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.,»;†#@### »           @ #@ ###  ################## ###@#†;»,.
.,»;†$##@# ##      the art of c,nnecting            #@##$†;»,.
.,»;†$#@##        .    with the old mind            ##@#$†;»,.
.....»†###                                          ###†».....
.»;†$#@###             my mind is being skewed. mi  ###@#$†;».
....,»†$$@  skeleton is stringy and old and alien   @$$†»,....
...,»»»†#@             the situation is literally   @#†»»»,...
......,;$# pressed out through my eyes, it's        #$;,......
.,»;†$#@## echoing like                             ##@#$†;»,.
.,»;†$#@##             the sunset of the eternal    ##@#$†;»,.
.....»;$## ocean                                    ##$;».....
.,»;†$#@##         persistently against my emulsion ##@#$†;»,.
.,»;†$####                                          ####$†;»,.
.,»;†$@###    it's ungraspable to me, what other    ###@$†;»,.
...,,;;$$#   humans are doing and abstracting,      #$$;;,,...
......»††#  and above all else, what time they use? #††»......
.,»;†$#@## how long a time has passed, for them?    ##@#$†;»,.
.,»;†$####                                     .    ####$†;»,.
.,»;†$#@##  . ... .  ................   @@@@@@@     ##@#$†;»,.
.,»;†$#@##   continuously i'm crowding through      ##@#$†;»,.
.,»;†$$##@ . the fourth wall  ,outwards is what   . @##$$†;»,.
.,»;†$#@## .. i'm thinking but it's wrong.. a new   ##@#$†;»,.
.,»;†$#@## . . narrator is introduced, occasionally ##@#$†;»,.
.,»;†$@### ,  , aware of the previous one, deeper . ###@$†;»,.
......»†## ,   , down in the dragons throat.        ##†»......
.,»;†$#@##      ,                                   ##@#$†;»,.
.,»;†$#@##       ,                                  ##@#$†;»,.
.,»;†$#@##                                          ##@#$†;»,.
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