£&£*/~^,,,                                          ,,,^~/*£&£
#£&£*/~^,,                                          ,,^~/*£&£#
##£&£*/~^,                                          ,^~/*£&£##
#£&£*/~^,,                                          ,,^~/*£&£#
£&£*/~^,,,                                          ,,,^~/*£&£
&£*/~^,,,, delay  delay  d,la#  & *a,  ^ ,£   ~   ^ ,,,,^~/*£&
£*/~^,,,,,                                          ,,,,,^~/*£
*/~^,,,,,,                                          ,,,,,,^~/*
/~^,,,,,,,                                          ,,,,,,,^~/
~^,,,,,,,,                                          ,,,,,,,,^~
^,,,,,,,,, "delay" means repetiton or likewise,     ,,,,,,,,,^
~^,,,,,,,, but it's mainly useless without          ,,,,,,,,^~
/~^,,,,,,, feedback,                                ,,,,,,,^~/
*/~^,,,,,, to allow the delay to eat of it's own    ,,,,,,^~/*
£*/~^,,,,, tail, like one of those eaty serpents.   ,,,,,^~/*£
&£*/~^,,,, thus: it's the serpent effect!           ,,,,^~/*£&
£&£*/~^,,,                                          ,,,^~/*£&£
#£&£*/~^,, it's to be revered as a creator of       ,,^~/*£&£#
##£&£*/~^, ambience and of space, if you treat it   ,^~/*£&£##
#£&£*/~^,, right. a somewhat more solid and         ,,^~/*£&£#
£&£*/~^,,, slippery sibling of reverb.              ,,,^~/*£&£
&£*/~^,,,,                                          ,,,,^~/*£&
£*/~^,,,,,                                          ,,,,,^~/*£
*/~^,,,,,,                                          ,,,,,,^~/*
/~^,,,,,,,                                          ,,,,,,,^~/
~^,,,,,,,,                                          ,,,,,,,,^~