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.,¨.:-^:£§ §£:^-:.¨,.
.,~†*¤&@## ##@&¤*†~,.
¨~»=%*#£## ##£#*%=»~¨
..,,.-=-†£ £†-=-.,,..
,,=*$$@¶#@ statuette @#¶@$$*=,,
.:»/=%%$#@ @#$%%=/»:.
¨¨.~†*=%## ¤$§$£$$$£%$@¤%&$~~~=»»~=$@*@&$$%$&$§%%@§ ##%=*†~.¨¨
¨¨..^**¤¤# §%&£*£%¤£ #¤¤**^..¨¨
.^~=*£@@## ##@@£*=~^.
.,¨¨,,†*££ forests around my childhood home. thick ££*†,,¨¨,.
,^~;%†§¤#¶ pine arcades that were planted and ¶#¤§†%;~^,
¨.~^$@&@## forgotten. wild boars roaming ##@&@$^~.¨
.-~:%&&£## underneath, sniffing at the ground. it ##£&&%:~-.
¨,-\$%@### is dark and moist, the canopy having ###@%$\-,¨
¨¨,¨,^^«§¤ already soaked up all the sun. ¤§«^^,¨,¨¨
¨,»=%&¤¶## ##¶¤&%=»,¨
...¨,,.^%@ there's a river passing by, from east @%^.,,¨...
,^~;*£§#@# to west, getting broader and deeper and #@#§£*;~^,
.¨¨¨,¨¨=%§ slower as it goes. equisetum grow just §%=¨¨,¨¨¨.
¨,=;^@¤¶## where the pine hands start to let ##¶¤@^;=,¨
,:»/§%£@## through light, horsemint on the rocky ##@£%§/»:,
¨,~^%$#### river bed. ####$%^~,¨
..¨.==%£#@ @#£%==.¨..
,:»:^*#¶@# ; #@¶#*^:»:,
,-»:$##@## ##@##$:»-,
..-=*£¤@## the riverbanks reek of magic. tonight ##@¤£*=-..
.,~:§*§¶## they had been a swampworld with sylvan ##¶§*§:~,.
¨-»†^$££#@ water, stone rings and floating moss. @#££$^†»-¨
,~«/††¤£## you could've found me wallowing around ##£¤††/«~,
.:~/*$§### on the southern shores until i got ###§$*/~:.
¨^=\*¤@### bitten. ###@¤*\=^¨
.,=/$&£@## ##@£&$/=,.
.:-†*@#¶@# but now i'm further back, on solid #@¶#@*†-:.
.¨.,»%%$@£ ground, in shoulder-high grass, with an £@$%%»,.¨.
¨--/%%¤@#@ orange tin radio and a translucent @#@¤%%/--¨
.:~*$%#### umbrella which i'm sitting on. ####%$*~:.
.^-\^%§£@# #@£§%^\-^.
,.~†%§¤¶@# \ #@¶¤§%†~.,
¨:»/=¤¤### ###¤¤=/»:¨
.:~\†$£@## somethings moving in the grass. it's ##@£$†\~:.
,¨,..^«$#& invisible to my eyes but i can feel $«^..,¨,
..,.~~^=$@ through the ground just how large it is. @$=^~~.,..
.,.»=~*§@# #@§*~=».,.
:»;*$££### the soil is muddy. i slip when trying ###££$*;»:
,,~~~†§£#¶ to get up, still looking at the ¶#£§†~~~,,
,.,¨.~~%¤¤ direction of sound rather than at my ¤¤%~~.¨,.,
..»;*$&£## hands, who are busy putting things in ##£&$*;»..
¨^»^%@§@## my pockets. ##@§@%^»^¨
.,=:†£¤### ###¤£†:=,.
,.«^*§£### then i run east toward my home. ###£§*^«.,
,^»;§&§@## ##@§&§;»^,
¨^~;*$¤### : ###¤$*;~^¨
.,¨¨,.~=%£ £%=~.,¨¨,.
...=~/%¤@@ i am not followed, and slow down in the @@¤%/~=...
¨,-;*&§@## clearing where you at first can spot ##@§&*;-,¨
,,.,=*%@£¶ the house, not yet really in the ¶£@%*=,.,,
,.«:§£¤¶## backyard. from my pockets i retrieve my ##¶¤£§:«.,
.:~*%£#@## radio (now dented) but also a small ##@#£%*~:.
¨.¨,=^*§£# clay figure i've never seen before. it #£§*^=,¨.¨
,,.¨»:†%§# must have been laying in the wet dirt, #§%†:»¨.,,
¨,,.*$$£$£ and i must've picked it up with my £$£$$*.,,¨
¨.~:§*##@# other belongings. #@##*§:~.¨
¨.¨¨=»^$*¤ ¤*$^»=¨¨.¨
,=:$%§@### it's a statuette of a girl laying naked ###@§%$:=,
,~^§$@¶### on her stomach, feet in the air, ###¶@$§^~,
,:~*£§@### roughly seven centimeters long. it's ###@§£*~:,
,,~/*@@### freshly made, not yet completely dried. ###@@*/~,,
.¨¨^-\:/¤¤ ¤¤/:\-^¨¨.
,.~:$@§¶## my mom is here now. i ask her for some ##¶§@$:~.,
,.~†%%¤### particle board for it to dry on, but ###¤%%†~.,
,,«/=%¤&@@ she is worried and wants me to @@&¤%=/«,,
,,..,¨^=&@ throw it away. @&=^¨,..,,
.~~*^%@¶@# #@¶@%^*~~.
¨¨.,,~.;$£ £$;.~,,.¨¨
,,«/^£#@@# #@@#£^/«,,
..«\=£@#@# #@#@£=\«..
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..«=:/&§£& &£§&/:=«..