,,~†§&¤@##                                          ##@¤&§†~,,
,,~†§&¤¤¤#                                          #¤¤¤&§†~,,
,,~††§§&&¤                                          ¤&&§§††~,,
,,~†§&¤@##                                          ##@¤&§†~,,
,,,,,,†§§¤                                          ¤§§†,,,,,,
,,,,~†§&@@                                          @@&§†~,,,,
,,~†§&¤@##                 ,,&###&,,                ##@¤&§†~,,
,,~†§&¤@##       ,, pittsburgh electronics ,,       ##@¤&§†~,,
,,~†§&¤@##              ~~ lifeforms ~~             ##@¤&§†~,,
,,~††††&¤#               †† sv one ††               #¤&††††~,,
,,,~~†§§§¤                                          ¤§§§†~~,,,
,,~†§¤@### this is a eurorack module but  i  bought ###@¤§†~,,
,,,~††§§&¤ the  blackbox  one  so  it's  also  not. ¤&§§††~,,,
,,~†§&¤@##                                          ##@¤&§†~,,
,,~†§&¤@## it  ships  with  too few  patch  cables. ##@¤&§†~,,
,,~†§&¤¤¤#                                          #¤¤¤&§†~,,
,,~†§&¤@@#             ,§@ contains @§,             #@@¤&§†~,,
,,~††§&&¤@           midi to cv converter           @¤&&§††~,,
,,~†§&@###                two vco's                 ###@&§†~,,
,,~†§&¤@@@ four  channel or two x two channel mixer @@@¤&§†~,,
,,~†§&¤@##        two sub oscillators i think       ##@¤&§†~,,
,,~†§¤@###         two one to two splitters         ###@¤§†~,,
,,~§&¤@###          white noise generator           ###@¤&§~,,
,,~†§&¤###              sample and hold             ###¤&§†~,,
,,~†§&¤@##          lfo plus a digital lfo          ##@¤&§†~,,
,,,,,~†&¤@   filter (lowpass, bandpass, highpass)   @¤&†~,,,,,
,,~†§§§¤¤#              adsr envelope               #¤¤§§§†~,,
,,~†§&¤@##                  one vca                 ##@¤&§†~,,
,,~†&¤@###              headphone amp               ###@¤&†~,,
,,~~~~§&@#         fourty nine patchpoints!         #@&§~~~~,,
,,,,,~††§¤                                          ¤§††~,,,,,
,,~†§&¤@##                  ,,###,,                 ##@¤&§†~,,
,,~†§&¤@##            ~§§ so what now §§~           ##@¤&§†~,,
,,~†§&¤@@#                 ,,###,,                  #@@¤&§†~,,
,,~†§&¤@@@                                          @@@¤&§†~,,
,,~†§&¤@## clock  io goes  to asdr  in i think  and ##@¤&§†~,,
,,~†§&¤@## maybe also to  the  sample and hold. put ##@¤&§†~,,
,,,,†§&¤¤# subbase  and  noise in channel three and #¤¤&§†,,,,
,,,,,,~§¤¤ four.  oscillator  one  saw  to  channel ¤¤§~,,,,,,
,,,,,,†§¤# two, and  oscillator  two saw to channel #¤§†,,,,,,
,,,,,,,†§¤ one.  sample   and  hold  out   to   the ¤§†,,,,,,,
,,~†§&¤@##  filter... maybe... resonance at half.   ##@¤&§†~,,
,,,,,††&@# some  frequency in  the first oscillator #@&††,,,,,
,~†§&¤@### and then the  second osc four  semitones ###@¤&§†~,
,,~†&¤@###                 higher.                  ###@¤&†~,,
,,,,,,†§&¤                                          ¤&§†,,,,,,
,,~†§&¤@##                  ,~¤@¤~,                 ##@¤&§†~,,
,,~†§&¤@##           †&& desktop synth &&†          ##@¤&§†~,,
,,,,†§§§¤#                 ,~¤@¤~,                  #¤§§§†,,,,
,,~†§&¤@##                                          ##@¤&§†~,,
,,,,,,,~§¤                                          ¤§~,,,,,,,
,,,,,~~†&¤                                          ¤&†~~,,,,,
,,,,,,~§&¤                                          ¤&§~,,,,,,
,,,,,,,~§¤                                          ¤§~,,,,,,,
,,~†§&@###                                          ###@&§†~,,