,,,~=*@@## ##@@*=~,,,
,,~=*@@### ###@@*=~,,
,,,~=*@@## ##@@*=~,,,
,,,,~=*@@# #@@*=~,,,,
,,,~=*@@## ##@@*=~,,,
,,~=*@@### Delay Delay D,La# @ *A, , ,# ~ , ###@@*=~,,
,,,~=*@@## ##@@*=~,,,
,,,,~=*@@# #@@*=~,,,,
,,,~=*@@## ##@@*=~,,,
,,~=*@@### ###@@*=~,,
,,,~=*@@## "Delay" Means Repetiton Or Likewise, ##@@*=~,,,
,,,,~=*@@# But It'S Mainly Useless Without #@@*=~,,,,
,,,~=*@@## Feedback, ##@@*=~,,,
,,~=*@@### To Allow The Delay To Eat Of It'S Own ###@@*=~,,
,,,~=*@@## Tail, Like One Of Those Eaty Serpents. ##@@*=~,,,
,,,,~=*@@# Thus: It'S The Serpent Effect! #@@*=~,,,,
,,,~=*@@## ##@@*=~,,,
,,~=*@@### It'S To Be Revered As A Creator Of ###@@*=~,,
,,,~=*@@## Ambience And Of Space, If You Treat It ##@@*=~,,,
,,,,~=*@@# Right. A Somewhat More Solid And #@@*=~,,,,
,,,~=*@@## Slippery Sibling Of Reverb. ##@@*=~,,,
,,~=*@@### ###@@*=~,,
,,,~=*@@## ##@@*=~,,,
,,,,~=*@@# #@@*=~,,,,
,,,~=*@@## ##@@*=~,,,
,,~=*@@### ###@@*=~,,