§§§*\»,,,, ,,,,»\*§§§
#§$$*»,,,, ,,,,»*$$§#
§§*»,,,,,, ,,,,,,»*§§
##@§$*\»,, ,,»\*$§@##
@@@§$*\»,, ,,»\*$§@@@
##@§$*\»,, delay delay d,la# § *a, , ,@ » , ,,»\*$§@##
§§§§$*\»,, ,,»\*$§§§§
@@@§$*\»,, ,,»\*$§@@@
##@§$*\»,, ,,»\*$§@##
##@§$*\»,, ,,»\*$§@##
##@§$*\»,, "delay" means repetiton or likewise, ,,»\*$§@##
##@§$*\»,, but it's mainly useless without ,,»\*$§@##
§$$$**\»,, feedback, ,,»\**$$$§
##@§$*\»,, to allow the delay to eat of it's own ,,»\*$§@##
#§§§$*\»,, tail, like one of those eaty serpents. ,,»\*$§§§#
§§*»,,,,,, thus: it's the serpent effect! ,,,,,,»*§§
##@§$*\»,, ,,»\*$§@##
##@§$*\»,, it's to be revered as a creator of ,,»\*$§@##
#@§$**\»,, ambience and of space, if you treat it ,,»\**$§@#
@$*»»,,,,, right. a somewhat more solid and ,,,,,»»*$@
###@$*\»,, slippery sibling of reverb. ,,»\*$@###
§*»»,,,,,, ,,,,,,»»*§
#@@§$*\»,, ,,»\*$§@@#
###@$*\»,, ,,»\*$@###
@@@§$*\»,, ,,»\*$§@@@
#§*»,,,,,, ,,,,,,»*§#