..,~=*%£@# #@£%*=~,..
...,~=*%£@ @£%*=~,...
....,~=*%£ £%*=~,....
...,~=*%£@ @£%*=~,...
..,~=*%£@# #@£%*=~,..
.,~=*%£@## A DYSTOPIAN MC DONALDS TOILET STEALS MY ##@£%*=~,.
..,~=*%£@# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #@£%*=~,..
...,~=*%£@ ROOM. SATURATED. I CAN ONLY DO WHAT IT @£%*=~,...
....,~=*%£ WANTS IN THE WAY IT WANTS. £%*=~,....
...,~=*%£@ @£%*=~,...
..,~=*%£@# ~ = ~ ~ = ~ ~ = ~ #@£%*=~,..
.,~=*%£@## ##@£%*=~,.
..,~=*%£@# BUT: IN A MIRACOLOUS FRACTION OF A #@£%*=~,..
...,~=*%£@ SECOND, ITS TRUE THOUGHTS SLIP THROUGH @£%*=~,...
....,~=*%£ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS £%*=~,....
...,~=*%£@ BUILDERS (THE ROOM WAS THOUGHT TO BE @£%*=~,...
..,~=*%£@# WITHOUT CONSCIOUSNESS). #@£%*=~,..
.,~=*%£@## ##@£%*=~,.
..,~=*%£@# THE ROOM THINKS ABOUT CREATURES LYING #@£%*=~,..
...,~=*%£@ DOWN, GOING OFF TO SLEEP, MAKING @£%*=~,...
....,~=*%£ THEMSELVES COMFORTABLE FIRST... IS THIS £%*=~,....
...,~=*%£@ ONLY OPTIMIZING A RESTING POSITION FOR @£%*=~,...
..,~=*%£@# THE BODY? OR IS THERE ANOTHER WILL #@£%*=~,..
.,~=*%£@## INVOLVED? ##@£%*=~,.
..,~=*%£@# #@£%*=~,..
...,~=*%£@ A DARK LISTENING TAKING PLACE, @£%*=~,...
....,~=*%£ A SILENT CONCERT. £%*=~,....
...,~=*%£@ @£%*=~,...
..,~=*%£@# IS THERE ANOTHER DESIRE INJECTED AT #@£%*=~,..
.,~=*%£@## HYPNAGOGIA? SOMETHING FROM THE OTHER ##@£%*=~,.
..,~=*%£@# SIDE, GUIDING THEM, #@£%*=~,..
...,~=*%£@ ARRANGING THEIR BODIES. @£%*=~,...
....,~=*%£ £%*=~,....
...,~=*%£@ @£%*=~,...
..,~=*%£@# #@£%*=~,..
.,~=*%£@## ##@£%*=~,.
..,~=*%£@# #@£%*=~,..