....-~%&¤¶ ¶¤&%~-....
...-~%&¤¶@ @¶¤&%~-...
..-~%&¤¶@# #@¶¤&%~-..
.-~%&¤¶@## ##@¶¤&%~-.
..-~%&¤¶@# #@¶¤&%~-..
...-~%&¤¶@ @ @¶¤&%~-...
....-~%&¤¶ .LIZARDRY ¶¤&%~-....
.....-~%&¤ ~ ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ¤&%~-.....
......-~%& @@ THE ART OF C-NNECTING &%~-......
.......-~% . WITH THE OLD MIND %~-.......
........-~ ~-........
.........- MY MIND IS BEING SKEWED. MI -.........
.......... SKELETON IS STRINGY AND OLD AND ALIEN ..........
.......... THE SITUATION IS LITERALLY ..........
.......... PRESSED OUT THROUGH MY EYES, IT'S ..........
.........- ECHOING LIKE -.........
........-~ THE SUNSET OF THE ETERNAL ~-........
.......-~% OCEAN %~-.......
......-~%& PERSISTENTLY AGAINST MY EMULSION &%~-......
.....-~%&¤ ¤&%~-.....
....-~%&¤¶ IT'S UNGRASPABLE TO ME, WHAT OTHER ¶¤&%~-....
...-~%&¤¶@ HUMANS ARE DOING AND ABSTRACTING, @¶¤&%~-...
..-~%&¤¶@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@¶¤&%~-..
.-~%&¤¶@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@¶¤&%~-.
..-~%&¤¶@# . #@¶¤&%~-..
...-~%&¤¶@ . ... . ................ ¶¶¶¶¶¶¶ @¶¤&%~-...
....-~%&¤¶ CONTINUOUSLY I'M CROWDING THROUGH ¶¤&%~-....
.....-~%&¤ . THE FOURTH WALL -OUTWARDS IS WHAT . ¤&%~-.....
......-~%& .. I'M THINKING BUT IT'S WRONG.. A NEW &%~-......
.......-~% . . NARRATOR IS INTRODUCED, OCCASIONALLY %~-.......
........-~ - - AWARE OF THE PREVIOUS ONE, DEEPER . ~-........
.........- - - DOWN IN THE DRAGONS THROAT. -.........
.......... - ..........
.......... - ..........
.......... ..........
.........- -.........
........-~ ~-........
.......-~% %~-.......
......-~%& &%~-......
.....-~%&¤ ¤&%~-.....