,,.«^%£@## ##@£%^«.,,
,,,.«^%£@# #@£%^«.,,,
,,,,.«^%£@ @£%^«.,,,,
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,,.«^%£@## # @ £ ^ . . ^ £ @ # ##@£%^«.,,
,,,.«^%£@# # £ % « wetlands « % £ # #@£%^«.,,,
,,,,.«^%£@ # @ £ ^ . . ^ £ @ # @£%^«.,,,,
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,,.«^%£@## ##@£%^«.,,
,.«^%£@### ###@£%^«.,
,,.«^%£@## the sea pretends to be a completely ##@£%^«.,,
,,,.«^%£@# flat surface spanning further than the #@£%^«.,,,
,,,,.«^%£@ thought of it, which is partially true. @£%^«.,,,,
,,,.«^%£@# but outside of a map it is decidedly #@£%^«.,,,
,,.«^%£@## more violent, being made up of vast ##@£%^«.,,
,.«^%£@### amounts of purposeful water, moving ###@£%^«.,
,,.«^%£@## toward some secluded but important ##@£%^«.,,
,,,.«^%£@# destiny. #@£%^«.,,,
,,,,.«^%£@ @£%^«.,,,,
,,,.«^%£@# a permanent procession on land floods #@£%^«.,,,
,,.«^%£@## the earth, weathers the forests, and ##@£%^«.,,
,.«^%£@### slowly submerges the green. but another ###@£%^«.,
,,.«^%£@## expanse is taking place, in the ##@£%^«.,,
,,,.«^%£@# opposite direction - the animals that #@£%^«.,,,
,,,,.«^%£@ inhabit the dirt are building paths @£%^«.,,,,
,,,.«^%£@# elevated above the mires, building #@£%^«.,,,
,,.«^%£@## temples at the waters edge, building ##@£%^«.,,
,.«^%£@### dwellings in the reed... ###@£%^«.,
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