..-†*&¤### ###¤&*†-..
...-†*&¤## ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## # ##¤&*†-...
..-†*&¤### .lizardry ###¤&*†-..
...-†*&¤## - # ## ### ################## ##¤&*†-...
..-†*&¤### ## the art of c.nnecting ###¤&*†-..
...-†*&¤## . with the old mind ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## my mind is being skewed. mi ##¤&*†-...
..-†*&¤### skeleton is stringy and old and alien ###¤&*†-..
...-†*&¤## the situation is literally ##¤&*†-...
..-†*&¤### pressed out through my eyes, it's ###¤&*†-..
...-†*&¤## echoing like ##¤&*†-...
..-†*&¤### the sunset of the eternal ###¤&*†-..
...-†*&¤## ocean ##¤&*†-...
..-†*&¤### persistently against my emulsion ###¤&*†-..
...-†*&¤## ##¤&*†-...
..-†*&¤### it's ungraspable to me, what other ###¤&*†-..
...-†*&¤## humans are doing and abstracting, ##¤&*†-...
..-†*&¤### and above all else, what time they use? ###¤&*†-..
...-†*&¤## how long a time has passed, for them? ##¤&*†-...
..-†*&¤### . ###¤&*†-..
...-†*&¤## . ... . ................ ####### ##¤&*†-...
..-†*&¤### continuously i'm crowding through ###¤&*†-..
...-†*&¤## . the fourth wall .outwards is what . ##¤&*†-...
..-†*&¤### .. i'm thinking but it's wrong.. a new ###¤&*†-..
...-†*&¤## . . narrator is introduced, occasionally ##¤&*†-...
..-†*&¤### . . aware of the previous one, deeper . ###¤&*†-..
...-†*&¤## . . down in the dragons throat. ##¤&*†-...
..-†*&¤### . ###¤&*†-..
...-†*&¤## . ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## ##¤&*†-...
..-†*&¤### ###¤&*†-..
...-†*&¤## ##¤&*†-...