,^»=%¤§¶@@ @@¶§¤%=»^,
¨^~-««†¤@@ @@¤†««-~^¨
¨.¨,.:,\§£ £§\,:.,¨.¨
¨,~\%$@£@# #@£@$%\~,¨
¨:-†§¤§¶@# #@¶§¤§†-:¨
..=†%*§### statuette ###§*%†=..
.~»=*$§£## ##£§$*=»~.
..-\=&§@#@ ¤¤$§£*$%£$£%§%¤$=«~~«~=~££$¤&£££§$§¤¤$*£ @#@§&=\-..
,.,,.,;$ %%§%&£§@* #&$;,.,,.,
¨.«=:%^@¶£ £¶@^%:=«.¨
,,~*^£££## forests around my childhood home. thick ##£££^*~,,
,^-†*@@@## pine arcades that were planted and ##@@@*†-^,
,.«=§$¤### forgotten. wild boars roaming ###¤$§=«.,
.¨¨.»†§§@£ underneath, sniffing at the ground. it £@§§†».¨¨.
¨¨.~~~/$¶# is dark and moist, the canopy having #¶$/~~~.¨¨
,^=**£#&@£ already soaked up all the sun. £@£**=^,
,.~;§¤§### ###§¤§;~.,
,,»==@@@## there's a river passing by, from east ##@@@==»,,
,,,,¨-*¤§# to west, getting broader and deeper and #§¤*-¨,,,,
.,.~:**=^& slower as it goes. equisetum grow just &^=**:~.,.
¨:~\^§¤@## where the pine hands start to let ##@¤§^\~:¨
,,-^*£#££# through light, horsemint on the rocky #££#£*^-,,
¨..,.¨=**# river bed. #**=¨.,..¨
.-~\%%¤¶@# #@¶¤%%\~-.
.,===£¶### \ ###¶£===,.
..¨,=§%£&¤ ¤&£%§=,¨..
.,¨.~/^%#@ the riverbanks reek of magic. tonight @#%^/~.¨,.
¨.,.,«~*†£ they had been a swampworld with sylvan £†*~«,.,.¨
¨,=††%## water, stone rings and floating moss. ###&%††=,¨
¨,=*†§£@## you could've found me wallowing around ##@£§†*=,¨
¨....-:^@@ on the southern shores until i got @@^:-....¨
.^=^£##@## bitten. ##@##£^=^.
¨.«/†$#### ####$†/«.¨
.,¨.^»$=@# but now i'm further back, on solid #@=$»^.¨,.
..=/^£#### ground, in shoulder-high grass, with an ####£^/=..
,,,.¨¨«\%# orange tin radio and a translucent #%\«¨¨.,,,
.¨,,.,\§@@ umbrella which i'm sitting on. @@§\,.,,¨.
.:=:%$@@## ##@@$%:=:.
.,~\§&§¶¶# = #¶¶§&§\~,.
.¨,,-/*£$@ @$£*/-,,¨.
..,,«-*§ somethings moving in the grass. it's #&§*-«,,..
¨.«\§$#@## invisible to my eyes but i can feel ##@#$§\«.¨
.:==%@¤£@# through the ground just how large it is. #@£¤@%==:.
¨,-†*§¤@## ##@¤§*†-,¨
,.»\*%@@## the soil is muddy. i slip when trying ##@@%*\».,
¨~»^=%§@@# to get up, still looking at the #@@§%=^»~¨
,¨,.=*¤@## direction of sound rather than at my ##@¤*=.,¨,
¨~«^^¤§#@# hands, who are busy putting things in #@#§¤^^«~¨
¨~=:*£¤£## my pockets. ##£¤£*:=~¨
,¨¨.¨,»*¤§ §¤*»,¨.¨¨,
.,¨¨,.~%¤& then i run east toward my home. &¤%~.,¨¨,.
,,,~«/^:§@ @§:^/«~,,,
,-»*%£¤#@# \ #@#¤£%*»-,
¨¨...»\$@£ £@$\»...¨¨
,.-†%%#### i am not followed, and slow down in the ####%%†-.,
,~«*=$§#£@ clearing where you at first can spot @£#§$=*«~,
.,¨~«=;$%# the house, not yet really in the #%$;=«~¨,.
.,.-~-*#@@ backyard. from my pockets i retrieve my @@#*-~-.,.
..¨...^/%@ radio (now dented) but also a small @%/^...¨..
.,,.^/=%§@ clay figure i've never seen before. it @§%=/^.,,.
,,.¨,^:*%§ must have been laying in the wet dirt, §%*:^,¨.,,
¨.,,~/$£## and i must've picked it up with my ##£$/~,,.¨
¨,==%£#@## other belongings. ##@#£%==,¨
..»/*#@# #@##&*/»..
¨,-;$%§*@£ it's a statuette of a girl laying naked £@*§%$;-,¨
,-«=§¤£### on her stomach, feet in the air, ###£¤§=«-,
.^»/**%& roughly seven centimeters long. it's &%**/»^.
¨,~:^%@@#@ freshly made, not yet completely dried. @#@@%^:~,¨
,~»=%&@### ###@&%=»~,
¨,~;%¤¤@## my mom is here now. i ask her for some ##@¤¤%;~,¨
,~-\†&¤@## particle board for it to dry on, but ##@¤&†\-~,
.:~;†$@£@¶ she is worried and wants me to ¶@£@$†;~:.
.~;†&£#### throw it away. ####£&†;~.
,^~;§£#£@# #@£#£§;~^,
¨-~\%$£@@# #@@£$%\~-¨
¨¨,¨.«%%$@ @$%%«.¨,¨¨
.,.,~-~^#¶ ¶#^~-~,.,.
,.¨..,:»%# #%»:,..¨.,
.¨..¨^=*^# #^*=^¨..¨.