.....,~/§@ @§/~,.....
.,~/^§@### ###@§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§§§§@ delay delay d.la# £ ^a. , .@ ~ , @§§§§^/~,.
.,~/^^§£@@ @@£§^^/~,.
.....~//^£ £^//~.....
.,~/^§£### ###£§^/~,.
.....~^££@ @££^~.....
.,~~~//§£# "delay" means repetiton or likewise, #£§//~~~,.
.,~/^§£@## but it's mainly useless without ##@£§^/~,.
......,/§£ feedback, £§/,......
.,~/^§£### to allow the delay to eat of it's own ###£§^/~,.
..,,,//^£# tail, like one of those eaty serpents. #£^//,,,..
......,/§£ thus: it's the serpent effect! £§/,......
.,~/^§£@@@ @@@£§^/~,.
.,~/^^^§££ it's to be revered as a creator of ££§^^^/~,.
.,~/^§£@## ambience and of space, if you treat it ##@£§^/~,.
.,~/^§£@@@ right. a somewhat more solid and @@@£§^/~,.
....,,,/§£ slippery sibling of reverb. £§/,,,....
.,~/^§@### ###@§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§£@## ##@£§^/~,.
.,~/^§£@## ##@£§^/~,.