,,=\%%#@##                                          ##@#%%\=,,
,,,,,=%%##                                          ##%%=,,,,,
,,=\%%#@##                                          ##@#%%\=,,
,,,,,,,\%#                                          #%\,,,,,,,
,,,,,,=%%@                                          @%%=,,,,,,
,,,,=\\\%@                                          @%\\\=,,,,
,,=\\\%%%@                 ,,%###%,,                @%%%\\\=,,
,,,,=\%#@#       ,, PITTSBURGH ELECTRONICS ,,       #@#%\=,,,,
,,=\%%#@##             == LIFEFORMS ==              ##@#%%\=,,
,,,,\\\%@#               \\ SV ONE \\               #@%\\\,,,,
,,=\%%%###                                          ###%%%\=,,
,,,,,=%%#@ THIS IS A  EURORACK MODULE  BUT I BOUGHT @#%%=,,,,,
,,,,,,\%#@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @#%\,,,,,,
,,=\%%#@##                                          ##@#%%\=,,
,,,==%%%#@ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. @#%%%==,,,
,,,,,=%%@#                                          #@%%=,,,,,
,,,,\%%%@#             ,%@ CONTAINS @%,             #@%%%\,,,,
,,,,,,,\%#           MIDI TO CV CONVERTER           #%\,,,,,,,
,,,,,,=%%#                 TWO VCO'S                #%%=,,,,,,
,,,,,,=%#@ FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER @#%=,,,,,,
,,=\%%#@##       TWO SUB OSCILLATORS I THINK        ##@#%%\=,,
,,,,,=\%%#         TWO ONE TO TWO SPLITTERS         #%%\=,,,,,
,,=\%%#@##          WHITE NOISE GENERATOR           ##@#%%\=,,
,,,,,,\%%@              SAMPLE AND HOLD             @%%\,,,,,,
,,=\%%#@##          LFO PLUS A DIGITAL LFO          ##@#%%\=,,
,,=\%%##@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@##%%\=,,
,,=\%%%#@#              ADSR ENVELOPE               #@#%%%\=,,
,,=\%%#@##                  ONE VCA                 ##@#%%\=,,
,,=\%%#@##              HEADPHONE AMP               ##@#%%\=,,
,,=\%%#@##         FOURTY NINE PATCHPOINTS!         ##@#%%\=,,
,,=\%%####                                          ####%%\=,,
,,,,,,,=%#                 ,,###,,                  #%=,,,,,,,
,,=\%%#@##            =%% SO WHAT NOW %%=           ##@#%%\=,,
,,=\%%#@##                  ,,###,,                 ##@#%%\=,,
,,=\%%#@##                                          ##@#%%\=,,
,,=\%%%%@# CLOCK IO GOES  TO  ASDR  IN I THINK  AND #@%%%%\=,,
,,=\%%#@## MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT ##@#%%\=,,
,,=\%%#@## SUBBASE AND  NOISE IN CHANNEL THREE  AND ##@#%%\=,,
,,=\\%%%%# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #%%%%\\=,,
,,=\%%#@## TWO, AND OSCILLATOR  TWO SAW TO  CHANNEL ##@#%%\=,,
,,,,,,\%%# ONE.  SAMPLE  AND   HOLD   OUT   TO  THE #%%\,,,,,,
,,=\%%#@##  FILTER... MAYBE... RESONANCE AT HALF.   ##@#%%\=,,
,,=\%%#@## SOME FREQUENCY  IN  THE FIRST OSCILLATOR ##@#%%\=,,
,,=\%%%#@@ AND THEN THE SECOND  OSC FOUR  SEMITONES @@#%%%\=,,
,,=\%%#@##                 HIGHER.                  ##@#%%\=,,
,,,,,,=\%#                                          #%\=,,,,,,
,,,,=\%###                  ,=#@#=,                 ###%\=,,,,
,,=\%%#@##          \%% DESKTOP SYNTH %%\           ##@#%%\=,,
,,=\%%#@##                  ,=#@#=,                 ##@#%%\=,,
,,===%%%%#                                          #%%%%===,,
,,=\%%#@##                                          ##@#%%\=,,
,,,,=%%%#@                                          @#%%%=,,,,
,,,,=%%##@                                          @##%%=,,,,
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