......&... .&&..&&&&.
&&&&&...&& ......&&..
.&&&..&... .&&&&.....
..&.....&& ..&&..&&&&
....&&&..& &......&&.
&&&..&.... delay delay d.la@ & *a. - .# - - ..&&&&....
.&.....&&. &..&&..&&.
...&&&.... ..........
&&..&..&&& &&&&&&&&&&
&.......&& &&&&&&&&&&
..&&&&&..& "delay" means repetiton or likewise, .&&&&&&&&&
...&&&.... but it's mainly useless without ..&&&&&&&.
&&..&..&&& feedback, ...&&&&&..
........&& to allow the delay to eat of it's own &&..&&&...
&&&&&&&... tail, like one of those eaty serpents. .....&..&&
&&&&&&..&& thus: it's the serpent effect! &&&&.....&
&&&&&....& .&&..&&&..
.&&&..&&.. it's to be revered as a creator of ......&...
..&....... ambience and of space, if you treat it .&&&&...&&
....&&&&&& right. a somewhat more solid and ..&&..&...
&&&..&&&&. slippery sibling of reverb. ........&&
&&....&&.. &&&&&&&..&
&..&&..... .&&&&&....
......&&&& ..&&&..&&.
&&&&&..&&& ...&......
.&&&....&& &&...&&&&.