,~=†††%$§§                                          §§$%†††=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§### delay  delay  d,la#  § %a,  ~ ,#   =   ~ ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§### "delay" means repetiton or likewise,     ###§$%†=~,
,~===†%$$# but it's mainly useless without          #$$%†===~,
,,,,~~=%$# feedback,                                #$%=~~,,,,
,~=†%$§### to allow the delay to eat of it's own    ###§$%†=~,
,~=†%%%$§§ tail, like one of those eaty serpents.   §§$%%%†=~,
,~=†%$§### thus: it's the serpent effect!           ###§$%†=~,
,,,,,=%$§#                                          #§$%=,,,,,
,,,~~=%§## it's to be revered as a creator of       ##§%=~~,,,
,~=†%%%%§# ambience and of space, if you treat it   #§%%%%†=~,
,~~~†%%§## right. a somewhat more solid and         ##§%%†~~~,
,~=†%$§### slippery sibling of reverb.              ###§$%†=~,
,,,,,~=%§#                                          #§%=~,,,,,
,~=†%$§###                                          ###§$%†=~,
,~=†%$§###                                          ###§$%†=~,
,,,~~=%$##                                          ##$%=~~,,,
,~=†%$§###                                          ###§$%†=~,