,,=^^££@## ##@££^^=,,
,,=^££@### ###@££^=,,
,,=^^££@## ##@££^^=,,
,,,,,^^££@ @££^^,,,,,
,,,=^^^^£# #£^^^^=,,,
,,=^^^^^^£ delay delay d,la# £ ^a, , ,@ = , £^^^^^^=,,
,,=^^£@### ###@£^^=,,
,,=^^££@## ##@££^^=,,
,,,,===^££ ££^===,,,,
,,=^^£££@# #@£££^^=,,
,,,,,,==^£ "delay" means repetiton or likewise, £^==,,,,,,
,,=^^££@## but it's mainly useless without ##@££^^=,,
,,,,,,,=^£ feedback, £^=,,,,,,,
,,=^^£££@# to allow the delay to eat of it's own #@£££^^=,,
,,,,,,=^££ tail, like one of those eaty serpents. ££^=,,,,,,
,,,,==^£@@ thus: it's the serpent effect! @@£^==,,,,
,,=^^££### ###££^^=,,
,,,,==^^££ it's to be revered as a creator of ££^^==,,,,
,,=^^££@@# ambience and of space, if you treat it #@@££^^=,,
,,,,,=^££@ right. a somewhat more solid and @££^=,,,,,
,,=^^££@## slippery sibling of reverb. ##@££^^=,,
,,=^^££@## ##@££^^=,,
,,=^^££@## ##@££^^=,,
,,,=^^^££# #££^^^=,,,
,,=^^££@## ##@££^^=,,
,,=^^££@## ##@££^^=,,