,~«/*$¤@##                                          ##@¤$*/«~,
,,~«/*$¤@#                                          #@¤$*/«~,,
,,,~«/*$¤@                                          @¤$*/«~,,,
,,,,~«/*$¤                                          ¤$*/«~,,,,
,,,,,~«/*$                                          $*/«~,,,,,
,,,,,,~«/*                                          */«~,,,,,,
,,,,,,,~«/                ,,$@#@$,,                 /«~,,,,,,,
,,,,,,,,~«       ~~ Pittsburgh Electronics ~~       «~,,,,,,,,
,,,,,,,,,~             «« Lifeforms ««              ~,,,,,,,,,
,,,,,,,,~«               // Sv One //               «~,,,,,,,,
,,,,,,,~«/                                          /«~,,,,,,,
,,,,,,~«/* This Is A  Eurorack Module  But I Bought */«~,,,,,,
,,,,,~«/*$ The  Blackbox  One  So  It'S  Also  Not. $*/«~,,,,,
,,,,~«/*$¤                                          ¤$*/«~,,,,
,,,~«/*$¤@ It  Ships  With  Too Few  Patch  Cables. @¤$*/«~,,,
,,~«/*$¤@#                                          #@¤$*/«~,,
,~«/*$¤@##             ,*@ Contains @*,             ##@¤$*/«~,
,,~«/*$¤@#           Midi To Cv Converter           #@¤$*/«~,,
,,,~«/*$¤@                 Two Vco'S                @¤$*/«~,,,
,,,,~«/*$¤ Four Channel  Or Two X Two Channel Mixer ¤$*/«~,,,,
,,,,,~«/*$       Two Sub Oscillators I Think        $*/«~,,,,,
,,,,,,~«/*         Two One To Two Splitters         */«~,,,,,,
,,,,,,,~«/          White Noise Generator           /«~,,,,,,,
,,,,,,,,~«             Sample And Hold              «~,,,,,,,,
,,,,,,,,,~          Lfo Plus A Digital Lfo          ~,,,,,,,,,
,,,,,,,,~«   Filter (Lowpass, Bandpass, Highpass)   «~,,,,,,,,
,,,,,,,~«/              Adsr Envelope               /«~,,,,,,,
,,,,,,~«/*                  One Vca                 */«~,,,,,,
,,,,,~«/*$               Headphone Amp              $*/«~,,,,,
,,,,~«/*$¤         Fourty Nine Patchpoints!         ¤$*/«~,,,,
,,,~«/*$¤@                                          @¤$*/«~,,,
,,~«/*$¤@#                 ,~@#@~,                  #@¤$*/«~,,
,~«/*$¤@##            «** So What Now **«           ##@¤$*/«~,
,,~«/*$¤@#                  ,~@#@~,                 #@¤$*/«~,,
,,,~«/*$¤@                                          @¤$*/«~,,,
,,,,~«/*$¤ Clock Io  Goes To Asdr  In I  Think  And ¤$*/«~,,,,
,,,,,~«/*$ Maybe  Also To  The Sample And Hold. Put $*/«~,,,,,
,,,,,,~«/* Subbase And  Noise  In Channel Three And */«~,,,,,,
,,,,,,,~«/ Four.  Oscillator  One  Saw  To  Channel /«~,,,,,,,
,,,,,,,,~« Two, And Oscillator Two Saw  To  Channel «~,,,,,,,,
,,,,,,,,,~ One.  Sample  And   Hold  Out   To   The ~,,,,,,,,,
,,,,,,,,~«  Filter... Maybe... Resonance At Half.   «~,,,,,,,,
,,,,,,,~«/ Some Frequency  In The  First Oscillator /«~,,,,,,,
,,,,,,~«/* And Then The Second  Osc  Four Semitones */«~,,,,,,
,,,,,~«/*$                  Higher.                 $*/«~,,,,,
,,,,~«/*$¤                                          ¤$*/«~,,,,
,,,~«/*$¤@                 ~«¤@¤«~                  @¤$*/«~,,,
,,~«/*$¤@#           /$$ Desktop Synth $$/          #@¤$*/«~,,
,~«/*$¤@##                 ~«¤@¤«~                  ##@¤$*/«~,
,,~«/*$¤@#                                          #@¤$*/«~,,
,,,~«/*$¤@                                          @¤$*/«~,,,
,,,,~«/*$¤                                          ¤$*/«~,,,,
,,,,,~«/*$                                          $*/«~,,,,,
,,,,,,~«/*                                          */«~,,,,,,
,,,,,,,~«/                                          /«~,,,,,,,