,-=:$%&&¶¶ ¶¶&&%$:=-,
,-=:$%&¶@# #@¶&%$:=-,
,-=:$%&&&¶ ¶&&&%$:=-,
,-=:$%¶@## ##@¶%$:=-,
,-=:$%%&¶¶ ¶¶&%%$:=-,
,-=:$$%%¶@ @@@@ ##### @¶%%$$:=-,
,-=:$%&¶@# TAPE DREAM #@¶&%$:=-,
,,,,,-=$&& #### @@@@@ &&$=-,,,,,
,-=::::$&@ @&$::::=-,
,,,,--:$&@ FOR STORING MUSIC ON. ALSO DATA BUT @&$:--,,,,
,-=:$%¶@## AT THIS POINT IN TIME THAT'S NOT ##@¶%$:=-,
,-=:$%&¶@# REALLY IMPORTANT I THINK. #@¶&%$:=-,
,,,,,,-:$& &$:-,,,,,,
,-=:$%&¶@# #@¶&%$:=-,
,-=:$%&¶@# :::::::: TYPES OF TAPE :::::::: #@¶&%$:=-,
,,,,,--:%& &%:--,,,,,
,----:%%%& CLASS I - "BAD" IRON &%%%:----,
,-=:$%&&&@ CLASS II - GOOD CHROMIUM @&&&%$:=-,
,,,,-=$$%& CLASS III - BAD IRON PART TWO &%$$=-,,,,
,-=:$%&¶@# CLASS IV - DANGEROUS METALS #@¶&%$:=-,
,,,,,,-:%& &%:-,,,,,,
,-=:$%&¶@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@¶&%$:=-,
,,,,=$$$&¶ THAT IS ACTUALLY USEFUL. ¶&$$$=,,,,
,,,,,==$&¶ ¶&$==,,,,,
,-=:$%&¶@# :: BIAS :: #@¶&%$:=-,
,-=:$%&¶@# #@¶&%$:=-,
,-=:$%&¶@# CLASS I USES ONE HUNDRED AND TWENTY #@¶&%$:=-,
,,,,==:$%& MICRO-SOMETHING WHILE THE OTHERS ALL &%$:==,,,,
,,,,==:%&@ USE SEVENTY OF THE SAME UNIT. @&%:==,,,,
,,,,-::%&@ @&%::-,,,,
,-=:$%&¶@# #@¶&%$:=-,
,-=:$%&¶@# $$$$$$$$$ AHA AND $$$$$$$$$ #@¶&%$:=-,
,-=:$%%%&¶ ¶&%%%$:=-,
,,,,,,=:%¶ CLASS IV IS APPARENTLY TOO STRONG TO ¶%:=,,,,,,
,,,,=:%%&@ BE USED ON CLASS I PLAYERS. IT WILL @&%%:=,,,,
,-=:$%&¶@# SOUND TOO LOUND AND IT CANNOT BE #@¶&%$:=-,
,,,--::%&& COMPLETELY ERASED. THIS IS VERY WELL. &&%::--,,,
,-=:$%&&&¶ MAYBE SOME WONDERFUL BLENDING EFFECTS ¶&&&%$:=-,
,-=:$%&¶## COULD BE ACHIEVED? ##¶&%$:=-,
,-=:$%&¶@# #@¶&%$:=-,
,-=:$%&¶@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@¶&%$:=-,
,,,-==$%&& BETTER THAN EARLIER TAPE TYPES. &&%$==-,,,
,-=:$%&¶@@ @@¶&%$:=-,
,,,,=$$%¶¶ ¶¶%$$=,,,,
,,,===$%&@ :::::::: ARTIFACTS :::::::: @&%$===,,,
,,,=:$%%&@ @&%%$:=,,,
,-=:$%&¶@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@¶&%$:=-,
,-=:$%&¶## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##¶&%$:=-,
,,,,,-=$%¶ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¶%$=-,,,,,
,-=:$%&¶@# LIKE IT. #@¶&%$:=-,
,,--=::$$& &$$::=--,,
,,,,=::%&¶ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¶&%::=,,,,
,-=:$%&¶@# KNOWS WHATS EVEN ON THERE ANYMORE #@¶&%$:=-,
,-=:$%&¶@# #@¶&%$:=-,
,,,,,-=$&& FLUTTER: KINDA QUICK PITCH VARIATIONS. &&$=-,,,,,
,-=:$%&&¶@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @¶&&%$:=-,
,-=$%&¶@## ##@¶&%$=-,
,-=:$&¶@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@¶&$:=-,
,-=:$%%%¶¶ SECONDS LONG. WHAT UP. BOTH OF THESE ¶¶%%%$:=-,
,-=:$%%&&¶ INCREASE WHEN TAPE SPEED DECREASES. ¶&&%%$:=-,
,-=:$%&¶@# #@¶&%$:=-,
,,,,-:$%¶¶ PRINT THROUGH: TAPES RUB SOUND ON EACH ¶¶%$:-,,,,
,-=:$%&¶@# OTHER IF THEYRE ALONE FOR TOO LONG #@¶&%$:=-,
,,,-:::%¶¶ ¶¶%:::-,,,
,-=:$$$%¶¶ ¶¶%$$$:=-,
,-=:$&¶@## ##@¶&$:=-,
,,,--=:$%& &%$:=--,,,
,-=:$%&@## ##@&%$:=-,
,,,-=$%%%¶ ¶%%%$=-,,,