..........                                          ..........
..........                                          ..........
..........                                          ..........
..........                                          ..........
..........                                          ..........
..........                                          ..........
.........-                 ..£@#@£..                -.........
........--       -- pittsburgh electronics --       --........
.......--*              -- lifeforms --             *--.......
......--*%               ** sv one **               %*--......
.....--*%£                                          £%*--.....
....--*%£§ this is a eurorack module  but  i bought §£%*--....
...--*%£§¶ the  blackbox  one  so  it's  also  not. ¶§£%*--...
..--*%£§¶@                                          @¶§£%*--..
.--*%£§¶@# it  ships  with too  few  patch  cables. #@¶§£%*--.
--*%£§¶@##                                          ##@¶§£%*--
.--*%£§¶@#             .%¶ contains ¶%.             #@¶§£%*--.
..--*%£§¶@           midi to cv converter           @¶§£%*--..
...--*%£§¶                two vco's                 ¶§£%*--...
....--*%£§ four channel or two x two channel  mixer §£%*--....
.....--*%£        two sub oscillators i think       £%*--.....
......--*%         two one to two splitters         %*--......
.......--*           white noise generator          *--.......
........--              sample and hold             --........
.........-          lfo plus a digital lfo          -.........
..........   filter (lowpass, bandpass, highpass)   ..........
..........               adsr envelope              ..........
..........                 one vca                  ..........
..........               headphone amp              ..........
..........         fourty nine patchpoints!         ..........
..........                                          ..........
..........                 .-@#@-.                  ..........
.........-           -%% so what now %%-            -.........
........--                 .-@#@-.                  --........
.......--*                                          *--.......
......--*% clock  io  goes to asdr  in i  think and %*--......
.....--*%£ maybe also to the sample and  hold.  put £%*--.....
....--*%£§ subbase  and noise  in channel three and §£%*--....
...--*%£§¶ four.  oscillator  one  saw  to  channel ¶§£%*--...
..--*%£§¶@ two, and oscillator two  saw  to channel @¶§£%*--..
.--*%£§¶@# one.   sample  and  hold   out  to   the #@¶§£%*--.
--*%£§¶@##   filter... maybe... resonance at half.  ##@¶§£%*--
.--*%£§¶@# some frequency  in the  first oscillator #@¶§£%*--.
..--*%£§¶@ and then  the  second osc four semitones @¶§£%*--..
...--*%£§¶                  higher.                 ¶§£%*--...
....--*%£§                                          §£%*--....
.....--*%£                 --§¶§--                  £%*--.....
......--*%           *££ desktop synth ££*          %*--......
.......--*                 --§¶§--                  *--.......
........--                                          --........
.........-                                          -.........
..........                                          ..........
..........                                          ..........
..........                                          ..........
..........                                          ..........