.¤@,¨¨¨@.. ,¨§#¨...¨,
¨.¨.§£,.¨§ @¨¨..§¤@¤#
,&&¨,¨,¤¨, ,.@#,¨£&§.
¨,,¨#&¨.¨¨ ,,¨..,.£¨.
¤&@¨..¨#&¤ &¤&§@&,..&
¤¤,¨#@.,¤¤ statuette ,££§£,.#,,
¨¨.¨¨,,,¨¤ ,,&£¨,.¨..
@§£§@£&&¨, @$$£&*££$$$¤$¤£%==»=~»««§£¤*£&$$*¤%§§$%% ¨,¨¨.¤¤§&£
£¤@@§£#¨., %¤§%$%£%& §¤#§,.##&£
§&¤¤..&¤ ,&§,,,.&§&
@@#£¤.,,.. forests around my childhood home. thick ¨¨¨.£¤.,¤&
££§£.,£££@ pine arcades that were planted and ¨&&,¨¨,¨,&
§¤£,,,.@#£ forgotten. wild boars roaming ,.,¨£###.,
.£,.@@,,¤& underneath, sniffing at the ground. it ,¤¤,,¤¤¨,¨
¨,,,¨.¨,,. is dark and moist, the canopy having ....¨¨,¨£#
.@§¤#§£&§# already soaked up all the sun. @&£§¤@£,,¨
,,@£@&&&@§ ££##,.&£
.¨¨&@¤£§§# there's a river passing by, from east &¤§£&¨,¨¨,
£@.¨§@¤£§. to west, getting broader and deeper and £@&§,¨§@@#
@,.,¨@£¤,¨ slower as it goes. equisetum grow just §@@..,,@&@
.¨@#¨¨£¨.& where the pine hands start to let &¤,,§§,¨&@
,,,.¨.,¨.¨ through light, horsemint on the rocky ¨,,¨,,¨¨,¨
¤¤¤£§§§¤§& river bed. ¤§§@##¤@#¤
@#@£§@@£ ,@§@§£@§
¤#§&@§@¤¤¨ / ¨.#£@¤§@#£
#@¤§#&£¤¨, ¨.¨@££&¤
£&&¤@£#¨,& the riverbanks reek of magic. tonight #&¨,&§§§¤@
@@&&£§.¨¨. they had been a swampworld with sylvan #¨...#¤§&£
¤¤@£&..#@¨ water, stone rings and floating moss. ¨¨&§,,@&§¤
§£##,.¨.,. you could've found me wallowing around ¨¨,,..¨#§¤
#¤#.,&&& on the southern shores until i got ££@§¤&..¤£
@§,..,&£§# bitten. .,¨,.¤
¤¨.£&.,£§¨ ¨.£@¨.#§.¨
¨,¨¨¨,..,¨ but now i'm further back, on solid ,¨¨,,.,,..
£¤¤§&£#£§¤ ground, in shoulder-high grass, with an @¤&@¤@##£&
¤#@§¤§¤¤#£ orange tin radio and a translucent ¤@¤@@@#&&§
#¤&&£#§£§£ umbrella which i'm sitting on. £@##&@#§
¤¤#¤¤££@ ¤&§@¤@&@¤§
¤&§¤¤&@@£@ ; #@£#£@#£@#
&£@#£¤@£§& £§#¤@&§§@£
#¤£##¤#& somethings moving in the grass. it's #¤#@§@§£#¤
§£¤&§¤&£ invisible to my eyes but i can feel ¤#¤&§£§£§@
@§#¤§#£@@& through the ground just how large it is. &@#&¤@&§§§
#£&£@§§§@§ &&§£¤§@¤&§
¤£##¤#@¤£¤ the soil is muddy. i slip when trying §&@£¤§#¤#¤
@@£§£§§¤@§ to get up, still looking at the ¤#£&¤@&§§£
£¤#@@@¤@&£ direction of sound rather than at my @@¤¤§&§@§£
&¤#¤§¤§§§£ hands, who are busy putting things in §¤¤§¤§¤£@§
£¤§@@¤£¤£# my pockets. §@£§£££¤#£
@¤#£&# #§£§§@£&
#£#@£¤¤¤¤@ then i run east toward my home. £@&@££@#¤¤
¤&¤§£&@¤ ¤§#£¤&£&&@
§¤&§&@£¤£§ \ £§#§@£¤¤#&
&¤£@#@&¤@¤ &¤#££@§¤
§§¤#@#§@¤& i am not followed, and slow down in the &§£¤@&@@#§
@&¤#@#&£ clearing where you at first can spot #§§#&§£§##
###¤@&£##& the house, not yet really in the £¤@&£¤§@&¤
§@£&&¤#£§@ backyard. from my pockets i retrieve my @@#@¤##£&§
&¤#¤£#@£@¤ radio (now dented) but also a small &¤&£@&£§§§
@¤§¤&@&£¤# clay figure i've never seen before. it &§##@§¤§¤§
#¤#@¤#££££ must have been laying in the wet dirt, &&§£@@§@@@
§¤&@£§#&¤£ and i must've picked it up with my §&§@&§&@&§
&@£§@¤&£#£ other belongings. ##§£&&£&£§
££&&&§£#@# #&&@¤#¤¤§#
@¤¤@@@@@ it's a statuette of a girl laying naked #§§@££&£@§
¤&@¤#£&£#@ on her stomach, feet in the air, #§@£@&¤£§¤
¤£§&£¤&§§# roughly seven centimeters long. it's ##¤§&££#¤£
£¤£@@#@¤¤£ freshly made, not yet completely dried. &£§@&&&@&&
£@¤&&@£¤§@ §§¤@§@§§&£
§§@@¤@&@¤§ my mom is here now. i ask her for some @&£&@£#¤
§£¤££££§£§ particle board for it to dry on, but #£§£@&&§
§@££&&@¤@¤ she is worried and wants me to £#&¤&£¤§§@
@#£§£££@@§ throw it away. @#¤@#££&@£
§§£§¤&£@¤£ ££#£@@#£
£@£§£&§&§§ ¤&¤&&@§§&¤
#@¤§@£#£ @£&@#¤£@£&
##&¤@£@#§@ §§&@#§£&@#
¤§&¤@§§£¤& ¤&@&§£#£@£
£§£&¤£§§§£ @@&&£¤£&