.,=:*$¤#@# #@#¤$*:=,.
¨-~\†$@£@# #@£@$†\~-¨
,:-*^%§### ###§%^*-:,
¨:~/*%@### ###@%*/~:¨
.,~^=*§#@# #@#§*=^~,.
,:-**%§¶## statuette ##¶§%**-:,
¨^~†*£#¶## ##¶#£*†~^¨
¨~-=*£## $$¤*$%§%£$£$$@@£«-~~»~«=*§&**£*%£¤££$§£% ###&£*=-~¨
.:«†$*## ¤$&$%£%$¤ ###&*$†«:.
..,..~^†*# #*†^~..,..
.,»\$$§### forests around my childhood home. thick ###§$$\»,.
.^~\§@@@## pine arcades that were planted and ##@@@§\~^.
,,«/**##@£ forgotten. wild boars roaming £@##**/«,,
.,~†$£@### underneath, sniffing at the ground. it ###@£$†~,.
.-=;=§§@## is dark and moist, the canopy having ##@§§=;=-.
¨,~=*%§@## already soaked up all the sun. ##@§%*=~,¨
¨:-/*£¤### ###¤£*/-:¨
,.,,~$†£¶¶ there's a river passing by, from east ¶¶£†$~,,.,
,,¨,.,~/*§ to west, getting broader and deeper and §*/~,.,¨,,
¨,=/=$@&¶# slower as it goes. equisetum grow just #¶&@$=/=,¨
.:~:=*§¶#@ where the pine hands start to let @#¶§*=:~:.
.,~^*§&@#@ through light, horsemint on the rocky @#@&§*^~,.
.¨¨,.«/§@# river bed. #@§/«.,¨¨.
,--:=@£@## ##@£@=:--,
,,~^*%$££¤ † ¤££$%*^~,,
.,-=†@#¶## ##¶#@†=-,.
.,.«=*=%$¤ the riverbanks reek of magic. tonight ¤$%=*=«.,.
.,.--«*£§# they had been a swampworld with sylvan #§£*«--.,.
,¨~:-\%# water, stone rings and floating moss. ##&%\-:~¨,
.~«\$*¤@## you could've found me wallowing around ##@¤*$\«~.
¨.«^%$#¶## on the southern shores until i got ##¶#$%^«.¨
¨.»%%#¶### bitten. ###¶#%%».¨
.-«*§$#### ####$§*«-.
¨,¨.,^»$^£ but now i'm further back, on solid £^$»^,.¨,¨
.,~;%### ground, in shoulder-high grass, with an ####&%;~,.
¨,.,†;=^§¤ orange tin radio and a translucent ¤§^=;†,.,¨
.,,,.,¨~%@ umbrella which i'm sitting on. @%~¨,.,,,.
¨,»=^£¤@#£ £#@¤£^=»,¨
,^~†§&¶@## * ##@¶&§†~^,
.-«^*@§# ##&§@*^«-.
.,¨,:^@£&£ somethings moving in the grass. it's £&£@^:,¨,.
¨-=*%*&£## invisible to my eyes but i can feel ##£&*%*=-¨
,-=/^*&@@@ through the ground just how large it is. @@@&*^/=-,
,~=//†%@§@ @§@%†//=~,
,.,.,.=^@§ the soil is muddy. i slip when trying §@^=.,.,.,
¨-»\*£#¶@# to get up, still looking at the #@¶#£*\»-¨
,:»^*@#### direction of sound rather than at my ####@*^»:,
,-~\%@@### hands, who are busy putting things in ###@@%\~-,
,,==*^†¤ my pockets. #&¤†^*==,,
.,»**§§### ###§§**»,.
..«^$£¤### then i run east toward my home. ###¤£$^«..
.~=;%¤@# #@#&¤%;=~.
.,¨,,.=&£# ; #£&=.,,¨,.
,:~*^@¤¶## ##¶¤@^*~:,
,-~*/^†#@@ i am not followed, and slow down in the @@#†^/*~-,
¨:=†††^££# clearing where you at first can spot #££^†††=:¨
,~-:*%§§@£ the house, not yet really in the £@§§%*:-~,
,¨¨,¨:,/$& backyard. from my pockets i retrieve my &$/,:¨,¨¨,
,¨,-/^*£## radio (now dented) but also a small ##£*^/-,¨,
¨~»/†£¶@ clay figure i've never seen before. it @¶#&£†/»~¨
¨,-=^*$@@# must have been laying in the wet dirt, #@@$*^=-,¨
.¨.^;\$$§# and i must've picked it up with my #§$$\;^.¨.
,--*$@§#@# other belongings. #@#§@$*--,
¨.,,»~^†&@ @&†^~»,,.¨
¨¨-.;§%£&¤ it's a statuette of a girl laying naked ¤&£%§;.-¨¨
,^»;%£&£@# on her stomach, feet in the air, #@£&£%;»^,
,.,,-;=*@& roughly seven centimeters long. it's &@*=;-,,.,
.~-:*£¤### freshly made, not yet completely dried. ###¤£*:-~.
¨^~=§@## ##@#&§=~^¨
¨,,,¨¨«%†& my mom is here now. i ask her for some &†%«¨¨,,,¨
,,,,¨~*%§# particle board for it to dry on, but #§%*~¨,,,,
¨¨,¨^~/$£# she is worried and wants me to #£$/~^¨,¨¨
¨..,¨~«%¤# throw it away. #¤%«~¨,..¨
¨:-†$%§@@# #@@§%$†-:¨
,,¨.^::=£# #£=::^.¨,,
.,«†%$£@## ##@£$%†«,.
¨~=;†%§@## ##@§%†;=~¨
¨.~=*$@# #@#&$*=~.¨
.¨¨,~»%@ @#&%»~,¨¨.