¨¨.¨¨¨.§
¤,,..&,, **%$$§¤$£&$%%**¤««~~»-~=$&%£§*$%£@$&$*£¤ #@@@&&¤#¨.
.§.¨&¤.,,£ %%$%&%£&¤ §§£@¤@#.,.
¨,¨.,,¨£,, ¤¤&£#§,,&¤
,£@¤£@.¨.£ forests around my childhood home. thick #£@@&¨¨...
.,¤£§¨,#¨, pine arcades that were planted and @@#§¨.££¤#
¨,,&..¨¨¨@ forgotten. wild boars roaming ,@#..,,#&.
¤¤¨.¨&£¤,¨ underneath, sniffing at the ground. it ¨,,,§§¨,..
,¨.£,.§,¨§ is dark and moist, the canopy having .¤#¨,.¨¤@¨
#§¨¨,,¨,., already soaked up all the sun. ¨¨.¨#¤¨.¨,
,,.§§&@&@¨ §¤§.¨.¨#@,
¤£¨.£#@&¨, there's a river passing by, from east #£.¨&§.,,.
¨¨.¨.£§¨¨¤ to west, getting broader and deeper and #....¨.@£.
§§§£¨,.¨¨, slower as it goes. equisetum grow just ,,££@£,.¨,
.£&¨¨@£££¨ where the pine hands start to let &.,¤@¨,#&.
..¨.,.£§¨, through light, horsemint on the rocky ¨¨.,.¨¨.¨,
§#&£&.,,¨@ river bed. ,@£¤§£¤£££
#@@£¨.@¤¨, ..##&&@§#&
¤£&,¨¨.¨,¨ / #,,@¤¤£@@¤
#¤,.#&£§&@ ,,.¨£¤§¤&@
#..,¨&§#¤@ the riverbanks reek of magic. tonight ,£@,,#§¤§&
.¨££,¨§# they had been a swampworld with sylvan .¨¨,,¨&£
...¨¨..£££ water, stone rings and floating moss. ¨@§#&,.¤@¨
£#&@#£.¨#. you could've found me wallowing around ,.#@.,,,¨¨
¨&&@£¨.... on the southern shores until i got £.,¨.¤¤@&.
¨.@§,,¤#§. bitten. ,.&§,.¤@.¨
£¨¨¨¨¨¨§¨¨ ¨¨....¨.,§
..§§#§..,¨ but now i'm further back, on solid @¤££§¤@¤.¨
£,.#&¨.@@& ground, in shoulder-high grass, with an .&¤§¤¨¨§
,¨.,,,¨,@# orange tin radio and a translucent .,§&&&...,
§&§#§§§¨,& umbrella which i'm sitting on. ,.,&@¨.@#@
###§&§.¨¨, ¤#.¨,..,§#
@#§#§¨,&¤, : ,.¨§&§¤,¨#
§#&&,,,¨,¨ @&¨,#£.¨.¨
.§§.¨#&£§# somethings moving in the grass. it's ¤..¨.,.¤&¨
.,,¨¨¨##£¤ invisible to my eyes but i can feel ,¨££££¨¨,¨
#£&£#¨¨&£@ through the ground just how large it is. #.,¤&..@@£
£¤&¤¨.¨.#, ,.¨¨..¨.#§
@¤¤,¨§#¨¨¨ the soil is muddy. i slip when trying §¤£§§£¤,,£
£&,.,,..§& to get up, still looking at the ££#@¤#.¨,.
¨..£§@@..# direction of sound rather than at my £¤¤&@...
#§,,¤&.¨,, hands, who are busy putting things in ¤@¤&¨,.¨¨.
,,...,.#@. my pockets. ¨§¤¨¨&£&£,
&£##§@¨... ¨,,¨.,¤#,¨
,#£¨¨@## then i run east toward my home. ¨&§&¤¨.¨..
¨,#¤¨..,¤& ..,¨##¤#
..,.¨¤§¨¨¨ ; @,,¨,,¨#¤.
£#£#¨¨.¨¤# ,,#£¤&..,¨
,&¤.,¨.& i am not followed, and slow down in the §.,@&¨.¤¤,
..¨¨.¨..¨¨ clearing where you at first can spot ,,,.¨,,,,.
#¤§§@¤§££§ the house, not yet really in the @&@&¤@¤@@¤
#@&@@§§@§¤ backyard. from my pockets i retrieve my £##£@&¤¤£§
#@£§§&¤&§@ radio (now dented) but also a small ##&¤#££##§
¤£@¤£¤¤@&¤ clay figure i've never seen before. it &@#¤#&¤£¤@
@#£@#&@# must have been laying in the wet dirt, £#@@§¤£¤&§
¤#@#§¤¤@@& and i must've picked it up with my §£&¤¤@££
#£§£@£§£@& other belongings. @§#&&@¤§§¤
¤§¤&£#§¤#£ §¤@@§¤§#£@
£§¤¤¤¤£¤£¤ it's a statuette of a girl laying naked §#¤§@&§#§¤
@#@@£§#& on her stomach, feet in the air, ¤£#@¤#¤¤@£
@#¤##¤&@@& roughly seven centimeters long. it's ¤&§&&£¤¤§§
¤@#§@¤£¤ freshly made, not yet completely dried. §&@£@£§@
§#¤£§£§&@& ¤£&@¤&@&§§
@¤@¤#&&£ my mom is here now. i ask her for some ##¤#¤¤¤§
@§@¤§¤§#@¤ particle board for it to dry on, but £¤§§¤#&¤§¤
§£@#@£¤@ she is worried and wants me to #&§&@#@&¤£
£§¤£&¤#££# throw it away. ¤££&§§§§@§
§###¤£¤&&¤ £¤£@@£#£&&
§¤££&§@@£@ §£@§£££££@
¤§#@&@§§§¤ £&@¤@@¤§§#
£#¤¤@§£§¤@ §@¤&§#&&£§
¤@£¤¤#§&¤# #¤@££§#£
&§&£§¤##&& £¤£¤¤¤