##@¤%*;»~, ,~»;*%¤@##
##@¤%*;»~, ,~»;*%¤@##
@%%%%*;»~, ,~»;*%%%%@
#@%%%*;»~, ,~»;*%%%@#
###@¤%;»~, ,~»;%¤@###
@¤%%%*;»~, delay delay d,la# ¤ *a, ~ ,@ » ~ ,~»;*%%%¤@
#¤¤***;»~, ,~»;***¤¤#
#¤***»~,,, ,,,~»***¤#
##@¤%*;»~, ,~»;*%¤@##
###@¤%*;~, ,~;*%¤@###
¤%;;»»»~~, "delay" means repetiton or likewise, ,~~»»»;;%¤
##@¤%*;»~, but it's mainly useless without ,~»;*%¤@##
@%;~~,,,,, feedback, ,,,,,~~;%@
#¤%***;»~, to allow the delay to eat of it's own ,~»;***%¤#
##@¤%*;»~, tail, like one of those eaty serpents. ,~»;*%¤@##
##@¤%*;»~, thus: it's the serpent effect! ,~»;*%¤@##
¤%%%*»»»~, ,~»»»*%%%¤
@¤*;»,,,,, it's to be revered as a creator of ,,,,,»;*¤@
##@¤%*;»~, ambience and of space, if you treat it ,~»;*%¤@##
¤¤%%*;~,,, right. a somewhat more solid and ,,,~;*%%¤¤
#¤%*»,,,,, slippery sibling of reverb. ,,,,,»*%¤#
@¤¤¤%*;»~, ,~»;*%¤¤¤@
@%;;;»,,,, ,,,,»;;;%@
¤¤¤%*»~,,, ,,,~»*%¤¤¤
##@¤%*;»~, ,~»;*%¤@##
##@¤%*;»~, ,~»;*%¤@##