.^~†%&@### ###@&%†~^.
..^~†%&@## ##@&%†~^..
...^~†%&@# #@&%†~^...
....^~†%&@ @&%†~^....
...^~†%&@# #@&%†~^...
..^~†%&@## # ##@&%†~^..
.^~†%&@### .LIZARDRY ###@&%†~^.
..^~†%&@## ~ @ #@ ### ################## ##@&%†~^..
...^~†%&@# ## THE ART OF C^NNECTING #@&%†~^...
....^~†%&@ . WITH THE OLD MIND @&%†~^....
...^~†%&@# #@&%†~^...
..^~†%&@## MY MIND IS BEING SKEWED. MI ##@&%†~^..
.^~†%&@### SKELETON IS STRINGY AND OLD AND ALIEN ###@&%†~^.
..^~†%&@## THE SITUATION IS LITERALLY ##@&%†~^..
...^~†%&@# PRESSED OUT THROUGH MY EYES, IT'S #@&%†~^...
....^~†%&@ ECHOING LIKE @&%†~^....
...^~†%&@# THE SUNSET OF THE ETERNAL #@&%†~^...
..^~†%&@## OCEAN ##@&%†~^..
.^~†%&@### PERSISTENTLY AGAINST MY EMULSION ###@&%†~^.
..^~†%&@## ##@&%†~^..
...^~†%&@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@&%†~^...
....^~†%&@ HUMANS ARE DOING AND ABSTRACTING, @&%†~^....
...^~†%&@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@&%†~^...
..^~†%&@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@&%†~^..
.^~†%&@### . ###@&%†~^.
..^~†%&@## . ... . ................ @@@@@@@ ##@&%†~^..
...^~†%&@# CONTINUOUSLY I'M CROWDING THROUGH #@&%†~^...
....^~†%&@ . THE FOURTH WALL ^OUTWARDS IS WHAT . @&%†~^....
...^~†%&@# .. I'M THINKING BUT IT'S WRONG.. A NEW #@&%†~^...
..^~†%&@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@&%†~^..
.^~†%&@### ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ###@&%†~^.
..^~†%&@## ^ ^ DOWN IN THE DRAGONS THROAT. ##@&%†~^..
...^~†%&@# ^ #@&%†~^...
....^~†%&@ ^ @&%†~^....
...^~†%&@# #@&%†~^...
..^~†%&@## ##@&%†~^..
.^~†%&@### ###@&%†~^.
..^~†%&@## ##@&%†~^..
...^~†%&@# #@&%†~^...
....^~†%&@ @&%†~^....