..,-†*@¤## ##¤@*†-,..
.,,,»*^£## ##£^*»,,,.
¨¨~»\*&§@# #@§&*\»~¨¨
.~~^†*@@## ##@@*†^~~.
..~~††£@## ##@£††~~..
.¨,.-*†@§@ statuette @§@†*-.,¨.
.¨^«/^@### ###@^/«^¨.
¨.~:§£¤### §%£$£$$¤$&%%%@£&-=~~~=»=&&§***%£&¤§¤£*&% ###¤£§:~.¨
.,-=^=£¤## *%*$¤&££§ ##¤£=^=-,.
,¨,~«^=$¤# #¤$=^«~,¨,
¨,^=:=%### forests around my childhood home. thick ###%=:=^,¨
,,~†=&@### pine arcades that were planted and ###@&=†~,,
..^==*%§## forgotten. wild boars roaming ##§%*==^..
¨..,~†%$ underneath, sniffing at the ground. it #&$%†~,..¨
,,--*%%# is dark and moist, the canopy having ##&%%*--,,
.--\†££### already soaked up all the sun. ###££†\--.
.¨~«/*%§## ##§%*/«~¨.
....=;*%#@ there's a river passing by, from east @#%*;=....
,¨-»/=@£## to west, getting broader and deeper and ##£@=/»-¨,
¨.~=§%£### slower as it goes. equisetum grow just ###£%§=~.¨
¨¨.«\%*§## where the pine hands start to let ##§*%\«.¨¨
¨.¨-~^$§§@ through light, horsemint on the rocky @§§$^~-¨.¨
¨.,=/^£#@# river bed. #@#£^/=,.¨
¨~«\*£§### ###§£*\«~¨
¨.~-††*¤## = ##¤*††-~.¨
,,..-\*$ #&$*\-..,,
,,~~:=$§## the riverbanks reek of magic. tonight ##§$=:~~,,
,,-=†%#### they had been a swampworld with sylvan ####%†=-,,
¨.:~=%£@## water, stone rings and floating moss. ##@£%=~:.¨
¨¨,:=:$¤ you could've found me wallowing around #&¤$:=:,¨¨
,¨,-*†%§## on the southern shores until i got ##§%†*-,¨,
.-»**@## bitten. ###&@**»-.
.,^~;*$&@# #@&$*;~^,.
¨,.~«/*&@# but now i'm further back, on solid #@&*/«~.,¨
¨,,»\%%### ground, in shoulder-high grass, with an ###%%\»,,¨
.^»^*£@@## orange tin radio and a translucent ##@@£*^»^.
..,»/=£### umbrella which i'm sitting on. ###£=/»,..
.,.^~==£¤# #¤£==~^.,.
¨¨-»:*¤¤## : ##¤¤*:»-¨¨
¨.~:^@@### ###@@^:~.¨
.¨,~;†£### somethings moving in the grass. it's ###£†;~,¨.
,¨¨:~\$% invisible to my eyes but i can feel #&%$\~:¨¨,
¨.,«*†%# through the ground just how large it is. ##&%†*«,.¨
¨,-**£§### ###§£**-,¨
.¨,«/%$£## the soil is muddy. i slip when trying ##£$%/«,¨.
¨..:=^†¤#@ to get up, still looking at the @#¤†^=:..¨
,¨,-†*@### direction of sound rather than at my ###@*†-,¨,
.,-\§$¤### hands, who are busy putting things in ###¤$§\-,.
,,,~*%%# my pockets. ##&%%*~,,,
,..~»^†£@# #@£†^»~..,
.,,==%¤§## then i run east toward my home. ##§¤%==,,.
¨~-\§%&@## ##@&%§\-~¨
,,,~\%$#@# / #@#$%\~,,,
,¨¨^=†=@@# #@@=†=^¨¨,
¨,:-;*@£## i am not followed, and slow down in the ##£@*;-:,¨
,,-†**@### clearing where you at first can spot ###@**†-,,
.,,~/%$£## the house, not yet really in the ##£$%/~,,.
,¨..-\$@## backyard. from my pockets i retrieve my ##@$\-..¨,
,,~~/=$£## radio (now dented) but also a small ##£$=/~~,,
¨,~^$££### clay figure i've never seen before. it ###££$^~,¨
,¨,~\^¤@## must have been laying in the wet dirt, ##@¤^\~,¨,
¨.¨^~=*££@ and i must've picked it up with my @££*=~^¨.¨
¨,,«^$§### other belongings. ###§$^«,,¨
..-;$$## ###&$$;-..
.,.=:†@&@# it's a statuette of a girl laying naked #@&@†:=.,.
,¨¨^=^$@@@ on her stomach, feet in the air, @@@$^=^¨¨,
..,~:$%@## roughly seven centimeters long. it's ##@%$:~,..
¨.=†%£§@## freshly made, not yet completely dried. ##@§£%†=.¨
,.-~=%£# ##&£%=~-.,
¨¨,,«/%£¤# my mom is here now. i ask her for some #¤£%/«,,¨¨
,¨.=\%$§## particle board for it to dry on, but ##§$%\=.¨,
¨-«*^¤@@## she is worried and wants me to ##@@¤^*«-¨
¨¨,-=†%¤@# throw it away. #@¤%†=-,¨¨
.¨¨,~;=$¤@ @¤$=;~,¨¨.
¨.:-=*@@## ##@@*=-:.¨
¨,«\=$¤@## ##@¤$=\«,¨
.¨.-†*£@## ##@£*†-.¨.
.¨¨.»†*§£@ @£§*†».¨¨.
.¨^=†^¤¤@# #@¤¤^†=^¨.