#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, £ DREAM PALACE £ ,,-=/^£@#@
#@#@£^/=-, - ----- ------ - ,-=/^£@#@#
@#@£^/=-,, £ ..... ...... £ ,,-=/^£@#@
#@#@£^/=-, / ..... ...... / ,-=/^£@#@#
@#@£^/=-,, - ..... ...... - ,,-=/^£@#@
#@#@£^/=-, - ..... ...... - ,-=/^£@#@#
@#@£^/=-,, , ..... ...... , ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, NOT ACTUALLY A PALACE. A COTTAGE IN THE ,-=/^£@#@#
@#@£^/=-,, WOODS (TEMPERATE CLIMATE, RAINS EVERY ,,-=/^£@#@
#@#@£^/=-, OTHER DAY, SPRINGS AND STREAMS AND ,-=/^£@#@#
@#@£^/=-,, MYSTERIOUS IRON AND STONE ARTIFACTS, ,,-=/^£@#@
#@#@£^/=-, BIRDLAND-ISH ETERNAL SPRING (LATE ,-=/^£@#@#
@#@£^/=-,, SPRING)) ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, = ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, I WAKE UP EVERY MORNING AT SIX AM. IT'S ,,-=/^£@#@
#@#@£^/=-, DARK, AND THE STARS ARE OUT, BUT THE ,-=/^£@#@#
@#@£^/=-,, SUN IS ABOUT TO RISE. ITS A LONG DAY, ,,-=/^£@#@
#@#@£^/=-, BEFORE IT FADES TO NIGHT AGAIN, AND ,-=/^£@#@#
@#@£^/=-,, THEN IT STAYS SO UNTIL I FALL ASLEEP. ,,-=/^£@#@
#@#@£^/=-, IT DOESN'T RISE UNLESS I'VE HAD MY ,-=/^£@#@#
@#@£^/=-,, DREAMS. ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ^ ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, IN THIS COTTAGE THERE'S A LOT OF RADIO ,,-=/^£@#@
#@#@£^/=-, EQUIPMENT, SOUND STUFF, SYNTHS, TAPE ,-=/^£@#@#
@#@£^/=-,, PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, ,,-=/^£@#@
#@#@£^/=-, MIRRORS, PRISMS, AND VARIOUS THINGS TO ,-=/^£@#@#
@#@£^/=-,, DO ART WITH. THE FRIDGE IS FILLED WITH ,,-=/^£@#@
#@#@£^/=-, DIFFERET FOODS, ALL OF THEM INTRIGUING, ,-=/^£@#@#
@#@£^/=-,, SLIGHTLY WEIRD. ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, @ ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, I HAVE FRIENDS - THERE'S A CAT, AND A ,,-=/^£@#@
#@#@£^/=-, DOG (WHO IS RIDICOLOUSLY LARGE AND ,-=/^£@#@#
@#@£^/=-,, WANTS TO BE THE BIG SPOON). I LISTEN TO ,,-=/^£@#@
#@#@£^/=-, THE SHORTWAVE RADIO, AND TRANSMIT A BIT ,-=/^£@#@#
@#@£^/=-,, MYSELF, SONGS AND POETRY, AND FOUND ,,-=/^£@#@
#@#@£^/=-, SOUNDS FROM THE FOREST. THE OTHERS TELL ,-=/^£@#@#
@#@£^/=-,, OF THEIR LIVES, PLAY THE GUITAR FOR ME, ,,-=/^£@#@
#@#@£^/=-, AND TELL TALES OF THE OLD WORLD. I ,-=/^£@#@#
@#@£^/=-,, CONSIDER THEM FRIENDS AS WELL. ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, # ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, MOST IMPORTANTLY, THERE'S A TWO SQUARE ,,-=/^£@#@
#@#@£^/=-, METER AREA ON THE FLOOR WHERE I CAN ,-=/^£@#@#
@#@£^/=-,, "SAVE" THINGS. WHATEVER I PUT IN HERE ,,-=/^£@#@
#@#@£^/=-, WILL NOT BE AFFECTED BY THE NIGHTLY ,-=/^£@#@#
@#@£^/=-,, RESET. EVERYTHING ELSE, HOWEVER, IS ,,-=/^£@#@
#@#@£^/=-, COMPLETELY RESET OVERNIGHT: SYNTH ,-=/^£@#@#
@#@£^/=-,, PATCHES REMOVED, FOOD UNEATEN, WOUNDS ,,-=/^£@#@
#@#@£^/=-, HEALED, AND WHEREVER AND WHENEVER I'D ,-=/^£@#@#
@#@£^/=-,, FALL ASLEEP I'D ALWAYS WAKE UP FULLY ,,-=/^£@#@
#@#@£^/=-, RESTED IN MY BED. SOMETIMES THERE'S ,-=/^£@#@#
@#@£^/=-,, ACCIDENTS WHERE I LOSE STUFF BY ,,-=/^£@#@
#@#@£^/=-, FORGETTING TO PUT THEM IN THE SQUARE. ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, , ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, AT NIGHT, I HAVE DEMI-LUCID DREAMS ,-=/^£@#@#
@#@£^/=-,, WHERE THE SPIRITS OF THE FOREST AROUND ,,-=/^£@#@
#@#@£^/=-, THE COTTAGE TRIES TO COMMUNICATE. HERE, ,-=/^£@#@#
@#@£^/=-,, IT'S NOT ENDLESS BUT CONNECTED TO A ,,-=/^£@#@
#@#@£^/=-, LARGE SPRAWLING CITY, WHERE MY RADIO ,-=/^£@#@#
@#@£^/=-,, FRIENDS LIVE. WE GO EXPLORING TOGETHER ,,-=/^£@#@
#@#@£^/=-, - THINGS ARE DEEP AND DARK - BUT UNLIKE ,-=/^£@#@#
@#@£^/=-,, ME, THEY NEVER REMEMBER DURING THE DAY. ,,-=/^£@#@
#@#@£^/=-, THIS IS A MYSTERY WE OFTEN DISCUSS. ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#
@#@£^/=-,, ,,-=/^£@#@
#@#@£^/=-, ,-=/^£@#@#