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,.~†$£#@## ,lizardry ##@#£$†~.,
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,,,,,..†$# ## the art of c.nnecting #$†..,,,,,
,,,.†$$£## , with the old mind ##£$$†.,,,
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,.~†$£#@## my mind is being skewed. mi ##@#£$†~.,
,.~†$$$££# skeleton is stringy and old and alien #££$$$†~.,
,,,,,.††£@ the situation is literally @£††.,,,,,
,,,,,~~~$# pressed out through my eyes, it's #$~~~,,,,,
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,.~†$££#@@ the sunset of the eternal @@#££$†~.,
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,,,..~†£@# persistently against my emulsion #@£†~..,,,
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,,,,.††$## it's ungraspable to me, what other ##$††.,,,,
,.~†$£#@## humans are doing and abstracting, ##@#£$†~.,
,,,,,~~~$# and above all else, what time they use? #$~~~,,,,,
,,,,~$£#@@ how long a time has passed, for them? @@#£$~,,,,
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,,,,~$$£## , the fourth wall .outwards is what , ##£$$~,,,,
,,,,,,~$$# ,, i'm thinking but it's wrong.. a new #$$~,,,,,,
,,,,.†£### , , narrator is introduced, occasionally ###£†.,,,,
,.~†$£#@## . . aware of the previous one, deeper , ##@#£$†~.,
,.~†$£#@## . . down in the dragons throat. ##@#£$†~.,
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