@@§*=«.,,,                                          ,,,.«=*§@@
@§*=«.,,,,                                          ,,,,.«=*§@
§*=«.,,,,,                                          ,,,,,.«=*§
*=«.,,,,,,                                          ,,,,,,.«=*
=«.,,,,,,,                                          ,,,,,,,.«=
«.,,,,,,,, delay  delay  d,la#  @ *a,  . ,@   «   . ,,,,,,,,.«
.,,,,,,,,,                                          ,,,,,,,,,.
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
.,,,,,,,,, "delay" means repetiton or likewise,     ,,,,,,,,,.
«.,,,,,,,, but it's mainly useless without          ,,,,,,,,.«
=«.,,,,,,, feedback,                                ,,,,,,,.«=
*=«.,,,,,, to allow the delay to eat of it's own    ,,,,,,.«=*
§*=«.,,,,, tail, like one of those eaty serpents.   ,,,,,.«=*§
@§*=«.,,,, thus: it's the serpent effect!           ,,,,.«=*§@
@@§*=«.,,,                                          ,,,.«=*§@@
#@@§*=«.,, it's to be revered as a creator of       ,,.«=*§@@#
##@@§*=«., ambience and of space, if you treat it   ,.«=*§@@##
#@@§*=«.,, right. a somewhat more solid and         ,,.«=*§@@#
@@§*=«.,,, slippery sibling of reverb.              ,,,.«=*§@@
@§*=«.,,,,                                          ,,,,.«=*§@
§*=«.,,,,,                                          ,,,,,.«=*§
*=«.,,,,,,                                          ,,,,,,.«=*
=«.,,,,,,,                                          ,,,,,,,.«=
«.,,,,,,,,                                          ,,,,,,,,.«