.:==:::&&¶ ¶&&:::==:.
.:=:%&@¶## ##¶@&%:=:.
.:=:%&@¶## ##¶@&%:=:.
.:=:%&&&¶¶ ¶¶&&&%:=:.
.:=%&@¶### ###¶@&%=:.
...::=:%@# #### ##### #@%:=::...
...==%&&¶# tape dream #¶&&%==...
.:=:%&@¶## #### ##### ##¶@&%:=:.
......::&¶ ¶&::......
.....::%%@ for storing music on. also data but @%%::.....
.:=:%&@¶## at this point in time that's not ##¶@&%:=:.
.:=:%&@¶## really important i think. ##¶@&%:=:.
.....=:&&@ @&&:=.....
......:=%@ @%=:......
....=:&@¶¶ :::::::: types of tape :::::::: ¶¶@&:=....
....:::&@@ @@&:::....
......::&@ class i - "bad" iron @&::......
...::=%&¶# class ii - good chromium #¶&%=::...
....===%&@ class iii - bad iron part two @&%===....
....:=:%@@ class iv - dangerous metals @@%:=:....
.:=:%&@¶## ##¶@&%:=:.
.:=:%&@@¶# rumors exist about a secret class v tape #¶@@&%:=:.
.:=:%&@¶## that is actually useful. ##¶@&%:=:.
...:=:&&@¶ ¶@&&:=:...
.:=:%&@¶## :: bias :: ##¶@&%:=:.
.:=:%&@¶## ##¶@&%:=:.
.:=:%&@¶## class i uses one hundred and twenty ##¶@&%:=:.
.:=:%%%%%@ micro-something while the others all @%%%%%:=:.
.:=:%&@¶## use seventy of the same unit. ##¶@&%:=:.
....:=%%&¶ ¶&%%=:....
.:=:%&@¶## ##¶@&%:=:.
.:=:%&¶### %%%%%%%%% aha and %%%%%%%%% ###¶&%:=:.
.....::&@@ @@&::.....
.:=:%&@### class iv is apparently too strong to ###@&%:=:.
.:=:%&@¶## be used on class i players. it will ##¶@&%:=:.
...:=%%&¶¶ sound too lound and it cannot be ¶¶&%%=:...
.:=:%&@¶¶# completely erased. this is very well. #¶¶@&%:=:.
.....:=%@¶ maybe some wonderful blending effects ¶@%=:.....
....=%&@@¶ could be achieved? ¶@@&%=....
.:=:%&@¶## ##¶@&%:=:.
.:=:%&@¶¶# they also gnaw at the tape heads a bit #¶¶@&%:=:.
.:=:%&¶### better than earlier tape types. ###¶&%:=:.
.:=:%&@¶## ##¶@&%:=:.
.:=:%&@¶## ##¶@&%:=:.
....=%%&¶# :::::::: artifacts :::::::: #¶&%%=....
.:=:%&@¶## ##¶@&%:=:.
.....=:%@¶ good tapes are decent and have a good ¶@%:=.....
.:=:%&@¶## high frequency presence, bad tapes are ##¶@&%:=:.
....:==%&¶ lofi if not outright bad. idk, i kinda ¶&%==:....
.:=:%&@¶## like it. ##¶@&%:=:.
....=%&@@¶ ¶@@&%=....
.:=%&@¶### bias loss: if you forget the bias who ###¶@&%=:.
.::::%&&@# knows whats even on there anymore #@&&%::::.
.....=:&&¶ ¶&&:=.....
.:=::%%%@# flutter: kinda quick pitch variations. #@%%%::=:.
....::&&@# beautiful, wonderful, extraordinary. #@&&::....
.:=:%&@¶## ##¶@&%:=:.
...:::::&@ wow: a slower flutter, usually several @&:::::...
....::&&&@ seconds long. what up. both of these @&&&::....
.....:=:%@ increase when tape speed decreases. @%:=:.....
.:===%&&¶¶ ¶¶&&%===:.
...::::%%@ print through: tapes rub sound on each @%%::::...
.....::=%@ other if theyre alone for too long @%=::.....
.:=:%&@¶## ##¶@&%:=:.
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.:=:%&@¶¶¶ ¶¶¶@&%:=:.
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