@,,@,,@@,@                                          ,,@,@@@,,,
,@,,@,@@,@                                          ,,,,@,@@,,
,,@,,,@@,@                                          ,,,,,,@@@,
,,,@,,@@,@                                          @,,,,,@,@@
@,,,@,@@,@                                          ,@,,,,,,@@
@@,,,,@@,,                                          ,,@,,,,,@,
@@@,,,@@@,                ,,&###&,,                 ,,,@,,,,,,
@,@@,,@,@@       -- Pittsburgh Electronics --       @,,,@,,,,,
,,@@@,,,@@             »» Lifeforms »»              ,@,,,@,,,,
,,@,@@,,@,               †† Sv One ††               ,,@,,,@,,,
,,,,@@@,,,                                          @,,@,,,@,,
,,,,@,@@,, This  Is A Eurorack Module  But I Bought @@,,@,,,@,
,,,,,,@@@, The  Blackbox  One  So  It'S  Also  Not. ,@@,,@,,,@
@,,,,,@,@@                                          ,@@@,,@,,,
,@,,,,,,@@ It Ships  With  Too  Few  Patch  Cables. ,@,@@,,@,,
,,@,,,,,@,                                          ,,,@@@,,@,
,,,@,,,,,,             ,*# Contains #*,             ,,,@,@@,,@
@,,,@,,,,,           Midi To Cv Converter           ,,,,,@@@,,
,@,,,@,,,,                 Two Vco'S                ,,,,,@,@@,
,,@,,,@,,, Four Channel Or Two X Two  Channel Mixer ,,,,,,,@@@
@,,@,,,@,,       Two Sub Oscillators I Think        ,,,,,,,@,@
@@,,@,,,@,         Two One To Two Splitters         ,,,,,,,,,@
,@@,,@,,,@           White Noise Generator          ,,,,,,,,,@
,@@@,,@,,,             Sample And Hold              ,,,,,,,,,,
,@,@@,,@,,          Lfo Plus A Digital Lfo          ,,,,,,,,,,
,,,@@@,,@,   Filter (Lowpass, Bandpass, Highpass)   @,,,,,,,,,
,,,@,@@,,@              Adsr Envelope               ,@,,,,,,,,
,,,,,@@@,,                  One Vca                 ,,@,,,,,,,
,,,,,@,@@,              Headphone Amp               @,,@,,,,,,
,,,,,,,@@@         Fourty Nine Patchpoints!         ,@,,@,,,,,
,,,,,,,@,@                                          ,,@,,@,,,,
,,,,,,,,,@                  ,-###-,                 ,,,@,,@,,,
,,,,,,,,,@            »** So What Now **»           @,,,@,,@,,
,,,,,,,,,,                 ,-###-,                  ,@,,,@,,@,
,,,,,,,,,,                                          ,,@,,,@,,@
@,,,,,,,,, Clock  Io Goes  To  Asdr In I Think  And ,,,@,,,@,,
,@,,,,,,,, Maybe Also To  The Sample And  Hold. Put ,,,,@,,,@,
,,@,,,,,,, Subbase  And Noise  In Channel Three And ,,,,,@,,,@
@,,@,,,,,, Four.  Oscillator  One  Saw  To  Channel ,,,,,,@,,,
,@,,@,,,,, Two, And  Oscillator Two Saw  To Channel @,,,,,,@,,
,,@,,@,,,, One.  Sample   And   Hold  Out  To   The ,@,,,,,,@,
,,,@,,@,,,  Filter... Maybe... Resonance At Half.   ,,@,,,,,,@
@,,,@,,@,, Some Frequency In  The First  Oscillator ,,,@,,,,,,
,@,,,@,,@, And Then The Second Osc  Four  Semitones ,,,,@,,,,,
,,@,,,@,,@                  Higher.                 @,,,,@,,,,
,,,@,,,@,,                                          @@,,,,@,,,
,,,,@,,,@,                 -»@#@»-                  ,@@,,,,@,,
,,,,,@,,,@          †&& Desktop Synth &&†           ,@@@,,,,@,
,,,,,,@,,,                  -»@#@»-                 ,@,@@,,,,@
@,,,,,,@,,                                          ,,,@@@,,,,
,@,,,,,,@,                                          @,,@,@@,,,
,,@,,,,,,@                                          @@,,,@@@,,
,,,@,,,,,,                                          @@@,,@,@@,
,,,,@,,,,,                                          @,@@,,,@@@
@,,,,@,,,,                                          ,,@@@,,@,@