##@§§§\~^. .^~\§§§@##
@@#§§~^... ...^~§§#@@
##@#@§\~^. .^~\§@#@##
#@@#@§\~^. .^~\§@#@@#
@@@#@§\~^. .^~\§@#@@@
@@@@§§\~^. delay delay d.la@ # §a. ^ .@ ~ ^ .^~\§§@@@@
#@@#@§\~^. .^~\§@#@@#
##§\~..... .....~\§##
@@@§§§\~^. .^~\§§§@@@
#@@#@§\~^. .^~\§@#@@#
#@@@\~~~^. "delay" means repetiton or likewise, .^~~~\@@@#
#@@#@§\~^. but it's mainly useless without .^~\§@#@@#
##@#@§\~^. feedback, .^~\§@#@##
##@#@§\~^. to allow the delay to eat of it's own .^~\§@#@##
@###@§\~^. tail, like one of those eaty serpents. .^~\§@###@
@@@#@§\~^. thus: it's the serpent effect! .^~\§@#@@@
#@@#@§\~^. .^~\§@#@@#
#@@#@§\~^. it's to be revered as a creator of .^~\§@#@@#
##@@@§\~^. ambience and of space, if you treat it .^~\§@@@##
@@@@\~~^.. right. a somewhat more solid and ..^~~\@@@@
@@@@\^^^.. slippery sibling of reverb. ..^^^\@@@@
@@@#@§\~^. .^~\§@#@@@
@###@§\~^. .^~\§@###@
@@@\~^^... ...^^~\@@@
#@@#@§\~^. .^~\§@#@@#
@#@§§§\~^. .^~\§§§@#@