,:«†*&&###                                          ###&&*†«:,
,:«†*&&###                                          ###&&*†«:,
,,,,,«***&                                          &***«,,,,,
,,,,::†**&                                          &**†::,,,,
,:«†*&&&&&                                          &&&&&*†«:,
,,,,,«*&## delay  delay  d,la#  & *a,  : ,#   «   : ##&*«,,,,,
,:«†*&&&&&                                          &&&&&*†«:,
,:«†**&&&&                                          &&&&**†«:,
,,,,:†*&##                                          ##&*†:,,,,
,:«†*&####                                          ####&*†«:,
,:«†*&&### "delay" means repetiton or likewise,     ###&&*†«:,
,:«†*&&### but it's mainly useless without          ###&&*†«:,
,:«†*&&### feedback,                                ###&&*†«:,
,,,,:«**&& to allow the delay to eat of it's own    &&**«:,,,,
,,,,:«†*&& tail, like one of those eaty serpents.   &&*†«:,,,,
,:«†***&&& thus: it's the serpent effect!           &&&***†«:,
,,::««*&&#                                          #&&*««::,,
,:«†*&&### it's to be revered as a creator of       ###&&*†«:,
,,,,,:†&## ambience and of space, if you treat it   ##&†:,,,,,
,:«†*&&### right. a somewhat more solid and         ###&&*†«:,
,:«†*&&### slippery sibling of reverb.              ###&&*†«:,
,:«†*&&&&&                                          &&&&&*†«:,
,:«†*&&###                                          ###&&*†«:,
,:«†*&&###                                          ###&&*†«:,
,,,,:††*&&                                          &&*††:,,,,
,:««†****&                                          &****†««:,