@@@†/-~,,, ,,,~-/†@@@
@@@@†/-~,, ,,~-/†@@@@
#@@@@†/-~, ,~-/†@@@@#
@@@@†/-~,, ,,~-/†@@@@
@@@†/-~,,, ,,,~-/†@@@
@@†/-~,,,, @ ,,,,~-/†@@
@†/-~,,,,, ,LIZARDRY ,,,,,~-/†@
@@†/-~,,,, - @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,,,~-/†@@
@@@†/-~,,, @@ THE ART OF C~NNECTING ,,,~-/†@@@
@@@@†/-~,, , WITH THE OLD MIND ,,~-/†@@@@
#@@@@†/-~, ,~-/†@@@@#
@@@@†/-~,, MY MIND IS BEING SKEWED. MI ,,~-/†@@@@
@@@†/-~,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,~-/†@@@
@@†/-~,,,, THE SITUATION IS LITERALLY ,,,,~-/†@@
@†/-~,,,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,,,~-/†@
@@†/-~,,,, ECHOING LIKE ,,,,~-/†@@
@@@†/-~,,, THE SUNSET OF THE ETERNAL ,,,~-/†@@@
@@@@†/-~,, OCEAN ,,~-/†@@@@
#@@@@†/-~, PERSISTENTLY AGAINST MY EMULSION ,~-/†@@@@#
@@@@†/-~,, ,,~-/†@@@@
@@@†/-~,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,~-/†@@@
@@†/-~,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,~-/†@@
@†/-~,,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,~-/†@
@@†/-~,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,~-/†@@
@@@†/-~,,, , ,,,~-/†@@@
@@@@†/-~,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,~-/†@@@@
#@@@@†/-~, CONTINUOUSLY I'M CROWDING THROUGH ,~-/†@@@@#
@@@@†/-~,, , THE FOURTH WALL ~OUTWARDS IS WHAT , ,,~-/†@@@@
@@@†/-~,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,~-/†@@@
@@†/-~,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,~-/†@@
@†/-~,,,,, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,~-/†@
@@†/-~,,,, ~ ~ DOWN IN THE DRAGONS THROAT. ,,,,~-/†@@
@@@†/-~,,, ~ ,,,~-/†@@@
@@@@†/-~,, ~ ,,~-/†@@@@
#@@@@†/-~, ,~-/†@@@@#
@@@@†/-~,, ,,~-/†@@@@
@@@†/-~,,, ,,,~-/†@@@
@@†/-~,,,, ,,,,~-/†@@
@†/-~,,,,, ,,,,,~-/†@
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