¨--==&## ###&&==--¨
.¨,~^*$@@# #@@$*^~,¨.
¨~=/$¤&¶## ##¶&¤$/=~¨
,¨~~*=£@## ##@£=*~~¨,
.:=**%@@## ##@@%**=:.
.,:«^%£@## statuette ##@£%^«:,.
¨:»/%¤§@## ##@§¤%/»:¨
¨,:»\=%@¶# %@%$§§&§%%£§$%£¤==--«~~~%¤%%*%@*%££¤£§@§ #¶@%=\»:,¨
¨^-=*&@### $*§$§@£&& ###@&*=-^¨
,.,~/†*§¶# #¶§*†/~,.,
..»\*§#¶## forests around my childhood home. thick ##¶#§*\»..
,.^~\*£¤£# pine arcades that were planted and #£¤£*\~^.,
.-«^=%§@## forgotten. wild boars roaming ##@§%=^«-.
..--/$£&@# underneath, sniffing at the ground. it #@&£$/--..
,,»;^¤&@## is dark and moist, the canopy having ##@&¤^;»,,
,,,»/^£¤## already soaked up all the sun. ##¤£^/»,,,
.^»;%¤#@## ##@#¤%;»^.
¨.,~:%*@## there's a river passing by, from east ##@*%:~,.¨
.~~:=$¤### to west, getting broader and deeper and ###¤$=:~~.
,,,»/^¤&@# slower as it goes. equisetum grow just #@&¤^/»,,,
.-=^§@@### where the pine hands start to let ###@@§^=-.
.,^~*=%### through light, horsemint on the rocky ###%=*~^,.
¨^~;=£¤@## river bed. ##@¤£=;~^¨
¨.:-=$¤£@# #@£¤$=-:.¨
¨:~=%£@£## / ##£@£%=~:¨
.¨^~:†£¤## ##¤£†:~^¨.
,^=^=£@£## the riverbanks reek of magic. tonight ##£@£=^=^,
...«=%$£¶# they had been a swampworld with sylvan #¶£$%=«...
¨:~;^*## water, stone rings and floating moss. ###&*^;~:¨
.,,«=%£@## you could've found me wallowing around ##@£%=«,,.
.:=/†@¤@## on the southern shores until i got ##@¤@†/=:.
,,:«;§*¤## bitten. ##¤*§;«:,,
.~«=%§#@## ##@#§%=«~.
¨.-~\%¤#@# but now i'm further back, on solid #@#¤%\~-.¨
.-~\=*§@## ground, in shoulder-high grass, with an ##@§*=\~-.
.¨:~†$%### orange tin radio and a translucent ###%$†~:¨.
,^»\^££@## umbrella which i'm sitting on. ##@££^\»^,
,,:~:%&¤## ##¤&%:~:,,
,~~:†$§¶## ; ##¶§$†:~~,
.¨,-=%§#@# #@#§%=-,¨.
.,»:=$@@## somethings moving in the grass. it's ##@@$=:»,.
,.:~=%*@## invisible to my eyes but i can feel ##@*%=~:.,
.:-;*&&£## through the ground just how large it is. ##£&&*;-:.
,,,-\%¶# #¶#&%\-,,,
¨,»;%%#£## the soil is muddy. i slip when trying ##£#%%;»,¨
.,-»††$£@# to get up, still looking at the #@£$††»-,.
,,«:†$@£## direction of sound rather than at my ##£@$†:«,,
.¨-~;*@# hands, who are busy putting things in #@#&*;~-¨.
¨,»*^£§@## my pockets. ##@§£^*»,¨
,,,~/%£@## ##@£%/~,,,
,^=\*%#¶## then i run east toward my home. ##¶#%*\=^,
¨¨:~\†$£## ##£$†\~:¨¨
.:~^%%&@## = ##@&%%^~:.
.,:«:$&£## ##£&$:«:,.
,,«=*£§### i am not followed, and slow down in the ###§£*=«,,
,¨~~;^¤#@# clearing where you at first can spot #@#¤^;~~¨,
.,-/%$£### the house, not yet really in the ###£$%/-,.
,,,-=**¤@# backyard. from my pockets i retrieve my #@¤**=-,,,
.,-\§%#@## radio (now dented) but also a small ##@#%§\-,.
.¨~«\^£# clay figure i've never seen before. it ##&£^\«~¨.
,.=/*$&£## must have been laying in the wet dirt, ##£&$*/=.,
¨¨~«^=@@## and i must've picked it up with my ##@@=^«~¨¨
¨-~;=¤¤£## other belongings. ##£¤¤=;~-¨
.,,=/$@¤## ##¤@$/=,,.
¨:-=†%¤£## it's a statuette of a girl laying naked ##£¤%†=-:¨
,,:«/†@#@# on her stomach, feet in the air, #@#@†/«:,,
..~\*§¤@## roughly seven centimeters long. it's ##@¤§*\~..
,¨,«\^%¤## freshly made, not yet completely dried. ##¤%^\«,¨,
¨^-^$$§@## ##@§$$^-^¨
.¨-~†%¤£## my mom is here now. i ask her for some ##£¤%†~-¨.
¨~=\^%¤@## particle board for it to dry on, but ##@¤%^\=~¨
,¨:~/%&&@# she is worried and wants me to #@&&%/~:¨,
,,»†^§¤### throw it away. ###¤§^†»,,
,,-~*%£@@# #@@£%*~-,,
,,=;^¤#£## ##£#¤^;=,,
.,,»^*$¤£# #£¤$*^»,,.
,,~†^*@@## ##@@*^†~,,
,,.»==¤§## ##§¤==».,,
,.-*%@§¶## ##¶§@%*-.,