.~-;$@&@@#                                          #@@&@$;-~.
.~-;$@&@##                                          ##@&@$;-~.
.~-;$@&@@#                                          #@@&@$;-~.
.~-;$$$$&&                                          &&$$$$;-~.
.~-;$@@@##                                          ##@@@$;-~.
..~~---;@&                                          &@;---~~..
....-$@&&@                ..@@#@@..                 @&&@$-....
.~-;$@&@##       ~~ PITTSBURGH ELECTRONICS ~~       ##@&@$;-~.
.~-;$@&@@#             -- LIFEFORMS --              #@@&@$;-~.
....~--$@@               ;; SV ONE ;;               @@$--~....
.~-;$@&@##                                          ##@&@$;-~.
.~~~-;@&@@ THIS IS  A  EURORACK MODULE BUT I BOUGHT @@&@;-~~~.
.~-;$@&@@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@@&@$;-~.
.~~~--$@@@                                          @@@$--~~~.
.~-;$@&@@# IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. #@@&@$;-~.
.~-;$$@@@@                                          @@@@$$;-~.
.~-;$@&@@#             .$@ CONTAINS @$.             #@@&@$;-~.
.......-$&           MIDI TO CV CONVERTER           &$-.......
.~-;$@&@@@                 TWO VCO'S                @@@&@$;-~.
.~-;$@&@@# FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER #@@&@$;-~.
.~-;$@&@@#       TWO SUB OSCILLATORS I THINK        #@@&@$;-~.
......-$&&         TWO ONE TO TWO SPLITTERS         &&$-......
.~-;$@&@@#          WHITE NOISE GENERATOR           #@@&@$;-~.
...--;$@&@              SAMPLE AND HOLD             @&@$;--...
....~~-$&@          LFO PLUS A DIGITAL LFO          @&$-~~....
......-;@&   FILTER (LOWPASS, BANDPASS, HIGHPASS)   &@;-......
.~-;$@&@@#               ADSR ENVELOPE              #@@&@$;-~.
.....~-$$&                  ONE VCA                 &$$-~.....
....~;@@@@              HEADPHONE AMP               @@@@;~....
.~-;$@&@@@         FOURTY NINE PATCHPOINTS!         @@@&@$;-~.
.~-;$&@@##                                          ##@@&$;-~.
....~--$&@                  .~@#@~.                 @&$--~....
.~-;$@&@@#            -$$ SO WHAT NOW $$-           #@@&@$;-~.
.~-;$@&@@#                  .~@#@~.                 #@@&@$;-~.
.~-;$@&@@@                                          @@@&@$;-~.
.~-;$@&@@# CLOCK IO GOES  TO  ASDR  IN I  THINK AND #@@&@$;-~.
......~;@@ MAYBE  ALSO TO THE SAMPLE AND  HOLD. PUT @@;~......
.~-;$@&&&@ SUBBASE AND NOISE IN CHANNEL  THREE  AND @&&&@$;-~.
.~-;$@&&&@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @&&&@$;-~.
....~~;@@& TWO, AND  OSCILLATOR  TWO SAW TO CHANNEL &@@;~~....
.~-;$$$$&@ ONE.   SAMPLE   AND  HOLD  OUT  TO   THE @&$$$$;-~.
.~-;$@&@@#  FILTER... MAYBE... RESONANCE AT HALF.   #@@&@$;-~.
.~-;$@&@@# SOME FREQUENCY  IN THE  FIRST OSCILLATOR #@@&@$;-~.
.~-;$@&@@@ AND THEN  THE SECOND OSC  FOUR SEMITONES @@@&@$;-~.
......-$&@                  HIGHER.                 @&$-......
....~~;$@&                                          &@$;~~....
.~-;$@&@@#                  ~-&@&-~                 #@@&@$;-~.
.~-;$$$@@&           ;@@ DESKTOP SYNTH @@;          &@@$$$;-~.
...~;$$$&@                 ~-&@&-~                  @&$$$;~...
.~-;$&@@##                                          ##@@&$;-~.
.~-;$@&&&@                                          @&&&@$;-~.
.~-;$@@&&&                                          &&&@@$;-~.
.....~-$$&                                          &$$-~.....
.~-;$$@@@&                                          &@@@$$;-~.
.~-;$@&@##                                          ##@&@$;-~.