#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, ,-«/*&¤@##
#@¤&*/«-,, ,,-«/*&¤@#
@¤&*/«-,,, ,,,-«/*&¤@
¤&*/«-,,,, ,,,,-«/*&¤
@¤&*/«-,,, opposer.dream ,,,-«/*&¤@
#@¤&*/«-,, «««««««««««««««««««««««««««««««««««««««« ,,-«/*&¤@#
##@¤&*/«-, ,-«/*&¤@##
#@¤&*/«-,, intrinsically weaved within the space ,,-«/*&¤@#
@¤&*/«-,,, between what the brain constructs and ,,,-«/*&¤@
¤&*/«-,,,, the real, the space which we usually ,,,,-«/*&¤
@¤&*/«-,,, call the aether, distortions, ,,,-«/*&¤@
#@¤&*/«-,, anomalies, can appear under ,,-«/*&¤@#
##@¤&*/«-, circumstances, peculiar ones, folded in ,-«/*&¤@##
#@¤&*/«-,, like liquid crystals, appearing as if ,,-«/*&¤@#
@¤&*/«-,,, you suddenly rotate your head in some ,,,-«/*&¤@
¤&*/«-,,,, fourth dimension (usually more or less ,,,,-«/*&¤
@¤&*/«-,,, uncomfortable) ,,,-«/*&¤@
#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, the opposer looks like a concave square ,-«/*&¤@##
#@¤&*/«-,, balancing on a corner, with round ,,-«/*&¤@#
@¤&*/«-,,, cutouts along its edges making it look ,,,-«/*&¤@
¤&*/«-,,,, like a pointy cross, or something from ,,,,-«/*&¤
@¤&*/«-,,, twewy ,,,-«/*&¤@
#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, it's hostile, maybe not conscious but ,-«/*&¤@##
#@¤&*/«-,, active, perceiving, alive in some ,,-«/*&¤@#
@¤&*/«-,,, sense. but i feel as if that might be a ,,,-«/*&¤@
¤&*/«-,,,, reduction, that i'm interpreting the ,,,,-«/*&¤
@¤&*/«-,,, tip of something much larger and alien ,,,-«/*&¤@
#@¤&*/«-,, to me. maybe not alive, then, but ,,-«/*&¤@#
##@¤&*/«-, something worse. ,-«/*&¤@##
#@¤&*/«-,, ,,-«/*&¤@#
@¤&*/«-,,, ,,,-«/*&¤@
¤&*/«-,,,, - ,,,,-«/*&¤
@¤&*/«-,,, / ,,,-«/*&¤@
#@¤&*/«-,, ,, ** ,, ,,-«/*&¤@#
##@¤&*/«-, ««««««,,, *** ,,«««, ,-«/*&¤@##
#@¤&*/«-,, «««,, «&&& ,,,,,«« ,,-«/*&¤@#
@¤&*/«-,,, «« ¤¤¤¤« «, ,,,-«/*&¤@
¤&*/«-,,,, ,« /¤¤¤¤¤¤ , ,,,,-«/*&¤
@¤&*/«-,,, @@@/ / ,,,-«/*&¤@
#@¤&*/«-,, // # ,,-«/*&¤@#
##@¤&*/«-, «««¤¤¤////*###* /¤/«««««- ,-«/*&¤@##
#@¤&*/«-,, ---«&&&¤¤// *####/////¤¤&&&***/--- ,,-«/*&¤@#
@¤&*/«-,,, « /#/ ¤&«««- ,,,-«/*&¤@
¤&*/«-,,,, /@/ / ,,,,-«/*&¤
@¤&*/«-,,, ,« /¤¤¤¤¤/ ,,,-«/*&¤@
#@¤&*/«-,, «« «¤¤¤¤& «, ,,-«/*&¤@#
##@¤&*/«-, ,««, &&& ««, ,-«/*&¤@##
#@¤&*/«-,, ««««,,,, **« ,,«««««« ,,-«/*&¤@#
@¤&*/«-,,, // ,,,,, ,,,-«/*&¤@
¤&*/«-,,,, / ,,,,-«/*&¤
@¤&*/«-,,, - ,,,-«/*&¤@
#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, various forms like these ,-«/*&¤@##
#@¤&*/«-,, ,,-«/*&¤@#
@¤&*/«-,,, *#* ,,,-«/*&¤@
¤&*/«-,,,, ,¤##¤/ ,,,,-«/*&¤
@¤&*/«-,,, -&&- ,,,-«/*&¤@
#@¤&*/«-,, -- ,,-«/*&¤@#
##@¤&*/«-, -, ,-«/*&¤@##
#@¤&*/«-,, ,- ,,-«/*&¤@#
@¤&*/«-,,, -- ,,,-«/*&¤@
¤&*/«-,,,, -&&- ,,,,-«/*&¤
@¤&*/«-,,, , ,/¤##¤/, , ,,,-«/*&¤@
#@¤&*/«-,, *#@*«-,, -,,-«*@######@*«-,, -,,-«*@#* ,,-«/*&¤@#
##@¤&*/«-, *##@*«-,,- ,,-«*@######@*«-,,- ,,-«*@##* ,-«/*&¤@##
#@¤&*/«-,, «, ,/¤##¤/, ,« ,,-«/*&¤@#
@¤&*/«-,,, -&&- ,,,-«/*&¤@
¤&*/«-,,,, -- ,,,,-«/*&¤
@¤&*/«-,,, -, ,,,-«/*&¤@
#@¤&*/«-,, ,- ,,-«/*&¤@#
##@¤&*/«-, -- ,-«/*&¤@##
#@¤&*/«-,, -&&- ,,-«/*&¤@#
@¤&*/«-,,, /¤##¤, ,,,-«/*&¤@
¤&*/«-,,,, *#* ,,,,-«/*&¤
@¤&*/«-,,, ,,,-«/*&¤@
#@¤&*/«-,, it morphs ,,-«/*&¤@#
##@¤&*/«-, ,-«/*&¤@##
#@¤&*/«-,, # ,,-«/*&¤@#
@¤&*/«-,,, # ,,,-«/*&¤@
¤&*/«-,,,, ##/ ,,,,-«/*&¤
@¤&*/«-,,, /@@@/ ,,,-«/*&¤@
#@¤&*/«-,, «¤&«&&««¤« ,,-«/*&¤@#
##@¤&*/«-, «« ** ««« ,-«/*&¤@##
#@¤&*/«-,, -// ,,-«/*&¤@#
@¤&*/«-,,, ««« ,,,-«/*&¤@
¤&*/«-,,,, /« ,-----, &«« ,,,,-«/*&¤
@¤&*/«-,,, *//@/« «-//«--,,,,,--««-- «¤¤// ,,,-«/*&¤@
#@¤&*/«-,, **##@@¤&&«---«--,, ,,--«---*&&¤¤@@####** ,,-«/*&¤@#
##@¤&*/«-, //@/ ,-----, ««¤@//** ,-«/*&¤@##
#@¤&*/«-,, / ,«««« &« ,,-«/*&¤@#
@¤&*/«-,,, // ,,,-«/*&¤@
¤&*/«-,,,, &&« * «&&« ,,,,-«/*&¤
@¤&*/«-,,, «&&«&«&&&« ,,,-«/*&¤@
#@¤&*/«-,, /¤¤¤¤/ ,,-«/*&¤@#
##@¤&*/«-, /@@@ ,-«/*&¤@##
#@¤&*/«-,, ## ,,-«/*&¤@#
@¤&*/«-,,, # ,,,-«/*&¤@
¤&*/«-,,,, ,,,,-«/*&¤
@¤&*/«-,,, it appears in it's truest false form ,,,-«/*&¤@
#@¤&*/«-,, inscribed all over your vision, in the ,,-«/*&¤@#
##@¤&*/«-, case of nightmares, evil meditation, or ,-«/*&¤@##
#@¤&*/«-,, drug-induced transcendental states. ,,-«/*&¤@#
@¤&*/«-,,, living behind the curtain, so to speak, ,,,-«/*&¤@
¤&*/«-,,,, in the liquid between you and the world ,,,,-«/*&¤
@¤&*/«-,,, you're in. ,,,-«/*&¤@
#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, but even in calmer times, it's never ,-«/*&¤@##
#@¤&*/«-,, too far away, and you can find yourself ,,-«/*&¤@#
@¤&*/«-,,, transfixed by floor tiles, jewelry ,,,-«/*&¤@
¤&*/«-,,,, (totems? charms?), trees, and other ,,,,-«/*&¤
@¤&*/«-,,, such things... ,,,-«/*&¤@
#@¤&*/«-,, ,,-«/*&¤@#
##@¤&*/«-, ,-«/*&¤@##
#@¤&*/«-,, ,,-«/*&¤@#
@¤&*/«-,,, ,,,-«/*&¤@
¤&*/«-,,,, ,,,,-«/*&¤