@@@§$%^=~. .~=^%$§@@@
@@@§$%^=~. .~=^%$§@@@
#@@§$%^=~. .~=^%$§@@#
@@@§$%^=~. .~=^%$§@@@
§%^=...... ......=^%§
@§%=...... @ ......=%§@
§§%==..... .LIZARDRY .....==%§§
#@@§$%^=~. = @ @@ @@@ @@@@@@@@@@@@@@@@@@ .~=^%$§@@#
§$^===.... @@ THE ART OF C~NNECTING ....===^$§
##@@§$^=~. . WITH THE OLD MIND .~=^$§@@##
§§§§$%^=~. .~=^%$§§§§
@@§$^=.... MY MIND IS BEING SKEWED. MI ....=^$§@@
#@@§$%^=~. SKELETON IS STRINGY AND OLD AND ALIEN .~=^%$§@@#
@@@§$%^=~. THE SITUATION IS LITERALLY .~=^%$§@@@
@@$%%%^=~. PRESSED OUT THROUGH MY EYES, IT'S .~=^%%%$@@
§%=~...... ECHOING LIKE ......~=%§
§§§%^^=~.. THE SUNSET OF THE ETERNAL ..~=^^%§§§
##@§$%^=~. OCEAN .~=^%$§@##
#@@§$%^=~. PERSISTENTLY AGAINST MY EMULSION .~=^%$§@@#
§$%=...... ......=%$§
#@@§$%^=~. IT'S UNGRASPABLE TO ME, WHAT OTHER .~=^%$§@@#
@@@§$%^=~. HUMANS ARE DOING AND ABSTRACTING, .~=^%$§@@@
#@@§$%^=~. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .~=^%$§@@#
@§$$$%^=~. HOW LONG A TIME HAS PASSED, FOR THEM? .~=^%$$$§@
§§§$%%^=~. . .~=^%%$§§§
@§$$%=.... . ... . ................ @@@@@@@ ....=%$$§@
§$^^=..... CONTINUOUSLY I'M CROWDING THROUGH .....=^^$§
@@@§$%^=~. . THE FOURTH WALL ~OUTWARDS IS WHAT . .~=^%$§@@@
@@@§$%^=~. .. I'M THINKING BUT IT'S WRONG.. A NEW .~=^%$§@@@
#@@§$%^=~. . . NARRATOR IS INTRODUCED, OCCASIONALLY .~=^%$§@@#
@@@§$%^=~. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . .~=^%$§@@@
§§%=...... ~ ~ DOWN IN THE DRAGONS THROAT. ......=%§§
§$%===~~.. ~ ..~~===%$§
@§§%^^==~. ~ .~==^^%§§@
@@@§$%^=~. .~=^%$§@@@
@@@§$%^=~. .~=^%$§@@@
#@@§$%^=~. .~=^%$§@@#
@§%^~..... .....~^%§@
@$$^=~~~~. .~~~~=^$$@
@@@§$%^=~. .~=^%$§@@@