,,,--~†*%# #%*†~--,,,
,,,,~~†*&# #&*†~~,,,,
,-~†*%&### ###&%*†~-,
,-~†*&#### ####&*†~-,
,-~†*%&### ###&%*†~-,
,,,,~~~*%& # &%*~~~,,,,
,,,---~†%& ,LIZARDRY &%†~---,,,
,-~†*%&### ~ # ## ### ################## ###&%*†~-,
,,,,,-†**& ## THE ART OF C-NNECTING &**†-,,,,,
,-~†*%&### , WITH THE OLD MIND ###&%*†~-,
,,,,-~~~*& &*~~~-,,,,
,,,--~†%&# MY MIND IS BEING SKEWED. MI #&%†~--,,,
,,,~††††%# SKELETON IS STRINGY AND OLD AND ALIEN #%††††~,,,
,,,,~~**%# THE SITUATION IS LITERALLY #%**~~,,,,
,,,,~~†*&& PRESSED OUT THROUGH MY EYES, IT'S &&*†~~,,,,
,,---~*&&& ECHOING LIKE &&&*~---,,
,-~†%&#### THE SUNSET OF THE ETERNAL ####&%†~-,
,,,~~~~*&# OCEAN #&*~~~~,,,
,-~†*%&### PERSISTENTLY AGAINST MY EMULSION ###&%*†~-,
,-~†*%&### ###&%*†~-,
,-~†*%&### IT'S UNGRASPABLE TO ME, WHAT OTHER ###&%*†~-,
,-~†*%&### HUMANS ARE DOING AND ABSTRACTING, ###&%*†~-,
,-~†*%&### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###&%*†~-,
,-~†*%&### HOW LONG A TIME HAS PASSED, FOR THEM? ###&%*†~-,
,-~†*%&### , ###&%*†~-,
,-~†*%&&&# , ,,, , ,,,,,,,,,,,,,,,, ####### #&&&%*†~-,
,,,,,,~†%& CONTINUOUSLY I'M CROWDING THROUGH &%†~,,,,,,
,-~†*%&### , THE FOURTH WALL -OUTWARDS IS WHAT , ###&%*†~-,
,,,,,-~~*& ,, I'M THINKING BUT IT'S WRONG.. A NEW &*~~-,,,,,
,-~†*%&&## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##&&%*†~-,
,-~†*%&### - - AWARE OF THE PREVIOUS ONE, DEEPER , ###&%*†~-,
,-~†*%&### - - DOWN IN THE DRAGONS THROAT. ###&%*†~-,
,,----††%# - #%††----,,
,,,~~††*%# - #%*††~~,,,
,-~†*%&### ###&%*†~-,
,-~††††%## ##%††††~-,
,-~†*%&### ###&%*†~-,
,-~†**%%%& &%%%**†~-,
,,,,,,-†%# #%†-,,,,,,
,-~†*%&### ###&%*†~-,