&&.....&&. &&.&...&..
&.&....&.& ..&&&..&&.
&&&&...&&& &.&..&.&.&
....&..&.. &&&&.&&&&&
&...&&.&&. ....&&....
&&..&.&&.& delay delay d.la# & †a. . .£ ~ . &...&.&...
&.&.&&&.&& &&..&&&&..
&&&&&..&&. &.&.&...&.
&....&.&.& &&&&&&..&&
.&...&&&&& ......&.&.
.&&..&.... "delay" means repetiton or likewise, ......&&&&
&&.&.&&... but it's mainly useless without ......&...
&.&&&&.&.. feedback, ......&&..
&&&...&&&. to allow the delay to eat of it's own &.....&.&.
&..&..&..& tail, like one of those eaty serpents. .&....&&&&
.&.&&.&&.& thus: it's the serpent effect! &&&...&...
.&&&.&&.&& &..&..&&..
.&..&&.&&. it's to be revered as a creator of &&.&&.&.&.
.&&.&.&&.& ambience and of space, if you treat it ..&&.&&&&&
&&.&&&&.&& right. a somewhat more solid and &.&.&&....
&.&&...&&. slippery sibling of reverb. .&&&&.&...
&&&.&..&.& .&...&&&..
&..&&&.&&& &&&..&..&.
&&.&..&&.. &..&.&&.&&
..&&&.&.&. .&.&&&.&&.
..&..&&&&& &&&&..&&.&