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¨^«/§%@### ¨LIZARDRY ###@%§/«^¨
¨¨¨^«//§%# « # ## ### ################## #%§//«^¨¨¨
¨¨¨^«///%@ ## THE ART OF C^NNECTING @%///«^¨¨¨
¨^«/§%@@@# ¨ WITH THE OLD MIND #@@@%§/«^¨
¨^«/§%#### ####%§/«^¨
¨^«/§%@### MY MIND IS BEING SKEWED. MI ###@%§/«^¨
¨^«/§%@@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@@%§/«^¨
¨¨¨¨¨¨«§§@ THE SITUATION IS LITERALLY @§§«¨¨¨¨¨¨
¨^«/§%@### PRESSED OUT THROUGH MY EYES, IT'S ###@%§/«^¨
¨^«/§%@### ECHOING LIKE ###@%§/«^¨
¨¨¨¨^//%@# THE SUNSET OF THE ETERNAL #@%//^¨¨¨¨
¨¨¨¨^^«§@# OCEAN #@§«^^¨¨¨¨
¨^«/§%@### PERSISTENTLY AGAINST MY EMULSION ###@%§/«^¨
¨^«/§%@@@@ @@@@%§/«^¨
¨^«/§%@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@%§/«^¨
¨¨^««/§§@@ HUMANS ARE DOING AND ABSTRACTING, @@§§/««^¨¨
¨^«/§%@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@%§/«^¨
¨¨¨¨¨«/§@# HOW LONG A TIME HAS PASSED, FOR THEM? #@§/«¨¨¨¨¨
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¨^«/%@#### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ####@%/«^¨
¨^«/§§§§@# CONTINUOUSLY I'M CROWDING THROUGH #@§§§§/«^¨
¨^«/§%@### ¨ THE FOURTH WALL ^OUTWARDS IS WHAT ¨ ###@%§/«^¨
¨^«/§%@### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###@%§/«^¨
¨^«/§%@### ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ###@%§/«^¨
¨^«/§%@@@# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER ¨ #@@@%§/«^¨
¨¨¨¨¨^«§@@ ^ ^ DOWN IN THE DRAGONS THROAT. @@§«^¨¨¨¨¨
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