....#.##.#                                          .#..##.#.#
...##..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                *********                 .#.#.#.#.#
..#.#.##.# **                                    ** .#.#.#.#.#
.##.#..#.# **               PLUS                 ** .#.#.#.#.#
..#.#.##.# *                      MINUS           * .#.#.#.#.#
.##.#..#.# *    ZERO                              * .#.#.#.#.#
..#.#.##.# .                                      . .#.#.#.#.#
.##.#..#.#            .. MIRROR NOTE ..             .#.#.#.#.#
..#.#.##.#              .............               .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.# AT AN OPPORTUNITY, A MOMENT SUCH AS THIS .#.#.#.#.#
.##.#..#.# UNDERAPPRECIATED, UNDERESTIMATED, UNDER  .#.#.#.#.#
..#.#.##.# THERE IS SIMPLY NO TIME TO CHOOSE WHAT   .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.# EVERYTHING IS IN THROUGH THE LEFT HALF   .#.#.#.#.#
.##.#..#.#     OF MY FACE, AND OUT EXACTLY OPPOSITE .#.#.#.#.#
..#.#.##.#     ^^^THROUGH THE RIGHT HALF^^^ OF THE  .#.#.#.#.#
.##.#..#.#                                    FACE  .#.#.#.#.#
..#.#.##.#     PLUS MINUS ZERO BUT POLAR OPPOSITES! .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#  #..# #.# #                              .#.#.#.#.#
.##.#..#.#  AND                                     .#.#.#.#.#
..#.#.##.#     THE ECHO IS TRAVELLING WITH EVERY    .#.#.#.#.#
.##.#..#.#     BEAT, MAYBE ONE HUNDRED AND THIRTY   .#.#.#.#.#
..#.#.##.#     MILLISECONDS, TO TWO HUNDRED AND     .#.#.#.#.#
.##.#..#.# #.# EIGHTY MILLISECONDS, AND DOWN,       .#.#.#.#.#
..#.#.##.#     ALONG MY DREADS, MAYBE LIKE          .#.#.#.#.#
.##.#..#.#   A CAP TO THE LEFT AND UP FOUR HUNDRED  .#.#.#.#.#
..#.#.##.# TO THE RIGHT                             .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#   DISTORTION AND HEAVY GLASS AND PALM    .#.#.#.#.#
.##.#..#.#                                 TREES    .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#   MY                                     .#.#.#.#.#
..#.#.##.#   I HAVE MUSIC THAT LIVES INTO WEIRDER   .#.#.#.#.#
.##.#..#.#    CORRIDORS, MY FLESH IS PUSHING        .#.#.#.#.#
..#.#.##.#    MY                                    .#.#.#.#.#
.##.#..#.#    BODY FURTHER INSIDE                   .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#   THERE        IS TOO MUCH MOVING INSIDE .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.# WEIRD REVOLVINGS, HOW MUCH MADNESS,      .#.#.#.#.#
..#.#.##.# WEIRD ABOUT HOW MUCH MADNESS THAT'S      .#.#.#.#.#
.##.#..#.#       IA . £REVOLVED ABOUT TO BE REVOLVE .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#                                          .#.#.#.#.#
..#.#.##.#     AND I, THE SURGEON, CHOOSE THE       .#.#.#.#.#
.##.#..#.#    FRYING PAN                            .#.#.#.#.#
..#.#.##.#   WHATEVER DOG I WANT .................  .#.#.#.#.#
.##.#..#.#  AND MY SPEED IS EVERYTHING. THE LAST    .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
.##.#..#.#      RADAR STATION... FOR A WHILE...     .#.#.#.#.#
..#.#.##.#                                          .#.#.#.#.#
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..#.#.##.#                                          .#.#.#.#.#
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