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.^~†*£¤### ##      THE ART OF C^NNECTING            ###¤£*†~^.
.^~†*£¤###        .    WITH THE OLD MIND            ###¤£*†~^.
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.^~†*£¤###             MY MIND IS BEING SKEWED. MI  ###¤£*†~^.
.^~†*£¤¤¤¤  SKELETON IS STRINGY AND OLD AND ALIEN   ¤¤¤¤£*†~^.
.^~†*£¤###             THE SITUATION IS LITERALLY   ###¤£*†~^.
.^~†*£¤### PRESSED OUT THROUGH MY EYES, IT'S        ###¤£*†~^.
.....~~†£¤ ECHOING LIKE                             ¤£†~~.....
.^~†*£¤###             THE SUNSET OF THE ETERNAL    ###¤£*†~^.
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.^~†*£¤###         PERSISTENTLY AGAINST MY EMULSION ###¤£*†~^.
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.^~†***££#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #££***†~^.
.^~†*£¤###   HUMANS ARE DOING AND ABSTRACTING,      ###¤£*†~^.
...^~~†£¤#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¤£†~~^...
.^~†*£¤### HOW LONG A TIME HAS PASSED, FOR THEM?    ###¤£*†~^.
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.^~~††*££¤   CONTINUOUSLY I'M CROWDING THROUGH      ¤££*††~~^.
.....^†££¤ . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ¤££†^.....
.^~†*££¤¤# .. I'M THINKING BUT IT'S WRONG.. A NEW   #¤¤££*†~^.
.^~†*£¤¤¤# . . NARRATOR IS INTRODUCED, OCCASIONALLY #¤¤¤£*†~^.
.^~†*£¤### ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ###¤£*†~^.
.^~†*£¤### ^   ^ DOWN IN THE DRAGONS THROAT.        ###¤£*†~^.
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