##@#&%=~,. .,~=%&#@##
#@#&%=~,.. ..,~=%&#@#
@#&%=~,... ...,~=%&#@
#@#&%=~,.. ..,~=%&#@#
##@#&%=~,. .,~=%&#@##
#@#&%=~,.. # ..,~=%&#@#
@#&%=~,... .lizardry ...,~=%&#@
#@#&%=~,.. ~ @ #@ ### ################## ..,~=%&#@#
##@#&%=~,. ## the art of c,nnecting .,~=%&#@##
#@#&%=~,.. . with the old mind ..,~=%&#@#
@#&%=~,... ...,~=%&#@
#@#&%=~,.. my mind is being skewed. mi ..,~=%&#@#
##@#&%=~,. skeleton is stringy and old and alien .,~=%&#@##
#@#&%=~,.. the situation is literally ..,~=%&#@#
@#&%=~,... pressed out through my eyes, it's ...,~=%&#@
#@#&%=~,.. echoing like ..,~=%&#@#
##@#&%=~,. the sunset of the eternal .,~=%&#@##
#@#&%=~,.. ocean ..,~=%&#@#
@#&%=~,... persistently against my emulsion ...,~=%&#@
#@#&%=~,.. ..,~=%&#@#
##@#&%=~,. it's ungraspable to me, what other .,~=%&#@##
#@#&%=~,.. humans are doing and abstracting, ..,~=%&#@#
@#&%=~,... and above all else, what time they use? ...,~=%&#@
#@#&%=~,.. how long a time has passed, for them? ..,~=%&#@#
##@#&%=~,. . .,~=%&#@##
#@#&%=~,.. . ... . ................ @@@@@@@ ..,~=%&#@#
@#&%=~,... continuously i'm crowding through ...,~=%&#@
#@#&%=~,.. . the fourth wall ,outwards is what . ..,~=%&#@#
##@#&%=~,. .. i'm thinking but it's wrong.. a new .,~=%&#@##
#@#&%=~,.. . . narrator is introduced, occasionally ..,~=%&#@#
@#&%=~,... , , aware of the previous one, deeper . ...,~=%&#@
#@#&%=~,.. , , down in the dragons throat. ..,~=%&#@#
##@#&%=~,. , .,~=%&#@##
#@#&%=~,.. , ..,~=%&#@#
@#&%=~,... ...,~=%&#@
#@#&%=~,.. ..,~=%&#@#
##@#&%=~,. .,~=%&#@##
#@#&%=~,.. ..,~=%&#@#
@#&%=~,... ...,~=%&#@
#@#&%=~,.. ..,~=%&#@#