,,,--««*%@ @%*««--,,,
,-«^*%§@## ##@§%*^«-,
,,,-««*%§§ §§%*««-,,,
,,---«**§# #§**«---,,
,-«^*%§@## ##@§%*^«-,
,-«^*%§@## ##@§%*^«-,
,-«^*%§@## NOW, USUALLY I FEEL GOOD (MAYBE?), BUT ##@§%*^«-,
,-«^*%§@## THIS TIME OF CONFUSION ALSO LEADS TO ##@§%*^«-,
,-«^*%§@@# ALL ANALYZES ENDING IN "USELESS" - I #@@§%*^«-,
,,,,,«^**§ WAS BEING BOTHERED BY SOMETHING IN A §**^«,,,,,
,,,,,,««*§ SONG OR MOVIE OR BOOK, SO I THINK, HOW §*««,,,,,,
,,,-^**§§@ WOULD I HAVE DONE IT, WHAT IS THE @§§**^-,,,
,-««^**%§# PURPOSE OF THIS PROCESS, WHAT DOES IT #§%**^««-,
,-«^*%@### CONSIST OF...? AND THROUGH THE PROCESS ###@%*^«-,
,-«^*%§@## MORE AND MORE PIECES FALLS OFF UNTIL ##@§%*^«-,
,-«^*%%%§# I'M STANDING THERE WITH NOTHING. #§%%%*^«-,
,---««^^%@ @%^^««---,
,-«^*%§@## REDUCTIONIST HELL - ##@§%*^«-,
,-«^*§@### I WAN'T A BOTTOM FLOOR, A CONCEPT ###@§*^«-,
,,-««^**%§ BEDROCK, BUT THE DEEPER I GO THE MORE §%**^««-,,
,-«^%§@### ABSTRACT THEY ARE, THE THINGS, UNTIL ###@§%^«-,
,-«^*%§@## THEY CEASE TO BE THINGS AT ALL ##@§%*^«-,
,-«^*%§@## ##@§%*^«-,
,-«^*%§@## ARE WE JUST STACKED TRIANGLES? THERE IS ##@§%*^«-,
,-«^*%§@## NOTHING I CAN DO WITH TRIANGLES. THEY ##@§%*^«-,
,,--^^*§§# CAN NOT SHELTER ME IN ANY MEANINGFUL #§§*^^--,,
,,,,-^%%%@ SENSE. @%%%^-,,,,
,-«^*%§@## ##@§%*^«-,
,-«^*%§@## AND WHEN I CAN'T EVEN ANCHOR MYSELF, ##@§%*^«-,
,-«^****%@ WHEN I AM NOTHING BUT THE QUESTION, IT @%****^«-,
,-«^*%§@## FEELS LIKE IT CAN ALL SLIP THROUGH MY ##@§%*^«-,
,-«^*%§§@# FINGERS... "WHOOPS", AND NOTHING EVER #@§§%*^«-,
,-«^%§@### WAS AFTER THAT. ###@§%^«-,
,-«^*%§@## ##@§%*^«-,
,,,,--^*§@ @§*^--,,,,
,-«^*%§@@# #@@§%*^«-,
,-«^*%§@## ##@§%*^«-,
,-«^*%§@@# #@@§%*^«-,