,,.~=*&§@# #@§&*=~.,,
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,,,,,,,.~= OPPOSER.DREAM =~.,,,,,,,
,,,,,,.~=* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *=~.,,,,,,
,,,,,.~=*& &*=~.,,,,,
,,,,.~=*&§ INTRINSICALLY WEAVED WITHIN THE SPACE §&*=~.,,,,
,,,.~=*&§@ BETWEEN WHAT THE BRAIN CONSTRUCTS AND @§&*=~.,,,
,,.~=*&§@# THE REAL, THE SPACE WHICH WE USUALLY #@§&*=~.,,
,.~=*&§@## CALL THE AETHER, DISTORTIONS, ##@§&*=~.,
,,.~=*&§@# ANOMALIES, CAN APPEAR UNDER #@§&*=~.,,
,,,.~=*&§@ CIRCUMSTANCES, PECULIAR ONES, FOLDED IN @§&*=~.,,,
,,,,.~=*&§ LIKE LIQUID CRYSTALS, APPEARING AS IF §&*=~.,,,,
,,,,,.~=*& YOU SUDDENLY ROTATE YOUR HEAD IN SOME &*=~.,,,,,
,,,,,,.~=* FOURTH DIMENSION (USUALLY MORE OR LESS *=~.,,,,,,
,,,,,,,.~= UNCOMFORTABLE) =~.,,,,,,,
,,,,,,.~=* *=~.,,,,,,
,,,,,.~=*& THE OPPOSER LOOKS LIKE A CONCAVE SQUARE &*=~.,,,,,
,,,,.~=*&§ BALANCING ON A CORNER, WITH ROUND §&*=~.,,,,
,,,.~=*&§@ CUTOUTS ALONG ITS EDGES MAKING IT LOOK @§&*=~.,,,
,,.~=*&§@# LIKE A POINTY CROSS, OR SOMETHING FROM #@§&*=~.,,
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,,,,,.~=*& SENSE. BUT I FEEL AS IF THAT MIGHT BE A &*=~.,,,,,
,,,,,,.~=* REDUCTION, THAT I'M INTERPRETING THE *=~.,,,,,,
,,,,,,,.~= TIP OF SOMETHING MUCH LARGER AND ALIEN =~.,,,,,,,
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,,,,,,.~=* INSCRIBED ALL OVER YOUR VISION, IN THE *=~.,,,,,,
,,,,,.~=*& CASE OF NIGHTMARES, EVIL MEDITATION, OR &*=~.,,,,,
,,,,.~=*&§ DRUG-INDUCED TRANSCENDENTAL STATES. §&*=~.,,,,
,,,.~=*&§@ LIVING BEHIND THE CURTAIN, SO TO SPEAK, @§&*=~.,,,
,,.~=*&§@# IN THE LIQUID BETWEEN YOU AND THE WORLD #@§&*=~.,,
,.~=*&§@## YOU'RE IN. ##@§&*=~.,
,,.~=*&§@# #@§&*=~.,,
,,,.~=*&§@ BUT EVEN IN CALMER TIMES, IT'S NEVER @§&*=~.,,,
,,,,.~=*&§ TOO FAR AWAY, AND YOU CAN FIND YOURSELF §&*=~.,,,,
,,,,,.~=*& TRANSFIXED BY FLOOR TILES, JEWELRY &*=~.,,,,,
,,,,,,.~=* (TOTEMS? CHARMS?), TREES, AND OTHER *=~.,,,,,,
,,,,,,,.~= SUCH THINGS... =~.,,,,,,,
,,,,,,.~=* *=~.,,,,,,
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