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,,,^~/*£## , # , # , ##£*/~^,,,
,,,,^~/*£# , , # , # , , #£*/~^,,,,
,,,,,^~/*£ , , , # , # , , , £*/~^,,,,,
,,,,,,^~/* first hit - in the stomach. and then in */~^,,,,,,
,,,,,,,^~/ the neck. # lights strobing /~^,,,,,,,
,,,,,,,,^~ ^ # in angel patterns # ^ ~^,,,,,,,,
,,,,,,,^~/ ^ ^ # ^ ^ # ^ ^ /~^,,,,,,,
,,,,,,^~/* ^ ^ ^ ^ # ^ ^ # ^ ^ ^ ^ */~^,,,,,,
,,,,,^~/*£ ^ ^ ^ ^ ^ # ^ ^ # ^ ^ ^ ^ ^ £*/~^,,,,,
,,,,^~/*£# body broken, bleeding, kicked again and #£*/~^,,,,
,,,^~/*£## again (now down on the concrete), ##£*/~^,,,
,,^~/*£### ~ # ribs cracked. # ~ ###£*/~^,,
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,,^~/*£### ~ ~ # ~ ~ ~ # ~ ~ ###£*/~^,,
,,,^~/*£## ~ ~ ~ # ~ ~ ~ # ~ ~ ~ ##£*/~^,,,
,,,,^~/*£# consciousness rerouted into the #£*/~^,,,,
,,,,,^~/*£ escaping blood. mixed with the glow of £*/~^,,,,,
,,,,,,^~/* the streetlights and carried away into */~^,,,,,,
,,,,,,,^~/ the hands of the angel. , /~^,,,,,,,
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,,,,,,,^~/ , ^ ~ / ~ ^ , /~^,,,,,,,
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,,,,,^~/*£ she lifts her cupped hands to her £*/~^,,,,,
,,,,^~/*£# muzzle , , , and drinks. #£*/~^,,,,
,,,^~/*£## , # # # , ##£*/~^,,,
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