...--~~*£@ @£*~~--...
.-~;*$£¶@# #@¶£$*;~-.
.-~;*$£¶@# #@¶£$*;~-.
.....-~~*£ £*~~-.....
......-;$£ £$;-......
...--;;$$£ delay delay d.la@ £ *a. - .¶ ~ - £$$;;--...
.....-;$£@ @£$;-.....
.-~;*$£¶¶¶ ¶¶¶£$*;~-.
.-~;*$£¶@# #@¶£$*;~-.
.-~;*$£¶@# #@¶£$*;~-.
.-~;*$£¶@# "delay" means repetiton or likewise, #@¶£$*;~-.
.....-;$£@ but it's mainly useless without @£$;-.....
.-~;*$£¶@# feedback, #@¶£$*;~-.
....--;;$¶ to allow the delay to eat of it's own ¶$;;--....
.-~;*$£¶@@ tail, like one of those eaty serpents. @@¶£$*;~-.
.-~;*$£¶@# thus: it's the serpent effect! #@¶£$*;~-.
......-;$¶ ¶$;-......
.-~;*$£@## it's to be revered as a creator of ##@£$*;~-.
....-;**$¶ ambience and of space, if you treat it ¶$**;-....
.-~;$£¶@## right. a somewhat more solid and ##@¶£$;~-.
.-~;*$£££@ slippery sibling of reverb. @£££$*;~-.
.-~;*$£¶@@ @@¶£$*;~-.
.-~;*$£¶## ##¶£$*;~-.
.-~;*$£¶@@ @@¶£$*;~-.
.....-~**£ £**~-.....
.-~;*$£¶@# #@¶£$*;~-.