@@%§/~^,,,                                          ,,,^~/§%@@
@%§/~^,,,,                                          ,,,,^~/§%@
%§/~^,,,,,                                          ,,,,,^~/§%
§/~^,,,,,,                                          ,,,,,,^~/§
%§/~^,,,,,                                          ,,,,,^~/§%
@%§/~^,,,,                                          ,,,,^~/§%@
@@%§/~^,,,                 ,,%@#@%,,                ,,,^~/§%@@
#@@%§/~^,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,^~/§%@@#
##@@%§/~^,             ~~ LIFEFORMS ~~              ,^~/§%@@##
#@@%§/~^,,               // SV ONE //               ,,^~/§%@@#
@@%§/~^,,,                                          ,,,^~/§%@@
@%§/~^,,,, THIS  IS A EURORACK MODULE BUT I  BOUGHT ,,,,^~/§%@
%§/~^,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,^~/§%
§/~^,,,,,,                                          ,,,,,,^~/§
%§/~^,,,,, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,,,,,^~/§%
@%§/~^,,,,                                          ,,,,^~/§%@
@@%§/~^,,,             ,§@ CONTAINS @§,             ,,,^~/§%@@
#@@%§/~^,,           MIDI TO CV CONVERTER           ,,^~/§%@@#
##@@%§/~^,                TWO VCO'S                 ,^~/§%@@##
#@@%§/~^,, FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ,,^~/§%@@#
@@%§/~^,,,       TWO SUB OSCILLATORS I THINK        ,,,^~/§%@@
@%§/~^,,,,         TWO ONE TO TWO SPLITTERS         ,,,,^~/§%@
%§/~^,,,,,           WHITE NOISE GENERATOR          ,,,,,^~/§%
§/~^,,,,,,             SAMPLE AND HOLD              ,,,,,,^~/§
%§/~^,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,^~/§%
@%§/~^,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,^~/§%@
@@%§/~^,,,               ADSR ENVELOPE              ,,,^~/§%@@
#@@%§/~^,,                  ONE VCA                 ,,^~/§%@@#
##@@%§/~^,              HEADPHONE AMP               ,^~/§%@@##
#@@%§/~^,,         FOURTY NINE PATCHPOINTS!         ,,^~/§%@@#
@@%§/~^,,,                                          ,,,^~/§%@@
@%§/~^,,,,                  ,^@#@^,                 ,,,,^~/§%@
%§/~^,,,,,            ~§§ SO WHAT NOW §§~           ,,,,,^~/§%
§/~^,,,,,,                 ,^@#@^,                  ,,,,,,^~/§
%§/~^,,,,,                                          ,,,,,^~/§%
@%§/~^,,,, CLOCK IO  GOES TO  ASDR  IN  I THINK AND ,,,,^~/§%@
@@%§/~^,,, MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT ,,,^~/§%@@
#@@%§/~^,, SUBBASE AND NOISE IN  CHANNEL THREE  AND ,,^~/§%@@#
##@@%§/~^, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,^~/§%@@##
#@@%§/~^,, TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ,,^~/§%@@#
@@%§/~^,,, ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ,,,^~/§%@@
@%§/~^,,,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,,,^~/§%@
%§/~^,,,,, SOME FREQUENCY  IN  THE FIRST OSCILLATOR ,,,,,^~/§%
§/~^,,,,,, AND THEN THE  SECOND OSC  FOUR SEMITONES ,,,,,,^~/§
%§/~^,,,,,                  HIGHER.                 ,,,,,^~/§%
@%§/~^,,,,                                          ,,,,^~/§%@
@@%§/~^,,,                 ^~@@@~^                  ,,,^~/§%@@
#@@%§/~^,,           /%% DESKTOP SYNTH %%/          ,,^~/§%@@#
##@@%§/~^,                 ^~@@@~^                  ,^~/§%@@##
#@@%§/~^,,                                          ,,^~/§%@@#
@@%§/~^,,,                                          ,,,^~/§%@@
@%§/~^,,,,                                          ,,,,^~/§%@
%§/~^,,,,,                                          ,,,,,^~/§%
§/~^,,,,,,                                          ,,,,,,^~/§
%§/~^,,,,,                                          ,,,,,^~/§%