¨.««\\%%&& &&%%\\««.¨
¨.«\*%&### ###&%*\«.¨
¨.«\*%%%%& &%%%%*\«.¨
¨.«\*%&### ###&%*\«.¨
¨¨¨.«*%&## ##&%*«.¨¨¨
¨¨¨¨¨«**&# # #&**«¨¨¨¨¨
¨.«\*%&### ¨LIZARDRY ###&%*\«.¨
¨.«\*%#### « # ## ### ################## ####%*\«.¨
¨.«\*%&### ## THE ART OF C.NNECTING ###&%*\«.¨
¨.«\***&&# ¨ WITH THE OLD MIND #&&***\«.¨
¨.«\*%#### ####%*\«.¨
¨.«\*%&### MY MIND IS BEING SKEWED. MI ###&%*\«.¨
¨¨..«\%&&# SKELETON IS STRINGY AND OLD AND ALIEN #&&%\«..¨¨
¨.«\*%&### THE SITUATION IS LITERALLY ###&%*\«.¨
¨.«\*%&### PRESSED OUT THROUGH MY EYES, IT'S ###&%*\«.¨
¨.«\*%&### ECHOING LIKE ###&%*\«.¨
¨¨¨¨¨«\\%& THE SUNSET OF THE ETERNAL &%\\«¨¨¨¨¨
¨.«\*%#### OCEAN ####%*\«.¨
¨¨¨¨¨¨«*&# PERSISTENTLY AGAINST MY EMULSION #&*«¨¨¨¨¨¨
¨¨¨¨¨.\%## ##%\.¨¨¨¨¨
¨.«\*%&&## IT'S UNGRASPABLE TO ME, WHAT OTHER ##&&%*\«.¨
¨.«\*%&### HUMANS ARE DOING AND ABSTRACTING, ###&%*\«.¨
¨.«\*%&### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###&%*\«.¨
¨¨¨¨«*%&## HOW LONG A TIME HAS PASSED, FOR THEM? ##&%*«¨¨¨¨
¨.«\\**%&# ¨ #&%**\\«.¨
¨.«\*%&### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###&%*\«.¨
¨.«\*%&### CONTINUOUSLY I'M CROWDING THROUGH ###&%*\«.¨
¨.«\*%&### ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ###&%*\«.¨
¨.«\*%&### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###&%*\«.¨
¨¨¨¨..\\%# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #%\\..¨¨¨¨
¨¨¨¨¨¨.\*& . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ &*\.¨¨¨¨¨¨
¨¨¨¨..«\%# . . DOWN IN THE DRAGONS THROAT. #%\«..¨¨¨¨
¨¨¨¨«\*%%# . #%%*\«¨¨¨¨
¨¨.«\\**%# . #%**\\«.¨¨
¨.«\\\%&&# #&&%\\\«.¨
¨.«\*%&### ###&%*\«.¨
¨.«\*%&### ###&%*\«.¨
¨.«\*%&### ###&%*\«.¨
¨.«\*%%%&# #&%%%*\«.¨
¨¨¨¨«\*%## ##%*\«¨¨¨¨