....,«\$%#                                          #%$\«,....
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.....,«\$%                $$$$$$$$$                 %$\«,.....
....,«\$%# $$                                    $$ #%$\«,....
...,«\$%## $$               PLUS                 $$ ##%$\«,...
..,«\$%### $                        MINUS         $ ###%$\«,..
.,«\$%#### $     ZERO                             $ ####%$\«,.
..,«\$%### .                                      . ###%$\«,..
...,«\$%##            .. MIRROR NOTE ..             ##%$\«,...
....,«\$%#              .............               #%$\«,....
.....,«\$%                                          %$\«,.....
......,«\$ AT AN OPPORTUNITY, A MOMENT SUCH AS THIS $\«,......
.......,«\ UNDERAPPRECIATED, UNDERESTIMATED, UNDER  \«,.......
......,«\$ THERE IS SIMPLY NO TIME TO CHOOSE WHAT   $\«,......
.....,«\$%                                          %$\«,.....
....,«\$%# EVERYTHING IS IN THROUGH THE LEFT HALF   #%$\«,....
...,«\$%##     OF MY FACE, AND OUT EXACTLY OPPOSITE ##%$\«,...
..,«\$%###     ,,,THROUGH THE RIGHT HALF,,, OF THE  ###%$\«,..
.,«\$%####                                    FACE  ####%$\«,.
..,«\$%###     PLUS MINUS ZERO BUT POLAR OPPOSITES! ###%$\«,..
...,«\$%##                                          ##%$\«,...
....,«\$%#  #..# #.# #                              #%$\«,....
.....,«\$%  AND                                     %$\«,.....
......,«\$     THE ECHO IS TRAVELLING WITH EVERY    $\«,......
.......,«\     BEAT, MAYBE ONE HUNDRED AND THIRTY   \«,.......
......,«\$     MILLISECONDS, TO TWO HUNDRED AND     $\«,......
.....,«\$% #.# EIGHTY MILLISECONDS, AND DOWN,       %$\«,.....
....,«\$%#     ALONG MY DREADS, MAYBE LIKE          #%$\«,....
...,«\$%##   A CAP TO THE LEFT AND UP FOUR HUNDRED  ##%$\«,...
..,«\$%### TO THE RIGHT                             ###%$\«,..
.,«\$%####                                          ####%$\«,.
..,«\$%###    ABOUT «MAGNETISM« OR «WHAT« «ELSE«    ###%$\«,..
...,«\$%##                                          ##%$\«,...
....,«\$%#   DISTORTION AND HEAVY GLASS AND PALM    #%$\«,....
.....,«\$%                                 TREES    %$\«,.....
......,«\$                                          $\«,......
.......,«\                                          \«,.......
......,«\$                                          $\«,......
.....,«\$%   MY                                     %$\«,.....
....,«\$%#   I HAVE MUSIC THAT LIVES INTO WEIRDER   #%$\«,....
...,«\$%##    CORRIDORS, MY FLESH IS PUSHING        ##%$\«,...
..,«\$%###    MY                                    ###%$\«,..
.,«\$%####    BODY FURTHER INSIDE                   ####%$\«,.
..,«\$%###                                          ###%$\«,..
...,«\$%##                                          ##%$\«,...
....,«\$%#                                          #%$\«,....
.....,«\$%                                          %$\«,.....
......,«\$   THERE        IS TOO MUCH MOVING INSIDE $\«,......
.......,«\                                          \«,.......
......,«\$                                          $\«,......
.....,«\$% WEIRD REVOLVINGS, HOW MUCH MADNESS,      %$\«,.....
....,«\$%# WEIRD ABOUT HOW MUCH MADNESS THAT'S      #%$\«,....
...,«\$%##       IA . @REVOLVED ABOUT TO BE REVOLVE ##%$\«,...
..,«\$%###                                          ###%$\«,..
.,«\$%####                                          ####%$\«,.
..,«\$%###                                          ###%$\«,..
...,«\$%##                                          ##%$\«,...
....,«\$%#     AND I, THE SURGEON, CHOOSE THE       #%$\«,....
.....,«\$%    FRYING PAN                            %$\«,.....
......,«\$   WHATEVER DOG I WANT .................  $\«,......
.......,«\  AND MY SPEED IS EVERYTHING. THE LAST    \«,.......
......,«\$                                          $\«,......
.....,«\$%      RADAR STATION... FOR A WHILE...     %$\«,.....
....,«\$%#                                          #%$\«,....
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