&$**~,,,,, ,,,,,~**$&
@@$*~,,,,, ,,,,,~*$@@
##@@&$*~,, ,,~*$&@@##
@@$****~,, ,,~****$@@
&$~,,,,,,, ,,,,,,,~$&
#@@&$$*~,, @@@@ ##### ,,~*$$&@@#
@&$*~~,,,, tape dream ,,,,~~*$&@
##@&$$*~,, #### @@@@@ ,,~*$$&@##
@@@&$$*~,, ,,~*$$&@@@
@@$*,,,,,, for storing music on. also data but ,,,,,,*$@@
@&$*~,,,,, at this point in time that's not ,,,,,~*$&@
&&&&$$*~,, really important i think. ,,~*$$&&&&
&$$****~,, ,,~****$$&
##@&$$*~,, ,,~*$$&@##
##@&$$*~,, ******** types of tape ******** ,,~*$$&@##
@@$$~~,,,, ,,,,~~$$@@
@&&$***~,, class i - "bad" iron ,,~***$&&@
@$*,,,,,,, class ii - good chromium ,,,,,,,*$@
@@@&$$*~,, class iii - bad iron part two ,,~*$$&@@@
#@@&$$*~,, class iv - dangerous metals ,,~*$$&@@#
@@@&$$*~,, ,,~*$$&@@@
#@@&$$*~,, rumors exist about a secret class v tape ,,~*$$&@@#
#@@&$$*~,, that is actually useful. ,,~*$$&@@#
&$$~,,,,,, ,,,,,,~$$&
@@@&$$*~,, ** bias ** ,,~*$$&@@@
@&&$**~,,, ,,,~**$&&@
@&$$*~,,,, class i uses one hundred and twenty ,,,,~*$$&@
##@@&$*~,, micro-something while the others all ,,~*$&@@##
@$$**~~,,, use seventy of the same unit. ,,,~~**$$@
&$$**,,,,, ,,,,,**$$&
##@@$$*~,, ,,~*$$@@##
#@@&$$*~,, $$$$$$$$$ aha and $$$$$$$$$ ,,~*$$&@@#
@@@&$$*~,, ,,~*$$&@@@
@@@&$$*~,, class iv is apparently too strong to ,,~*$$&@@@
&&&&$$*~,, be used on class i players. it will ,,~*$$&&&&
&$~,,,,,,, sound too lound and it cannot be ,,,,,,,~$&
##@&$$*~,, completely erased. this is very well. ,,~*$$&@##
#@@&$$*~,, maybe some wonderful blending effects ,,~*$$&@@#
##@@&$$~,, could be achieved? ,,~$$&@@##
@&$*,,,,,, ,,,,,,*$&@
@&$*,,,,,, they also gnaw at the tape heads a bit ,,,,,,*$&@
#@@&$$*~,, better than earlier tape types. ,,~*$$&@@#
@&$*~,,,,, ,,,,,~*$&@
##@&$$*~,, ,,~*$$&@##
&&$**,,,,, ******** artifacts ******** ,,,,,**$&&
@@@&$$*~,, ,,~*$$&@@@
@$**,,,,,, good tapes are decent and have a good ,,,,,,**$@
&&$*,,,,,, high frequency presence, bad tapes are ,,,,,,*$&&
#@@&$$*~,, lofi if not outright bad. idk, i kinda ,,~*$$&@@#
@@&$$~,,,, like it. ,,,,~$$&@@
@&$$~,,,,, ,,,,,~$$&@
@&$*,,,,,, bias loss: if you forget the bias who ,,,,,,*$&@
@@&$~~,,,, knows whats even on there anymore ,,,,~~$&@@
@&$**~,,,, ,,,,~**$&@
&$$*,,,,,, flutter: kinda quick pitch variations. ,,,,,,*$$&
&&&&$$*~,, beautiful, wonderful, extraordinary. ,,~*$$&&&&
#@@&$$*~,, ,,~*$$&@@#
@@&$*,,,,, wow: a slower flutter, usually several ,,,,,*$&@@
#@@&$$*~,, seconds long. what up. both of these ,,~*$$&@@#
##@@$$*~,, increase when tape speed decreases. ,,~*$$@@##
&$$*~,,,,, ,,,,,~*$$&
#@@&$$*~,, print through: tapes rub sound on each ,,~*$$&@@#
#@@&$$*~,, other if theyre alone for too long ,,~*$$&@@#
&&$$*~,,,, ,,,,~*$$&&
#@@&$$*~,, ,,~*$$&@@#
@@$*,,,,,, ,,,,,,*$@@
&$*~,,,,,, ,,,,,,~*$&
@&$**~~,,, ,,,~~**$&@
&&&$$$*~,, ,,~*$$$&&&