,,,.~=§*@# #@*§=~.,,,
,,,,.~=§*@ @*§=~.,,,,
,,,,,.~=§* *§=~.,,,,,
,,,,,,.~=§ §=~.,,,,,,
,,,,,.~=§* *§=~.,,,,,
,,,,.~=§*@ # @*§=~.,,,,
,,,.~=§*@# ,lizardry #@*§=~.,,,
,,.~=§*@## ~ @ #@ ### ################## ##@*§=~.,,
,.~=§*@### ## the art of c.nnecting ###@*§=~.,
,,.~=§*@## , with the old mind ##@*§=~.,,
,,,.~=§*@# #@*§=~.,,,
,,,,.~=§*@ my mind is being skewed. mi @*§=~.,,,,
,,,,,.~=§* skeleton is stringy and old and alien *§=~.,,,,,
,,,,,,.~=§ the situation is literally §=~.,,,,,,
,,,,,.~=§* pressed out through my eyes, it's *§=~.,,,,,
,,,,.~=§*@ echoing like @*§=~.,,,,
,,,.~=§*@# the sunset of the eternal #@*§=~.,,,
,,.~=§*@## ocean ##@*§=~.,,
,.~=§*@### persistently against my emulsion ###@*§=~.,
,,.~=§*@## ##@*§=~.,,
,,,.~=§*@# it's ungraspable to me, what other #@*§=~.,,,
,,,,.~=§*@ humans are doing and abstracting, @*§=~.,,,,
,,,,,.~=§* and above all else, what time they use? *§=~.,,,,,
,,,,,,.~=§ how long a time has passed, for them? §=~.,,,,,,
,,,,,.~=§* , *§=~.,,,,,
,,,,.~=§*@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @*§=~.,,,,
,,,.~=§*@# continuously i'm crowding through #@*§=~.,,,
,,.~=§*@## , the fourth wall .outwards is what , ##@*§=~.,,
,.~=§*@### ,, i'm thinking but it's wrong.. a new ###@*§=~.,
,,.~=§*@## , , narrator is introduced, occasionally ##@*§=~.,,
,,,.~=§*@# . . aware of the previous one, deeper , #@*§=~.,,,
,,,,.~=§*@ . . down in the dragons throat. @*§=~.,,,,
,,,,,.~=§* . *§=~.,,,,,
,,,,,,.~=§ . §=~.,,,,,,
,,,,,.~=§* *§=~.,,,,,
,,,,.~=§*@ @*§=~.,,,,
,,,.~=§*@# #@*§=~.,,,
,,.~=§*@## ##@*§=~.,,
,.~=§*@### ###@*§=~.,
,,.~=§*@## ##@*§=~.,,