##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, & dream palace & ,,~«*†&@£#
##£@&†*«~, ~ ----- ------ ~ ,~«*†&@£##
#£@&†*«~,, & ..... ...... & ,,~«*†&@£#
##£@&†*«~, * ..... ...... * ,~«*†&@£##
#£@&†*«~,, ~ ..... ...... ~ ,,~«*†&@£#
##£@&†*«~, ~ ..... ...... ~ ,~«*†&@£##
#£@&†*«~,, , ..... ...... , ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, not actually a palace. a cottage in the ,~«*†&@£##
#£@&†*«~,, woods (temperate climate, rains every ,,~«*†&@£#
##£@&†*«~, other day, springs and streams and ,~«*†&@£##
#£@&†*«~,, mysterious iron and stone artifacts, ,,~«*†&@£#
##£@&†*«~, birdland-ish eternal spring (late ,~«*†&@£##
#£@&†*«~,, spring)) ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, « ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, i wake up every morning at six am. it's ,,~«*†&@£#
##£@&†*«~, dark, and the stars are out, but the ,~«*†&@£##
#£@&†*«~,, sun is about to rise. its a long day, ,,~«*†&@£#
##£@&†*«~, before it fades to night again, and ,~«*†&@£##
#£@&†*«~,, then it stays so until i fall asleep. ,,~«*†&@£#
##£@&†*«~, it doesn't rise unless i've had my ,~«*†&@£##
#£@&†*«~,, dreams. ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, † ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, in this cottage there's a lot of radio ,,~«*†&@£#
##£@&†*«~, equipment, sound stuff, synths, tape ,~«*†&@£##
#£@&†*«~,, players. pen and paper, books, cameras, ,,~«*†&@£#
##£@&†*«~, mirrors, prisms, and various things to ,~«*†&@£##
#£@&†*«~,, do art with. the fridge is filled with ,,~«*†&@£#
##£@&†*«~, differet foods, all of them intriguing, ,~«*†&@£##
#£@&†*«~,, slightly weird. ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, @ ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, i have friends - there's a cat, and a ,,~«*†&@£#
##£@&†*«~, dog (who is ridicolously large and ,~«*†&@£##
#£@&†*«~,, wants to be the big spoon). i listen to ,,~«*†&@£#
##£@&†*«~, the shortwave radio, and transmit a bit ,~«*†&@£##
#£@&†*«~,, myself, songs and poetry, and found ,,~«*†&@£#
##£@&†*«~, sounds from the forest. the others tell ,~«*†&@£##
#£@&†*«~,, of their lives, play the guitar for me, ,,~«*†&@£#
##£@&†*«~, and tell tales of the old world. i ,~«*†&@£##
#£@&†*«~,, consider them friends as well. ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, £ ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, most importantly, there's a two square ,,~«*†&@£#
##£@&†*«~, meter area on the floor where i can ,~«*†&@£##
#£@&†*«~,, "save" things. whatever i put in here ,,~«*†&@£#
##£@&†*«~, will not be affected by the nightly ,~«*†&@£##
#£@&†*«~,, reset. everything else, however, is ,,~«*†&@£#
##£@&†*«~, completely reset overnight: synth ,~«*†&@£##
#£@&†*«~,, patches removed, food uneaten, wounds ,,~«*†&@£#
##£@&†*«~, healed, and wherever and whenever i'd ,~«*†&@£##
#£@&†*«~,, fall asleep i'd always wake up fully ,,~«*†&@£#
##£@&†*«~, rested in my bed. sometimes there's ,~«*†&@£##
#£@&†*«~,, accidents where i lose stuff by ,,~«*†&@£#
##£@&†*«~, forgetting to put them in the square. ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, , ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, at night, i have demi-lucid dreams ,~«*†&@£##
#£@&†*«~,, where the spirits of the forest around ,,~«*†&@£#
##£@&†*«~, the cottage tries to communicate. here, ,~«*†&@£##
#£@&†*«~,, it's not endless but connected to a ,,~«*†&@£#
##£@&†*«~, large sprawling city, where my radio ,~«*†&@£##
#£@&†*«~,, friends live. we go exploring together ,,~«*†&@£#
##£@&†*«~, - things are deep and dark - but unlike ,~«*†&@£##
#£@&†*«~,, me, they never remember during the day. ,,~«*†&@£#
##£@&†*«~, this is a mystery we often discuss. ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##
#£@&†*«~,, ,,~«*†&@£#
##£@&†*«~, ,~«*†&@£##