,,,,,,-/*£ £*/-,,,,,,
,,,,,-/*£# #£*/-,,,,,
,,,,-/*£#@ @#£*/-,,,,
,,,-/*£#@# #@#£*/-,,,
,,-/*£#@## ##@#£*/-,,
,,,-/*£#@# delay delay d,la@ # *a, , ,# - , #@#£*/-,,,
,,,,-/*£#@ @#£*/-,,,,
,,,,,-/*£# #£*/-,,,,,
,,,,,,-/*£ £*/-,,,,,,
,,,,,,,-/* */-,,,,,,,
,,,,,,,,-/ "delay" means repetiton or likewise, /-,,,,,,,,
,,,,,,,,,- but it's mainly useless without -,,,,,,,,,
,,,,,,,,-/ feedback, /-,,,,,,,,
,,,,,,,-/* to allow the delay to eat of it's own */-,,,,,,,
,,,,,,-/*£ tail, like one of those eaty serpents. £*/-,,,,,,
,,,,,-/*£# thus: it's the serpent effect! #£*/-,,,,,
,,,,-/*£#@ @#£*/-,,,,
,,,-/*£#@# it's to be revered as a creator of #@#£*/-,,,
,,-/*£#@## ambience and of space, if you treat it ##@#£*/-,,
,,,-/*£#@# right. a somewhat more solid and #@#£*/-,,,
,,,,-/*£#@ slippery sibling of reverb. @#£*/-,,,,
,,,,,-/*£# #£*/-,,,,,
,,,,,,-/*£ £*/-,,,,,,
,,,,,,,-/* */-,,,,,,,
,,,,,,,,-/ /-,,,,,,,,
,,,,,,,,,- -,,,,,,,,,