,,=\%£§### ###§£%\=,,
.,~†*$@### ###@$*†~,.
,¨..,,†*§@ @§*†,,..¨,
¨:-^=§@@## ##@@§=^-:¨
¨,~*%£## ###&£%*~,¨
,...-=*# statuette ##&*=-...,
.,¨:~^£@%& &%@£^~:¨,.
.,¨.,«:*#@ §*%¤@¤@*%§¤$*£$§«~=~»~~«$§§$££§$£§£$§&%* @#*:«,.¨,.
¨-«:*¤@¶## @$*$@&*&£ ##¶@¤*:«-¨
.¨,..=†%¤@ @¤%†=..,¨.
¨.¨¨.,~^$¶ forests around my childhood home. thick ¶$^~,.¨¨.¨
.-»~»-\&§@ pine arcades that were planted and @§&\-»~»-.
.¨,..,~=¤& forgotten. wild boars roaming &¤=~,..,¨.
¨:~/%*@§£@ underneath, sniffing at the ground. it @£§@*%/~:¨
.,,.,=$£§# is dark and moist, the canopy having #§£$=,.,,.
¨.«:=@@§@£ already soaked up all the sun. £@§@@=:«.¨
,:-/%$§§@# #@§§$%/-:,
..~~:*¤§£@ there's a river passing by, from east @£§¤*:~~..
,:-:$$§@## to west, getting broader and deeper and ##@§$$:-:,
,¨.,,*†£## slower as it goes. equisetum grow just ##£†*,,.¨,
¨..,,¨:\£# where the pine hands start to let #£\:¨,,..¨
¨.~\%@¤¶## through light, horsemint on the rocky ##¶¤@%\~.¨
¨:~:%@¤### river bed. ###¤@%:~:¨
¨~~\$£§#@# #@#§£$\~~¨
¨-«/†%@£## * ##£@%†/«-¨
¨:~;^¤¤@## ##@¤¤^;~:¨
.~»^§£#¶## the riverbanks reek of magic. tonight ##¶#£§^»~.
..-\$%@£## they had been a swampworld with sylvan ##£@%$\-..
¨^~^*%@@## water, stone rings and floating moss. ##@@%*^~^¨
.¨.,..¨=†@ you could've found me wallowing around @†=¨..,.¨.
¨,~;§§¤%¤£ on the southern shores until i got £¤%¤§§;~,¨
,,«\*%###¶ bitten. ¶###%*\«,,
¨¨,.-~/¤&& &&¤/~-.,¨¨
¨~«*=§£#@# but now i'm further back, on solid #@#£§=*«~¨
¨~~:$@¤&%@ ground, in shoulder-high grass, with an @%&¤@$:~~¨
.,,^»%¤@@¶ orange tin radio and a translucent ¶@@¤%»^,,.
,-==$%#@## umbrella which i'm sitting on. ##@#%$==-,
.,¨.,.\†§& &§†\.,.¨,.
,.«==@¤¶## / ##¶¤@==«.,
,,»/†¤§### ###§¤†/»,,
¨.¨.¨,^*£¤ somethings moving in the grass. it's ¤£*^,¨.¨.¨
¨¨..-^&¤#@ invisible to my eyes but i can feel @#¤&^-..¨¨
,,~^*%@¶ through the ground just how large it is. ¶@#&%*^~,,
,,,:;\%$^¤ ¤^$%\;:,,,
¨,,,,«=†£# the soil is muddy. i slip when trying #£†=«,,,,¨
¨,-/%##### to get up, still looking at the #####%/-,¨
¨~»^*%@¶## direction of sound rather than at my ##¶@%*^»~¨
¨:«\*@@### hands, who are busy putting things in ###@@*\«:¨
,:~\=@#@## my pockets. ##@#@=\~:,
¨.»:†££@## ##@££†:».¨
.,..:»$@## then i run east toward my home. ##@$»:..,.
.¨..,,«-^& &^-«,,..¨.
,.¨,--†=&@ * @&=†--,¨.,
.,^-^;££#@ @#££;^-^,.
,^~††%§@## i am not followed, and slow down in the ##@§%††~^,
,.~**@¤##@ clearing where you at first can spot @##¤@**~.,
¨,«*^£¤¶@# the house, not yet really in the #@¶¤£^*«,¨
¨.,¨¨,==$& backyard. from my pockets i retrieve my &$==,¨¨,.¨
,~»=/\$¤#@ radio (now dented) but also a small @#¤$\/=»~,
¨¨.,...«%# clay figure i've never seen before. it #%«...,.¨¨
,¨.¨==*%$# must have been laying in the wet dirt, #$%*==¨.¨,
,.¨~«†§$#@ and i must've picked it up with my @#$§†«~¨.,
¨-=*†$§@#@ other belongings. @#@§$†*=-¨
.,-:§%£### ###£%§:-,.
,.=;%§%§§# it's a statuette of a girl laying naked #§§%§%;=.,
,.¨..,~†## on her stomach, feet in the air, ##†~,..¨.,
.-=/;§%¤¤# roughly seven centimeters long. it's #¤¤%§;/=-.
.,¨^/§^%§@ freshly made, not yet completely dried. @§%^§/^¨,.
,-»††£§#@# #@#§£††»-,
¨-»\%£££## my mom is here now. i ask her for some ##£££%\»-¨
.-==§@¶@## particle board for it to dry on, but ##@¶@§==-.
.:-\$$¤¶@¶ she is worried and wants me to ¶@¶¤$$\-:.
.,,,.=-%§¶ throw it away. ¶§%-=.,,,.
¨,,,.=†@¤£ £¤@†=.,,,¨
,,«/§$¤¶#@ @#¶¤$§/«,,
¨-»†%@@### ###@@%†»-¨
,-..~~††¤@ @¤††~~..-,
..«;^%## ###&%^;«..
,....,~=#& =~,....,