.^»:§%@### ###@%§:»^.
.....^»»§@ @§»»^.....
......»§§@ @§§»......
.^»:§%@### ###@%§:»^.
...^»§§%%@ @%%§§»^...
.^»:§%@### # ###@%§:»^.
.^»:§%@### .lizardry ###@%§:»^.
.^»:§%@### » # ## ### ################## ###@%§:»^.
.^»:§%@### ## the art of c^nnecting ###@%§:»^.
...^^:§%## . with the old mind ##%§:^^...
.^»:§%@### ###@%§:»^.
.^»:§%@### my mind is being skewed. mi ###@%§:»^.
.....^::%@ skeleton is stringy and old and alien @%::^.....
......^:§@ the situation is literally @§:^......
.....^:§@@ pressed out through my eyes, it's @@§:^.....
....^»§§@# echoing like #@§§»^....
...»»:§@@# the sunset of the eternal #@@§:»»...
....^^:%## ocean ##%:^^....
.^»:§%@@@# persistently against my emulsion #@@@%§:»^.
.^»:§%@### ###@%§:»^.
.^»:%@#### it's ungraspable to me, what other ####@%:»^.
.^»:§%%%## humans are doing and abstracting, ##%%%§:»^.
.....^»:§@ and above all else, what time they use? @§:»^.....
.^»:§%@### how long a time has passed, for them? ###@%§:»^.
....^»::%@ . @%::»^....
.^»:§%#### . ... . ................ ####### ####%§:»^.
...»»:§%@@ continuously i'm crowding through @@%§:»»...
.^»»»§§%%# . the fourth wall ^outwards is what . #%%§§»»»^.
....»:§§%@ .. i'm thinking but it's wrong.. a new @%§§:»....
.^»:§%@### . . narrator is introduced, occasionally ###@%§:»^.
.^»:§%%@@# ^ ^ aware of the previous one, deeper . #@@%%§:»^.
......»:%# ^ ^ down in the dragons throat. #%:»......
.^»:§%@### ^ ###@%§:»^.
.^»:§%@@@@ ^ @@@@%§:»^.
.^»:§%@### ###@%§:»^.
.^»:§%@### ###@%§:»^.
.^»:§%@### ###@%§:»^.
.^»::§§@@# #@@§§::»^.
.^»:§%@### ###@%§:»^.
...»:§§%@# #@%§§:»...