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.,=*=@§£## ##      THE ART OF C,NNECTING            ##£§@=*=,.
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.,=*=@§£##  SKELETON IS STRINGY AND OLD AND ALIEN   ##£§@=*=,.
.,=*=@§£##             THE SITUATION IS LITERALLY   ##£§@=*=,.
.,=*=@£### PRESSED OUT THROUGH MY EYES, IT'S        ###£@=*=,.
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.,=*=@§###             THE SUNSET OF THE ETERNAL    ###§@=*=,.
.,=*=@§£## OCEAN                                    ##£§@=*=,.
.,=*=@§£##         PERSISTENTLY AGAINST MY EMULSION ##£§@=*=,.
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.,=*=@§###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###§@=*=,.
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.,=*=@§£##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##£§@=*=,.
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.,=*=@§££#   CONTINUOUSLY I'M CROWDING THROUGH      #££§@=*=,.
.,=*=@§§§£ . THE FOURTH WALL  ,OUTWARDS IS WHAT   . £§§§@=*=,.
,=*=@§£### .. I'M THINKING BUT IT'S WRONG.. A NEW   ###£§@=*=,
.,=*=@§£## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##£§@=*=,.
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