.^=^%£@@@# #@@@£%^=^.
....==^££@ @££^==....
.....^^%£@ @£%^^.....
.^=^%£@@## ##@@£%^=^.
....===%£@ @£%===....
.^=^%£@### A DYSTOPIAN MC DONALDS TOILET STEALS MY ###@£%^=^.
.^=^%£@@@# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #@@@£%^=^.
.^=^%£@@## ROOM. SATURATED. I CAN ONLY DO WHAT IT ##@@£%^=^.
.^=^%£@@## WANTS IN THE WAY IT WANTS. ##@@£%^=^.
.^=^%£@### ###@£%^=^.
.^=^%£@@@@ = ^ = = ^ = = ^ = @@@@£%^=^.
..^=^^^%£@ @£%^^^=^..
....==^£@# BUT: IN A MIRACOLOUS FRACTION OF A #@£^==....
....^^£@@@ SECOND, ITS TRUE THOUGHTS SLIP THROUGH @@@£^^....
.^=^%£@### TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ###@£%^=^.
....^=^%£@ BUILDERS (THE ROOM WAS THOUGHT TO BE @£%^=^....
...^^==^£@ WITHOUT CONSCIOUSNESS). @£^==^^...
.^=^%££@@@ @@@££%^=^.
.^=^%££@@# THE ROOM THINKS ABOUT CREATURES LYING #@@££%^=^.
.^=^%£@@## DOWN, GOING OFF TO SLEEP, MAKING ##@@£%^=^.
.^=^%£@@## THEMSELVES COMFORTABLE FIRST... IS THIS ##@@£%^=^.
.^=^%£@@## ONLY OPTIMIZING A RESTING POSITION FOR ##@@£%^=^.
.^=^%£@@## THE BODY? OR IS THERE ANOTHER WILL ##@@£%^=^.
.^^^=%%%£@ INVOLVED? @£%%%=^^^.
......=%@@ @@%=......
......^^£@ A DARK LISTENING TAKING PLACE, @£^^......
.^=^%£@@## A SILENT CONCERT. ##@@£%^=^.
.^=^%£@@## ##@@£%^=^.
.^=^%£@@## IS THERE ANOTHER DESIRE INJECTED AT ##@@£%^=^.
.^=^%£@@## HYPNAGOGIA? SOMETHING FROM THE OTHER ##@@£%^=^.
.^=^%£@@## SIDE, GUIDING THEM, ##@@£%^=^.
.^=^%£@@## ARRANGING THEIR BODIES. ##@@£%^=^.
.^=^%£@@## ##@@£%^=^.
.^=^%£@@## ##@@£%^=^.
.^=^%£@@## ##@@£%^=^.
.^^%£@@### ###@@£%^^.
.^=^%£@@@# #@@@£%^=^.